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milla-frenchy · 2 days

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Breathe (SMBU part 5)

4k9 | Joel Miller x fem reader x Tommy Miller x raider Series summary: you’ve been kidnapped by raiders, Joel is their leader. Women who don’t “behave” are locked in a place you call “the shithouse”. You live in your own house, “freely”. You and your roommate, Vic, became girlfriends. Joel, Tommy and the guards have free use of the women in the camp, while respecting Joel's strict rules. Chapt summary: Joel wants to make things clear, if you ever decide to oppose him again. Him and Tommy use you for an "initiation" Warnings: 18+ mdni. Dead dove. Dark - noncon (captivity, threat) / dubcon Gangbang, dvp, oral (f/m), spitting, spanking, rough sex, degradation, praise kink, size kink, piv, rimming, anal, creampies, angst a/n: Heed the warnings. If any of this makes you uncomfortable, do not pursue reading. I don't condone any of this. Thank you @not-a-unique-snowflake-blog for beta-ing 💕🫶 The Prodigy - Breathe | playlist | ao3 | series masterlist

Main masterlist - Part 4

The next morning while you and Vic were still sleeping, Joel brushed your cheek to wake you up. He asked her to go to her bedroom then changed your bandage gently so as not to hurt you, asking if it was painful. He placed medicine and bandages on the dresser, and left saying he was letting you rest. You didn't see him or any guards for two days, until one of them came and told you to follow him. You tensed up when you approached the shithouse, but you didn’t ask why you were there. You knew it was pointless, the explanations would come in due time, probably from Joel, not from a guard. You approached one of the bedrooms and you heard grunts and moans. Your discomfort grew.

“Stay here,” he told you, after letting you into the room. The smell was terrible. Still made of cum and piss. You tried to look away as she tried to catch your gaze, silently begging for your help. You wanted to cry knowing there was nothing you could do for her. Nausea seized you. Three guards took turns between her thighs. Tears ran down her cheeks but there was nothing human in these men’s eyes or words. They were taking, taking, taking. Raping. Feeding on her fear as much as her body. The mattress was even dirtier than the first time Joel had brought you there, the day you had to choose your fate.

When all three had come inside her, they passed by you, staring at you from head to toe and you placed your hands in front of your chest as an illusory protection. Once gone, you moved closer to her after grabbing a dirty blanket from the corner of the room to cover her.

“I’m sorry, sweetie, I’m sorry.” She was crying and was ashamed, as if it was her fault. You hated them. The door opened and Joel entered.

“Having a good day, Julie?”, he asked.

You hated him now, and he saw it when your eyes met. He grabbed your elbow and led you out of the room.

“You’re gonna get her killed.” You were so shocked that you were shaking, barely managing to keep your composure. You hoped not to show him but your guts knew better than your mind. This man felt the slightest emotions that emanated from a person, and he used them. Whether to make them feel bad or good, depending on what he wanted. He was way too good at this, and it was probably why he was still alive, running raiders camp in the lost world.

“Getting fucked ain’t gonna kill her.”

“Come on, Joel! She is poorly nourished, probably has lots of deficiencies and perhaps an infection. Not to mention a psychological damage. Have you really lost all humanity?”

You were trying not to cry. You imagined far too easily how you could have been in her place.

“You know I don’t. You're still there”, pointing with his chin at the house where you lived. “In your pretty bedroom. With your pretty girlfriend.”

The way he said it made you shiver. You showed him your bandaged hand, to make him think about you, rather than her.

“What’s your point? You think those guys, the one that railed her, wouldn’t have done worse?”

“What do you want me to say? That you're less of an asshole than them? Still an asshole to me.”

You wondered if you were going too far but you were too upset by what you had just witnessed. “Why did you show me this? Those guys? You’re gonna threaten to send me there again?”

“No. No I won’t. We both know it wouldn’t work.” You looked at each other, waiting for the other one to speak. He spoke first.

“You think you have leverage on me, that I love your pussy too much to throw you to these men. And maybe it’s true. But now I have leverage on you too. I know how much you care about her. So if you piss me off again she’s gonna be thrown here and fucked an entire day by these guys. To teach YOU a lesson. She doesn't need one, she knows her place.”

"You disgust me."

“Oh, baby. You hate me now, but you love my cock as much as I love your cunt. You may have forgotten it for now, but you’ll remember it when you’ll moan, bouncing on it. Go back to your house now, lesson’s over.”

You insulted him in every possible way in your head, while he looked at you with his arrogant smirk. Fully aware of what was on your mind. Your heart sank thinking about Vic, and you went straight to your room, hoping that sleep would make you forget everything else.

Footsteps woke you up in the middle of the night, just before a guard entered your room and asked you to follow him. It was unusual. When one of them wanted to fuck you at night, he would do it in your bedroom and then leave. As if they wanted to leave their scent in your bed. You were even more surprised when you saw that he wasn't taking you to the fuckhouse. Or the shithouse. For a moment you couldn’t help but be afraid that Joel would “teach you” another lesson there.

The guard led you to a house you had never been in and knocked on the door. You heard Joel shoot “come in”. The man closed the door behind you, and Joel told you to go upstairs. He was lying on a bed, in jeans and a t-shirt.

“Is it…?” you started to ask.

“My bedroom, yeah.”

You looked around. The furniture, the way the room was organized. Everything was clean and tidy. You looked at the window, illuminated by a nearby lamp. Pink, blue and purple paper butterflies were hanging there, moving with the breeze that brushed against them. Everything was minimalistic in his room, and this childish touch of color stood out from everything else. You turned to him with a confused expression and he took a moment before responding.

“A reminder of my daughter.” A veil formed over his eyes. Your heart sank when you heard this confession. With those words, you suddenly realized two things. He had experienced a loss that broke his heart, and you had a special place for him. A part of you had already known it, but now you couldn’t deny it anymore. And somehow, it complicated things for you. From the beginning, you wanted to hate him. But your heart wavered because of Joel's behavior. You knew you were suffering Stockholm syndrome, you knew that your instincts were doing what they could to help you survive, at almost any price. But it wasn't just that.

And now, you didn't know why or how, but this special place you had, was there. Even if he was capable of acting like an asshole, to fuck you with three other guys or to throw you out to all his men. Or to cut your fucking pinky. But he decided to tell you that and your heart was racing. His constant hot and cold behavior was driving you crazy.

“How’s your finger?”

“Great, for a cut off one.”

It made him smile. You, not so much.

He stood up and came up to you, and surprised you again when he asked if he could hold you. You considered saying no to him, but that wasn’t what you wanted. Even if you hated yourself for it. So you nodded and he took you in his arms, and for a few minutes your body relaxed, enjoying the security he was offering you. Your body was lost in his arms, and you loved that feeling, that strength all around you. And not directed against you, for once. He took your chin between his fingers and lifted it towards him. His brown eyes, which sometimes turned black. But not there. And he kissed you. He’d done it before, while he was fucking you, but never like this. His lips were soft and warm. His hands slid down your body, brushing against your breasts, and you shivered. He removed your top and slid his hand between your breasts, rubbing their curvature. Then your pants, getting on his knees to remove them from your feet. Your panties, while he was still kneeling in front of you. He looked at your pussy and brushed your folds with his thumb.

“Lie down on the bed,” he said.

“Can you…” you stopped, not daring to go further in your request.

“Can I what?”

“Take off your clothes? I’d like you to be naked, like me.”

“Ok, baby,” he replied.

“Can I do it?”

He nodded, and let you take off his t-shirt, pants and boxers. He was barefoot.

“Thank you”, you breathed out, before going to lie down. He knelt at the foot of the bed, sliding you over to him. He was calm. Different from the other times when he had fucked you alone. As if he was less harsh. As if he was human, at least a part of him. The emotions were so strange in that new world. And even more so when you were in captivity. Used.

When he placed his lips on your pussy, you forgot the rest. His tongue brushed against your folds up to your clit, before his lips gripped it, sucked on it, kissed it.

“Open up for me,” he said.

You folded your legs further, resting them against the bed. He spread your folds with his hands and spat on your clit then on your folds, before sliding his thumb on your delicate skin. “Joel…” you whispered. He didn’t respond, preferring to slide his tongue into your pussy, groaning between your thighs. Fucking you with it and collecting all your wetness. Digging as far as possible. His thumb twirling over your clit. Sometimes he would let his saliva flow onto your clit again. The feeling of it flowing over you, before he spread it with his thumb, electrified you.

“Good girl,” he said, just before he moved his tongue up to your clit and buried two of his fingers in your pussy. His other hand was on your stomach, caressing your skin. As if he wanted to feel your stomach moving up and down, following the pace of his fingers or tongue. You felt your orgasm building. He spat one last time, knowing the effect it had on you. You came on his fingers, your pussy clenching on them. You heard him moan, tongue resting on your clit. Feeling its jolts.

Then he crawled over to you, a firm hand around his hard, thick cock. He nestled it at your entrance and pushed in without waiting. Eyes staring into yours, until you had to close yours, trying to get used to his size. He was spreading your folds with his cock, without forcing but without slowing down either. Until he bottomed out.

“I love to fuck you, you’re right”, he confessed in your ear. “Best pussy I’ve ever fucked, maybe. Takin’ my cock so fuckin’ good.” You whined against his neck.

“Told you, baby. You love my cock as much as I love your cunt.” You didn't want to think about it. You were there because they had captured you, because you were forced to let him, them, fuck you. As if he knew what you were thinking, he added, "yeah, since the beginning, you're getting off on being fucked by raiders."

There he was again, that Joel you hated. Your whole body contracted as you tried to push him off of you but he tightened his grip, continuing to fuck you slowly, growling in your neck.

And you hated it but you couldn't deny the heat that rose in your core, his cock rubbing against your g spot, and his lower stomach against your clit.

“Yeah, baby, just like that. You’re gonna come on my cock.”

“Yeah…I…fuck, Joel…”

“Come on, baby, I missed your cunt these last days. I missed stuffing you full of my cock.”

He wrapped his arms under your shoulders and pulled you close.

“Talk to me. Tell me what you feel.”

“I…I feel it coming. Growing in me. It’s so good, so warm. Why do you…Oh god…I’m gonna…Joel, Joel…”

“Why do I what?”

“Shit…why do you make me feel so good…”

He growled, and added “come on, baby, squeeze my dick. Come on it, then I’ll fill you up.”

You put your legs on his lower back, allowing him to fill you deeply, completely, as he was thrusting in just as slowly.

“Yeah, fuck, yeah…just like that baby.”

You dug your nails into his flesh as the wave hit you. He kept his body against yours, his cock buried deep inside you without moving, just to feel the jerks of your pussy on his cock. Until he came too, just by being clenched by your folds, and shot his cum deep inside you. He lay on top of you for a few minutes, then he withdrew. He told you the guard was going to take you to your house. You picked up your clothes, put them back on and left. On your way back home, you tried to stop your tears from falling. As if your heart expected that he would treat you differently, less harshly, after that moment. You didn’t know what was wrong with you. What you were thinking, how you could be so naive. He was just a raider.

The days passed. The multiple fucks too. With time you learned to keep yourself busy. Learned to sew, knit. Tinkering, refinishing furniture. The men brought back various things from their raids. Women were not allowed to leave the camp of course, to avoid the risk of them escaping. At first, time passed agonizingly slowly and you were bored, but refused to participate in activities with other people. To meet other people, chat with them. As if that would mean you were giving in. And then you broke down and took some seeds available in the warehouse. You planted them in the vegetable garden. It was the first activity you got involved in.

Loads of books were available and you had discovered many authors. The days were passing faster now. Sometimes you couldn't help but wonder what you would do if you could leave this camp. If you could survive, and how. If you would come across worse than the men there.

One day you noticed a new soldier. Young, early 20s. And your heart sank thinking of those young people who had only known that violent world. What would their life be like, in another universe? He wouldn’t become a raider, who learnt that women were only a resource. You hated this world so much. Several times you felt his gaze on you. A look still pure, despite everything.

“You like her?” Joel asked him.

“Well…she’s pretty.”

“Yeah, she is. Wanna fuck her? You had the talk with Tommy, right?”

“Yeah, but…I don’t know, I’ve never done that.”

“What, you’re a virgin?”

“No. But…I’ve never fucked a woman who didn’t want it.”

“Yeah well, it’s not a problem here, kiddo.”

You knew they were talking about you even if you couldn’t hear them. Joel wasn’t exactly discreet.

When a guard came for you that night and brought you to the fuck house, you knew what was going to happen. Joel, Tommy, and the young guard were already there, waiting for you.

“Hey sweetheart, always a pleasure to see you”, Tommy said, grabbing your ass and kissing you, as he always did. “This kid here has some things to learn about the camp. You’re gonna be a good girl and help him with that, ok?” As if you had the choice. You shrugged.

“But well, once he tastes this pussy, the others will seem bland to him.”

“Don’t be rude, Tommy. We have other good pussies to fuck. Her roommate, for example.”

They both sneered. “Assholes”, you thought. Tommy laughed, seeing your face. “Ok, sweetheart, let him taste your mouth.”

You knelt in front of the guard, unbuttoning his pants and pulling them down along with his boxers. He smelled good. He was semi-hard, looking down at you. Embarrassed. As if you were in a position of strength against him. You wondered how long it would take before it would change.

You took his cock in your hand and let your saliva run down his tip. Spread it with your thumb, then jerked it gently.

“I wonder how long it’ll take him to paint her face,” Tommy chuckled.

“No, no no. Not too fast, kiddo. We like to fuck them when they’re full of cum. Stuff her at least long enough to cum inside.”

You saw him blush. At least women weren't the only victims of their degradation, and somehow that made you happy. You moved closer to him and licked his tip gently, tasting his precum. He jumped and you smiled, before taking him in your mouth, continuing to jerk him gently. His cock was an average size, and you didn't need to get used to its thickness between your lips. You moved down his shaft, keeping your fist clenched at the base of his cock. Picking up the pace slightly, you began to suck him at a steady pace. His precum flowed down your throat, and you heard him moan.

“How does that feel, kiddo?”, asked Joel.

“Good, fucking good”, he answered. “And you…really fuck her, all of them, when you want?”

“Yeah. Day, night. You can fuck them alone, or with other guards. As you wish. But you do it the way I say. You make them cum, you don't hit them. You can slap them a little, we all like it when our cock is buried in their pussy, but not more than that. You have the ones from the shithouse if you need to let off some steam.” You stiffened when you heard him speak like that.

“Fuck…ok, ok.”

Your saliva ran down his shaft and you licked it.

“Oh fuck…ma’am…” Tommy and Joel snickered, hearing him.

“He’s cute”, added Tommy. The guard didn't even hear him.

“Wait, or I’m gonna come, they said I couldn’t do that uh…in your mouth.”

“Come lie down on the bed, baby. He's gonna fuck you. How do you want it, man?”

“All fours? Is that ok?” he asked, looking at you.

He was sweet and cute, and despite the incongruous situation you wanted to counterbalance the attitude of the two brothers.

“Of course”, you answered. You settled onto your hands and knees, waiting for him to come behind you. He knelt down and hesitated.

“But uh…what if I can’t make her come?”

The brothers laughed. You couldn’t imagine how he must feel, having to fuck you in front of both of them, as if it was something normal, while they didn’t even hold back their laughs. He was still so pure.

“It’s ok, kiddo,” Joel replied. “You’re young, you gotta learn. We’ll make her come, don’t worry.”

“Are you two gonna...make love to her, after me?”

“Oh yeah…my brother and I, we’re gonna make love to her. Don’t worry ‘bout that.”

The guard moved closer to you, placing his hands on your hips before grabbing his cock and sliding down to your entrance.

“Oh, fuck”, he said, when your pussy clenched against his shaft.

“Yeah, she’s tight. We still don’t know how she manages to take both of our cocks at the same time, in that tight pussy”, said Tommy.

“Two? Are you both fucking her at the same time? In the same hole?”

“In the same hole, yeah. Or one in her cunt and the other in her ass. Depending on what we want.”

“Oh, man…”

He started to fuck you. He was clearly not experienced, his movements were clumsy. But he wasn't abrupt, wasn’t hurting you. He spread your ass cheeks slightly, probably looking at your ring.

“Ever fucked an ass before?”

“Oh, fuck…I’m gonna…shit. Oh damn it was close. No, never.”

“You’re gonna love it. Even tighter than her pussy. Much tighter. The first few times you'll probably cum just from digging your tip into that hole.”

You heard him moan, and he came in your pussy, grunting, clinging to your hips.

“Ok kiddo, not so bad, but you gotta practice. Ever ate a pussy?”

“Yeah, well…a couple times.”

“You gotta learn to make them come that way. And when you’re really good at it, you'll make them cum by rubbing their clit while you’re fucking them. And then, just with your cock. Right, baby? She loves that.”

You blushed with this allusion to the night at his house, and the guard pulled out.

“Ok kiddo. Lesson number 2. You’re gonna watch us fuck her.”

“Come sit on my cock, baby. Hurry up, don't waste his cum, wanna fuck you through it”, Joel told you, spanking your ass. He sat against the headboard and you straddled him. His gaze was unfathomable, but it wasn't the same man who had fucked you missionary in his bedroom. He was good at compartmentalizing, much better than you. You grabbed his cock and impaled yourself on it gently. “Fuck”, you mumbled. He was thick, much thicker than the guard, and you needed to lower yourself onto it slowly.

“You missed my cock, baby?” he asked you with a smirk.

You dug your nails into the flesh of his shoulders, as you gradually sank onto his shaft.

He smiled and grabbed your shoulder, and added “I missed your cunt too. God, I love to fuck you when you’re full of cum.”

The guard’s cum helped you get used to his cock. Joel grabbed your ass with his hands and started bouncing you on his cock. You bit your lip. Tommy was sat in a chair by the bed, his dick in his hand, and said “you look so fuckin’ pretty bouncing on my brother’s cock, baby.”

He came closer, jerking off, and said “suck my dick, baby. Make it wet, we’re gonna need it.”

You wondered how he was going to fuck you, but whether it was in your pussy too or in your ass, you knew you had to make it easier for you. He slipped his cock into your mouth without waiting.

“Shit, yeah, you’re hot baby, suckin’ my brother’s cock.”

He had slowed down the pace to allow you to suck Tommy properly.

“Look at that Joel, the kiddo is already hard again.”

“Nice. You’re gonna have another lesson today. Sharing a cunt with another cock. I hope you’re not one of those who doesn’t want two cocks touching?”

“No…no I don’t mind.”

“Good.”

Tommy kept thrusting into your mouth, while Joel's hand on the back of your head accompanied your movements until he shifted it to stroke your clit with his thumb. His cock was rubbing your core, filling you perfectly, as his finger was swirling your clit. Every time they both fucked you, you always forgot at one point or another the situation you were in. Only focusing on your sensations, and theirs.

“Look at that, kiddo. She’s gonna come soon. She loves taking our cocks so much, like a good little whore. Right, baby?”

You nodded, your mouth around Tommy's shaft.

“Yeah she’s so good at this. Prettiest mouth and prettiest cunt. Taking us so well”, Tommy added.

Your pussy contracted more and more on Joel's shaft, as his thumb gave you what you needed, until you came all over his cock.

“There we go…you’re doing great, baby.”

Tommy pulled out of your mouth, holding your cheek with his hand while you came down from your orgasm. Joel pulled you towards him, leaning forward to offer you to Tommy, who was already kneeling behind you.

“Ok, baby. One more dick”, he said.

“Yeah, that's what you want, baby, right?”

You nodded, resting your head on his shoulder. You were used to both of them taking you by now. Used to the feeling of your pussy spreading on both of their cocks. Even if it still stretched painfully, as the second one thrust in. And somehow, taking them both, that abandonment, strangely made you forget your life in the camp.

You felt Tommy’s hand on your hip, and the head of his cock pressing against the dick already inside you. Using it to slide his member in.

“Oh fuck, men…that’s so hot,” said the guard who had moved closer to watch.

“Relax, baby…let me in. Yeah, just like that. Good girl.”

Tommy's praise had always helped you to relax, to turn you on. Today, like any other day. He usually did it in a lighter way than Joel, perhaps less degrading.

“Breathe, sweetheart.”

You did as he said, breathing slowly until his tip slid into your pussy, spreading you completely. You whined into Joel’s neck.

“That’s a good girl”, he praised you.

“Look at you takin’ these cocks baby”, added Tommy as he continued to thrust in. “Yeah, just like that. One more dick in that cunt.”

They slid into you slowly, then gradually increased the pace. You heard them growl. Joel against your ear, Tommy on the back of your head.

“Gonna take my place after I fill her, man?” Tommy asked the guard.

“Yeah…fuck…Sure.”

“We’re stretching her good, damn…”

Tommy grunted and you felt his hot cum fill you, then some of it leaked out of your pussy.

“Thank you baby, another great fuck”, he said, kissing your shoulder.

You whimpered when he pulled out. Joel remained still and the guard knelt behind you again.

“Take it easy, don’t hurt her. Lean against my cock and slide gently.”

“Ok, sir”, he replied.

He rested his cock against Joel's, covered in Tommy's cum, and thrusted his tip in.

“Oh, fuck, she’s so tight.”

“Yeah, she is. That's good, uh? Come on kiddo, slide in. Slowly.”

The guard placed one hand on your shoulder and the other on your hip, holding on for leverage. And they started to fuck you. Sometimes sliding together, sometimes alternating rhythms.

“You’re ok, baby? You’re taking our cocks so good, fuck…”

“Yeah, yeah…I’m ok.”

“You’re such a slut, baby…Always ready for more” you heard Tommy say.

“I’m…I’m gonna cum”, the guard whined.

“Come on, kiddo, fill her up. Then I’ll fuck her like she needs to get fucked”, Joel said as he looked at you, grabbing your cheeks in his hands and keeping you facing him.

You heard the guard grunt then freeze, adding his cum to Tommy's.

“Ah fuuuuuck, that’s hot, baby. You never disappoint”, Joel said.

The guard pulled out, and so did Joel, as he told you to stand on all fours while he knelt behind you.

“Yeah, I finally got this pretty pussy all to myself. I'm gonna fuck you rough baby. I know you want it. Hope I'll feel something. We really ruined you, uh?”

He slid into your pussy without waiting, hands clinging to your shoulders. Fucking you hard, without respite. Then he spat on your ass, rubbing your ring with his thumb, his other hand on your waist.

“Gonna fuck that ass. Pussy’s too ruined.”

“Wait, Joel!”

“Calm down, ain’t gonna hurt you.”

He pulled away, licking your ring and spitting on it as he jerked off. Then he positioned his cock covered by your wetness and the other men cum at your entrance.

“See, kiddo…that ass” - he thrust his tip in - “is so good” - pulled back - “that I can never stay too long” - he thrust in totally - “without fucking it. Oh fuck!!”

You laid your head on the pillow, moaning and fisting the pillow, as his hands were buried in the flesh of your hips, fucking your ass hard and deep. You heard him growl more and more.

“Look at that kiddo, she’s taking it so good”, Tommy praised you.

Joel thrust in a few more times, hands frozen on your hips, then he stopped, flooding your ass with his cum. He stayed there while he caught his breath, then withdrew.

“Kiddo, go pick up her girlfriend in 30 minutes.”

Then he looked at you and added “we have to keep teaching him how to fuck”, smirking.

You went back home.

When Vic finally came home that night, you were waiting for her to go to bed. But the guard didn't leave, and told you to follow him, from the front door.

“Jesus Christ…how many times does he need to fuck today?” you mumbled, looking at her.

He didn’t accompany you to the fuckhouse, but to Joel's house, once again. You went upstairs and heard the shower running. You sat on Joel’s bed waiting for him to finish. When he came out a few minutes later, in boxers and a towel around his neck, his hair was still wet and drops of water were beading on his curls. He was magnificent, from head to toe. You looked at his body as he walked towards you. Several scars covered his torso.

“You’re staring, baby”, he said with a smile.

“Yeah, well…not only men can do that.”

He smiled even more when he heard you. He brushed past you without touching you, and went to bed. “You’re gonna sleep with me tonight.”

“What…I…didn’t bring any sleeping clothes.”

“You won’t need them.”

*************

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nicecarito · 2 days

Text

(English text version below the spanish one)

“ Ugh…. Diablos…Esto se esta haciendo cada vez más difícil día con día. ¿Pero que más puedo hacer? Estoy haciendo todo lo que puedo para mantenerme al margen, ser lo mas productivo posible y no dejarme llevar por mis preocupaciones. Tomo los medicamentos que el psiquiatra me ha recetado y me descargo con mi terapeuta en cada cita … aunque no puedo ser completamente honesto y decirle a detalle lo que me agobia realmente….

¿Cómo puedo decirle a mi terapeuta que guardo el oscuro secreto de mi hermano gemelo? Un secreto que puede destruir a mi familia definitivamente.

¿Cómo le explico que me mata la incertidumbre y el miedo de no volver a ver a mi gemelo con vida, cada vez que sale a completar alguna “misión?

¿Cómo le explico el miedo que tengo de que mi hermano mayor también salga herido o muerto cuando sale a cumplir con su deber como jefe de policía?

¿Qué haré yo si pasan esas cosas?

¿Qué haré si Café llega a enterarse del verdadero trabajo de Doppio y esto le destroza el corazón?

Si Doppio no llega a casa nunca y Café no sabe el por que… ¿Cómo deberé explicárselo?

¿Qué hare con Vanilla? … Ella es la que mas me preocupa… Ella es tan joven… no quiero que llegue a sufrir por esto…

¿Qué haré yo?….

Solo puedo callar, no puedo hacer nada más…

No puedo demostrar mi preocupación, no puedo hacerlo.

Trato de distraerme , tengo más de cinco trabajos que me ayudan a fijar mi atención en cualquier cosa menos en esto…Quiero ver lo positivo del mundo, ver a los otros sin preocupaciones …

Debo sonreír para no preocupar a nadie…

Y debo mantener todo esto para mi mismo… porque mis problemas son míos y de nadie más…

Nadie debería preocuparse por mis problemas, solo yo soy quien puede lidiar con ello…. Aunque este completamente agotado…."

Lungo, el personaje más carismatico , sin embargo, el mas complejo.

(practicamente no puede tener relaciones porque su vida esta echa un despapaye jejeje, el si le da importancia a estar bn primero antes de empezar algo, y las relaciones en las que ha estado son practicamente de solo una noche. Aunque bromeé con Pinzell, el mismo no le pediria en s erio el ser pareja. ojalá haya contestado bn a tu pregunta!)

English Version

" Ugh…. Damn…This is getting harder and harder everyday. But what else can I do? I'm doing everything I can to stay out of it, be as productive as possible and not get carried away with my worries. I take the meds the psychiatrist has prescribed and I vent to my therapist at every appointment…although I can't be completely honest and tell her in detail what is really overwhelming me…..

How can I tell my therapist that I'm keeping my twin brother's dark secret? A secret that could destroy my family for good.

How do I explain to her how I am overwhelmed by the fear of never seeing my twin alive again every time he goes out to complete some "mission"?

How do I explain to her the dread I have of my older brother also getting hurt or killed when he goes out to do his duty as chief of police?

What will I do if such things happen?

What will I do if Café finds out about Doppio's real job and it breaks his heart?

If Doppio never comes home and Café doesn't know why… How should I explain it to him?

What will I do with Vanilla? … She is the one that worries me the most… She is so young… I don't want her to suffer because of this…

What will I do? ….

I can only keep quiet, I can't do anything else….

I can't show my concern, I can't do it.

I try to distract myself , I have more than five jobs that help me to fix my attention on anything but this…I want to see the positive in the world, to see others without worries ….

I must smile so I don't worry anyone ….

And I must keep all this to myself…because my problems are mine and no one else's…..

No one should worry about my problems, only I am the one who can deal with it…. Even if I am completely exhausted…."

Lungo, the most charismatic character, however, the most complex.

#my art #art #cartoon #my ocs #sketch #comic #ocs #original characters #lungo de olla

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starberry-cupcake · 1 day

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I'm back! Thank you kindly for your patience, we're done with Act III! It was probably a terrible idea to wait because this is so long, I'm so sorry.

previously, in harrowhark! a vagrant the ninth:

this happened

also a couple previews that will show up in this but are in the tag

currently, chapters 24-31 (END OF ACT III!!!):

harrow wakes up after sleeping a sensible amount of hours in yandere twin's room

yandere twin, who's into chomping cavaliers, complains about having had some harrow soup

they have a sort of tender moment, I guess

they have a complicated dynamic

harrow falls asleep again

she's in the bed and yandere twin is sleeping on the floor

and harrow is woken by the sound of self inflicted pain and torture

harrow gets tired of this and decides to just rip yandere twin's arm off

@lady-harrowhark reminded me that I called this (!!!) in this recap

I had absolutely 100000% forgot I said that but congrats past me!!!

so, there's this scene in which harrow rips yandere twin's arm off and puts a new bone-y one in there, remade with her own parts

like this

some people have told me in the replies that it's a sessual sort of scene, and I get that, I suppose it was the vibe it was going for

total respect to that

but I'm gonna be honest here

it felt like I was witnessing a birth and harrow was the midwife

so harrow lets yandere twin know that she's been improving her necro powers via studying and practicing to try to make up for her being "lyctor lite"

harrow and alleged gideon aka ortus are the only people here that seem to be getting any work done tbh

so now, with the new arm, inner chad can use the sword again

and yandere twin is happy because she's now a proper lyctor and has senior chad aka augustine's approval

harrow is proud of herself for doing nice necro things like chopping and reconstructing arms

as a thanks, yandere twin agrees to help harrow to kill alleged gideon the first aka ortus

nobody asked you, but ok

I actually have no qualms with alleged gideon aka ortus

because he's at least direct and honest about it

everyone here has an agenda, at least this guy's like directly trying to physically kill harrow

at this point, I respect the direct approach

augustine and emperor reverend professor john can go fu—

WELL, ACTUALLY, WE'LL GET THERE LATER

CHAPTER 28

we're back at gideon-less canaan house

canaan house isn't safe in any universe, all the trails lead to death

everyone who's alive or accounted for is having a sleepover

there's a bunch of people unaccounted for, actually

the kiddos from the fourth are allegedly hidden elsewhere

who knows, at this point

I don't trust anyone

there's a fog and rain and water rising still

which reminds me of the movie identity, in which they all were trapped in that motel because it wasn't actually a motel and they weren't actually alive per-se

magnus and abby say that protozoa should have decked mayonnaise uncle

which is one of the reasons why the gideon universe is superior

aside from the presence of gideon and camilla

I miss them so much I'm gonna start biting cavaliers

anyway, where in the hell is duracell bunny nephew???

he wasn't with mayonnaise uncle when he yeeted himself

his soul, which got detached from his body in the gideon universe, is still flying like a balloon across universes and dimensions, I guess

abby didn't expect regina george twin to die, apparently, and says "if she's gone, then perhaps that means..." but doesn't elaborate

nobody ever elaborates

abby also makes harrowbean read another one of the "harrow texts"

I can't keep adding them all together in recaps because this will end up being super long but here goes the new one

"I will remember the first time you kissed me —you apologized— you said, I am sorry, destroy me as I am, but I want to kiss you before I am killed, and I said to you why, and you said, because I have only once met someone so utterly willing to burn for what they believed in, and I loved him on sight, and the first time I died I asked of him what I now ask of you. I kissed you and later I would kiss him too before I understood what you were, and all three of us lived to regret it—but when I am in heaven I will remember your mouth, and when you roast down in hell I think you will remember mine"

so yeah, we've got a triangular situation, I suppose

I need to put all of them together to continue to draw connections

my though was that this could be ice cube barbie aka annabel lee, because of the long-lost sun, but I'm unsure still

I don't think the timing fits the other side of the 3d model that's the gideon's mom and rebel leader situation

inconclusive still

abby suggests harrowbean she might be haunted

which might also fit with ice cube barbie??? maybe??? idk

CHAPTER 29

harrow says she doesn't remember shit about chad

get perpetually owned, chad

mercygirl asks harrow things about her necro process for the arm reconstructing and the last thing she asks is "what is the name of the saint of duty?" to which harrow says "ortus the first" and mercygirl goes

me and my "alleged gideon" theory are very happy about this

the hill I will die on

mercygirl continues to use onomatopoeias to express herself

I do not want to think about what that would imply in a later situation I don't want to dig into

"you read unholy omens in the way people say good morning" that's what these recaps are, thank you very much harrow

that's our tagline over here, that's our brand

"how you loathed any sentence beginning with augustine says" SAME, BESTIE

I HATE THAT MAN

he can go fu— ANYWAY

harrow and yandere twin are having sleepovers so that harrow isn't murdered in her sleep

apparently the nudes are cyrus and his cavalier and yandere twin likes that energy

they gifted them to others as souvenirs too

it's like if you had a university classmate who sent nudes to the groupchat every birthday

yandere twin says augustine the asshole has agreed to help kill alleged gideon aka ortus the first

I don't trust any of these lyctors if they're willing to kill each other this easily

how do I know they've got my back in combat if they don't have each other's backs—

I CAN'T EVEN ARTICULATE MY THOUGHTS AND NOT SOUND TERRIBLE NOW THAT I KNOW WHAT HAPPENS LATER IN THE PARTY

ANYWAY

yandere twin reminisces about not having been apart from regina george twin much in their lives and hoping she's sleeping well wherever she is

I also don't know where she is

yandere twin tells harrow that she was more farsighted than her

which I'm sure she was, but she doesn't seem to remember shit about it, and the letters remain unopened

harrow thinks it's kinda gross that the cyrus lyctor murdered his cavalier to become a lyctor and then took all of their nudes to the emperor's bolthole

none of these lyctors are operating from a place of common sense, harrow

"you were lucky that the memory of your own cavalier did not hurt you—except sometimes in the form of a sick headache in your temples, or in words stuck on repeat in your head"

so, augustine's plan involves dinner

harrow, hearing that, is like this

they look for clothes in the cavalier's things

yandere twin says "valancy trinit was my height, weighed more than both of us put together, and —judging by her portraits— had a body that did not quit"

I sure hope she's a thick girl, because I've had enough disappointment with the gideon cover not letting her have the arms she deserves

I hope valancy trinit looks kinda like this

ANYWAY, here's the makeover vibes, as previously shared

apparently chad could embroider, which I have to admit is a good quality

hate giving him any props, but I must be fair

harrow painted the less cute skull in her repertoire and we respect that

they went to augustine's room and he's still an asshat

I don't like how he treats yandere twin tbh

I feel like yandere twin has a thing with validation because of how her life has been and he uses that

augustine justifies his betrayal to his fellow lyctor saying that he "caused more pain over these last scant forty years than I dare to admit"

mercygirl is also here for the party, all dressed up

SO HERE'S THE THING

I am so embarrassed I didn't pick it up on the fly and it took me the whole chapter to put it together

augustine tells her "dios apate, minor"

at the time, I didn't remember what it meant, and when I finished reading the thing, I was like "oh, it's exactly like the deception of zeus"

I forgot that's what it was called

I mean, I got the "dios" part, obviously, but forgot the "apate"

my ancient greek professor is going to come back into my life to shoot me at my doorstep

to be fair to myself, it was a long while ago that I took ancient greek

AT LEAST I PICKED THE REFERENCE UP AFTER, OK????

god, I'm so embarrassed

palmolive, I'm so sorry, I promise I figured it out eventually

mercygirl punches augustine in the face, which is great

he insists on it being "minor", which idk where the line is there and I'm not gonna ask

idk which things are or aren't...involved in a minor form of zeus's deception

mercygirl says she's not wearing the right dress, I don't think it matters, it worked just fine

CHAPTER 30

everyone gets drunk except for alleged gideon aka ortus and harrow, because they're the only people in this group project who are doing the work

augustine and mercygirl start fighting about something their cavaliers did back in the day

they start toasting for cavaliers and talking about how "hot pyrrha was"

there is no respect for the dead in the emperor's bolthole

there's about to be something else in the emperor's bolthole in a minute though

I was excited about them drinking, though, because that's when people start spilling some truths

the lost commander of BOE is a "she", her name is/was Commander Wake, she almost killed alleged gideon aka ortus

I'm still spinning with the gideon's mom theory

and the background telenovela I've got going on

BOE found a Herald, killed it and turned it into weapons against these clowns

good for them, tbh, kill these drunk irresponsible bastards

emperor reverend professor doctor john thinks it's narcissistic of him to toast to himself

I want to murder him in cold blood

I hate this man so viscerally I want to rip him apart with my hands

the twist in this book is that I'm gonna reach to his murder and it's gonna be me

it's like bastian reading the neverending story but it's me killing this man

his full name is john gaius but I had been spoiled of his name by people not tagging their posts

he also does a "your mama" joke because he's my villain origin story

"part of your brain temporarily calcified into atheism" I'M GLAD, HARROW

so, they start to make out, all three of them

I finally caught up about zeus's deception and all about here

emperor awful is sandwiched between mercygirl on a table and augustine behind him and they forget there are children in the room

well, not children, but same difference, they're a million years old

harrow and yandere twin get the hell out of that display

CHAPTER 31

yandere twin wants to kiss harrowbean before she leaves to kill alleged gideon aka ortus, but harrow doesn't let her

harrow says "my affections lie buried in the Locked Tomb" to which yandere twin responds "Somebody might even exhume them for you"

when harrow mentioned not wanting to be touched while sleeping beside yandere twin, I remembered the pool hug and all that, that was a nice time

people were being killed left and right but it was a nice time

ANYWAY

harrow has a whole plan and has it all figured out, it's a really good plan, it works very nicely, but alleged gideon aka ortus isn't where they told her he was

sometimes, life works that way

the man you plan to kill isn't in the training room and all

she goes to look for him in not!dulcinea's crypt or whatever

and she sees this

and the spear

she follows the children's hospital trail of blood to the incinerator

alleged gideon aka ortus is inside the fire thingy and not!dulcinea is operating the controls

I wonder who could have predicted that this woman could still be an issue even after death

me, it was me

anyway, no time for I-told-you-so's because harrowbean decides to help him out of there

I'm very happy because I need him alive

he knows things and he's less bad than everyone else around here

because he's upfront about the killing

he tells her some things while he's kind of out of it

like to use blood wards instead of bone ones

that it will make her safe from "us"

"I know you're there. Kill me all you like. I would know you in the blindness of my eyes" he says and, among other things "Just tell me—back then—why you brought along the ba—"

WAS HE GONNA SAY BABY???? WHAT IF HE WANTED TO SAY BABY???

I'm still on my gideon agenda, sorry if it's embarrassing to read

of course emperor dickhead stops him before he can finish it

alleged gideon aka ortus says he doesn't remember shit afterwards and harrow sees her own mental state reflected in his

they can't find not!dulcinea, apparently

she's probably operating heavy machinery elsewhere

harrow is putting up her blood wards when she hears augustine and mercygirl argue about the whole zeus situation

the incinerator alarm apparently interrupted their plan of letting this happen

whether or not they had a hand on the not!dulcinea thing idk

mercygirl says she didn't move her

we end this act with ice cube barbie maybe annabel lee saying "The water is risen. So is the sun. We will endure."

obligatory yearning for camilla moment

That is the end of Act III and of my commentary because this was way too long and I need to make less chapters at a time istg

#luly reacts to tlt #harrow the ninth spoilers #harrow the ninth #tlt #the locked tomb #long post #gif cw

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triviallytrue · 12 hours

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Watching something as iconic as NGE is kinda funny because every now and then something happens and you're like "oh! that guy! from tumblr!"

General thoughts:

Poor Shinji. Dude keeps getting put in situations.

The Ender's Game comparison keeps coming up for me - child soldiers utterly essential to the cause. The big difference is that they are just completely flubbing their psychological management in NGE - in Ender's Game they had eyes on the kids 24/7 and maintained in-depth psychological profiles on all of them, whereas in NGE they have loads of money and manpower focused on maintaining the EVAs but their equally-essential pilots are just... going to school. Shinji got punched and they didn't know!

And what is Misato's deal, anyway? She's in her 20s and has a crazy amount of authority (she just requisitioned all of Japan's power) and they're just kinda... letting her manage Shinji? It's not her job, but she's just doing it? She's his commanding officer but also his mom/sister, which is a really bad combo. Also I don't think I'm imagining the grooming undertones, those seem intentional.

The real motivator for someone like Shinji is (of course) his social connections - the two schoolkids and Rei, and then maybe to some degree Misato, and then even more distantly his father. Kids don't put themselves through severe distress just for the abstract concept of "saving the world," especially a world that has thus far been very unkind to them. To bring back the Ender's Game comparison, this feels like a very deliberate point that Graff and friends were aware of (the way they used Valentine as a strategic resource) but in NGE it seems to be mostly happenstance that Shinji made some human connections before completely shutting down.

Rei thus far is an interesting foil to Shinji. Normally I get kind of put off by scenes like the one where he walks in on her, but it gives you a lot of important information about both of them. Shinji, underneath all the abandonment issues and repression, is still a pretty normal kid - awkward, horny in that embarrassing adolescent way, deeply self-conscious. Rei is alien (or perhaps just very autistic). She just doesn't clock 90% of the tension at all. She pilots the EVA without complaint (though perhaps with equal psychological distress, just heavily repressed). She also gets along very well with his shitass dad, which is revealing in its own way.

I'm told there is another child, a red haired one, named Asuka(?), the thus-far only implied Second Child. Wonder why she isn't here yet?

I heard that it was some kind of twist that the EVAs were alive in some sense, but doesn't that naturally follow from the first couple episodes? Unit 01 moves to save Rei without a pilot and then goes berserk to kill the angel. Maybe there's more to the twist that I don't know yet.

What's up with the angels? Why are they here, what do they want, what are they exactly? Who cares. They are a plot device in purest form - they enable the rest of the show, but the show is not meaningfully "about" them. They didn't half-ass it though - the designs are absolutely phenomenal.

Oh, and there's some second project NERV is working on, a human transformation thing that got mentioned once and never again. That will probably be important eventually.

#i'm doing femmenietzsche's suggestion of watching 6 episode chunks as arcs #finished the first last night #nge #arc 1

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lazuliquetzal · 1 day

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Whee Fight Scenes! (This Is A Seirei no Moribito Advertisement)

For the past couple of years I have been almost exclusively writing fanfiction for action-fantasy video games which has led to me developing opinions on writing fight scenes. I used to hate writing them because what even happen fight, really, like what the hell??? But now I’ve learned to tolerate them! Sometimes I even enjoy writing them! So now I will share my wisdom with you.

(Disclaimer: This post was written so I could avoid writing a fight scene.)

My credentials: I occasionally write fight scenes in my action-fantasy video game fanfictions, and I have seen Seirei no Moribito the anime several times. I do not claim to be an expert on fight scenes, but I do claim to love Seirei no Moribito to bits.

Part 1. The Set Up

There’s this excellent anime about a mercenary on a life-long quest for redemption who ends up taking a cursed prince under her protection. It’s about unraveling propaganda and colonialism, and also about kicking ass. The first time I watched this anime, when I got to the episode 3 rice field fight, I thought, “holy shit, I see now that a good fight scene requires not only a kick-ass fight, but also narrative/emotional build up in order to give the scene weight and tension.”

Like, lots of anime have excellent and extremely iconic fights, but this was the show that really made the writing aspect of it stick in my brain. Seirei no Moribito is also an adaptation of a book, which might why this stood out to me: the way its fight scenes are constructed are not as reliant on the actual visuals so much as they are on everything else (the animation for the fight is gorgeous, too, like, just watch this show please it’s so good). That said, I haven’t actually read the book. But I have seen this show several times and the rice field fight gets me so hype.

(And also every other fight scene. I’m never over episode 13. If you have to watch only one (1) episode of Seirei no Moribito, watch episode 13. But also, don’t do that. Watch the entire thing you coward.)

Anyway. What’s going on in Seirei no Moribito episode 3?

Part 1a. The Narrative Stage

Ep3 is early on in the series. The rice field fight is not the first action scene, but it is the first fight scene. This is what we know going in:

Balsa, our main character, is a formidable mercenary with a practical mind and a strong sense of honor. She has sworn to protect Chagum, the prince of the Empire. Her goal is to keep Chagum alive at all costs, because saving his life is crucial to her personal goal of redemption.

The Emperor (Chagum’s father) has dispatched his elite warriors to kill the prince, as they believe that he is possessed by an evil water spirit. Their goal is to kill the prince because the evil water spirit is a bad omen for the empire, and they believe that killing the prince will save the kingdom.

Balsa’s spear is damaged, and she is outnumbered. She has the disadvantage.

We are, of course, rooting for Balsa and Chagum at this point in the story. Balsa’s our main character, she’s super cool, and child assassination is a bad look. We know that Balsa is strong: we’ve seen her do athletic stunts, and it’s been alluded to that she is extremely skilled with the spear. This fight is the first time we get to see her use it, so it’s very exciting to the viewer. We want to see her in action.

Part 1b. The Emotional Stage

Chagum doesn’t have much of a personality at this point: we know he’s a child prince, and we know his dad wants to kill him. So we don’t know him well, but he’s already sympathetic due to circumstance.

When Balsa and Chagum get to the rice fields, they are almost home-free. They’ve spent a lot of effort trying to redirect the emperor’s warriors and the plan almost worked. We are extremely close to safety, so the fact that this is when the emperor’s elite catch up is very tense and frustrating.

All this puts the audience in the mindset of: oh man, they’re so close, I really need Balsa to win! I don’t want the kid die! You can taste the safety, you are almost there—it’s the type of tension that gets you invested in the outcome of the fight.

Part 1c. The Physical Stage

The first half, and the faster-paced portion of the fight takes place in a rice field at night (a classic). Wide open, with water to splash in, and nowhere to hide. It’s right on the edge of the thick forest, which gives Balsa and Chagum an immediate goal: get to the denser terrain so that they might break line of sight of their pursuers.

The second half of the fight is less of a fight and more of a close-up, emotional moment of action. It takes place in a clearing by the edge of the forest.

The physical location of the fight ties in with the short-term goals of the characters: the open field forces Balsa into direct confrontation even though she wants to run, and the clearing by the edge of the forest gives Jin (one of the emperor’s warriors) the illusion of privacy when he tries to kill Chagum, and it gives Balsa cover to hide until she can intervene.

Part 1 – TL;DR

Even before you get to the actual fight, the setup of the fight has inherent tension and intrigue. One can reasonably assume that Balsa and Chagum will survive, because this is episode 3 of a 26 episode anime. But you don’t know if her damaged spear will hold out. You don’t know why the emperor wants Chagum dead. You don’t know if Balsa will kill the emperor’s guards, or if she’ll be able to make a clean getaway with the prince. All these uncertainties create mystery, which creates tension. And tension is what makes the fight fun.

Part 2. The Purpose

I mentioned earlier that this is the first actual fight in the show.

It’s the payoff for a bunch of little questions that have cropped up so far. How strong is Balsa? Is she good enough to win, even when outnumbered? What does her fighting style look like?

A lot of action stories have big fight early on, and that’s because a well-done fight scene squeezes in a massive amount of characterization. In this fight, we learn a lot about Balsa, and we learn a lot about the Emperor and the difference between the Emperor and the people who work for him.

Some questions that get explored: How do they think under pressure? What kind of fighting do they do? Are they strategic? Reactive? Brute force or trickster? How do they solve problems? How far are these people willing to go to achieve their goals?

There’s a moment in this fight when Balsa is wounded, and the emperor’s warriors retrieve Prince Chagum. Balsa ends up retreating into the forest. Jin says something along the lines of: she’s a mercenary, she works for money and she’s already been paid; she won’t risk her life to come back and get the prince.

But she does. Even though she’s been wounded, and even though she had the perfect opportunity to walk away, she comes back and saves Prince Chagum at the expense of her own health. Balsa keeps her promises; Balsa’s personal quest for redemption is more important to her than her life. We know her, now!

Fight scenes are great for characterization because it’s a deviation from status quo. A person’s default state is not “battle,” and stories thrive on extraordinary circumstances. “How does this character change/act/perform under pressure?” is a really great characterization question, and a fight scene is the opportunity to show the answer rather than tell it.

Fight scenes are also great for thematic debate. You get the opportunity to literalize the conflict between different philosophies via characters fighting each other. EZ story moment. You know that one Howard Ashman quote about how, in musicals, the characters sing when they’re too emotional to speak? That’s what fight scenes are to me. The characters fight when they can’t talk to each other.

And then, of course, a fight scene is also moving the plot along. The conflict is happening, information is being exchanged/discovered/buried. Some characters life, some characters get hurt, some characters die. A fight scene is a way to physically bring characters to the state they need to be in for the story to progress (in the right emotional state, the right physical state, the right location, etc). Lots of things going on, which is good—you want all of your scenes to be purposeful.

Part 3. The Details

All of that had to do with the zoomed-out, overall story view of the fight (how the fight fits into the overall story). I am now going to continue to gush about the episode 3 rice field fight up close (how does the fight scene work in isolation). Because Seirei no Moribito rocks.

Part 3a. The Setting

I already mentioned the open rice field/dense forest dichotomy and how that affects the characters’ short-term goals. It’s also a great choice to establish Balsa’s superior technical ability with her spear. The rice field is wide open and relatively flat—no obstructions or distractions, with everyone on equal ground. There are no tricks to pull, no environmental quirks to exploit: this is a clean fight between Balsa and the emperor’s warriors. When she comes out on top, it’s because she’s better than them.

Depending on the character, it might be better to change the terrain. Have the stealthy warrior fight in a forest, where they can appear and reappear and use their sneakiness to their advantage. Put a trickster in a situation where they can improvise traps. There is an aspect of your character that you want to show off, so set the stage so that they can show off. It’ll be totally badass and fun.

Part 3b. The Short-Term Goals

When you read a story, you can reasonably assume that the protagonist will stay alive (especially if you are not near the end of the story). Knowing the outcome can make a story stale if you're not careful. You can lose tension if there’s no risk. Some stories try to create a world/tone/atmosphere so that anyone can die. A lot don’t because that’s a little depressing.

My friend @yellowocaballero has an excellent post on this regarding OP protagonists, but to summarize: if you know the protagonist is always going to win the physical fight, you have to make the win condition not about that. Balsa isn’t OP, but giving characters goals beyond “win the fight” can make a fight so much more interesting.

In the rice field fight, Balsa does not have to defeat the emperor's warriors: she has to get Chagum and herself away alive. Her goal is to make a clean getaway. When the warriors show up, she makes the decision to confront them, and her goal is not just to win, but to win so decisively that they won’t be able to follow her. When Chagum gets caught, she changes her goal to ‘keep him safe at all costs, no matter the harm done to myself’, and she gets seriously wounded. She can succeed in some goals, but fail in others, and the story reacts and keeps changing. It’s the same principle behind why rolling a nat 1 is so entertaining in D&D. The more you fail, the more creative you have to get.

Part 3c. Monkey Brain

There is just something so cool and so satisfying and so fun about seeing a character kick ass. There is also something very cool and very satisfying about seeing a character get beat up. The rice field fight has it all: Balsa kicking ass, and also getting beat up. It’s fun! Fight scenes that know exactly why they are cool are just so good. Hell yeah, overindulge and use every single weapon despite how impractical they are. Yes please show someone pulling off an unrealistic move for the coolness factor. Absolutely include the explosion-that-would-definitely-kill-but-doesn’t.

Part 3 — TL;DR

If you want the fight to be cool, make it cool! Set it in a cool place! Give your characters opportunities to show off! Make it interesting by changing the win conditions! Conflicting goals forces characters to prioritize and it makes scenes fun!

Part 4. Words???

Unfortunately, as mentioned, Seirei no Moribito is an anime and I haven’t read the book so I cannot analyze and gush about its prose in this section. Otherwise, the advertisement would continue. You’re safe for the moment.

Re: prose, there’s probably a post out there that goes over the language of fight scenes better than I ever could. I write with the diction of a middle-grade author because I read PJatO too much as a child and it rewrote my DNA. This is not a bad thing, this is just a fact. So I’m just gonna fire off fight scene writing advice I heard from around:

Filter words — if you want a more immersive reading experience, you want to avoid filtering the action through the narration. So use sentences like: “Her arm hurt” as opposed to “she felt her arm hurt”. But if you’re trying to distance the reader, like recreating the feeling of shock/dissociation, then filter words would help achieve that effect.

Make the rhythm of your prose match the energy of the fight. Short and choppy feels fast in the brain. Long and wordy feels overwhelming. Fragmented sentences and run-ons are chaotic. Customize the vibes.

Establish the important details of the setting beforehand so that you don’t have to stop the action to describe the specific placement of a relevant tree stump. I think I heard this one from Brandon Sanderson on a podcast somewhere, but I think about it a lot when I write because blocking is hard enough and it's even harder when you have to stop and attempt to translate the movie in your head into words. I can’t tell you how to block a fight scene. We need to find someone else who is smarter that can tell us.

Part 5. The Point

Fight Scenes are Fun, actually. They can be really effective if you set them up properly! If you know what you want to do with them, you can arrange it to be as cool as possible! You don’t have to be in a visual medium to make fights fun. You just have to figure out how to translate the cool bits into prose, which I think is mostly done through giving your fight cool shit on both the macro story level scale and the micro scene level scale.

Also, watch Seirei no Moribito.

#i got a comment somewhere that was complimenting my fight scenes which. thank you! fight scenes stress me the FUCK out #but i do think i've gotten a lot better at them since i've started writing so i figured i'd write something about what i learned #and by what i learned i mean. gush about #seirei no moribito #tav this is not a response to your one post about fight scenes earlier that was a coincidence #lazuli talks #writing

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