{2023} grief in grief out
(July 12th - August 7th)
~*{ᵍᵒᵒᵈ ⁿᶦᵍʰᵗ ᵗᵒ ᵐʸ ˡᶦᵗᵗˡᵉ ᵍʳᵃⁿᵈᵖᵃ}*~
on the evening of July 12th, when i started working on this animation, my grandpa was admitted to the hospital with difficulties breathing. i only learned about this the following day and even later that he already had water in his lungs at that time.
he had been in a bad shape since mid-March already, after his 88th birthday, suffering a severe phase of dementia after a physical illness.
but after July 12th he was evidently living his very last days and in the early hours of August 7th he finally found rest.
luckily, all the time, despite his episodes of dementia, he always recognized his family. he still smiled wearily at me past Saturday, though already unable to utter words; and the day before he still addressed me as his little sun, like he always used to do, and squeezed my hand.
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ondıne
[bɛʃtɨəl] self-portrait, inkjet print, water, human hair, typewriter.
source: objkt
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Daisuke Yokota “Alluvion” 2021,
UV Inkjet Print (StareReap 2.5 print),
100×80cm
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Josh Tonsfeldt
Untitled
2022
Fiberglass reinforced gypsum, fiberglass cloth, epoxy resin, pigments, inkjet dyes, UV cured pigment print, silver gelatin print, dye sublimation print on polyester bed sheet, wood, bone, television components
27.75 x 49.25 x 3.25 in.
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you know what? fuck it i'm an inkject printer now.
This you?
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Architecture en attente, 2023
Impression sur filet d’échafaudage, contreplaqué filmé, verre 300x 350 x 20 cm
Galerire Fernand Leger, Ivry-sur-Seine, France
(pending architecture, 2023)
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it hides in the light by Dion Smith-Dokkie
The Bows, April 5th - June 22nd, 2024
it hides in the light presents a new body of experimental mixed-media works by artist Dion Smith-Dokkie that attend to embodiment, interface, information, and infrastructure.
Inkjet-printed stills taken from video works, satellite images of bodies of water, images of daily life, and select found images are broken down into ‘particles’. Using water, the particles are transferred onto paper, creating a collage. In this process, the images are liquefied and lose their discernibility: they synthesize and coalesce. The resulting compositions are further developed with watercolor, gouache, and ink.
The result is an indistinct, luminous work that straddles the line between non-representation and concrete location, videographic and painterly modes. The formal and conceptual tools utilized—mediation and translation via contact, transfer, diffusion, and mutation—become tactics of deliberately sensual and nebulous erotic self-representation. They extrapolate a diffused and empathic praxis of embodiment, self-location, and co-relation.
Dion Smith-Dokkie (he, they) resides uninvited on Musqueam, Squamish, and Tsleil-Waututh homelands and territories. He was born in Fort St. John and grew up in the Peace River region of northeast BC and northwest Alberta. Dion locates themselves as a gay, mixed-race European-Indigenous man who lives with mental illness. He is a member of West Moberly First Nations, a Treaty 8 First Nation. They hold a BA in Women’s Studies from the University of Victoria (2015), a BFA in Painting and Drawing from Concordia University (2019), and an MFA in Visual Arts from the University of British Columbia (2021).
(Photos belong to me and the description and bio are courtesy The Bows’ website)
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Hi i saw your 17776 binding and i was wondering if you’d be willing to share/sell your print layout? That’s such a crazy and impressive undertaking i absolutely need to see it in person.
oh yeah I actually have everything uploaded in PDFs to a google drive !!
I'm still very new to bookbinding and formatting and everything and when I made it I wasn't expecting it to have to make sense to anyone but myself so. if it's kinda confusing or strange I apologize in advance but if you wanna make one I wish you luck !
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Sara Yukiko Mon
Luck / Fcuk
2022
Ink on canvas
24 × 40 in.
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*taps my fingers together deviously*
So the new printer came in, and I am very~ pleased with the results.
There aren't any streaks, and the colors are more accurate.
Yeah, I feel pretty good about this project now~ Makes me wanna start selling prints... but most of my pieces are in odd dimensions, so I'd have to do a bit of size editing XP.
(Original print on far right, new on left)
(Photo paper tests)
(Copy paper vs. photo paper test)
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Lorenzo Vitturi
Untitled #3, 2013-2015
Inkjet Print on Hahnemühle Bamboo paper
51 1/5 × 33 9/10 in
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