For years Scholars have speculated on its meaning. The stone slate clearly meant to have indicated some kind of important conversation: perhaps between the creator and one of their ancient acolytes? Many tried to decipher it, but alas while some of the scriptures line up- even noticing some repeated words in a few sections, none could figure anything else other than that it was important. The only words managed to be translated were "I am", "get", and "what".
Until the creator comes, they stand still for a long time gazing upon the long slate, silently reading its contents with a recognizing stare. They sigh and mutter, "The joke doesn't even hold up anymore, someone made a clothes store named soup".
...you have no idea what youve done to my brain, do you?
Anon. Anon, I-
I didn't realize... that the clothes store was named Soup.
I was literally the person on the other side of the phone for years now like "what do you mean your at soup?"
Like I thought the other person was just making an unhinged joke, or was just in the soup aisle 💀
I just accepted that as an answer and moved on 😭😭😭
STOP I FEEL SO DUMB RN- CRYING LMAOO
I don’t have much to add other than sharing this ask with the world finally im so sorry i didnt see this siting in my mailbox
☆
Safe Travels Soup Anon,
💀♒️
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Everyone is a monster to someone. Since you are so convinced I am yours, I will be it. / Progress cannot begin and suffering will not end until someone has the courage to go out into the woods and drown the damn cat.
Nebraska by Bruce Springsteen / Black Sails (2014-2017)
[image id: a series of 19 images from Black Sails, with the lyrics of Darkness on the Edge of Town by Bruce Springsteen superimposed on them.
"Well, everybody's got a secret, son," over Anne looking at Max's naked form through a door at the brothel.
[image id: a series of 12 images from black sails with lyrics from Bruce Springsteen's Nebraska superimposed over them in red.
"From the town of Lincoln, Nebraska," over a crowd of people at the docks in Nassau.
"with a sawed-off .410 on my lap" over Flint's hand holding a smoking gun.
"Through the badlands of Wyoming." over dark blue water.
"I killed everything in my path," over Flint shooting a gun. He is aiming straight out of the screen and his face is obscured by sparks.
"I can't say that I'm sorry for the things that we done," over Flint's face in profile in the scene where he says to Miranda (not pictured) that this ends when he grants England his forgiveness.
"At least for a little while me and her we had us some fun," over Silver's face during his descent into the darkness conversation with Flint.
"They declared me unfit to live," over Flint and Vane on trial in Charleston. They are viewed from behind sitting side by side.
"said: into that great void," over ghost Miranda screaming.
"my soul'd be hurled," over the preacher practicing his sermon in the cornfield.
"They wanted to know why I did what I done," over Flint and Silver's sword-fighting practice. Flint is holding a sword out to Silver by its hilt.
"Well, sir," over Silver's and Flint in the jungle on Skeleton island. Silver's face is in focus in the foreground and Flint is visible blurred over his shoulder. Silver's face is partially cut-off by the edge of the frame.
"I guess there's just a meanness in this world," over Max talking to Grandma Guthrie (not pictured) about needing to drown the damn cat.
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She took her first breath in the darkness of the night as the most violent storm lashed the wet air with lightning. Kicking and screaming, the drow ripped her way into this world as her mother sheltered in a cave; cold, dirty, and road-weary. The birth of the girl was a culmination of months of relentless pursuit, treachery, and violence. Eyes in the dark, daggers shifting under tables, poison swirling in a cup of wine. Mark of a bad year, her mother hissed between her clenched teeth. Maleane.
What preceded her coming into this world was exactly what followed it. Always moving, never stopping, never trusting. Her mother’s ruthless lessons intertwined with her father’s wish to raise a child severed from the culture of bloodlust, power, and dominance. (insp.)
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HI its been months since i last posted i forgot how this works OK UM
my the bestestetstest friend ever @satosuguseph went to italy so i drew these poly FREAKS (in a loving way) !!!!!!!!! the intention was to make it look like it was edited really badly but im not sure how well that comes across :((( i had plans for a garroth one and laurance+zane but i never did those so im sorry 🖕🖕🖕🖕🖕
oughhhhhghghh wedding dresses make me go INSANE i love looking at them/drawing them
yep! it's all over the screen now! (/ij??? or /ref idk)
um the contrext is this dress specifically which reminds me of irene actually?? even thoughy ive only seen fanart because i never watched mcd past s1 💥💥💥💥 i love garrance though i need them to be canon but only if im the one writing the scripts because the aphmau writing team(?) doesn't undertsand tgenm like i do;./
fake dating pdh garrance is the only thing getting me through school tbh
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wait. wait. wait. ive been staring at ur latest comic for awhile now and i think i've noticed something about the colors? which are amazing, first of all- just gotta get that out there cuz i adore that soft pink and deep green combo
but i just realized that throughout most of the comic u use both in equal parts it seems. to separate bg + fg and such, to highlight characters/objects, etc.
but then when vash gets back to their room, all the walls are that dark green. and, bit by bit, the pink totally falls off. by the end, it's nothing but constant dark green as vash starts to cry
but then wolfwood slams in and he's backed by that soft pink. and suddenly the comic is nothing BUT pink. soft lines and whites and gentle pink tones EVERYWHERE to just. SO tastefully highlight the little details.
LIKE. WAS THIS INTENTIONAL?! i almost wanna guess that it wasn't since all those green panels w vash crying are all closeups focused on his expression so it makes sense to just put the simple green behind it and all attention on him so the pink just isn't Needed
BUT AT THE SAME TIME THE EFFECT IS SO MASTERFUL THAT I WANNA BELIEVE IT WAS ABSOLUTELY INTENTIONAL
HEHE..... first of all, thank you for looking at my comic so closely, THAT'S LIKE... REALLY SWEET and a huge compliment to hear, thank u thank u
and yes, it was intentional, especially more towards the end!!! in general, the colors are meant to serve as a mood indicator, so a balance of them in a scene would just mean a neutral "okay-ness" and have a functional serve to separate background / foreground / subject matter... deep green signifies introspection or incoming sadness (especially on pg5 when vash cries), and pink signifies wolfwood, which, not an emotion but he is happiness, someone that helps vash lose his doubts in a matter of seconds -- which is why those last few pages are just pink white and lines, and the panels are gone for the majority of it. i wanted to show their unity and togetherness!
while vash still has his issues of just Not saying anything about his loneliness, his feelings are alleviated temporarily with wolfwood's presence and he's just grateful that his paranoia didn't become true, and that wolfwood is genuine, true to his word, when he means he'll be following vash/staying with him. even though it's mission-bound, vash would probably still feel guiltily comforted by that fact.
I'M GLAD IT WAS PARTICULARLY EFFECTIVE IN THIS COMIC because i definitely could've pushed it more... i figured it was a minor thing that not a lot of ppl would care for, but more ppl enjoyed it and noticed the colors than i thought, so i'm glad it worked out!!!
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