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#including fandom discourse if need be!
zeawesomebirdie · 2 years
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Hey! I took so much time to answer I’m on holidays now :’) feels so weird to have that much free time in may… If you’ve had the appointment by now, I hope it brought good news (or, I suppose, as good as possible in this situation) and if it hasn’t happened yet, I hope it’ll go well. I wish I could help you with that, but at least I’m glad our correspondence is bringing you joy :)
Honestly, there might be a lot of them, but I don’t really do anything with my OCs, they just float in my head lol. Sometimes I draw them or I talk about them, a few have Pinterest boards for how they'd dress or toyhouse pages (I wanted to create TH pages for everyone but I don't have art of most of them so it's not happening anytime soon unfortunately) and one or two are used in other stuff like Cécilia who I used to play in a DnD campaign and is now an NPC in another campaign, but mostly they're just there for me to have silly little fantasies about. Meredith and Cécilia are for general stuff, a lot of projecting, thinking about QPRs and fun flatmate stuff; Alex, Laë and Adrien are for cute romance stuff, sometimes more spicy stuff if I'm in the mood, or soulmate AUs; Ophelia has problems with her parents and adventures with Oswald; Aster is all the dramatic stuff but also boring work things that he gets to be all 'drinking wine in your cool chair at 1am' about; Alex also gets a lot of family bonding and shenanigans since I gave him a big family (it keeps extending... I gave him one more sibling and a few cousins since last time and I'll probably keep adding to it...) The only one I really actually use is Cécilia, because while I don't play her anymore my friend started another campaign in the universe of the one where I played her in, so I’ve given them my opinion of what she would say when they’ve asked. Mostly I create them for the sake of creation, because inventing a little guy and doing whatever you want with them is like playing with dolls or petshops but you decide what they look like hehe.
The 'drawback' with making all of my OCs for daydreaming purposes is I tend to gravitate towards characters in a very - set? period? Like, you know how fandoms tend to have specific moments at which they prefer to write characters, before or after they change a lot, when they're still alive, when they're still talking to another character? Not all fics use this 'ideal state' of characters of course but like, you'll see a lot of Obikin set during the Clone Wars but Ahsoka's still there, or a lot of Johnlock before Sherlock fakes his death in S2, that kind of thing? It's like the characters have a default state? Well mine are all kind of like that, and there's not a lot of story around it. They almost all live in the same world at the same time, so at best they'll have a past where they became who they are now, but they're all a bit stuck. Meredith grew past a lot of her insecurities, Cécilia has a goal of becoming powerful and cool but it's for a very distant future, Laë Alex and Adrien are dating and they're young but they probably won't break up, Alex's sister's kid is going to be a toddler forever, etc. They're all relatively nice and doing okay, because I personally don't daydream about people being mean and suffering, but that makes them a little flat sometimes haha. A bit like we’re seeing them at a set point in the story, but never going forward, only seeing them at the beginning/middle/end of their story but not the rest. Which is why characters for a story sounds so interesting to me! If you put them in a story you need to know where they start and where they end and how they change in the middle, there's a few moments where they're at their 'ideal state' and then they keep going, and that's so cool! Though that must mean you’d be creating them very differently, less ‘what are their vibes’ and more ‘what’s their fatal flaw’
Right right right, the amatonormativity is there and I think it would be a little funny to throw poor Reil in all of that. The conflict between “Jedi don’t form attachments” so being aro is ‘useful’ because that does eliminate a type of attachments, but also still being surrounded by people who date and swoon over crushes and have romances (because personally I’m firmly team ‘attachment is when it’s too extreme, Jedi are allowed to have fun as long as it doesn’t interfere with their duties’ so I imagine romances are a thing, whether they end quickly or they manage to last.) And yesss making characters a bit like you is so so cool!! Tbh I can't believe I first thought about giving Meredith a boyfriend because she's the most self-insert of my OCs! Though even back then I knew that would just be wrong so I didn't and then I realised some stuff about myself haha. I also thought I wasn't aro because I'd like some kind of life partner and romance is fun, which wasn't helpful lol. But yeah I’ve seen the sentiment of ‘I thought being aro/ace was hating/being completely oblivious to all that stuff and I was okay with it/got it fine so that meant I couldn’t be aro/ace’ and 1) mood 2) good example of why it’s so important to talk about those definitions because, I’m so glad to see those identities talked about more.
The OC post hadn’t been written but I think you’ve seen it by now haha. I don’t post anything besides +/- finished art on my artblog, so for anything OC related it’s on my main in the ‘wow i have an ocs tag now’ tag!
The vampire OC is Meredith, she's my little self-insert <3 Technically you could argue that since both her and Cécilia are really similar to me and they're not-dating-but-also-not-not-dating it's a bit weird but hey who cares. She's 52 and a potioneer/alchemist, she has a cat called Theo, a lot of friends, long hair and skin problems, she's aroace and she owns her own shop. Since she's a vampire and she has sensitive skin most of the time the only parts of her body not covered by clothing are like, her hands/fingers and her face more or less, she wears a lot of long sleeves turtlenecks and tights/trousers. That's not actually how I wanted to dress when I was younger, I said that because she also wears relatively poofy skirts and cool gloves and ballgowns and boots and jewellery and mostly dresses in black and red and dark colours, which IS closer to what I wanted to dress like (and still do tbh. How lucky she is to have an actual adult job that gives her money to pay for cool clothing and accessories...) Most of my OCs dress in styles I love actually, whether it's the guys who are literally just a guy and dress like that (the graphic tee/hoodie + cargo pants, a singular pair of sneakers and one vest that's too light for the winter, you know the type? Literally just a guy. Love that vibe I’m obsessed with it for some reason) or the elaborate dresses or the hair colours I can't really do because I don't want to bleach mine, or the clothes sharing or the jewellery or the gay poet/pirate shirts, they're all dressing super cool and I wish that was me 😔 Sometimes I'll imagine what my OCs or my favourite characters would wear in my wardrobe and it's very fun, I keep meaning to draw that and then I never do lol
Yeah I mostly act like cringe is dead because I don't really have interactions with people who still believe in it, but I do have a few anti mutuals (though coming out as liking Snarry got one of them to unfollow me so...? That's something? Don't know if it's positive or not but it happened) I don't actually know if you're mutuals with Alex @/storm-of-feathers since I saw you reblog from them but if you are, then you too have the pleasure of having anti mutuals :D Don’t know if you’d already noticed that or not, sorry if that’s how you’re learning about it? tbh after I answered your ask about Tomarry I expected the inquisition once again but apparently either those mutuals weren't online or I was right to tag the post because nothing happened. It does get kind of taxing to avoid talking about specific things or refrain from reblogging posts I like in case the few people who wouldn't approve see it. But at the same time I really don't like change so I'm not really doing anything about it since both of them aren't bothering me about it like 99% of the time.
Yeaah the Knights are just no fun :( I’m glad fandom is there to make something with the fun material the canon writers are just leaving there unexploited, but I also wish canon was just good on its own. Though I guess that does change things in terms of the fandom… I finished watching Gravity Falls a while back and it’s a very good show, so I was a little afraid of going in the fandom, as opposed to things like Star Wars where I knew that if I got into it I wouldn’t even hesitate throwing myself in the fandom. I don’t really know how to explain that, but (and I say that without any negativity towards people who like different stuff than me, they’re doing their thing I’m doing mine y’know) when canon is good and works on its own, it’s different to apply the same ‘fandom lenses’ to it. I read things casual fans wouldn’t even think about, but when it’s for like, HP or SW, it’s whatever, because canon doesn’t really feel like it’s going to explore the stuff it sets down anyway. Whereas with things like GF, canon IS exploring what it sets down, it has a clear message it’s communicating well, and coming in with for example some completely out of left field ship feels different. Anyway :’) I guess I could start getting into stuff that’s good to avoid the problem of canon sucking, but then I’m not getting as much weird fandom stuff, and that’s full of pearls and really interesting stuff I love, so heh
You don’t sound like you’re putting down your writing! I do get what you’re describing, not on a writing level but on a general language level, and I’m glad to know I’m not the only one haha. I learnt french and english through osmosis but my grammar is really bad and as you said, I know what would sound right and what wouldn’t, but not why. I don’t really feel like working on it personally though, so props to you for that, I gotta admire the dedication to actually improving yourself through work haha. I’m sure the exercises’ll pay off and you writing will be even better! (also 15 years is a lot, that kinda hit me but whoa you’ve been writing for a whiile) (and I realise I didn’t say a lot about this, I don’t quite know how to put that in writing but you can imagine the equivalent of listening and making little noises to let you know I’m following)
The GwtW essay might or might not come, I got a 18.5/20 on the ‘exam’ I read the book for (only counted as 8% of that class’ final grade but still) and the teacher told me I should try developping my thoughts and writing the full essay I didn’t have enough time to do. I’ll have to see how motivated I get, I’ll tell you if it ends up happening! Though I was a little turned off by the vibes Rhett and Scarlett give off at the end, I love me a nice little fucked up relationship but their vibes were just hitting too close to home (derogatory). I’m also considering a thing about my absolute forever favourite fic, Pacify by chickenpets, because it’s just. It’s just good. Except it’s the one that got people to send me panicked asks about my morality so yeah :’)) (it’s like. Snarry with some underage, an interesting dynamic and BDSM, but also super well written and it hit 700k recently and every time I think about it I want to go read it again)
Also also how’s the Tomarry going hehe? Recommending you all those fics got me to reread some I hadn’t touched in a while and *dreamy sigh* Don’t think I’ll be going back to canon anytime soon though, because by that point I know it well enough to tell you all the little details even if I haven’t read it since I was like 13 :’)) Your comment about Dumbledore made me think about the morality of putting the magical baby of her sister on the doorstep of Petunia Dursley though. Personally I see him not as a good or a bad person but as someone who by the point of the wars with Voldemort just did what had to be done. He didn’t explicitly want to give Harry a shitty childhood to make him more malleable like you’ll see in certain fics, it’s just that Harry had to be protected and the blood magic was already there. Also he probably expected Petunia to have grown up a little since her childhood when she was super jealous of her sister, and tbh why wouldn’t he? Yeah giving Harry to people you know nothing about is a bad decision, but sometimes you believe in the good in people (in most cases) and – well there are times when turning a blind eye to a situation is helpful, and when you feel responsible for the wizarding world… Like he’s not really a good person, but he wasn’t doing it to be evil? He just had flaws and a past and responsabilities. But also yes Harry Potter is fucked up if you analyse it from an adult’s POV because it’s a children’s book and obviously in the children’s book it’s not fun if Harry isn’t put in situations no good guardian would make possible :’)) God Harry Potter will never leave me. Like I’ll be able to give you a little speech on Severus on autopilot at 82 in retirement home :’)) just, forever etched into my brain whether I want it or not.
ANYWAY sorry Harry Potter was my thing for so long it’s ridiculously easy to get me to monologue about it for hours. Hope you’re doing well and having fun, sending you love <3 (and if you’re not, then I’m sending you even more)
Hello hello! I hope your holidays are going well! It must be wonderful having so much free time after classes! My appointment went well, though there's still no official reason for why I can't hear as well anymore lol. Supposedly it's actually a processing disorder? But I have to be evaluated for that now, so I have to wait until I can have that evaluation before I'll know anything more substantial.
Listen, I absolutely love every aspect of these asks. It's so much fun to get to really dig into things! And your insights and thoughts are always so well put, it's genuinely a pleasure every time you're in my ask box!
Wow okay the thought you've put into your OCs! You're right, I do create my OCs from a standpoint of "how do I get this character from point A to point B," so it's so fascinating that you've got this consistent point of reference for yours. Like, with my OCs, especially the ones I make for the purpose of filling out my cast (or in the case of my original novel thing, for the purpose of being the cast), I need to think of them as these works in progress, because that's what they are, they're constantly being affected by the actions of the other characters and their surroundings and the workings of the universe I'm writing in. I can remember always struggling with certain aspects of one-shots because how does one demonstrate the way a character changes in only one scene? And then when I switched to writing longfics (and ultimately novels, now), suddenly my writing clicked.
And, your OCs all sound incredible! It must be so wonderful to have this consistent cast of characters for all your needs and purposes. If you ever do manage to make the toyhouse pages for everyone I'd love to see it! You really have a way of emphasizing who a character is at that point in time, it's absolutely amazing how you do that!
I'm also firmly on team "Jedi can have some fun but not the extreme attachments that Anakin had going on." But yeah, I also want a life partner and I agree romance is incredibly fun to do! That stuff all requires a really good conversation up front with whomever you're gonna be doing it with though (and here I am, giving life advice like I'm not only 23 lmao but) if you've got the right person (or people) it can be a wonderful arrangement. I've been with my partner for a year and a half and with my boyfriend for just about nine months, and genuinely having a relationship with people who are similarly on the aroace spectrum has been so much fun.
I was going to explain how my relationships worked and then realized that's a little weird of me, even for tumblr, so I deleted it and um you're getting this instead lol. But yeah! Qprs and "romantic" relationships where all parties understand that the romance isn't something y'all are able to feel are really fun! Highly recommend!
I saw the OC post! Your OCs are so cool, just saying, like my dude, that's so so cool!
Omg please draw your OCs or characters in general wearing outfits you have or outfits you want!!! This is just a random thing, but I swear Luke Skywalker would look incredible in one of those 1950's shirtdresses. And the just a guy aesthetic, that's how I dress rn lol! Granted, once I get top surgery I'm going to finally buy the 1950's style dresses I've always wanted to wear but didn't pass enough to, but the just a guy vibe is incredibly fun to do!
Yeah so when I went from being a Zelda blog to an obikin blog in 2021, a bunch of my anti mutuals unfollowed me (which, good for them for having the maturity to unfollow instead of me needing to block them), and those that didn't ended up getting into obikin along with me. I did notice Alex was an anti, I'm not mutuals with them though I was following them for a while. I'm not anymore, one too many vagueposts about anti rhetoric got me to unfollow them, but yeah. I'm pretty open about what problematic stuff I ship (at least, in the Star Wars fandom), so if people follow me after seeing my bio that's kinda on them, and if they start shit I just block them. I'm still unlearning the whole being hesitant to share what ships I'm currently into from the hellscape that is the main Zelda fandom (and from my 2016 experiences with anti-reylos), but I've started to get better about it finally. It really helps to have like-minded mutuals tbh.
Oh, so what you're saying with Gravity Falls reminds me of this one thing I read somewhere a while ago! Basically, you can tell how good a canon media is by how much you (/general you) want to read/write fic for it. If its good but has lots of room for improvement, you're more inclined to look for fic, but if its really good and you can't see anywhere it could be better, you won't want to look for fic because it's all right there in canon! Obv ymmv, ofc, as with all things, but I've found this to be true for a lot of my own fandom experiences. Ofc there aren't any medias I can think of for myself off the top of my head, but when I do write fic or search for fic it's because I didn't like some aspect of canon or another, and really wish it had been different in whatever way!
I'm glad what I was trying to describe about writing was making sense! Thank you for listening, I really appreciate it. And 15 years is a long time, but like, I've been writing since I was like 8, so that's how I arrived at that number lmao. I was telling stories from the time I could talk, I just didn't start writing them down until I got to be 8, and that's where it all began! Little 8 year old me didn't even know I'd be writing like this though, little 8 year old me just wanted to keep my siblings entertained for our parents :)
Oh yeah I love a good fucked up relationship omg, but I'm sorry it hit so close to home like that. Okay so Pacify sounds amazing, I'm going to give that a look, thank you for mentioning it (insert eye emoji several times I'm on desktop and have no idea how to do that from here lmao). I'm sorry that you got panicked morality asks about that, wtf, that's so fucking rude of them. I checked the tags out on the whole series, and this seems so tame considering some of the tags I've seen for other stuff? And like, maybe I'm tainted from delving into the wonderful world of dead dove as a writer plus no longer having anti mutuals, but sheesh. Antis really don't have better shit to do? I hope you can get back to the fic someday, it looks really good and you deserve to have a good time reading whatever you want!
I had to take a break from the tomarry because I ordered the 7 books (from a thrift store, obv, we do not support R*wling in this household) and it's been over a decade since the last time I read them and I needed the refresher. I've just started Goblet of Fire, and I've only had my hands on the books for 8 days, and omg. The tomarry brainrot is real. And my old drarry brainrot is back, and I have to tell you I'm down for snarry too now!
Looking back at this from an adult's perspective is pretty wild too. The first two books were marketed as children's books, but 3-7 were YA back when they were released, and my library even had book 7 alone in the YA section up until a few years ago when they finally moved it down to children's to be with the rest of the series. All this context because, I've been reading adult fiction and horror for the last decade, when I wasn't reading fanfic. And reading children's books for the first time in that long was a goddamn shock (affectionate), but it was really fun to pretend for a bit that I was just a kid on the 8 hour drive to our vacation cabin again! Once I got to Prisoner of Azkaban I felt a lot more comfy with the writing style, but YA is much closer to what I'm familiar with than outright children's, which I'm ofc grateful for. And omg, this series meant so much to kid!me, and I forgot how wonderful it was, and all the current discourse with it (while justified) has really tainted my recollections of it. Yes there's so much ableism and racism and homophobia, but that's what fandom is for, isn't it?
(I'll be honest, as someone who's still got a foot in a fandom such as Hetalia, I see no issues with being in a fandom for a problematic media; and my personal opinion is that I'm not comfortable consuming canon unless necessary for such a media, and if I must consume canon then I buy it secondhand so that the creator doesn't get my support. I have no interest in the HP movies, nor the books past Deathly Hollows; and if I ever do have a point where I'm interested in them, again, I'll just by them secondhand. And if I may add, I've recently started getting involved in professional published and to-be-published author's groups, as a means of encouraging myself to work on my original novel, and you'd (/general you) be incredibly surprised to see how they all interact with and around content that's incredibly problematic for whatever reason and how they interact about authors who are horrible people such as R*wling. It's been very interesting to see such things from a professional, irl pov instead of just fandom. But anyway, that's my views on the topic just so we're all clear fuck R*wling <333 I also hope that all made sense lmao thanks for letting me express that I've been needing to say it since getting back into the fandom)
But okay my opinions on Dumbledore. That opinion from the other week was 100% warped by the last decade in fandom without any interaction with canon on my part. Having read books 1-3, I can see a lot of my old opinions and admiration for Dumbledore still being applicable today, in fact I even suspect a lot of my opinions of death and dying could have come directly from Sorcerer's Stone where Dumbledore talks about Flammel deciding to give up his immortality. And you're right, it's hard to apply adult lenses to a children's/YA series where if the guardian figures were "adequate" for lack of a better word, we wouldn't have any story at all. So I'm kind of reading this from a, "if I were still a kid again how would I interact with this" perspective, while also maintaining my, "as an adult how would I write these characters being in their 20s (or whatever age they are when Harry, Ron and Hermione are mid-20s)" perspective. It's been helping a lot to have my reactions split like that lol. I think my current annoyance with Dumbledore is that, how dare he let Harry go back to the Dursley's now, knowing how abusive they are to him? And I understand (from memory, ofc), that there's the mother's love protection, but I suppose from an adult's perspective, particularly an adult like how I am, I can't quite get it. I do take back what I said about Dumbledore being a horrible character though. He's got his past, and his reasons, and he's been fighting this war longer than any of the characters in this series have been alive for the most part. Obviously he'll be flawed in ways I won't be able to understand, and that's how real people are, so ofc I won't always get it. It's interesting, I think, being an adult and remembering how fondly and in awe I'd look up to Dumbledore, and now as that adult wondering how he could make some of these decisions. None of this is meant like, rudely or anything btw, just v interesting and v looking forward to rereading the rest of the series and forming further analyses!! Thank you for getting me onto this <33
When I finish the last book, I would love to hear that essay about Snape please (once again insert eyes emoji)!
And yeah, Harry Potter was a big fandom for me at one point so I def get it! I've found it's the kind of fandom that almost everyone has been in at one point, and most of us always go back at certain points in our lives. I'm really lucky that I get to be rereading it now, I really needed this right now with everything going on, so thank you so much Ram <333
Everything is going much better now, thank you for all the love! And right back at you, all my love to you and may you have a lovely day when you see this <333
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snake-berry · 7 months
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ok guys im doing a series where im going to draw some asoiaf ladies as disney princesses. starting w sansa bc she is a disney princess who was dropped into the wrong world
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talonpaw · 3 months
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for the record: i very much enjoy reading critical and meta analysis of warriors, especially analyses that cover more serious topics like the series’s depiction of abusive relationships, ableism, misogyny, elements of insensitivity to and appropriation from indigenous cultures, etc.. i just get EXHAUSTED watching people engaging in bad faith discourse and harassing other fans, even though i am fortunate enough to have never experienced that sort of harassment myself
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mossflower · 6 months
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stares at my bio
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theorderofthetriad · 2 years
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again with this shit
Stop acting like Ed’s some unhinged abusive monster for the toe thing while trivializing Izzy’s bad choices in the same breath.
Stop acting like Izzy is some unhinged abusive monster for his litany of bad choices while trivializing Ed's violent actions in the same breath!
Everyday I get less and less tolerant of people acting like Ed overreacted and Izzy did absolutely nothing to justify what happened to him in episode 10.
Everyday I get less and less tolerant of people acting like cutting off someone's toe while they sleep and forcing them to eat it is ever a justified action!!!! It does not matter what the person you're doing it to did in order to "justify" having it happen to them, you are still maiming someone!
Besides “Ed’s becoming a different person so Izzy has the right to be upset” does not track
I don't think i have ever in my time scouring the Izzy Hands tag seen someone say that Izzy has the right to think or do the things he's done. I've seen people explain the why of those things, but never justifying the actions. Someone explaining why Izzy thinks his actions were the right choices in the moment is not the same as them actually saying that Izzy's actions were the right thing to do.
I think the reason people see these things as lesser than the choking or toe incident is because of the subconscious tendency we have to deemphasize emotional abuse.
I think the reason people are trying to justify Ed permanently maiming Izzy is because they subconsciously think that some abuse is okay and maybe even deserved if the victim is an unpleasant or "bad" person. I mean this person literally said "people acting like [...] Izzy did absolutely nothing to justify what happened to him." as though what Izzy did justified what happened.
The pain Ed caused Izzy was not worse or “disproportionate” to what Izzy caused Ed just because it was physical.
yeah actually it fucking was disproportionate. like, yeah, the things Izzy said were supremely shitty, but i've had people say things to me that were way worse and I'd chose the mental trauma of those cruel words over the physical trauma of getting my toe cut off (and the mental trauma of being forced to eat my own fucking toe) literally any goddamn day.
"just because it was physical" as though there's gonna be no mental element to that trauma. jfc
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whiteprairieroses · 2 years
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♡ ♡ ♡
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Why is Billy the only ST character we’re expected to completely condemn before we admit that we like him? Antis want us to fully tear him down before we can build a defense. I don’t know what vibes I get from that, but it’s nothing good. It reeks of moral superiority. I’m not putting a disclaimer at the start of every post about why Billy deserved better, you can use your brains and read.
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casyawn · 2 years
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i'm mostly excited for iwtv to blow up but not gonna lie i'm also kinda dreading it... i'm comfortable in small fandoms and i'm absolutely not looking forward to the capital d Drama and Discourse that come with bigger ones, esp. ones full of younger people... can we all just agree to be chill and avoid getting into stupid arguments... i know i will be trying my best to... block button my eternal companion and friend....
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berlinini · 2 years
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There’s blogs on here dedicated to debunking larry logic but they all get asks from solo harries who have nothing to do but talk shit abt Louis. The thing i hate the most is like,,, why? You can’t point out how stupid those mfs are without shitting on Louis making him out to be some villain when your fav has done the exact same (and also acts like an egotistical prick and is also a homewrecker and has the most misogynistic lyrics ever AND AND)?? It makes me so annoyed like we never win and I just find comfort in the fact that they can’t hurt Louis anymore Louie’s will always chose him and sooner or later the few sane larries (mainly the new ones) will see the light and chose him solo too(even if they still wanna like the clown like ok u do u) but sadly as of now the ppl who come onto Louis related tumblr have the option of either being a hater or being a delusional larrie(…a hater) unless they’re one of us :/ Hopefully Twitter is better
I really don't have anything to say to this except oh, sweet summer child, Twitter definitely isn't better!
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Going to some bitches blog via someone else's Hazbin blog, because I tried to like/reblog their meta but tumblr wouldn't let me, and then I find out the reason why it wouldn't let me is because the OP of the meta apparently blocked me, but I've never seen or interacted with them before, but OP has like a video game icon and a fucking moving gif video game graphic of like a damn nuclear explosion for a header on top of that going off anyway, and I'm trying to read through her other Hazbin posts but I can't focus, because I'm distracted by a goddamn fucking nuclear explosion taking place above me that won't stop and just as I'm thinking "OP, that was such good meta why would you hurt my eyes and brain like this? Alas, you have a video game character for an icon, I should've known!" and in all my disorientation from that seizure trigger waiting to happen, I happen to glance at the upper right corner of her blog and clock there's no follow button for me, and it's just like, "Alright, your loss, Toots! Have fun endangering disabled people by being yet another person in this fandom obnoxious enough to keep some tacky moving gif as your header and actually think that looks good in the year of Our Lord Alastor Hartfelt 2024, I hope you make your Journey To The Light soon! ^_^ <3"
... It was probably my posts tagged with ace discourse god knows these gamer bitches never actually have any, l o l...
#Hazbin Hotel#Helluva Boss#hazbin hypocritical#ace discourse#Like pro tip turbo virgins just get any moving gifs you may have as your headers and any reference to any real life wars happening right no#off your blogs anyway cause you know serious activists hate Viv and hate fandom and don't think you're helping unless you're boycotting and#I know I'm not boycotting besides symbolically not eating McDonalds when it's offered and I know *the rest of you* 4 sure aren't boycotting#and you're probably still eating McDonalds but at least I know the best way I can help is to know when my help is wanted or not ...#What I'm telling you right now is to get anything to do with the real world right now out of your bios cause paying lip service while I kno#you're still paying for that prime video subscription right now is performative and cringe#again... as cringe as actually having a moving gif in your header...#actors can be a little bit performative and cringe as treat because they're actors... it's kind of their job.#But if you're a fan who's still mixing real world politics in with your fandom blogs right now and think real boots on the ground#activists doing real activist work (which includes boycotts) are gonna appreciate you for that ... They probably don't want it or need it.#So the best way u can really hope to help right now is to buy that little keychain or something else where proceeds go 2 help and be quiet#for the rest of the time! <3 I'm not sorry cause it's true! <3#Yes this *IS* indirectly vague blogging about another someone I've blocked thanks for asking! <3#ableism
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stormsbourne · 5 months
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alright listen
I know we're all having an evaluation of how eagerly we believe people who present with even the slightest air of authority and frankly good! we all need to be less credulous of people on the internet who tell lies.
but I think there are also other lessons to learn from james somerton. namely about his raging and blatant misogyny, which I've often seen similar forms of in fandom and on this specific site. to paraphrase bombs himself in the ctrl alt del video, if you see shitty behavior within your sphere, it's important to recognize it and try to fix it instead of rejecting it and asserting that no REAL members of the ingroup are like that. and nerds have a misogyny problem. including tumblr. so let's reckon with it.
do you append "white" or "straight" to your comments about women even when those things have little to do with the topic being discussed, just to make your comments seem more legit? (and no, m/m shipping discourse does not give you a ticket to say it's all straight women -- it's fictional characters, james.) do you often theorize about how (hurriedly appended "straight/white/cis") women are responsible for a problem in fandom, nay, all problems in fandom? have you made up a guy based on a single post that annoyed you and extrapolated to say that all (appended signifier to make it ok) women in fandom are like that? do you see women as uniquely fetishizing, uniquely stupid about politics or social issues, uniquely annoying to talk to? do you assume when there's an issue, even a real one and not the fake ones james made up, that a woman is probably at the root of it?
all of this still applies to you if you're a woman. it also applies if you're gay or a person of color or trans. being an oppressed group doesn't mean you are immune from sexism, and sexism is still rampant in everyday life for pretty much everyone.
your shipping and fandom discourse isn't immune from this. no, I'm not talking about how not enough people like yuri. I'm talking about how women who like "bad" ships like r*ylo or whatever are seen as open targets for harassment. how women who are into "bad/problematic" fandoms are seen as idiots and enablers who deserve what they get. how there's an attitude that women who like shitty bad porn must think it's good, must be too stupid to know better, and must need to be handheld and taught about good, acceptable fiction. I've already talked a lot about tumblr's complete refusal to admit that fujoshi wasn't a term coined by delicate japanese mlm to complain about evil women (and I wonder if james contributed to that idiotic concept), but the way I've seen people assert that women into m/m must be straight, must be stupid, must be lying about their identities, must be hurting gay men in real life in addition to wanting some anime boys to kiss ...
I've seen how some of you people talk about amb*r h*ard, is all I'm saying, and I've seen what you've tried to do to dozens of female creatives that, for some reason, you've decided deserve to be taken down or taught a lesson. I've seen the descriptions you use. shrieking, bitchy, whiny, uppity, shrewish, karen (don't get me started on how karen has been turned into an easy excuse for misogyny). you're not bystanders to what james did and is doing, you're a part of it. sure, you might not have the nazi fetish, but you've said things about women that put somerton to shame.
just a thing to keep in mind while the plagiarism discourse is ongoing. somerton is a shithead for many reasons but this is one that's important to remember because I think people often treat misogyny like a lesser crime, a smaller concern, and it's not. just think of what laws are passing and what views popular movements have of women and then, for one moment, consider that maybe your reflexive need to blame women or pick them apart might have been influenced by the Society In Which We Live.
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asgardian--angels · 6 months
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Izzy Discourse Masterpost
Hey all, given the amount of awful splintering and wank happening in ofmd fandom rn regarding Izzy's death, including the flat-out immature and unacceptable harassment of David Jenkins and Co, I wanted to just make this one all-encompassing post to address the various grievances and complaints I've seen (almost entirely on Twitter). If I've missed anything, please feel free to add on. I'm putting most of this under a read-more for length.
Please be aware, I say all of this as an Izzy fan. I've loved his character since season 1, and while I was sad to see him go, I completely understand and support David & Co's reasons for concluding his arc, and I think it was done respectfully in a way fitting to his character. So let's break down some of the takes I've seen. I am not referencing specific posts or people here, I just want to address the general themes that I keep seeing about why some people are upset.
Izzy's death served no narrative purpose.
Look, this is one that I'm sure fans will debate for the rest of the hiatus. It's completely within your right to disagree with this writing choice, but Izzy's death did serve a narrative purpose in the story that David Jenkins is telling - and he has spoken to this end in several interviews already. I can only summarize here, and fans may find other perspectives in time as well. What we need to remember is that Our Flag Means Death is, at the end of the day, Ed and Stede's love story. That has been made abundantly, explicitly clear. The show has been fantastic at fleshing out the other supporting characters, but that's what they are - supporting characters. They often have their own subplots but ultimately the narrative seeks to move Ed and Stede's story forward and they are tools to spur Ed and Stede's growth or mirror their struggles. Izzy has been a wonderfully complex, multifaceted character but we must remember that all characters are vessels through which stories are told, lessons are imparted, and metaphors are established. He's not a real person who 'deserves' any particular fate. David said he's always intended for Izzy to die at the end of his arc.
Firstly, Izzy (now canonically, through his own dying words) represents part of Blackbeard. He enabled and encouraged Ed's darker side, they were mutually toxic forces to each other. Ed is attempting to cope with and move on from this phase of his life, and like Stede in season 1, set out a free man, unshackled by expectations and loose ends of those he's hurt and been hurt by (though we realize this is an ongoing process that takes time). This lovely gifset sums it up nicely, with Izzy being the Mary parallel, and making s2 mirror s1. Blackbeard is both Ed and Izzy; Ed cannot be free of Blackbeard while Izzy is in his life, and when Izzy is gone he will never truly be Blackbeard again. They are each other's rotting leg!! Yet, they love each other - and David has said that for Ed, this has developed into a mentor and father relationship, and where Ed has previously despised his father figures (his actual father, Hornigold) he does not want to lose Izzy. This time, Izzy brings out Ed, not Blackbeard - and that's where we get the callback to 'there he is', bringing their impact on each other full circle, freeing Ed, getting approval of sorts that he never had, to be soft, to be loved (and there are parallels to Zheng and Auntie here as well that others have made) from that force that drove him to stay in line all this time. David has said in multiple interviews now that he was going for the idea of the mentor/father figure dying and the hero living on and trying to do justice to them.
From Izzy's side, Izzy cannot be free while Edward remains either (Mary cannot find peace while Stede remains). The scar never truly healed, the leg will always be a reminder. At this point the argument becomes 'yes, but why did he have to die? Why not just sail off with the crew of the Revenge?' David has stated that he feels they've done everything they can with, and for, Izzy; he's come leagues from season 1, he's found community, he's found hope, he's found new parts of himself, and he's made good memories. He's found worth outside of what he can be to others. That's more than most pirates could hope for. Where would his character go from there, when the Golden Age of Piracy he belongs to has burned to the ground? Would he stay around and whittle on the Revenge? If he were a real person, yes, that would be lovely, and he'd deserve all the quiet peaceful happiness in the world. But as I explain several points below, he's not interested in being a captain. He's not up for the hard physical labor of regular crew, and he's extremely overqualified for that besides. He has served his narrative purpose, and symbolically, to enter a new age, everything must go. He's connected to the old age of piracy, to the Republic of Pirates, that is now demolished. To him, fighting for what he believes in, for the family he's found, bringing down an army of British twats in the process, is how he should go. It's a pirate's death, and as Izzy's said, he's a pirate - unlike Blackbeard who's succeeding in breaking away from piracy, Izzy never wanted to stop being a pirate, throughout his arc. To me, that's why Izzy remains trapped in the narrative, trapped in history, whereas Ed and Stede will escape history. They leave piracy, and canon, behind, while Izzy was content to remain a pirate and face a pirate's fate.
Burying him on land, right next to Ed and Stede's beach house, shows that his sacrifice was not in vain - they start this new life together, thanks to Izzy's mentorship, his role in their lives that sometimes for worse, sometimes for better, made their love what it was and made their breakaway possible. The new age is built on the foundations of the old age, and is stronger for it.
As we're well aware by now, David tweeted that there's no version of ofmd without Izzy. Whether that's literal or not, symbolically it's true. Izzy's arc of growth affected everyone on the Revenge. Jim fondly remembered fighting for a time when life meant something on that ship; the crew helped give Izzy new meaning in life, and he helped them in return. When he dies, they mourn and have a funeral; that wouldn't have happened under Blackbeard's watch in episode 2. His life meant something to them. He influenced Ed and Stede immensely, and they will take that with them. As David's said, they're all a family, and Izzy was a part of that family, and his loss unites them and brings them closer to continue to fight for that family they've built. It's a tragic, sudden death of someone they've all grown to care for, and that steels their reserve to keep the torch lit. They literally sail off into the sunset to hunt down Ricky to avenge Izzy; he will always be a part of this show. And, of course, with the brief appearance of seagull Buttons, the door is left open for anything.
If this was The Izzy Show, then sure, we'd be content to see him simply engaged in shenanigans every episode. But the plot, and therefore the characters, need to keep moving forward, and Izzy got his growth and development. He got what he needed for his character to have closure, and he served his symbolic narrative purpose in Ed's (and Stede's) story. You may have your own ideas and perspectives, and that's great - that's what fandom is for. But we cannot say his death was pointless when David Jenkins and the writers clearly had a well-defined motive for pushing the narrative in this direction. I actually think the narrative around Ed and Izzy is the most well-developed in the entire show. I for one am so happy we got such an interesting and complex character, and had the brilliant Con O'Neill to portray him.
Izzy's growth & healing arc was rendered pointless by his death.
As this post so eloquently puts it, it's pretty bleak to have the outlook that taking steps to heal and find meaning in life is worthless if it's later lost. Seeking happiness and self-actualization is worthwhile for its own sake; no one knows what's down the road, and we all die eventually. Find meaning in life now. Would you rather have had Izzy not miss with his bullet in ep2? He was given the chance to experience joy, freedom, and hope for the first time in potentially a long time, and when he died he did so with those happy memories. As mentioned, Izzy's death was decided long beforehand given the narrative, and the point of storytelling is to make you feel emotions. We were given impetus to connect and relate to Izzy's character through his process of healing, so when he did die, we felt it keenly. That's how stories work actually! We felt what Ed felt. It moved us. It's not a bad thing that Izzy's arc made him more likeable to fans before his death. It's not a bad thing to lose a beloved character - guess what, it happens constantly in stories - and it's not bad to grieve over it either, but to say that it made his journey pointless is just not true. People saying that Con must be upset that they snatched his character away from him after getting to develop him so much - again I say, would you rather him have died in ep 2 before he had the chance to grow? Or how about in s1, when the crew tried to mutiny? How'd you feel when Stede killed him in his dream, in the very first scene of the season? I think Con's probably glad for the opportunity to have explored this character so much in season 2. Ask him if he thinks it was pointless.
Killing off Izzy was bad for queer rep/burying your gays/"Izzy was the queer heart of the show"
I'm putting 'bury your gays' on the top shelf so people can't use it when it doesn't actually apply. Most of the main cast of characters in this show are queer, and it's a show about pirates with a good amount of violence. Ergo, chances are a queer character will die in the course of Things Happening In Stories. Izzy didn't die because he was queer, and he wasn't the token queer rep. Please turn your attention to the boatloads (literally) of queer characters that are happy and thriving (how about the LuPete wedding immediately afterwards??). As for Izzy being the "queer heart of the show," this is literally the Ed and Stede show. You know, the two queer leads whose queer love the show revolves around, per David Jenkins himself. I'm glad folks connected with and derived joy from Izzy's growth and especially his performance in Calypso's birthday, but he is not the main character of the show. The queer heart of the show is in fact, the entire show, all of their characters and the community & found family they create aboard the Revenge. Not to mention the fan community as well. Izzy was never carrying the show's representation on his back, and frankly that's an absurdly wild take to have (esp when he spent most of s1 actively working against the main queer relationships in the show, attempting to maintain the oppressive status quo of pirate society).
It was bad and irresponsible to have a suicidal character die
Are we forgetting the entire first half of the season where Ed, who was suicidal, kept trying to passively kill himself because he felt he was an unlovable monster, only to be shown that he is in fact loved unconditionally and it gives him the strength to fight for life and triumph against his own self-doubt? The show has spent quite a lot of effort telling viewers that despite feeling damaged or broken you are worthy of love and that you are loved even if it may be hard to see it when you're in a bad place. That you don't need to be fully healed to deserve love and care, and that love and support will help you along your journey. It's incredibly wild to disregard this major plot point and fundamental message of s2 to try and spin this the opposite way for Izzy's character.
Secondly, where are people getting 'Izzy is suicidal' from? Are we going back all the way to episode 2, when he's at his lowest point and fails at his suicide attempt, only to be figuratively reborn after removing the metaphorical rotten leg? By the time of the finale he's shown to be in a good place, thanks to the arc of healing and growth he's gotten, through the support of the Revenge crew and his 'breakup' with Blackbeard allowing him to find his own way in life, realizing he doesn't need a purpose to have value and enjoying his time on the Revenge and the bonds he's made with Stede and the crew. He is, in the words of Ivan, "the most open and available I've ever seen him" by the finale. To take episode 2 as evidence he's suicidal is to erase his whole season of growth, which is an ironic thing to do in the context of these arguments. There's no canon evidence Izzy Hands was suicidal post-'Fun and Games'.
As for 'irresponsible,' once again I say, David Jenkins is not your therapist, he's not 'Dad,' and has no responsibility to tell his story any other way than he intended to tell it. Please find media that gives you what you want or need, and if the death of a fictional character causes you this much distress please seek help. I mean this kindly but seriously.
Killing off Izzy was ableist/bad for disability rep.
I point once again to the rest of the characters, several of which are disabled in varied ways. There are literally multiple other amputee characters specifically. It's not good storytelling to wholly avoid killing off any character that is disabled/queer/poc/female or [insert marginalized group here], especially when a) it makes sense narratively, and b) there's plenty of representation of these groups in the media in question. The answer isn't making such characters invincible and immortal, it's increasing the number of these characters in shows so it's not devastating when some do die in the course of natural storytelling.
OFMD was my comfort show/safe space show, now it's ruined for me
I am not trying to be insensitive here when I say that's a problem that is yours and nobody else's. David Jenkins created this show with a three-season vision and a story in mind, and he is telling that story to the best of his ability the way he wants to. It's already been said that he and the crew did not anticipate the fandom becoming as large and passionate as it has. The plot of the show was never intended to be 'fan service,' and it's ironic that there were people complaining this season that there's been too many fanservice tropes, up until David and the rest of the writers room made a narrative decision they did not like, then the complaints changed to not coddling the fans enough.
We as viewers can derive joy from this show, it can be a comfort to us, it can be important to us. But it was not designed specifically for that purpose, therefore it cannot fail in that respect. We do not have the right to harass writers for not steering the ship in the direction we want - it's their work of art, and we can choose to either come along for the ride or not. It's rare to see creators actually given the chance to tell their story the way they intend (budget cuts aside), so let him do that. He should not cater to fans, or cave and change the story to appease us. Respect his right to create his art, and remember you have the right to create your own. That's what fanfiction is for - write fix-its to your heart's content, but keep these realms separate. David Jenkins and Co hold zero, and I mean zero, responsibility to you. He could not please everyone no matter what he did, it would be fruitless to try, and it would certainly compromise the quality of the story he set out to tell.
You are absolutely allowed to dislike choices made in any show. Curate your media experience. If this show no longer brings you joy, stop watching. But it was never David's purpose nor responsibility to juggle the mental health of millions of fans. Trying to put that on him will only make him less enthusiastic about interacting with fans or continuing to make this show. This isn't rocket science. You're responsible for yourself, not this guy you call 'Dad' that you've developed a parasocial-therapist relationship with.
Izzy should have become captain of the Revenge.
Really?? Firstly, we did actually get that already in s1. He was tyrannical and the crew mutinied. But even if you think 'well after his character arc he'd be better suited to it,' it goes against the point of this arc. He's found value in not having a distinct role or purpose on the ship, decoupling his worth from the job he's expected to perform. He's found his place amongst the crew, not commanding it. There's no narrative reason to put him in charge when he's expressed no further interest in slotting himself back into a role full of pressure and expectations.
Con O'Neill was only told halfway through filming, it's cruel to just kill off the character he loves so much.
Guys, he's an actor. More than that, an actor with a theater background. I think he's used to characters dying. You don't need to look out for him. Con and David spoke one on one about it at length so they were on the same page, and David even said that Con took it well. I'm sure Con had input, just as other members of the cast have influenced their characters' stories, costumes, backstories, etc. Do you really think David Jenkins hurt Con's feelings or something? The writers (remember, it's not just David, it's a whole team of hard-working people coming up with these ideas) gave Con such a chance to shine this season, really developing Izzy beyond what he was given in s1 and letting Con show off his full acting range. Why are you only focusing on the destination rather than the journey? Sure, Con's probably sad to see Izzy go, but please do not project your distress onto him or try and accuse David & Co of being 'cruel' to their cast. That's really ridiculous. It's constantly evident how close they all are.
More importantly, do you actually, seriously think that Con O'Neill would want fans to harass each other or the writers over his character? The man who preaches being kind above all? There is no better way to make an actor uncomfortable about a show and its fanbase than to start treating fictional characters like they're more important than real people. He would not want you to bully people over Izzy Hands, and it's mind-boggling that some of you have convinced yourself otherwise.
Lastly, I just want to talk about the fact that some people are holding OFMD to absurdly high expectations.
Our Flag Means Death has been a pioneer series for its diverse representation, earnest storytelling, and themes of hope, community, and love. It's fine to discuss aspects of the show with a critical eye, but so much of the discourse has truly felt like folks are trying to find fault in a show that is leagues ahead of the average tv series that we still enjoy. How many fan favorites are killed off all the time? How many plotlines are scrapped, or drawn out without closure, or contradicted the very next season? How many shows are indifferent or actively hostile towards their fanbase? How many have any queer characters, or actually do bury them? The bar's so low, and OFMD has risen above to give us so much. Some are holding the show to astronomical expectations, waiting for it to fall from the pedestal it's been placed on. If something you don't like happens in the show, it's not suddenly ruined or demoted to being ~just as bad as those other shows~. Give them some breathing room, have some perspective on how progressive the show is, and that perfection is impossible, especially meeting every single viewer's idea of it. This is basically a repeat of the recent Good Omens drama, with an absurd number of people harassing Neil Gaiman for breaking up Aziraphale and Crowley and leaving the second of three acts on a very predictable cliffhanger. Let stories be told, let them unfold as they may, and you are free to leave anytime. It's so wonderful that more queer love stories are becoming popular and even mainstream, but let's not shoot ourselves in the foot by tearing them down when they don't go exactly the way you want it, which often seems to mean no drama, no character deaths, and therefore no conflict or even plot!
Just, please be civil human beings, and while this seems to be a difficult thing for so many fandoms to do, just keep your fan opinions in the fan space. Never bring your grievances to the writers, never bully them and persecute them for telling a story that you opted into viewing. That's something that goes entirely against everything this show, and this cast and crew, have imparted onto us - the importance of kindness, support, community, and love. I'll say it again because it bears repeating: the fate of a fictional character is never more important than how you treat real people. Just be kind in real life, which includes the internet. Thanks.
Now please, let's work together to ensure we get a season 3. There's so much more story to be told, and if you want to see Izzy back, whether that's as flashbacks, as a ghost haunting the inn, or in the gravy basket, we'll need more episodes! #RenewAsACrew
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sparrowlucero · 26 days
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Even if a creator is a bad person it's still okay to like their work. People need to mind their own business.
Honestly it's not really that sort of situation. I'll actively defend Steven Moffat here.
There was a huge hate movement for him back in the early 2010s - which, in retrospect, formed largely because he was running 2 of the superwholock shows at once, one of which went through extremely long hiatuses* and the other of which was functionally an adaptation of an already well regarded show**, making him subject to a sort of double ire in the eyes of a lot of fandom people. Notably, his co-showrunner, Mark Gatiss, is rarely mentioned and much of his work is still attributed to Moffat (and yes, this includes that Hbomberguy video. Several of "Steven Moffat's bad writing choices" were not actually written by him, they were Gatiss.)
People caricatured the dude into a sort of malicious, arrogant figure who hated women and was deliberately mismanaging these shows to spite fans, to the point where people who never watched them believe this via cultural osmosis. It became very common to take quotes from him out of context to make them look bad***, to cite him as an example of a showrunner who hated his fans, someone who sabotaged his own work just to get at said fans, someone who was too arrogant to take criticism, despite all of this being basically a collective "headcanon" formed on tumblr. Some if it got especially terrible, like lying about sexual assault (I don't mean people accused him of sexual assault and I think they're making it up, I mean people would say things like "many of his actresses have accused him of sexual assault on set" when no such accusations exist in the first place. This gets passed around en masse and is, in my opinion, absolutely rancid.)
On top of that a ton of the criticism directed at the shows themselves is, personally, just terrible media criticism. So much of it came from assuming a very hostile intent from the writer and just refusing to engage with the text at all past that.
Like some really common threads you see with critique of this writer's work, especially in regards to Doctor Who since that's the one I'm most familiar with:
A general belief that his lead characters were meant to be ever perfect self inserts, and so therefore when they act shitty or arrogant or flawed in any way, that's both reflective of the author and meant to be viewed as positive or aspirational.
An overarching thesis that his characters are "too important" in the narrative due to the writer's arrogance and self obsession
A lot of focus on the writer personally "attacking" the fans or making choices primarily out of spite.
A tendency to treat the show being different to what it's adapting as inherently bad and hostile towards the original
Just generally very little consideration of the themes, intent, etc.
This one's a little more nebulous and doesn't apply to all critique but a lot of it, especially recently, is clearly by people who haven't seen the show in like 10 years and their opinion is largely formed secondhand through like, "discourse nostalgia". Which. you know. bad.
I think these are just weird and nonsensical ways to engage with a work of fiction. I also think it's really sad to see the show boiled down to this because that era of who is, in my opinion, very thematically rich and unique among similar shows, and I hate that it's often dismissed in such a paltry way.
This isn't to say people aren't allowed to critique Steven Moffat or anything, but the context in which he basically became The Devil™ to a large portion of fandom and is still remembered in a poor light is very tied to this perfect storm of fan culture and I just don't agree with a ton of it.
* I'm sure most people have seen the way long running shows and hiatuses will cause people to fall out with a show, with some former fans turning around and joining a sort of "anti fandom" for it while it's still airing. That happened with both these shows. ** Doctor Who will change it's entire writing staff, crew, and cast every few years, and with that comes a change in style, tone, theme - the old show basically ends and is replaced by a new show under the same title. As Steven Moffat's era was the first of these handovers for the majority of audiences, you can imagine this wasn't a well loved move for many fans. *** I know for a fact most people have not sought out the sources for a lot of these quotes to check that they read the same in context because 1) most of them were deleted years ago and are very difficult to find now and 2) many of them do actually make sense in the context of their respective interviews
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ao3topshipsbracket · 6 months
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prompted by nothing in particular, things I learned that I'd pass down as advice to anyone intending to do a large multifandom bracket tournament:
Imagine your bracket inspiring wild enough discourse that someone makes a Hall of the Mountain King edit. No, really, imagine it. Imagine that going down in your activity feed. Imagine being known across the site for that. Does this prospect fill you, on some level, with delight? If not, you may not be cut out for a large multifandom bracket tournament.
Do not try to do a large multifandom bracket alone. You need a team, and the bigger your audience gets the more of a team you need. You especially need a team if you're potentially working with a bunch of things you've never heard of. For a smaller bracket with an activity feed that's more reasonable to keep track of, you don't necessarily need multiple blog admins, but you at the very least need a groupchat so you aren't making all the decisions alone.
Your guys might lose. In fact, your guys will probably lose, since there can only be one winner. The sooner you accept this the better for all involved.
You are the mod. It is your job to be impartial, no matter what. You can hate and rage against one of your options in private. In public? The things you hate are valid contenders exactly like every other. If you really can't bring yourself to be at the very least neutral about something in public, just don't include it.
This also means that you have to be evenhanded. You can reveal your personal biases once finals are set in stone but if you're perceived as making policies that favor your guys that shit gets ugly and it gets ugly fast. Remember: everyone can see the vote percentages perfectly well on the post! The winner of the vote gets highlighted! People can see these things!
Keep anon off. If it looks like it's going to get at all heated, turn blog comments off and keep them off. Don't publish any type of ask you aren't okay with getting more of.
DO NOT RESPOND TO THE TAGS. You can respond to asks, if you really want to, and you've thought through the consequences, but do not respond to the tags. This is the other reason that you need a groupchat, ideally a groupchat full of likeminded individuals who have good takes and are fairly levelheaded: bringing bad or annoying or even just funny takes to the groupchat will give you the strength to not respond to the tags, the serenity to not respond to the tags, and the wisdom to not respond to the tags.
You cannot prevent voter fraud. You can accept voter fraud, or you can have a meltdown about voter fraud. In a small bracket (votes in the triple digits) you can ask people nicely not to fraud, and this will probably even work if you're not in mcyt fandom, but once you get to the tens of thousands it does not work at all. Even if nobody actually frauds, it's easy to accuse the other side of fraud and difficult to prove innocence; people can and will abuse this. Accepting fraud is literally always going to be less stress for you and I highly recommend it. Also, it's funny.
Try to establish policies before things come up, rather than reacting in the heat of the moment. Once you have made a policy, stick to it. Relatedly, when you are making policies, ask yourself very seriously if they're policies you're willing to stick to.
Things you will likely need policies on: Do you publish propaganda? Do you reblog propaganda? What is the line for being an asshole beyond which you block? What do you do in case of a tie?
"There can't be that many fans of [whatever]" is always wrong. There can always be that many fans of whatever.
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bowtiepastabitch · 3 months
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Heaven's Not Homophobic in Good Omens, and Why That's Important
I need to preface this with, I am not trying to start a fight or argument and won't tolerate any homophobic or bad faith arguments in response to this. Cool? Cool.
This is in large part inspired by this ask from Neil's blog, which sparked some discourse that I don't want to get involved in but that brought up some analytic questions for me.
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He goes on to reblog a question asking about Uriel's taunt specifically, clarifying that "boyfriend in the dark glasses" can just as easily be read/translated from angelic as girlfriend or bosom buddy. The idea is that an angel and a demon "fraternizing" is seriously looked down upon, not that heaven is homophobic. And that's super important.
We see homophobia in both the book and show, of course. Aziraphale is very queer-coded, intentionally and explicitly so, and we see the reaction of other humans to that several times. Sergeant Shadwell, for example, and the kid in the book that calls him the f-slur when he's doing magic at Warlock's birthday party. These are, however, individual human reactions to his coding as a gay man.
I am, personally, not a fan of heaven redemption theories for the show; no hate for people who want that it's just not something I'm interested in. I don't believe that heaven is good with bad leadership, or that God Herself remains as a paragon of virtue. To me, that's not in line with the themes and messages of the show. It's important, however, that heaven doesn't reflect human vices. Heaven can be nasty and selfish and apathetic in its own right without ableism, homophobia, transphobia, or racism. This matters for two reasons.
Firstly, we don't need the -isms and -phobias to be evil or at least ethically impure. In a world where we spend so much time fighting against prejudice and bigotry, our impulse is to see that reflected in characters whose motivations we distrust or who we're intended to dislike. While it's true that that's often the big bad evil in our daily lives, it can really cheapen the malice in fictional evil from a storytelling standpoint. A villain motivated by racism or as an allegory for homophobia can be incredibly compelling, but not every bad guy can be the physical representation of an -ism. Art reflects the reality in which it's crafted, but the complexity of human nature and the evil it's capable of can't be simplified to a dni list.
Secondly, and I think more importantly, is that for Good Omens specifically, this places the responsibility for homophobia on humanity. If you're in this fandom, there's like a 98% chance you've been hurt by religion in some way. For a lot of us, that includes religious homophobia and hate, so it makes sense to want to project that onto the 'religious' structure of Good Omens. It's a story that is, in many ways, about religious trauma and abuse. However, if heaven itself held homophobic values, it would canonize in-universe the idea that heaven and religion itself are responsible for all humanity's -isms and -phobias and absolve humans of any responsibility. Much like Crowley emphasizes repeatedly that the wicked cruelty he takes responsibility for is entirely human-made, we have to accept that heaven can't take the blame for this. To make heaven, the religious authority, homophobic would simply justify religious bigotry from humans. By taking the blame for religious extremism and hatred away from heaven and the religious structure, Good Omens makes it clear that the nastiness of humanity is uniquely and specially human and forces the individual to take responsibility rather than the system. Hell isn't responsible for the Spanish Inquisition, which by the way was religiously motivated if you didn't know, and heaven isn't responsible for Ronald Reagan.
This idea is perhaps more strongly and explicitly expressed in the Good Omens novel, in the scene where Aziraphale briefly possesses a televangelist on live TV. It's comedic, yes, but also serves to demonstrate that human concepts of the apocalypse and religious fervor are deeply incorrect (in gomens universe canon) and condemn exploitation of faith practices. Pratchett and Gaiman weave a great deal of complexity into the way religion and religious values are portrayed in the book, especially in the emphasis on heaven and hell being essentially the same. They're interested in the concept of what it means to be uniquely and unabashedly human, the good and the bad, and part of that is forcing each individual person to bear the brunt of responsibility for their own actions rather than passing it off onto a greater religious authority.
Additionally, from a fan perspective, there's something refreshing about a very queer story where homophobia isn't the primary (or even a side) conflict. The primary narrative of Good Omens isn't that these two man-shaped-beings are gay, it's that they're an angel and a demon. The tension in their romantic arc arises entirely from the larger conflict of heaven and hell, and things like gender and sexuality don't really matter at all. Yes, homophobia and transphobia are very real, present issues in our everyday lives, but they don't have to be central to every story we tell. There's something really soothing about Crowley and Aziraphale being so queer-coded and so clearly enamored with each other without constantly being bombarded with homophobia and hate. It's incredible to see a disabled angel whose use of a mobility aid makes no difference in their role and to see angels and demons using they/them pronouns without being questioned or misgendered. It's all accepted and normalized, and that's the kind of representation that we as queer people deserve.
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AITA for telling a school counselor about what my friend does online?
I (F minor) am in middle school. I have a group of friends, about 8 people, but this is about one girl in specific we can call Annie. All of us are mutuals on tumblr, twitter, etc. and we have a discord server too.
All of us are into a lot of the same things, like art, anime, video games, and have a lot of the same hobbies. Most of us also struggle with mental health stuff like anxiety and/or depression so we regularly talk to our school counselor (F, Idk how old she is).
Anyways, we're all really close and we get along really well for the most part, but lately Annie has been doing stuff that really bothers and worries us.
She's VERY into internet discourse. Has 10 paragraph long DNI page, is constantly starting fights with other people, etc. She usually argues about stuff like LGBT+ rights, womens rights, etc. but also a LOT of fandom discourse which is my biggest concern.
A lot of my other friends reblog/retweet stuff like anime gifs, fanart, memes, etc. but pretty much every post I see from Annie is her fighting with someone over shipping or something like that.
A lot of the posts are basically:
Her talking about how disgusting a certain ship or character is
How everyone who likes that specific thing is a degenerate, or freak, or pedo or groomer.
How if you like problematic ships you need to get a therapist, or you deserve to be hurt. Once I saw her arguing with someone who said they write certain stuff due to trauma and she said "You don't have trauma, you're either lying or you actually liked it and that's why you write such disgusting nasty shit"
Fighting with random people and accusing them of being a predator or a pedo
Breaking her own DNI (which says adults, proshitters, etc. DNI) and then getting mad at the other person for responding
It's really upsetting to see because she does this CONSTANTLY. She never seems to use tumblr/twitter to do things she actually likes. I never see her reblog gifs or memes or just silly lighthearted posts about stuff she enjoys.
It's especially upsetting because we're minors and she TELLS PEOPLE THAT. Like she's arguging with people that she thinks are pedos or child predators, while openly telling people her actual age. To me that's like covering yourself in bloody steaks and then jumping into water full of sharks.
I was really starting to get concerned because even in our private discord server she's always talking about how much she hates these people or whatever and how they should die, a lot of the time she says things like "they should get the wall" or "I hope their nasty fanfics happen to them irl that would teach them lol" and it really freaks me out.
She also talks about seeing the "child porn" that these people make which as far as I'm aware is drawings of characters but it still freaks me out how open and calm she is about looking at what she THINKS is child porn. I asked her if it's child porn why is it being linked in callout posts for other people (including minors!) to see and not being reported to the FBI but she just gets mad and changes the subject.
Me and our other friends have mentioned before that we don't like hearing about this kind of stuff but then she just gets mad and goes offline or gives us the silent treatment at school.
A month or so ago I got so fed up and upset, that I took a bunch of screenshots of her tumblr account and discord messages. One thing to note is that her username is VERY specific.
It's a combination of her first and last name and her birth year. Most people will not know that, but if you know her name and birthday, it's easy to tell it's her. She also goes by her real name online which I also screenshotted as proof it's her.
I brought all this to the school counselor, and I told her how worried I was about Annie, and how I think she's doing something really unsafe. Not only is she confronting people she thinks are child predators/groomers, she's telling people they deserve to get hurt in really awful ways, and looking at porn and I don't think this is good for her mental health.
The counselor at first was like "Idk are you SURE it's her? It could be anyone online!" But I insisted that it was and explained the username thing and that this was our private discord server so obviously I know it's her.
She thanked me for letting her know and told me I was being a good friend and then we talked about how I was doing, and then I left. I kind of forgot about it until a week later.
Annie wasn't online at all and I was kind of worried, but then I saw her on Monday at school. I was with our other friends and we called out her name so she would see us and come over and she LOST IT. She started screaming at us and telling us how awful we were, and how we ruined her life.
Idk what exactly happened, but apparently the counselor talked to her and her parents got involved? Her parents now monitor her internet usage, they have child safety stuff on the browsers, and she's only allowed on certain websites for doing research for school, or watching videos on youtube on their account so they can see what videos she's watching, or playing games on steam.
She said that her parents are also putting her in therapy once a week now (with an actual therapist, not the counselor) and she's only allowed to go out with an adult chaperone (either her older sister or one of her parents).
But... None of our friends know it was me who told the counselor. Annie has other friends besides us, so they're also "suspects" for being the snitch. It seems like half of our friends are relieved that Annie is kept away from that kind of stuff and the other half are mad at whoever the snitch is for ratting Annie out and resulting in her having less privacy/freedom.
At first I was happy that Annie was getting help and being kept away from this but now I feel really conflicted. I feel so disgusting talking to her and our other friends and pretending nothing happened, knowing that I was the one who told the counselor.
Annie still talks to us but she's a lot less open. We still have our discord server but apparently her parents will read through the messages to make sure she's not talking about anything bad and that she's only talking to us and not strangers.
What are these acronyms?
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