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#i still wanted them to look sci-fi-ish (???) and odd looking just like the original limiters
hypesline · 2 years
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some deaf!saiki sketches from @akirameta84′s posts!!1
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lachlann-macnab · 3 years
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BDRP 2020 QUESTIONNAIRE
Your Name: Jean
Characters: Lachlann “Launchpad” MacNab
Pick one of your characters and talk about their growth. What about their story has surprised you? What are you proud of? How have they changed from their original inception to now?
Well, Launchpad is relatively new so he’s still pretty much the same as I envisioned him from the start-
-though I’ll admit that the idea of him having an enormous crush on Seamus/Scrooge was a surprise. I think it only took a couple of little chats with Sav and familiarizing myself with Seamus’ story for him to go “yes!! that’s the one I love!! let me at him!!”.
The funny thing is that it just kind of happened but also has a degree of canonicity to it; Granted, Ducktales ‘17 (the canon that got me into the Duckverse) didn’t delve a whole lot on the relationship those two have...but Ducktales ‘87 does and it’s fucking beautiful. 
But I didn’t know that! I was just familiar with the newest canon -exploring the relationship led me to the older canon and I absolutely love it! I love the way the older version of LP is equal parts silly and capable and I try my best to express that nice balance on my interpretation.
And I wouldn’t have found that sweet spot if it hadn’t been for Sav and Seamus!
Pick another character (or the same character if you only have one) and talk a little about where you WANT them to go. What are your plans for them going into the new year?
Oooh man, this is probably going to sound rude of me, but I want someone to call Launchpad out on his shit.
He is a happy-go-lucky man, he is positive, he does think the best of everyone right from the start, he is honest with that, but there’s also a degree of performativity to the way he interacts with people: he is a people pleaser and he’s also someone who avoids problems/confrotation when possible.
That leads to him having a hard time actually voicing what he thinks when things were serious. Launchpad will default to what he thinks is the most noble/the best option even if he actually hates it. He tries his best to be a reliable dude, but that pushes him to his limits every now and then -and he hates it, but will do it anyways.
I’d love for someone to notice that and point out his marthyr complex to him, or how hypocritical he can actually be when noone is looking. 
Jun did an amazing job at that, with the whole Moon Market incident and that is part of why I love his characterization and- I could rant about how Jun and LP are actually similar, yet different, but I won’t.
Someone please bitchslap my idiot son and tell him to be honest with his feelings, maybe get him to confront his feelings of inadequacy, maybe get him to actually face his problems instead of running away from them, kthanxs.
Pick a thread or a plot that you’re proud of and talk about why you loved it.
I have three threads I absolutely love, each for different reasons:
*Cleanliness is next to... with Jun: Jun called my idiot son out on his ‘noble man’ act. Jun was not impressed with his efforts and pushed him to an actual mini-meltdown because Launchpad didn’t know what to do or say to try and make things better: Launchpad is so used to having his way around people that the moment someone was inmune to all his tricks he...lost it. Big time. And I loved it.
*Untitled with Eilonwy: Both of them clicked instantly and- oh, man, I can’t really express what I feel about it, but:
Launchpad feels an actual, honest, connection to Eilonwy in various ways: both of them are a little bit weird, both of them are learning, both of them were kind of kicked out their comfort zones, both of them love adventure, both of them are fearless (in different ways), but there’s also a curious father-daughter dynamic to them. Eilonwy lacked not only a father figure but also a general actual caring adult one and I guess that’s part of what draws her to LP, while LP is a naturally caring man who also, (betweem the two of us), loves feeling like a good-ish role model instead of the dude people tell you to avoid because he’s an idiot, he loves looking out for people, he loves being understood -and Eilonwy, surprisingly, understands him without even trying. 
They are so very sweet, they just clicked and both of them learn new things with the other: both about themselves and the world. And I love it.    
*Dressed to the nines with Seamus: a.k.a “the one in which Sav let me go absolutely fucking ham”: It began with a chat about the need of gratious fanservice involving Seamus wearing (and getting out of) a suit -but soon became something else thanks to the Halloween task.
We soon got the ball rolling and Black Annis happened in a stupidly organic way (her very modus operandi, I discovered kind of late during the creation, ties way too well with the thread’s title itself and I’ll never get over it), and the mix of terror and action just naturally pushed the rest of the plot into the catharsis Seamus needed after all the stuff he’s been through.
The thread gave us the opportunity to write some mindless comedy, some yearning, some tenderness, plenty of gore, blood, trauma, legit PTSD, then back to tenderness and silliness -while also mentioning and showing a good deal of the things that have made Seamus the man he currently is, with the pretty and the ugly of it.  
I just think it was an amazing character exploration for both Seamus and Lachlann, and I enjoyed every bit of it. I love Sav’s writing, I love Seamus’ characterization, I love how naturally it all evolved, I love how Sav can casually bring something up while plotting and the thing just clicks into place, I love how we just kind of understand where things are going or where we want them to go. Sav’s just amazing at brainstorming and general writing and I feel really, really lucky to have the chance to write with her.
I have no choice but to stan, really.
 And I could go on and on about how the thread pushed both Seamus and Lachlann towards some big character development, but I really don’t want to rant -so I’ll leave it like this.
In terms of your own writing, identify 1-3 strengths and talk about why you think it’s one of your strengths.
Gee, that’s a difficult one. I guess my strongest suit as of now would be Launchpad’s voice as a character -and I’m not only talking about dialogue.
I think everyone that has read any of my threads has noticed by now that the flow of the narration is an extension of how Launchpad himself feels and thinks: it’s chaotic and emotional, it can get self-conscious and snarky when he, himself, can’t, it brings some exposition while not breaking the simple, chaotic rythm of Launchpad per-se.
In terms of your own writing, identify 1-3 areas of improvement.
This is way easier for me to pinpoint, hah! I definitely need to work on the length of my posts: I know seeing paragraphs upon paragraphs upon paragraphs can make people tired or make them feel intimidated to interact. 
I also need to work on organizing Launchpad’s chaotic thoughts. The narration does get long-winded and sometimes the progression from point A to point B is way too chaotic -so much so that actually erasing it all would make no impact on the overall narration. 
Pick one of your plots, or even just a character, and come up with a list of 3-5 “mentor texts” where you can look for inspiration or research, then write a short (2-4 sentences) why you picked those texts. 
Not texts per-se, but I think a good way to get a feel of Launchpad’s general vibe is to watch “Top Duck” from Ducktales ‘87 and/or “The Duck Knight Returns” and “Double-o-duck in: You only crash twice”; Those episodes do an amazing job in expressing his insecurities and passions.
Now, leaving the source material behind, I think a book he resonates with is “Oh, the Places You'll Go!” by Dr. Seuss -it’s fun, it’s simple and it has an overall heartwarming message: It kind of captures that sense of wonder, discovery and positivity Launchpad both has and wishes to offer other people. 
Another inspiration of sorts for Launchpad is Ferry’s “Parties are for losers” series: First of all, I’ll admit I’m a sucker for the Strugatsky brothers and СТАЛКЕР, so it’s no surprise I’m in love with Ferry’s interpretation of the story; I see a little bit of LP in KT’s story, but also in Yura’s and, surprisingly, in Olga’s. 
PAFL’s setting is different, yet similar, to the Soviet sci-fi original: it deals with some disenchantment, it’s far from idealistic, it’s rough, but it’s also full of wonder and adventure: there’s big risks, but there’s also a good deal of things that make things, if not better, a little bit less miserable for the characters -and sometimes that something that keeps them going is other’s presence. PAFL is, for me, the inspiration for adventures that aren’t always glamourous, simple, or happy, taken by characters that are far from perfect, that have the odds against them, that carry a whole lot of baggage and, yet, prevail.
And, finally, a last inspiration for Launchpad, my lovable idiot son, comes from probably the place one would expect the least: God of War (2018).
I’m also a sucker for God of War, sue me.  
I know it may seem bizare, but the message of the game just clicks with LP -and before you start wondering how in hell Kratos could possibly inspire Launchpad just let me tell you: he doesn’t. Because it’s not about Kratos I’m refering to when I talk about that story! I’m actually thinking of Mimir!
I love him so much.
Mimir’s role on the game is multifacetic: he brings exposition and ocasional comedic relief, sure, but I see him as the heart of the interactions between Kratos and Atreus (Kratos’ son, for those who may not know). Kratos is emotionally repressed and keeps to himself a lot while Atreus is a bundle of joy, energy, curiosity and someone that doesn’t think ‘because I say so’ is a valid answer to things; Kratos and Atreus clash during the first part of the game even when they love one another in their very particular ways.
In comes Mimir.
Mimir(’s head) joins the party and takes upon himself to act as a bridge between emotional distant father and young naive fearless son and...things start working for the three of them! Kratos starts understanding Atreus! Atreus slowly understands his father’s worries and needs! They begin the story as (almost) complete strangers but by the end they have an actual bond thanks to Mimir’s constant pushing and interventions: Mimir is soft with Atreus but bold with Kratos, the man knows when to joke and throw some riské comments for the chaos of it, but he’s also the first to offer words of comfort and understanding. 
The man becomes part of the family even when he isn’t related to them by blood, even going so far as to give a ‘no, take me instead!’ when presented with the opportunity by a pair of enemies, even when his whole story tells us that he thinks of the idea of dealing with those people (won’t say who, because spoilers) as worse than death -the man hates the mere idea of going back but doesn’t hesitate a second to offer himself as a sacrifice for his new family.
And, damn, that’s what I base my interpretation of Launchpad on. He’s not a part of the family per-se but he constantly acts as a bridge between the youngest and more idealistic parts of it and the jaded, older, tired one; He’s happy to be comedic relief but will also sit and give anyone a pep talk when absolutely necessary -he knows his limitations but keeps trying and offering his best for those he cares about. He tries to be the heart.
I’m emotional about a disembodied head, don’t touch me. Play God of War (2018), it’s fucking amazing.
And now, a wishlist!: 
I’m...actually up for everything and anything, really. I’d love some adventures, but I also love the more mundane interactions, I love the heavier topics but also the silly moments. 
I guess, as I said before, the one thing I’d really love is for someone to push Launchpad to be honest about his feelings. Also a plot about him either considering to or actually flying again -those, however, will happen in due time and I have no rush to make ‘em.
Why do you RP?
Short explanation?: I love writing and reading.
Longer explanation?: I love writing and reading, I love complex characterizations, I love exploring new ideas and seeing how little plot bunnies become full fledged plots and/or character explorations or bring some character development, I love how that creates a domino effect with the rest of the cast. I love to see things happen: I love watching from afar as other’s characters learn lessons, create and conect-
-also, I write and read all day, everyday: that’s my job. I do script revisionism and organizational comunication. During work hours I have to check the flow of words, tones, and overall intentions; I have to do my best to make sure someone’s idea fits the box, but RPing gives me the opportunity to take the box and toss it out of the window. RPing gives me the chance to write freely, to write silly, to be imperfect and not worry about going from A to B or dealing with a checklist or tones, intentions or other’s ideas. 
It’s just freeing. And that’s why I do (and love) it.
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bookenders · 5 years
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11/11/11 Tag Game: Round... uh... 5, 6, & 7?
I got tagged by a bunch of people ( @quilloftheclouds is this how your 77 question one felt??) so here are a bunch of answers! I think this is the most I’ve ever talked about myself in my life. 
Good gracious, you’re all so nice and have such good questions.
Tagged by: @surroundedbypearls, @waterfallwritings, @bigmoodword, @sundaynightnovels
Rules: answer 11 questions, tag 11 people, give them 11 new questions!
[I’ve done this enough to be able to break the tag rules. Fight me.]
44 questions and answers below the cut!
But I’ll be nice and put my questions right here:
What would you do for a Klondike bar?
When do you title your WIPs? It is the first thing you do? The last? Does it come to you during drafting?
How many inside jokes do you put in your WIP(s)?
Your WIP’s antagonist is now The Riddler. How do your OCs handle that?
Do you use sticky notes?
Laptop or desktop?
Your OC is a wrestler. What’s their hype music?
Do you own any craft books/books on writing?
What’s your favorite book cover?
How many unread books do you have sitting around right now? Which are you most excited to maybe get to eventually some time?
How committed are you to your outline(s)?
Bilbo Taggins: Literally anyone, but also @francestroublr, @sahados-shadow, @a-story-im-writing, @bethkerring, @citruschickadee, @bos-ingit
If I’ve tagged you before, you can totally ignore this. In fact, I encourage you to.
From @surroundedbypearls:
What’s your favourite genre to write in and why? Literary fiction! It’s what I learned in university and the one that fits my themes best. Sci-fi is hard, I’m just getting into writing fantasy stuff, I can’t do thrillers, romance is hard for me, and historical is too much work.
Do you think you have a style/voice that you use more often in your writing? When did you develop that style? If you’ve read one of my stories, you know exactly how my writing voice sounds. It doesn’t change too much. I write like I talk, but if I had a lot more gravitas and charisma. Honestly, I’ve always had that kind of style, but it really developed in high school. It’s been getting stronger since then. It’s one of the things I always got comments about from my teachers and fellow workshop writers. “Your voice is so strong!” Yep. It’s mah thang.
Do you play video games? What’s your favourite? YES I DO. It’s hard to pick faves, but I’ve played Dragon Age: Origins too many times. 
If you were going to do a WIP crossover, which OCs would be most interesting together? (If you’ve only got one WIP crossover with something else) A crossover between H2H and AOPC? Interesting. I think Mel and Keema would get along the best, Oz would have some fightin’ words for Elder Sanga, and Gemma and Teva would be a force to be reckoned with, my god. Two stubborn nerds who believe totally different things but are also very determined to be very good at what they want to do and love their communities to a fault? Fear them.
Do you prefer to plan WIPs in a document or through handwritten notes? I used to do it by hand but I couldn’t read it because my handwriting is terrible and I kept losing papers. I do it in docs now. Much easier to organize and incredibly legible.
Do you multiple languages exist in your WIP? If so how do you address that in the story? H2H is set in the “real world,” so yep. It hasn’t been addressed too much yet, but I have a way for tackling languages. I’ve written multilingual-ish stories before. I never write phonetically and use hella context clues so the reader knows the gist of what was said if another character doesn’t translate.
What’s your favourite animated film that’s not Disney or Pixar? AN AMERICAN TAIL. All of them. It’s on Netflix go watch it and marvel at the way a kids movie talks about Jewish immigration, poverty, and cultural oppression via mice. As a young Jewish child, this movie was my jam. It’s very dark, though.
Do your real-life surroundings influence your WIP’s settings? Nope! One time I tried to write a story set in the same area where I lived and I couldn’t do it. Too weird. Sometimes I’ll write in an item I see near me, or like, a painting or poster on the wall if I need some set decoration, but that’s about it.
Which OCs would be most likely to break the fourth wall? Oz. Lookin’ at the camera like he’s in The Office.
How do you work out your OCs’ personalities? Hm. I look at the story I’m trying to write and make a protagonist that would have the most interesting experience in that narrative. For H2H, I wanted someone who would be loyal as heck to the people they loved while still being experimental enough to try new things and get into shenanigans. The story called for someone like that, and there she was. Mel came about my thinking of someone who would compliment other characters in the story while still being their own person. If that makes sense. I think of dynamics and interactions with the story world in relation to the theme(s). Most of the time they just happen, though.
Do you prefer worldbuilding or character building? Character building! As much as I like making stories about places, making characters is more fun for me, and more interesting. You should see all the DnD character sheets I have. 
From @waterfallwritings:
1. How do you come up with ideas for your WIPs?
At random. Seriously. It’s like my brain has to be running something in the background to function normally, and usually that something is whatever story I happen to be working on. Or I’ll look at a thing and go “huh.” My brain also likes to twist normal things to be a little bit different.
2. How do you get past gaps in the plot?
No idea, man. It’s like throwing spaghetti at a wall. I like to work backwards. If this is what I want to happen, what needs to happen before that to ensure that it occurs? I look at all the elements currently in the story and see if one can be manipulated to fill in the hole.
3. What motivates you to keep writing?
If I don’t, my brain gets all constipated and angry until I write something down. Like, seriously, I get grumpy and frustrated like I’m hangry or something. Aside from physical need, I love writing. I love word puzzles and feelings puzzles and figuring them out. Sometimes I think of how my stories could help someone, or make them feel something that they enjoy. 
4. Do you do any other kind of creative writing?
Oh, man, I’ve done it all. Screenwriting, playwriting, poetry, video game-ish writing, interactive storytelling, short stories, flash fiction, proposals, essays, DnD campaigns, monologues... You name it, I’ve probably tried it. I tend to stick to prose and poetry these days.
5. Do you have any other creative hobbies besides writing?
I’ve gotten into graphic design a little bit. I kind of wanna learn how to knit again. I’m not really very crafty. 
6. What do you do when you’re stuck on a scene and don’t know how to get it out / write it?
Write a different scene, stare at the screen in frustration until I give up and go to sleep, meditate for a few minutes, go do something else to get my mind off of it, clean, work on a different project.
7. How do you decide how to end your WIP?
I mean, see the next question for part of my answer. How did I decide to end H2H? My friend, that’s a big ‘ole spoiler. But I decided to end it at a place where everything, and everyone, comes together.
8. When in the process of writing do you decide how its going to end? Or do you kind of just wait til you get there?
Right at the beginning. If I don’t know where it’ll end, I have a hard time writing the arc. I work backwards: start with the idea, then think of where I want it to end up, then work back to the beginning until I know where its going, then start writing.
9. Why did you decide to join writeblr?
My reasons are pretty personal, but the least personal is that I needed some accountability and motivation. And I missed being in a good writing community.
10. What’s your favourite food?
Pasta! I’m eating spaghetti right now.
11. If you had to kill off a character in your WIP, who would it be and why?
Oz would be the most tragic. Treena would be the most logical. 
From @bigmoodword:
1. using one sentence summaries, can you tell me about your wips?
Nerdy potion woman meets cute odd stranger who helps her solve magic mysteries in their quirky small town.
2. what inspired them?
I saw a zine accepting submissions for magic stories, then an open call for queer shifter stories, and thought “what if wholesome magical lesbians?”
3. which of your ocs do you most identify with?
Gemma!
4. if you’ve ever cried while reading, which book cued the waterworks?
THE SONG OF ACHILLES.  My God, my soul was weeping. Honestly, it still is. Doesn’t matter that I knew the story from the Iliad. Madeline Miller is a feelings wizard.
5. how do you conduct research for your wips and what’s the most interesting thing you’ve discovered in said research?
On an as-needed basis. I used to do way too much research to avoid actually writing the damn thing, so now I only do it when I actually run into a problem that can be solved by Google.
6. thus far, which scene has been the most difficult to write?
The ones that aren’t hugely emotional. Which is... unfortunate.
7. which of your ocs do you like the least?
Rude. On a personal level, Jill. I love her, but I would not be friends with her. We wouldn’t mesh at all.
8. which pov and tense do you prefer to write in?
Third person limited present tense! To the bane of everyone who’s ever edited my work.
9. do you write poetry?
I do! Not often, though.
10. who is your writing role model?
My freakin’ writing professor from college. He is crazy disciplined.
11. if you could give your younger writer self some advice, what would it be?
Hey, you know those people who say your writing is too dark? Yeah, they suck and they’re wrong. They just want kids to live up to their expectations and write happy sunshiny stories about unicorns and dinosaurs having ice cream. And you’re not depressed because you wrote that one sad poem one time and someone asked if you were depressed. What you have is called feelings and they’re very useful for a writer, nay, a human, to have.
From @sundaynightnovels:
Who is your biggest role model? Okay, so I got crap all the time in grade school for never having a role model, and I still don’t have one. The teachers were concerned about me. But my reasoning was, “why should I want to live someone else’s life?” Yeah. They didn’t really know what to do with that...
What are your OCs favorite foods? Sort of answered here!
Which OC is most afraid of the dark? Oz and Mary!
What made you want to start a writing blog/participate in the writeblr community? Answered above!
Did you sleep with a stuffed animal as a kid? Do you still? I did, indeed. I don’t anymore, but I have two that I shuffle around my room when they get in the way. One is a highland cow I got in Scotland (he has a plaid hat), the other is a blue whale I got at the Museum of Natural History in NY.
Do you like donuts? I love donuts. Especially jelly filled ones. Mmm.
Do/would your OCs like donuts? All of my OCs like donuts. I don’t think Mel has ever had a modern one, though.
What is your least favorite food? Cauliflower? I’m the household taste-tester, so there’s been a lot of stuff I don’t like.  ( @sundaynightnovels I hate sparkling water, too, you’re not alone!)
What is your ideal writing environment? Comfy seating, a chair with no arms (stupid elbows), alone, plenty of chosen beverage within reach, headphones.
Favorite line from your WIP? So far, it’s this one!
Favorite quote from a book? Oh, man. There are so many. From recent memory, here are a few: “’Give it time,’ she replies. ‘It won’t be a story forever.’“  and “Everyone has heard stories of women like us, and now we will make more of them.” (both from The Ladies Guide to Petticoats and Piracy) “When he smiled, the skin at the corners of his eyes crinkled like a leaf held to flame.” and “I lean forward and our lips land clumsily on each other. They are like the fat bodies of bees, soft and round and giddy with pollen.” (I could write a goddamn essay about the imagery in this scene.) (It is quite possibly my favorite description of a kiss ever. And the metaphor extends through the rest of the scene so artfully ugh.) (both from The Song of Achilles) “The thing about a story is that you dream it as you tell it, hoping that others might then dream along with you, and in this way memory and imagination and language combine to make spirits in the head.” (from The Things They Carried)
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