My take/designs on the pevensies! (They’re definitely heavily inspired by their looks in the movies.)
Beginning of the lion, the witch and the wardrobe
End of golden age-ish
I’d call this a WIP but it’s not really, mostly once we get into designing clothes in fantasy settings I feel very out of my depth, but I wanna practice more. I’m the most happy with Lucy’s but that’s also cause I most heavily referenced with hers.
Im mostly still just figuring out the clothes design for when they’re in narnia. I want brighter/more jewel toned and warmth to contrast with the more muted London clothes. And for the clothing design I want embroidery, but other than that I have no idea how I would make the designs of the narnian style in this era cohesive.
I also have vague main colours for each of them, lucy green, secondary red, edmund blue secondary brown, Susan purple secondary blue, Peter red secondary purple, and all of them use gold as well.
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The Pirate and the Shifter
I'd had this idea for a while. But it Just took for PiratesSMP to come out and get me to dig up one of my old grian designs
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Grians design is kind of a reference to my very first hermitcraft design
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Once more thinkin about this Prompt/AU
And I decided to sketch the level 1 forms the team (& Ellie) have along with sketches of their lvl 200+ Forms. I do believe Klarion is having a blast with his new friends and the Young Justice Team is going to have some Trauma from not knowing this is a Game.
Tucker: Lvl 1 Cat | Sam: Lvl 1 Sprout | Valerie: Lvl 1 Golem | Danny: Lvl 2 Dragon Egg | Ellie: Lvl 1 Celestial Snakelett
(Click for higher quality) Also they are all now Mountain Sized or Larger. Also pondering them all having 3 stages to their bossfights. Second stages is when they start using more magic & less "minions" and final stage is when shit hits the fan & the surroundings get Wrecked. Like Tucker summoning a literal storm & getting lightning charged, or Sam fully emerging from the caves, or Valerie unearthing herself and the team realizing the entire dungeon-city was On Her Back.
@victoria-has-no-secret @qitsin Both y'all reblogged with fun ideas so here @bleuyellow93-storytime you had very VERY fun tags so also here lol [If u don't want to be tagged I apologize] Aaand finally, @radiance1 I think you'd like these
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There's this implication in Tolkien's writing that half-elves are kind-of immortal by default, and that they stop aging unless they choose mortality (though arguably they don't even really age then). See Arwen in the Lord of the Rings, who is several thousand years old and has clearly been living life as an elf, despite never having made the Peredhel choice.
I always wondered why Arwen was given that choice, actually. It seems like the Peredhel choice is mostly given to people who have a mortal parent and an immortal parent (Earendil, since Tuor was definitely mortal when he was born, and arguably Elwing depending on how you see Dior), or at least parents who are undecided (Elrond and Elros are born before Elwing and Earendil make their choices). Arwen is a fair bit more than half-elven, and has two immortal parents. And there's not really any evidence Elros's children got the choice. Why does she get to choose whether she wants to be mortal or immortal?
Now, this could just be some minor world building weirdness, but it raises another very interesting possibility. That Elrond, by the time his children were born, had not committed to being immortal, and was instead undecided. I feel like there's so much to explore in that idea. Maybe Elrond truly wasn't sure about his choice to stay immortal forever until much, much later in his life. Maybe he held off choosing specifically so his children would be able to. Maybe he didn't choose because he didn't want to have to pick between being an elf or a man, and just wanted to be a half-elf in peace.
There's also something very compelling to me about the idea of an Elrond who could have, at any point during the Second or Third Ages, decided to be mortal. Who could have left the grief and struggle of Middle-Earth behind forever, and who, nonetheless, always chose to stay; picking immortality, not once, but a thousand times over the course of his long life, no matter what difficulties he was faced with.
It would also be interesting to explore the idea that most of the people in Elrond's life assume he decided to be fully elven long ago, only to realize that that isn't actually true. I imagine it could be disconcerting, maybe even really anxiety-provoking to realize that someone you were certain would be around forever might not be. I also think it would be really hard for a lot of elves to understand why Elrond might not want to make that choice.
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okay so a large part of my issue with halsin is that his character feels inconsistent, right. like larian wanted him to be a wise older man mentor character but then they wanted him to be fuckable, and they wanted him to be a nontraditional/nonmonogamous romance, so they made him sexually experienced and confident and casual, but he's also a romance option, so he talks about having Feelings for the player character. and then he needed to be a quest-giver, so he needed to ask for help. and what we ended up with is "guy who up and abandoned his responsibilities at the first chance of adventure, got captured and needed rescuing, makes all sorts of comments about his sexual experience but loses all self control and wildshapes at the first glimpse of ass, tells you he has feelings for you to get you in bed then leaves at the end of the game, and makes inappropriately sexual comments abt the sexual abuse victim if you're romancing him" - all of which reads as an uncomfortable, unlikeable mess of a guy.
halsin suffers from a lack of focus - he's neither a full romance on the level of the origin companions, nor is he a fling or sub-romance; he got more care and attention than wyll, in some ways, but the writing is flaky and weak and makes him look, frankly, like an incompetent, immature manchild. the bear scene is grossly pubescent (it should've been player choice to initiate that, not have it dropped on you that if he gets too horny there's a risk he'll CAST A SPELL and turn into a literal animal. by mistake. and if that's his reaction to seeing tits what's gonna happen when he cums) and the way he pushes for astarion to join you if you tell him you're in a relationship feels wildly inappropriate.
I know halsin has a history of sexual abuse himself (and I've seen good analyses/critiques of the way that's handled) but again I find it weird that finding out about that is locked behind not just a sex scene but a threesome+ scene - the writers really wanted to drive home that This Guy Fucks to the point where he comes across as pushy, and his trauma is reduced to background noise in a scene where he is essentially a sex object. he is simultaneously objectified by the writers, and in-universe by himself and those around him, but instead of exploring that we're just supposed to go with it; likewise, his lack of commitment and emotional immaturity aren't problems in and of themselves, but it feels like the writers aren't aware that that's the character they've written, and so these things are never appropriately addressed, and his arc and romance don't match up with the other characters' stories about growth and development.
not rly sure where I'm going with this, but it bothers me!! I think it's a nasty mix of the writers' intentions at a cross purpose with the push for fanservice, and the whole thing leaves a sour taste in my mouth t b h.
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I like using bits and pieces of 2e lore when making HCs and analyzing things in BG3 for spice (and also because BG1 and 2 followed 2e lore and rules), and while this was completely retconned in 3e and on, one thing about wood elves that particularly catches my fancy:
"Their eyes are generally light brown, although bright green is not uncommon. Hazel or blue eyes are exceptionally rare, cropping up only two to ten times in an entire generation."
Y'know who has hazel/grey-blue eyes (with central gold heterochromia)?
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