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#i posted two december
tonguetiedraven · 1 year
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Another year of art! I think I'm finally starting to get lighting.
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blindmagdalena · 4 months
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Guilty Pleasures
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18+ 3.3k homelander x plus size f!reader. workplace harassment, stalking, voyeurism, masturbation, lite humiliation kink, sublander flavored. nebulously takes place post s1. part 1/4. AO3 link. | CH 2 | CH 3 | CH 4
Homelander is on top of the world. He can say or do whatever the fuck he wants, and the sycophants around him will bend over backwards to make his word law, with few notable exceptions.
He never expected you to be one of them. When you put him in his place after a workplace incident, he becomes fixated on the promise of a firm hand alongside a soft body.
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It’s Thursday, which means Homelander is currently bored to tears less than ten minutes into Vought’s weekly digital marketing meeting. These monotonous discussions of percentages and trending graphics gradually begin to feel like a drill pushing slowly into each of his ears, but they’re a necessary evil if he wants to have input when it comes to his image.
He taps his fingers impatiently on the armrest of his chair. The tapping pauses, however, at the appearance of a new presenter.
You.
You’re a far cry from the dime a dozen jackass in a suit that had been presenting before you. He’s sure he hasn’t seen you before, which means you’re new. His gaze drifts from your round face to the sensible cut of your blouse, the garment buttoned nearly to your throat. Anything less would be considered lewd given the size of your breasts. He wets his lips absently, adjusting himself to sit a little straighter.
He’s completely lost track of what you’re talking about in favor of watching the way your hips sway each time you walk from one end of the board to the other, tactfully engaging each observer. You have a resonant voice, commanding attention without sounding harsh. With a rack like that, you must have to fight to have a word you say heard by anyone with even a passing interest in a good pair of tits.
Not that the cheap fabric of your bra is doing them any favors. Silk would be better. He’s always liked the shine of it. Softer, too. It wouldn’t scrape against your shirt the way he can hear that cotton blend you’re wearing is doing. 
Curious, he focuses his vision to peer through your blouse. Your undergarments are plain and sensible. Boring. Still, it elicits a distinct pang between his legs. His mouth waters slightly. Even from where he is, he can smell you, fresh and clean, slightly sweet smelling–like vanilla. Your clothes may be pedestrian but at least your perfume is nice.
Letting his gaze slide lower, he admires how the curves of your body flow into one another. He can tell just by looking at you how soft you would feel against him, under him. How good you would feel to grip and hold in place, sink into and lose himself in. Your voice has a soothing quality to it that lets him easily imagine you’re breathlessly singing his praises instead of rattling off bullet points in a presentation.
Fuck, he’s getting hard, his cock throbbing lightly against the cup of his suit. It’s the only thing that allows him to fantasize as freely as he does. The best part of it is that he’s fairly certain he can sense something warm and wet throbbing between your thick thighs.
He suspects he’s not the only one fantasizing.
The room is quiet for a second too long, and Homelander abruptly tunes back in to realize you’re staring directly at him, expectancy in your gaze. He pulls a blank, realizing he hasn’t processed anything you’ve said. “Say again?”
There’s a flicker of irritation in your eyes before you tightly school your expression back into polite professionalism. His lips slowly split into a devious smile that he consciously fine-tunes to be more neutral. How close you came to some sort of heated response was kind of… cute. It makes him want to give your proverbial pigtails another tug just to see what else he can evoke.
The thought of pulling your hair is good. The thought of you pulling his hair is better, though.
“I asked if you have any feedback for our campaign leading up to the premiere,” you say, though Homelander finds himself more interested in the flash of your tongue he gets as you run it along your teeth afterwards. Your temperature is up a notch, too. You must not be used to such direct attention from someone like him.
“Nope,” he says glibly, turning on one of his patented knock-out smiles. “Looks good to me.” At that, he pointedly looks you up and down, meeting your gaze with a quick wink. 
Judging by the slight tic at the corner of your mouth, you aren’t charmed by his response. Still, he waits in preemptive satisfaction for you to appease him by returning his smile.
You don’t.
Instead, you say nothing more than a terse “Wonderful,” the singular word barely passing for civil, let alone professional. You move on, and Homelander finds himself taken aback. You don’t meet his eye for the remainder of the presentation, and while that gives him plenty of opportunity to ogle you, it bothers him.
Towards the end of your time, he clears his throat. Everyone looks at him.
Everyone but you.
“Thanks so much for your time,” you say to the committee, smiling, finishing your piece with a small incline of your head. You go sit, and there’s a slightly awkward pause before the next presenter takes center stage.
Homelander sits in stunned silence. The idea that you, some fresh faced nobody, think you’re in any position to blow him off is laughable at best. Who cares if he didn’t pay attention to your little presentation? That’s not his job. You’re lucky he’s even here, lucky that someone like him would think to give you time out of his day.
By the time the meeting concludes, you haven’t spared him so much as a glance. Indignation builds hotly in his chest. He’s had more than enough of being snubbed lately. He’s not going to tolerate it from the likes of you.
You should be on your hands and knees begging for his attention.
He watches a handful of your peers congratulate you on your first presentation, though plenty of others cast him wary glances and decide not to approach you. They know better. They know who’s really in charge around here. Naturally, they all skitter away like roaches when he strides towards you.
“Not bad for your first presentation,” he tells you, his smile toned down into a thin, lopsided smirk.
You look around yourself, no doubt taking note of how the other little insects around you have scattered. Maybe now you’ll realize your mistake.
“Thank you, sir,” you say, your body angled slightly away from him, as if you’re ready to bolt at any second.
“Got a lot on my mind, though, so I don’t think I absorbed as much as I could have,” he says, laying on that boyish charm a little thicker than usual. “Would really appreciate it if you could stick around and run that by me one more time.”
Your gaze flickers away from him–he wishes you would stop doing that–to the others who’re filtering out of the room, slowly leaving the two of you behind. “As I said during the presentation, all the documents will be available online,” you say, finally looking back at him. You actually have the audacity to look annoyed that he’s talking to you.
“I don’t have a computer,” he replies, his own voice beginning to flatten.
“I’m sure someone in IT can help you with that,” you say, undeterred by his attempts to corner you. 
His smile tightens minutely. “Do you have some kind of problem with me?”
Your heart jumps. He finds satisfaction in that, at least.
“No, sir,” you say sharply, a barely discernible hitch in your voice. “What I have are deadlines. If you’ll excuse me, I’d like to meet them.” With that, you manage to squeeze by him. Despite the steady confident tap of your shoes against the floor, your heart races rabbit-like in his ears.
He contemplates you as you go, momentarily stupefied by your flagrant disregard for him. You weren’t entirely unaffected by his presence, though. If you’d had less of an avenue for escape, would you have been so flippant? He continues to focus on the beat of your heart as your steps carry you further from him. It doesn’t slow. You’re still full of adrenaline, the scent of it lingering alongside your perfume. He inhales a slow, deep breath, the leather of his gloves creaking as he curls and uncurls his fist.
Homelander finds himself wondering what your agenda is, what makes you so desperate to break from the norm and catch his attention. It’s clear to him that’s what you want. Why else would you be so stubborn where anyone else would yield? He scoffs to himself. 
God, it’s so obvious in hindsight.
He has no doubt that your brazen attitude would shatter if he pressed in closer, if you felt the heat of his breath on your lips. He could part your soft thighs and paint the face of God on the ceiling above you with his tongue inside you. You couldn’t dismiss him so easily then, could you?
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You’re so determined to be noticed that it’s almost pathetic. He shouldn’t reward this kind of behavior, and yet he feels strangely inclined to commend it. What you’ve done is brave in a way. Insolence and sycophants he can’t abide, but a touch of bravery? Well… That can be rewarded.
Your heart thunders in your ears as you make a beeline for your office. You can feel a terrible burn crawling up your chest and into your cheeks, the reality of what just happened finally allowed to sink in. You had spent all morning preparing yourself for presenting your work in front of not only your new peers at Vought, but in front of the world’s most prolific superhero. You were solid, you were ready.
Until you felt the gravity of his gaze on you. The weight of it made you stutter where you shouldn’t have, lose your train of thought mid-sentence. Every time you dared to look at him, he was looking at you like he was going to swallow you whole. Never have you felt more acutely aware of yourself than you did beneath his stare, feeling the way he was picking you apart as keenly as you would feel his hands undressing you.
It left you as furious as you are flustered.
That arrogant bastard!
You close the door behind you with a rough breath, closing your eyes. You can’t even sit, you have to pace your office instead, shaking your hands out as you walk. You know you weren’t imagining it. He confirmed as much for you when it took a solid eight seconds of silence for him to tear his gaze up from your chest, smiling as wickedly as any devil and caught elbow-deep in the cookie jar.
You couldn’t look him in the eye after that. It was humiliating to be reduced so thoroughly and obviously in front of your peers. Worst of all, he seemed damn pleased by it. 
Though that isn’t the only reason your heart is still racing. You’re not quite ready to address that yet. You’re fairly certain if you’d been forced to speak to him any more than you had, you would have said something that would cause you to lose your job. You just need space to breathe, to collect yourself, to–
There’s a brisk knock at your door. Great. What now?
“Just a m–” You’re stopped dead in your tracks by a familiar flash of red, white and blue as Homelander lets himself into your office, closing the door securely behind him. 
“Howdy,” he greets. He looks cartoonishly wide and brightly colored against the neutral colors of your office, even more larger than life than he’d seemed in the conference room. He has a smile that looks like it belongs in the mouth of a shark about to take a bite of you. It sets you off kilter completely–not that you’d been much on it to begin with.
You gawk a moment before managing to close your mouth. “Homelander,” you say, your voice curt in your own ears. You have no idea how to address him, still frazzled from not only the presentation, but your interaction that followed it. You should ask him what he needs. 
“What’re you doing here?” That came out ruder than you meant it to. Not that he doesn’t deserve it. Still, you’re trying to keep this job.
“Are you always this pleasant?” He asks, cocking his head slightly as he comes to a stop in front of you, his arms held behind his back beneath his swaying cape. “Or did I catch you on a bad day?”
Is he serious?
“Your conduct today was inappropriate,” you say flatly, settling your hands on your hips.
Homelander scoffs lightly. “Oh, relax. You gonna ‘#Metoo’ me over a wink? Christ, you’re done up tighter than that blouse of yours,” he says, his gaze dipping. A chill rolls up your spine as you watch his tongue roll along his teeth. He’s like an animal anticipating a meal.
Your jaw drops, cold shock settling in your gut alongside that blistering heat. Of all the things you had prepared yourself for before coming to Vought, Homelander being a misogynistic sex-pest hadn’t been on your list.
Well. Not the sex-pest part, anyways.
You point to your office door. “Get out.”
He blinks, zero comprehension in those deceptively charming baby blues. His smile turns incredulous. “I’m starting to think you don’t understand what’s happening here,” he says, his tone taking on a precarious edge. He lets out a breathy, mirthless laugh. “You know, most people in your position would be begging for my attention.”
There it is.
You suck a noise through your teeth, nodding slowly. "Oh, I understand exactly what’s happening here,” you say, shifting your weight like you’re winding up for a pitch. “I know you think you're special because you're famous, or a supe, or both. I know you think I should be grateful that you’d even look at someone like me, but you’re not special, and I’m not grateful. The reality of the matter is I can get dick whenever I want it–good dick–and I can get it without being humiliated at my job.”
The silence in the room is deafening. Homelander looks stupefied, but you decide that you’re not done.
“You're not blessing me by making entitled passes and crude remarks while I'm trying to work. You’re being a nuisance,” you say, your heart beating in your throat. “So please, would you kindly leave?” You ask, voice firm despite the friendlier nature of your phrasing.
Finally, Homelander is the one left gawking. He looks like a fish with the way his mouth keeps opening and closing, but it’s the dismissive, aborted little scoffs he makes in between that really sell his wounded bewilderment. You can see tension lurking just beneath the surface, an anger that skulks in the creak of his leather gloves.
Fear begins to creep up the back of your throat, burning like bile, but you hold steady as he seems to be deciding what he’s going to do with you. The longer the quiet stretches on, your focus entirely on the subtle spasms in his expression, the more sweat begins to prickle at the back of your neck. You refuse to fill the space, you refuse to back down.
For all his power, he’s still just a man.
Eventually, he swallows. “Okie-dokie,” he says, his tone unlike anything you expected. He sounds confused–a little dazed, even. He walks to the door, and after one hesitant look back at you, he leaves.
The door closes with a soft click that still makes you flinch, the sound of it loud in the silence of the room. You blink several times, the abruptness of his departure making the whole encounter feel like some sort of fever dream. 
What the fuck just happened?
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You’re not special.
The impact of those words struck Homelander’s ears like a loud, painful ringing that follows him as he walks out of your office. He feels off balance, each step leaning slightly to the right.
It’s a ludicrous statement. Objectively wrong. Who in the fucking world could be more special than him? He’s a literal god, and you’re no one. A faceless, nameless cog in Vought’s mechanism that hoists him to the top of it all. That’s your job. To elevate him. Worship him.
Instead you spoke to him as if he were nothing. He could have cut you down where you stood for that. He could have put your head through your office window, snapped your neck, held your skull and burned your eyes out of–
He shakes his head sharply, swaying. He all but stumbles into the bathroom, surprising one of the worker drones washing their hands. “Get out,” Homelander says gruffly.
“Uh, sir–”
“Get the fuck out!” He snaps, startling the man so badly he immediately rushes off, fumbling with the door on his way out. Homelander slams it shut and lets out a ragged breath, digging the heels of his palms into his eyes, then his temples as he paces the bathroom. His reflection taunts him from his peripheral vision.
He hasn’t been able to look himself in the eye since he snapped his Doppelganger’s neck while he knelt before him.
That’s what he wants from you, isn’t it? Mindless desperate praise and worship. Why, then, does the thought od it make his stomach churn so violently he can taste the burn of bile? He tugs compulsively at his suit collar, the press of it against his skin uncharacteristically hot and itchy.
“I can get dick whenever I want it–good dick.”
He shamefully palms himself through his suit, confusingly hard amidst a swirling turbulence of contradicting thoughts and feelings. He could be good for you, too, if you’d fucking let him. He knows he could make you crumble, take apart that carefully constructed demeanor of professionalism and make you see him for what he is. He can prove himself to you. He will prove that you’re wrong about him, and then you’ll show him the love respect he deserves.
Hurriedly, he unzips his pants. His eyelashes flutter as he shoves his hand into them, roughly grabbing hold of his cock. He braces his forearm against the bathroom door and lets his head drop forward, watching his crimson glove pump the leaking head of his dick. His mind bounces between scenarios. He imagines himself in your place, fully on display for you to ogle. He imagines you’re watching him even now, staring him down with that unaffected look of indifference, of irritation, of disgust.
He bites back a whine, gritting his teeth. He wants so badly to imagine his face buried in your soft tits while he fucks the plush space between your thighs, but he knows you won’t let him. Not right away. You’d make him earn it, wouldn’t you? You’d make him watch you please yourself before he ever got so much as a taste.
The glassiness in his eyes begins to sizzle, the moisture burning away as crimson light flares up in them. Would you laugh if you could see him now, or would you scold him for touching himself without your permission?
Homelander comes hard, tipping his head back with a loud moan as he paints the bathroom door with ribbon after ribbon of come. He barely manages not to blow a hole through the ceiling, the light of his eyes flaring and softening in time with each euphoric wave of release. He pants through it, head falling forward and thunking lightly against the door, resting there while he catches his breath.
“Fuck,” he exhales eventually, sighing. He wipes his hand on the wall and then carefully tucks himself back into his pants, his mind swirling hazily on the best high he’s had since…
Clearing his throat, he puts himself back together before leaving the bathroom. Clearly, the thing that he’s been missing is a challenge. 
Luckily for him, you’ve kindly volunteered yourself.
( chapter two )
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lemonadeslice · 11 months
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(INSERT “WEIRD SCIENCE” LYRICS HERE)
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nevertheless-moving · 3 months
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unable to stop dwelling on the discworld trouser leg of time where, in the penultimate fight scene in Nightwatch, Carcer manages to kill teenage Sam Vimes.
Which means that the future that Duke Vimes came from can no longer exist, which means he can’t go home. Meanwhile you’ve got a bunch of history monks with stored up temporal energy, a prepared space outside of time, and the need to do some desperate damage control before the Auditors get involved. Death shows up, reality is unweaving, Sam is reading Carcer his discworld miranda rights because what else is he supposed to do.
and finally, with little other option, the monks de-age Sam so he fits the time period and send him back out into the fray.
(they didn't call it deageing of course. His memory is hazy, splintered during that terrible in between moment, They....took the time out of him? Sanded away the edges of his self for a terrible, workable fit? It...wasn't a good feeling.)
Just—damn. Sam Vimes having to live his whole crapsack life over again, but this time as his disillusioned-reillusioned, unwillingly-character-developed, noir-epic, Duke of Ankh, Commander Sir Samuel Vimes self. 
Younger (Older? He's never felt so Old, His steps so Childlike, reality twisting in his gut like one of Dibbler's pies) Sam Vimes walking around in a haze after the revolution. Desperate to go home, knowing he can’t. Wanting to drink. Knowing he can’t.
The whole precinct feels pity, he really took Keel’s death hard, hardly speaks except to do his job. Eventually he has to grit his teeth and start being present, because what else is there to do?
Resists the urge to drink until Colon takes the whole watch out to celebrate because -he’s going to be a father!
Come on Sammy, one drink won’t kill you— and after the first drink he’s cracking jokes and after the second hes smiling and after the third hes honestly the life of the party and sometime after that he’s crying about how he was going to be a father and my wife would be ashamed if she saw me drinking like this and— 
Oh shit, Did anyone else know he had a wife?? A PREGNANT wife??? What—aren’t you like 12—no you're 17 now aren't you but when did—
You guys n’ver met ’er—oh gods none if you ev’n know ‘er, is jus’ me...
What—when did you lose—
I lost her the same damn day I los’ ev’rythin else, whadya think...bleeding Carcer...the fuckin revolution...
So! That! Sam only vaguely remembers the night, but rumors travel faster than light on the disc, so by the next day the whole damn city knows about poor Sam brung low by the loss of his poor, tragic, pregnant wife, so young to be a widower, and the Seamstresses nod because they already knew, don’t ask them how, somethings you just have to know in that trade.
And his mother—I don’t know, sue me, I’m a time travel fiend but there’s something deeply intriguing about a man meeting his dead parent, who is somewhat younger than him, and stepping into the old relationship like a badly fitting thing that's supposed to fit well. She would know, right? How would she deal with her son’s impossible grief? Maybe she wouldn’t know—he spent most of the time out of the house, running with different street gangs, maybe he avoids her until she dies and lives with the guilt twice over. God, we don’t even know her name. There’s just so much narrative and emotional potential that I don’t even know where to start.
When he’s on duty, which is most time - it’s agonizing because at first he remembers cases, saves lives that would have been lost. But the more time passes, the hazier his memory because in the original timeline he was becoming an alcoholic. Fuck! A kid dies and he could have saved her if he hadn’t been such a drunk, if he had just remembered where the asshole lived, but it’s all a haze, and he wants to drown out his guilt, but that’s what caused this in the first place.
Good young Sammy, who spends his rare off-time in dusty libraries (and yes, the irony that he’s apparently Carrot now is not lost on him) reading gods-only-know.
It’s not like he can ask the wizards for help, cutthroat and vicious as they are now in the not-so-distant-past.
Good young Sam, who...talks to the Broken Drum’s pet Bouncer like he’s a real person and not a dumb rock? That’s a bit weird, but he’s a bit of a funny guy.
Good old Sam, who believed the testimony of the dwarf who said the humans were trying to rob him and let the dwarf go??
the PROBLEMS this man would cause, good grief. Can you imagine a moderately progressive middle aged man with some degree of begrudging diversity and equity training that he did, for all his sins, pay attention to, suddenly going back to like, 1990, going back just 30 years, and going...oh damn this is kind of fucked up, no man you can’t say that, holy shit.
Except Sam’s lived through even more rapidly shifting social moroes! There’s no seamstress guild, there’s no women allowed inside the university, there’s no black ribboner’s society. People hunted trolls for their teeth! But Sam can’t just unlearn everything, and he can’t shut up, and he has no real luck and anyway he would absolutely get himself (temporarily) fired.
FUCK. Sam has no idea what to do with that. None. Zero clue. Wanders around in a haze until that dwarf he saved from police brutality finds him and insists on repaying the debt. No, he insists, do you have any idea what debt means to a dwarf?
“Sort-of?” he replies hesitantly, and that honest admission of incomplete knowledge shows a hell of a lot more respect and understanding than any self proclaimed dwarf-expert ever did.
Gets a job as a surface man, hauling rocks into the city. It’s backbreaking work, but, in true Discworld fashion, it’s also one hell of a workout (again the irony of being Carrot is not lost him. he freezes for a minute while hauling a rock cart, when he remembers he's technically Lost Nobility too, in a strict sense, but someone curses at him in the street and he's comfortingly grounded)
And here is where this au slides into a SPECTACULAR romantic comedy, BEAR WITH ME. Because in his time on the Watch he’s already done noir, action adventure, war story, detective who dunnit, psychological horror, but guards guards only allowed him to be a romance protagonist in an extremely limited context.
Give me righteous, twenty-something-looking, can’t-say-he-doesn’t-have-style, young Sam Vimes, not an alcoholic,  being fed three square meals a day by his dwarven forced found family, hauling rocks. He is startled to find him bumping his head on a low hanging bar that he doesn’t think used to be there, eventually realizing that he’s an inch or two taller than he remembers. Huh. Guess all that bearhuggers really did stunt his growth.
Still doesn’t get what some of the looks from women he’s getting are about, sure, he’s dirty but so is everyone else. Fine, he took his shirt off, but it’s hot out, there’s far wrinklier than him hauling heavy loads, get a life. 
Happens to glance in the Ankh one day when it’s particularly slow and shiny and is startled to realize that he might be turning heads for a different reason. Oh. Right, not that he was ever a heartbreaker, but he did alright for himself... when he was a younger and his face hadn’t been broken so many times. Which...it isn't now.
Is mildly disturbed by the revelation.
Especially once things blow over at the precinct and what with high mortality rates, he ends up with getting hired again. The boys are delighted to have him back, nevermind that he’s an odd one, noone is ever quite in your corner like Vimsey, absence makes the heart fonder, no one else works that hard, and he’s not even competition for promotion. All around great guy, we should set him up with somebody and just, no.
It just keeps getting worse! He’s literate! He’s a feminist! He believes abuse victims! He’s got a tragic backstory! He’s unreasonably good in a fistfight! He’s kind to animals! Word gets around that there’s a good man on the watch and he’s just waiting for a good woman to come snap him up. The widower excuse doesn’t hold people off completely, and for some it’s its own sort-of appeal. 
Things REALLY become stressful after he rescues that carriage full of noblewoman.
What’s he supposed to do? Let them get robbed? Or worse? Chasing down and beating up 10 goons is as easy as beating up one, when they’re that stupid, getting separated like that, drunk and distracted, and he knows these streets better than anyone, really it’s nothing. And oh lord he’s Modest too.
I mean, they were genuinely greatful, as genuine as people like that are capable of being, the skill having grown rusty. And then there is something...magnetic about the man. An air of command.
So, soon enough you get Lady Marigold of Marigrave calling on Treckle Road for that gallant young officer who rescued them, she really needs to thank him. And Viscountess Elanor Thitzferal specifically requesting that he guard her at her next soiree. And Baroness Julieta van Shoeholten insisting that he come to her home while her husband’s away, for... manly protection.
Aaaah just zero sympathy from the guys. None. 'It’s become a competition, they’re just trying to see who can get me into bed first, it’s like I’m a piece of meat, you can’t send me sir, the Marquess greeted me in a nightee last time you made me go to—' and 'small gods Vimes are you even listening to yourself, shut the hell up'.
Simultaneous to this, (again this is several years into the timeline) swamp dragon accessories come into style. Which means abandoned swamp dragons scrounging on the street. Vimes takes one back to his apartment, blows his paycheck on dragon medicine, and eventually, heart in his chest, brings it to the Ramkin estate. The sunshine orphanage doesn’t even exist yet and he’s just standing outside the gates like an idiot, what is he thinking. Turns around, but her carriage is pulling up and—
well. they meet. it's cute. he's never felt so young. he's never felt so old, too old for her, too poor—
and certainly her thoughts linger too long on the awkward, kindly, handsome young commoner, but is it any wonder she doesn't quite connect it to the stern, dangerous, sexy young guard the ladies seem to be in some quiet, cuthroat competition over?
i have this gorgeous, absurd scene in my head in which Vimes is strong armed into standing guard at some high society soiree and one of the pushiest ladies insists he dance with here, or, if he prefers, if he's not confident about his skills, he can dance with her in-private at her home and he’s like [grinding teeth, looking for a way out, seeinf one] “I would be honored to dance with you.”
Steps right into some ultra-complex dance with multiple partner swaps (she never thought he'd pick this one, devilishly intimidating to one not strictly trained, and you barely spend anytime with your first partner).
But he does alright. Better than alright, for a common man, sometimes misstepping but his hands and feet always end up where they need to be. Raises several eyebrows part way into the song because he's throuwing in some slightly scandalous, no innovative, extra lifts and twirls that wouldn't become fashionable for another decade or two. Who even is that guy? Some out of towner? No, no he's in a guards uniform...how very strange.
Gets to Sybll and she's used to embarrassment during these dances, she tries to get out of them when she can... but can't always. Men awkwardly skipping the lifts, or worse, trying and failing. But him — oh it's him, the one who helped little Erold, and looked at her like—like—well like she was someone beautiful. And he's doing it again, and he's strong and there's a quiet moment where she's in the air, they lock eyes, and the rest of the room melts away.
And then the partners change again, the moment ended.
Just...living throught it all again. To the left, a dance he almost knows the steps to, throwing others off balance with erratic moves , honest mistakes, and delibrate stepping on toes. Improvising. Ruining. Improving. Getting far, far too much attention.
Hes almost excited when the first assassains start coming after him. It's like a hobby.
Everyone tells him he should get a hobby.
Interactions with young vetinari...I don't have the energy to write it all down, the slow circling in on each other, both burning with the need to fix the city, save it, their city.
needless to say he ends up fired again, life under real threat after offending some high lord.
Conveniently enough he has an employment opportunity- bodyguard to fucking Vetinari on his 'grand sneer.' The bastard knows vimes isn't what he seems, though sam is pretty sure that he doesnt know the exacts.
Vetinari hypothesis:(the ghost of keel? Keels son, with some hereditary curse? Or a larger spirit of justice possessing a string of unrelated souls? He knows things he shouldn't- mind reader? Fortune teller? Havelock once arranged for a wizard to bump into him on the street, the magical fool gave an odd double look and then muttered something about destiny looping in on itself giving him a headache. Destiny? Lost noble? And hes far too familiar with sybyl, one of the few bearable noblewomen in this city. And his thoughts on guilds, when havelock can trip him into speaking... Most of all, if hes reading him at all correctly (for all the mystery hes not that hard to read, unless thats a very clever cover) then it seems that behind those dark haunted eyes is Respect. Loyalty. For vetinari. What an interesting man. A puzzling asset. An intriguing threat. )
Did I mention the timeline is changing, healing slowly around the place where it was torn? Healing enough around scars to perhaps get some flexibility back, with some painful stretches and...massaging of said scar tissue?
And hes heading to unresting uberwald, a place where a werewolf pack still hunts humans and, truely unrelated but perhaps equally exhausting, an eldritch spirit of vengeance just might be looking to stretch its legs in a hapless vessel?
Opening drabble Vimes Vetinari Meta (Unwell)
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shirozora-draws · 1 year
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It's WHAT day today!? Not me already feeling weird about working on two sketches to post the same weekend as that sketch I posted for the first time in months only to find out that Today is the Two Year Anniversary of The Day Dinluke Took Over My Brain.
(It's not 12AM yet, this still counts as a 12/18 post)
Anyway.
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Been dying to do some nice proper "the staircase fic is firmly on my mind" sketches. This version of Luke actually shows up later in the fic and the shape/cut/color of his robes are also influenced by Padme's wardrobe. Din's look has appeared on this blog before and is super duper influenced by what we saw of Aq Vetina's residents in the flashback scenes. The, uh, holocron plays a smaller part than it looks but I bought a holocron at Disneyland and wanted to have fun with my new reference.
Have I posted about the staircase fic on the art blog? It is live and currently posting as Gravity Well on AO3.
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xero013 · 1 year
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Winter 🚇⚡
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blueshift-art · 3 months
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tu me manques
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lululawrence · 6 months
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It’s November, and around my house that means I’m getting into gear with all of my Holiday and Winter Cards! This time of year is always rough for me, but one thing that always makes me happy are Christmas and Winter cards. This is my 9th year doing this, which is hard to believe, but I’m crazy excited to be able to continue the tradition this year, and I'm doing so with something new!
The cards are in the process of being made entirely by me, as always, but this year I'm also trying my hand at watercolors so every card will be unique with a bit of art that is hopefully not horrible adorning the front hehe
I'm still making them, but the rainbow trees in the banner are a preview of the art that will be featured on most of the cards and then I will add my personalized messages and send them filled with all of my love and good vibes! I can't do that without some important information from YOU though! So...
WANT A CARD? HURRAY! Here's how it works.
As stated above, I'm still working on the cards and they might not be sent out in time for Christmas, but they will all be mailed, I promise! haha
Through the rest of the month of November and maybe a little into December, I’ll gather addresses and finish the cards so I can start writing out the cards ASAP. Life happens, so the cards might not all make it to you before the new year, but I’m going to try my best to make it happen! Even if my goal of mailing them in early December doesn’t happen, you’ll definitely get a card at some point if you claim one.
HERE’S WHAT I NEED FROM YOU.
I’ll be collecting addresses using this google form. It’s pretty straight forward, but on the form I will be asking for:
Your address (I will mail them internationally). PLEASE write it out exactly as you would on an envelope, line breaks and all! I’ve had some cards get returned to me in the past because I guessed where the line breaks should be, and I guessed incorrectly, so to avoid that I’d love it if you could tell me where the line breaks are
The name you want me to use for the address as well as the name you would like me to write inside the card. For many, the name will be the same, but for others, it will be different, so to account for that, I’ll have an option for both.
Your tumblr URL. This is just so I can reach out to you if there are any issues.
Your preference in card. I will mostly be making rainbow pride trees affixed to Christmas or winter themed paper, but in case you need your cards to be holiday and rainbow free, I am going to be attempting some winter tree cards as well.
And that’s it! There aren’t any other stipulations or requirements. We don’t need to be mutuals, you don’t even need to be following me or in the fandom tbh. You just need to want a homemade card from me to hopefully bring you some cheer!
Even if you aren’t interested in a card for yourself, please reblog this post and help me spread the word. I would greatly appreciate it!
Thank you, and Happy November!
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Why I Am Not Coming In To Work Today [abridged], Jess Zimmerman
part one | part two
#me when everybody is posting the maple leafs sad narratives and i am furiously generating this like HOLD ONNNN HOLD ONNNNNNN#honestly i could've been SOOOO MEAN about this because i saw this poem & alexandra got the preview on the poetry blog#where i just reblogged the first half of this poem point blank with the tags#kyle dubas#toronto maple leafs#& got yelled at aksdaksf & it literally only didn't go on this blog bc i usually write more & then it was percolating & i looked up the poe#& it was only the FIRST PART i'd reblogged i didn't know there was more & then brain immediately went brrrrr ok time for an edit.#this is a long one lol & i also have no idea if it makes sense to anybody but me but because y'all know me i will always overexplain so!!#my reasoning for the reasons obvi kyle. that's a given i hope he's doing well i hope he & his family r good but man is not coming in to wor#the second edit took me a stupid amount of time bc i am nitpicky but also i learned how to do the layers & transparency from the claude edi#that actually y'all don't know about lmao but i lost my mind when i saw how perfectly those pictures align i was scrolling getty & was like#ok december i'm gonna do a headline one (in my brain with the november/june quote about choosing to die again) w/ maple leafs playoff odds#how they say at winter break you know who's gonna be in the playoffs & who'll win & they thought they had a shot but it's mitchie overlaid#the 2003-04 team who'd last won a playoff round with the atlantic division stats from dec for 22-23 & how long it's been & dec headlines#i wanted breakup/recent/never loved to be a recent trade acquisition somebody who bounced around & somebody else so i almost had simmer#brodie & zar but then i wanted to make murray for breakup at any time &i forgot zar & him were on the pens together &it hit me like a truc#bc there's a photo of the two of them EXACTLY the same so close it's scary of this one but them as pens so they had to be it & i did always#know never loved again was mitchie. sorry. also mitchie in the penalty box the last game but i couldn't find footage of it & this one works#no i could not find a photo of tyler bertuzzi fighting a leaf for a dog looked at me yes i tried.#i almost made the bunting photo jt but instead it's 'bunting a rat etc' anyway the one i really feel unhinged about is dead pets bc at firs#i was gonna make it the handshake line & look to see if the leafs had drafted anybody on the panthers (dead pet former draft pick)#& they had & it was carter verhaeghe & i couldn't get a good pic of matthews & verhaeghe but it's fine bc i thought about the mo/luke schen#narrative (in which they are a perfect d pair long lost) & schenn was drafted by the leafs & that line fits jut trust me. also how i feel#about the kniesy luminous line that one possessed me it had to be kniesy idk why. i almost put gussy as girls are too pretty though ALSO#did u like my joke. daylight SAVINGS time on the goalie. thank u. also my photo magic on the jt (me very poorly editing in him as an isle)#OK ALSO HOLD ONNNNN there is a part two but i have to wait for the Content i want it will come out as soon as [redacted] or sooner#if i get bad at waiting &everyone will pretend like it is always the way it will be once i have the photos i want. speaking of did the leaf#simply not take a team photo this year?? it Does Not Exist for me i have tried very hard to look for it also i'm excited for part 2#one of them is named oh you're so unhinged for this one & the finished product is you're unhinged in ways you didn't even know u were sorry#liv in the replies
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sophfandoms53 · 3 months
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It cannot be understated just how unwell Striker has made me since December 2021, this goofy sadistic snake cowboy has completely altered my brain chemistry in a way that I have never been able to recover from
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yangjeongin · 1 year
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HYUNJIN BIRTHDAY COUNTDOWN (2023 EDITION) ↘ D-30  | through the eras: PREDEBUT / MIXTAPE
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dreemurrsightings · 8 months
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The gang
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Noelles shirt
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dawnthefluffyduck · 10 days
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Dess from the Deltarune comic Looking Glasses by @ferronickel, I loved her design at first sight so here's the promised fanart; check out the original comic! It's very much worth the read :D
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inkblackorchid · 3 months
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What the hell happened with Crow: an autopsy (Part 2)
Hope you didn't think I'd forgotten about this post yet. Lads, ladies, and other lovely people, here we go. I have more yelling about bird boy to do.
But first, a few disclaimers. For people who may have missed part one, yes, as the title implies, this post is part two of an attempt to analyse Crow's character throughout 5Ds' whole run. You can find part one here. Now, both for people who may not have the time/energy to read my first, huge post about this right now, let me explain what I'm about here before we start again: My analysis is not meant to deter people who like Crow from liking him. It's also not meant to convince Crow haters otherwise, even if I admittedly personally like Crow. All of this stuff is just my personal attempt at dissecting how his character was handled in the show and why that might have been. And because this is part two, and I covered the Fortune Cup and Dark Signers arc in the first post, I'll start with the pre-WRGP arc, then dig into the backstory Crow was given directly before the WRGP begins properly. Also, mind the length of this post. I'm physically incapable of writing short things.
I also feel the need to reiterate another thing before I really get into the meat of things again: If you were hoping to see any old rumours about 5Ds confirmed, this is the wrong post. In fact, thanks to the very thorough work of someone over on Reddit (another shoutout to @mbg159 here, who's the author of those posts), I know for a fact that literally all the big rumours surrounding Crow are one big pile of logistically impossible horseshit, and I think after so, so many years of people citing this nonsense, the fandom as a whole finally deserves to let these go:
No, Crow was not meant to be a dark signer, least of all the final boss of season one, and Blackwings were not the reason he got more screentime later.
No, Aki being sidelined was not the result of her irl voice actress' pregnancy.
Yes, I know these two posts are both a long read each, but I cannot begin to tell you how tired I am of these rumours. So even if you don't have time to read the stuff above, please take away this: The big 5Ds production conspiracy theories are. all. bullshit. Because, to put it in as simple terms as possible, none of them work out logistically. The events people have pretended affected the show's production in a major way all don't line up with the actual production timeline. So just can the rumours already. Please let them die. And no pitting Aki and Crow against each other on his post or because of this post, yes? I beg you, I am so tired. Ok? Ok.
All right, now we can get to the good part. In my previous post, I left off at the end of the DS arc. So, in what position is Crow at the end of the DS arc? He helped save the world by defeating Goodwin and got his very own signer mark after Rudger/Roman Goodwin's death.
And now, where is Crow at the start of the pre-WRGP arc?
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(Bam. Delivery bird boy be upon ye.)
This time, Crow wastes absolutely no time coming back on screen. We see him again within the first episode of the second half of the show, and wouldn't you know it! He moved in with Yusei and Jack and the three of them have a funny, brotherly, bickering dynamic between them. Also, as a fun little add-on that is very much in line with his deeply Satellite, down to earth characterisation from the first half, Crow now works as a delivery driver to earn money for the household. That's all very nice and good.
But what is his role in the plot from here on out? Well.
First, a small note about the pre-WRGP arc. Though this arc is fun to watch because it gives us a lot of silly character interactions the show no longer found the time for once the WRGP started, the pre-WRGP arc really can't be said to bother with actual plot much. It's the known filler arc of 5Ds, and as such, Crow is not the only character who gets pretty much nothing plot-related to do during this arc. Thus, I'll only give a quick run-down of what he does get up to, just in case any of these tidbits end up showcasing a relevant aspect of Crow's character I might come back to later.
Furthermore, another thing that's pretty much obvious to everyone who's ever watched the show in its entirety but still bears mentioning: Crow gets a lot more screentime from this point on out. Technically. Why do I say "technically"? I'll get back to that further below. For now, just keep it in mind.
So, how does Bird Boy spend his time during the arc where the plot's on the back burner? To be honest, on the sidelines, mostly. Don't get me wrong, Crow's there. Most of the time. But he gets pretty much only two episodes where he's the focus, and both of those aren't exactly known for being 5Ds' most memorable episodes (even though I still like them both tbh, but I digress): For one, in episode 68, he gets to convince Bashford to move in with Martha so the depressed old man isn't spending his entire retirement living in a scrapyard.
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(This episode's comedic moments are actually fairly solid. But those are just my two cents.)
And for two, in episode 85, Crow gets to bond with the boys' somewhat cranky landlady, Zora, by duelling some sense into her son, Lyndon. (Which also introduces us to a duelling tactic only Crow uses that we will later see again: Losing on purpose.)
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(And here we can see Crow showing off his skills at dealing with petulant children.)
Now, do these two episodes where he gets to be relevant actually do anything for Crow? As a character? Debatable. If nothing else, they strongly reaffirm the values Crow represents which we were introduced to in the first half of the show, though. They reintroduce us to his stubbornness, to his (in comparison to Jack and Yusei) more playful nature, to his very Yusei-ish dedication to doing the right thing, to his penchant for spite, and to his strong sense of family and community and his belief that these two things shouldn't be abandoned unless you have a damned good reason for it.
You may notice that there's a sizeable gap between these two episodes. That's because those episodes are where we get the only smidgens of plot in this arc. Among them, highlights like Sherry's introduction, the first reveal of accel synchro, Aki's turbo duelling license exam, three separate story beats hinting at the machinations of the emperors of Iliaster (Luciano's little stunt with Rua and Ruka, Placido getting started on building a killer robot army, and the Jack double being unleashed onto NDC), and Bruno's introduction. So, here's the thing: Crow is technically present during most of those episodes, too, but he doesn't actually get to meaningfully interact with the plot-relevant elements. (Which is not to say he doesn't have nice moments here and there. He does get to bounce off the other characters, and, just as one example, helps Yusei and Jack upgrade Aki's duel runner, as well as help Yusei build Rua's duel board. Crucially, he doesn't get to do anything that later becomes plot-relevant, though.) Moreover, not one, but two characters who end up becoming major players in the series' finale are introduced here, which is relevant insofar as that Bruno and Sherry both end up needing a good amount of development before they can impactfully take their later roles. Now, I say this with nothing but genuine appreciation for both these characters, because I do like them, but I feel the need to point out what this means not just for Crow, but for pretty much everyone who isn't Jack or Yusei: Every minute of screentime that was dedicated to Bruno and/or Sherry was one minute less the writers could spend on the rest of the cast. This is not to say that time shouldn't have been spent on them, they needed it, especially because they were introduced so late, but it's something I do want people to keep in mind when talking about who got how much screentime and whether or not that time was well spent. (I also have a larger gripe with the definition of "screentime" in general, but more on that later.)
So when does Crow get to be relevant to the plot again, now that he's even a signer and all? Well, not until episode 94, when the WRGP arc has already started. (Note that I'm using the 5Ds episode list on wikipedia as a general guide for which arc and which season starts where. You can find it here.)
*Deep breath*
So. Episode 94.
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(Pictured: One very scruffy dragon. Bird? Dragon-bird. Bird-dragon. You figure this shit out.)
That episode. The episode where Crow, who was awarded with the status of a signer during the finale of the DS arc, finally gets a dragon to match his mark. And the episode where we finally, finally, get some actual backstory for Crow that goes beyond his involvement with the Enforcers and childhood with Jack and Yusei. A backstory that's only Crow's own. Except. How do I put this politely...
This shit doesn't make a lick of sense. Neither the events in the duel between Crow and Bolger in the present resulting in Black-Winged Dragon's appearance, nor the Pearson backstory.
Now, I'm not saying this to step on anyone's toes. From a writing standpoint, I can even make a fairly reasonable guess as to why this episode/mini-arc is here, I think: As I mentioned in part one of this analysis, Crow was not only introduced very late, but also got very little backstory of his own, which set him apart from the other signers. Don't get me wrong, he did get some backstory—we know of his strong connection to Duel Monsters because he learned to read from cards, and we know of his involvement with the Enforcers/Team Satisfaction. Crucially, though, Crow doesn't really get a backstory segment that feels as unique to him as the others. Aki gets her tragic past with her parents and her powers, Jack gets his betrayal of Yusei, which also doubles as part of Yusei's backstory, who as the protagonist understandably gets the most backstory, and even the twins, though they are as always treated as one unit, get their very own segment about the time when Ruka was essentially in a coma. Meanwhile, Crow only has that one-off tear-jerker moment about learning to read from his cards and his being a part of the boys' duel gang, which, and I cannot stress this enough, is treated as more of a Yusei and Kalin/Kiryu backstory by canon than a Crow backstory. Thus, it makes perfect sense from a writing standpoint that the Pearson/Black-Winged Dragon mini-arc would be here. Crow, up until this point, has neither a backstory segment dedicated solely to him, nor a signer dragon to call his own. So, how do we solve this? Give him both in a strategic double-whammy! The math checks out. Unfortunately, the writing of said mini-arc... doesn't.
Now, look. The juicy question of whether Crow would have worked better as a non-signer or not, which I already discussed in part one aside, I personally don't hate what this backstory is trying to do. It's just that the whole Pearson-drama has some very notable, logical holes which I'll get into below. Furthermore, this is not the first time something related to Crow has some unfortunate, logical and/or chronological issues. I already brought up the infamous fridge and Rex Goodwin's rather confusing backstory in part one, both of which raise some serious questions. However, Pearson and everything surrounding him arguably blow that clean out of the water. Let's examine this more closely, shall we.
The long-overdue backstory we get for Crow begins with a mystery: Mikage and Trudge, for a reason that is never given to us, are investigating the death of Robert Pearson (whose death would have been several years ago at this point), whom Crow knew very well, and they're doing it because they found a hint that the person who killed Pearson used an illegal card, Crimson Mefist, to do it.
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(Post redemption-arc Trudge actually doing his job instead of bullying random Satellite citizens. Who would have thunk.)
Thing is, here, we already encounter our first, minor problem: Pearson has never been mentioned up until this point, not even as an aside. And this issue is compounded by the fact that not only Crow seems to know him, but Trudge claims to as well, because "Satellite used to be his jurisdiction". So, a named character who's familiar to both one of our protagonists and a notable side character, and we've never seen hide nor hair of him. If we pull our heads out of the story for a second, the irl reason for how this came to be is probably pretty obvious: Pearson was never mentioned before because the writers had nowhere near as solid of a plan for Crow as they did for the other characters, which leads to him being introduced out of nowhere here because we need a backstory and a dragon for Crow and we need those now. Moving on.
The mention of Pearson having been not simply killed in a fire, like Crow previously assumed, but having been murdered through a special, illegal card immediately makes him suspicious. So, he goes to consult Bolger/Bolton, another never-before-seen character who gets introduced in service of this backstory, and who knew Pearson well. And while this guy certainly acts amiable towards Crow at first, implying that the two have a good rapport, at least, he quickly starts acting suspicious when Pearson's murder comes up. Moreover, we as the audience at this point already know Bolger's looking for Black-Winged Dragon so he can use the card essentially as collateral to save his company. And the name "Black-Winged Dragon" already leaves very little to the imagination as to whose deck this monster is supposed to fit into. But, in a small twist, we learn from Crow that this was apparently Pearson's card, and supposedly lost in the fire where said man died, to boot. Then Bolger challenges Crow to a duel, too, offering to tell the truth about Pearson's death if he loses, but demanding Black-Winged Dragon, which he believes Crow to be in possession of, if he wins. So far, so good. We've got a mystery here, and canon is not contradicting itself just yet. Until we get to the actual backstory, which shows us the time Crow spent with Pearson, that is. Before we get into that, I'd like to highlight one theme this mini-arc introduces that actually feels like it fits Crow: Legacy. Over the course of meeting Bolger again and being reminded of his time with Pearson, Crow starts thinking about whether he's taking over his former mentor's/father figure's legacy well enough.
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(Crow having some Deep Thoughts TM, featuring one of Yusei's most relaxed, easygoing smiles in the entire show, probably.)
This theme, I would argue, is one of the major things this backstory introduces that really meshes well with the Crow we already had until this point. He's a community-focussed guy and absolutely a family person, if him taking care of Satellite orphans is anything to go by, so leaving behind a good legacy for the people after him (read: the kids he took care of) would absolutely be something he cares about. We see this element of legacy again in his cards during this episode, too, which canon implies he inherited from Pearson. (I'll get to THAT can of worms below.) And on paper, with the themes he's already got going, Crow being the only one to inherit his deck rather than build it all by himself would actually make sense!
However. This is where we have to get into the meat of the backstory. I'll start by listing the barebones information Crow's backstory with Pearson gives us, then going into why several aspects of it are either logistical or chronological nonsense.
So, as canon tells us, Crow met Pearson after Kiryu/Kalin was arrested, when the Enforcers/Team Satisfaction all went their separate ways. During this period, Crow had already set up shop near the original Daedalus Bridge and started out taking care of orphans, but it wasn't all smooth sailing. He was, by his own admission, "living aimlessly". Then, during a pinch, Pearson and Bolger show up, take care of some bad guys for Crow and the kids, and Crow sees a new role model in Pearson. Pearson, who rides the Blackbird, plays a Blackwing deck and owns Black-Winged Dragon. So, he joins up with Pearson, presumably learns how to work on duel runners from him, and also befriends Bolger. Then, one day, a fire breaks out at Pearson's workshop and the man in question dies, but leaves Crow his runner and his duel disk before he does so. End flashback. Because I want to tie this together nicely, we also learn later that Pearson technically left him Black-Winged Dragon, too, by sealing it in his runner. And, of course, that dragon later becomes Crow's very own signer dragon.
Several points to be dissected here. And funnily enough, Bolger's duel with Crow isn't relevant for any of them. Let's start with the big one: The timeline. I want you to remember that as far as canon is concerned, Crow is 17 during the DS arc. Moreover, it's canonically stated that Jack stole Yusei's first duel runner two years before the show's start, at which time Crow would have been 15. And their time together as the Enforcers must have been even before that, because Kiryu/Kalin was already in prison for a while at that point and Crow and Yusei don't reunite until the DS arc is basically in full swing. So, I'll make a vague estimate here and say that during the time of the Enforcers, Crow would have probably been 13-14. (Which is hilarious when you think about the fact that this gang of angry teenagers essentially took over the entire duelling underground of Satellite, but I digress.) Now we add the idea that Crow met Pearson after the Enforcers, but that he died before canon starts into the mix. That means Crow first ran into Pearson sometime around age 15, and that he then died presumably before Crow turned 17. So far, so good, that still slots into canon, even if it makes Crow pretty damn young for some things. He's even missing the personalised Blackbird duel disk he later wears during the Enforcer days, I went back to check. What he is not missing, however, are his Blackwings. And this is where canon may or may not have made an implication that, if intentional, breaks this timeline. See, during the scene where Pearson's workshop is burning down and he's already trapped under debris and has embraced death, he tosses Crow his duel disk and leaves him his runner.
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(Two important screenshots, in sequence. One, Pearson with his duel disk still strapped to his arm. His deck is very obviously still in there. Two, Crow with that same duel disk, as made obvious by its distinct shape.)
What this implies is that Pearson also left Crow his deck. Which, yeah, fair enough, if I were dying in a fire I'd probably also think "fuck it, not like I'll need my cards in the afterlife". What this (and Crow's look the first time he sees Pearson's monsters) implies, though, is that Crow didn't start playing Blackwings until Pearson left him his deck. Which is factually untrue, because there is literal evidence in the show that Crow already had Blackwings during his time as part of the duel gang, before ever meeting Pearson. (The exact episode, if you want to check for yourself, is 33, where Crow summons both Bora the Spear and Blackwing Armor Master during a flashback.) However, I will concede that the show never actually states this is the case, it's just implied by what we see on screen, so perhaps the idea here was that Crow already played Blackwings before Pearson, but grew to love them even more through his mentor/father figure, and so later happily integrated the deck he inherited into his own. Crucially, canon never states this outright, either, though, so the option remains on the table. But, to give the benefit of the doubt here, the possibility that this could still slot in with canon and that it was just handled poorly is there. The same cannot be said for the Blackbird, however.
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(Uh oh. So much for canon continuity.)
The above two screenshots directly contradict each other. First we have Yusei, upon reuniting with Crow in Satellite during the DS arc, casually remarking that Crow finished his duel runner. Which means that canon at this point suggests to the audience that one, Crow built this duel runner by himself, for himself, and two, that Yusei knew about it for a while already. Then there's the second screenshot, from the Pearson backstory episode, where Crow outright claims the Blackbird was left to him when Pearson died. I don't think I need to tell anyone that these two things can't be true at the same time. And again, I think this is where Crow fell victim to the writers not having a clear outline for him. At first, he was supposed to be this scrappy guy who also built a duel runner for himself, just like Yusei. But now, he's a signer, needs a backstory and a dragon, and because a theme of legacy is introduced alongside Pearson, the runner suddenly needs to be inherited, as well as (possibly) Crow's cards. Now, a crafty fanfic writer could probably reconcile the above contradiction somehow, and I know some stories that accomplished that. But the point isn't that we, as the audience/fandom could make this work, the point is that canon didn't make it work. What canon, sadly, also didn't get to work was Black-Winged Dragon.
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(We meet again, bird-dragon.)
Here comes the next elephant in the room: Everyone and their mother who has watched 5Ds knows that Black-Winged Dragon was never implied to be a signer dragon up until the duel where Crow acquires it. In fact, an entirely different dragon is teased so heavily long before BWD ever shows up that it to this day is one of many people's major gripes with the show's writing.
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(Why, hello, Life Stream Dragon! Fancy seeing you here.)
And yet, Black-Winged Dragon is turned into a signer dragon before Life Stream Dragon, who was teased more than sixty (!!!) episodes before BWD was ever even mentioned. Why? Simple: Because Crow became a signer and Rua/Leo didn't, because the signers all need dragons (or else the "5Ds" part kind of doesn't work), and because Life Stream Dragon thematically doesn't fit Crow.
Now, I've seen people post theories to reconcile this weird hitch in canon, hell, I've even posted an idea for how it could be reconciled myself. But, again, that isn't the point here. The point is that as far as good old, barebones canon is concerned, it isn't reconciled. Canon at first states there are five signers, suggesting that there are also five dragons. But then, the fifth dragon never shows up, and one of the signers dies, to boot. Only for canon to then teach us, oh, no, look, the signer marks can wander from one person to the next. And to add insult to injury (at least where the show's writing and internal consistency is concerned), the signer mark that was "freed up" by Roman/Rudger's death doesn't wander to Rua/Leo, who any attentive watcher would have expected to become a signer because it was heavily teased during the DS arc, but to Crow. Frankly, I'm not surprised many people were angry about this, but in case my disclaimer didn't make it clear, I don't think it's productive to pin this on Crow by claiming his cards became super popular irl. There was definitely an out-of-left-field writing choice made here, but the only answers as to "why" were left in the 5Ds' writer's room, I believe. At a guess, if you want me to throw out a non-sugarcoated theory as to why, though? They probably thought Crow would be a more interesting character for their target audience. He's a scrappy guy who sticks it to authority, he's brave, he's funny, he plays a cool deck, and most of all, unlike Rua, he never embarrasses himself in a duel on screen. Why am I highlighting that last part? Because I feel like people sometimes forget that the target audience for this show, at the time of its creation, were about twelve year-old boys. And you can feel free to contradict me on this, but most twelve year-old boys I've known and know don't want to project themselves onto a chracter who loses and gets his butt kicked a lot, and who's a bit awkward and steps in it sometimes, which is much closer to how actual twelve year-olds are—but that's exactly why they prefer the cooler characters. And Crow is the cooler character, by average twelve year-old boy logic, regardless of what the grownups of this fandom think.
So Crow gets a dragon and the writing doesn't bother explaining the how or why of it, let alone tackles any of the implications made by Black-Winged Dragon's existence as a signer dragon. (Like what does this mean for the larger worldbuilding? Does the Crimson Dragon actually have more than five servants, but chooses to only ever bestow five marks at a time? Can any "dragon" the Crimson Dragon chooses be a signer dragon, and it just so happens that the constellation of signer dragons is nearly the same as the original one in present-time 5Ds canon? Did the Crimson Dragon specifically elevate BWD to a signer dragon because it felt like it? Was BWD always supposed to be a signer dragon? Was Pearson supposed to be a signer, but died too early before the dark signer prophecy was set into motion? Am I overthinking this? (Yes.)) He also obtains his dragon in what feels like the weirdest way possible to me, because it suddenly??? Just decides to appear in his runner????? Out of nowhere??????
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(Why is that here. How did it get there. Why did Pearson even put it in there. And HOW. Is it just wedged between the machinery or what???? And how on earth did Yusei, Bruno, and/or Crow never find it before this point considering how often someone tinkered on the Blackbird on screen???)
(This scenario, of course, also raises the question how the other signers even got their dragons. But like many other, interesting questions, this episode chooses not to interact with that one whatsoever.)
In short, this backstory is a bit of a mess, to say the least. For as much good as it tries to do by contextualising Crow's character and giving him something that sets him apart from the rest of the protag group, it feels like a rough draft of an episode was given the green light to be produced without any editing, judging by the contradictions and weird implications. As such, it harms Crow's character as much as it builds it, as evidenced by how much fandom backlash he still receives years later for the things that were bungled in this backstory and also in different aspects of his character writing.
Now, you may notice this post has gotten stupidly long due to just how convoluted the specific hangups of Crow's backstory are. I originally meant to cover the WRGP and even the Ark Cradle arc for Crow in this post, too, but due to how much there was to say about canon's attempt to finally make Crow a "proper" signer, I've decided that trying to force another two whole arcs in here would be a disservice to the analysis and the character, and also make this agonisingly long, so I'll close this part out here and write a part three, perhaps even a part four depending on how much material the WRGP gives me to work with.
There's one more thing I need to get back to before I finish up this part, though: The "screentime" discussion. I mentioned far above that I take issue with how some people seem to be using the word screentime, and now I can explain why. First, I want you to take a look back at the episodes I covered here, those being 65-95, essentially. Now, as anyone who usually dislikes Crow will tell you, Crow is present in most, if not all of these episodes. He's on screen. He's getting screentime, and, according to many people, hogging it, even. Okay. Now, I want you to look back up at the analysis. How many episodes did I cover where Crow actually gets something to do? As in, where he's either the focus of the plot or gets to contribute to it in a significant way? There's the old man Bashford episode. There's the Poppo Time clock episode. There's his two backstory episodes. That's four. Four episodes. If you're generous, you might add in the episode where he gets to narrate Yusei's backstory alongside Jack and the two fake Jack episodes where he gets to have an emotional moment or two with his foster-brother. If you're less generous, you'll note that none of these episodes have Crow actually interacting with the main antagonists in a meaningful way or set up anything important that pays off later. (Hell, he doesn't even get any, and I really mean, any meaningful setup interactions with Sherry, who ends up being his final-boss-level opponent during the final episodes! Aki gets more meaningful interactions with Sherry than him, not that this ever gets a payoff.) And this is why I take an issue with people claiming Crow gets so much "screentime" post DS arc. Because to me, "screentime" should be time spent letting a character act meaningfully within the story, which most of the pre-WRGP episodes aren't for Crow. He's on screen, yes, but in many episodes, it wouldn't matter one whit whether you replaced him with a nameless side character, which isn't exactly a great look for a supposed third of a protagonist trifecta. Perhaps I'm being too strict with my definition of "screentime" here, fair enough! But the claim that Crow hogs screentime already rubs the wrong way during this comparably unimportant arc, so I can't leave it alone. It feels very decidedly malicious to claim a character who during some episodes seems to only be there to provide exposition or make whatever jokes Yusei and Jack's personalities aren't suited to is stealing screentime from other characters. As for the WRGP duels and whether he's "hogging" anyone's screentime there, I'll dig into that nonsense in the next part, please be patient with me.
...Phew. Okay.
Now, before I leave you to wonder whether I'm every finishing my Crow analysis in full again, I want to attempt to do the same thing I did in part one—propose some changes that could have been made to the writing for Crow's character in order to make things slot in better with the rest of canon. With a small disclaimer, of course: These are just my suggestions as to how Crow's character could have fit into canon more smoothly and been done less of a disservice by his own backstory.
So. First, a quick-fire thing about the pre-WRGP, to get that out of the way: Crow, alongside Aki, is the only signer who didn't get his own confrontation with either Iliaster or their minions. (Yusei had Ghost, Jack had fake Jack, Rua and Ruka had Luciano.) Instead of having him confront a cranky old man in a scrapyard or Zora's son, they could have easily given him a very short side-story where he gets to experience the threat of Iliaster up close and personal, too. Hell, they could have very nicely cut the recap episode where Crow and Jack lie in the mess of Jack's terribly built coffee table and philosophise about Yusei's backstory for this, too. (As funny as their interaction about the coffee table and Jack lying on the floor with a perfectly intact coffee cup are.)
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(Pictured: Two idiots (affectionate) contemplating life among the scraps of a shitty, broken coffee table.)
Then, there's the Pearson backstory, of course. So, here's the thing, I think two very different kinds of "fixes" could have worked here. Crucially, they both depend on Crow's status as a signer. I argued in part one that Crow might have worked better as a character if he hadn't actually become a signer, so I'll give both versions here. Let's go.
Option A: We try not to touch canon too much and Crow stays a signer.
How to do this? Frankly, I think what Crow's mark and Black-Winged Dragon were majorly missing was setup. The mark is the smaller offence here, since, fair enough, the idea that signer marks can wander from person to person isn't too out there for 5Ds canon. However, the lack of a dragon despite the alleged 5Ds stands out, and Life Stream Dragon's wasted setup only makes it worse. Thus, making Black-Winged Dragon make sense would have required giving him the same amount of foreshadowing as Life Stream Dragon, at the very least. And you know who could have been great for that? Sweet, ever-forgotten-by-canon Ruka. She was already shown having flashback dreams to the signer dragons' first battle against the dark signers, so who's to say she couldn't have gotten dreams about a shadowy, new dragon she's never seen before? Perhaps even dreams where she's not sure if the dragon is good or bad at first! It could have provided intrigue, it could have made the audience curious. To strengthen that, canon could have also bothered taking the question "hey why are there only four dragons now" seriously. No character in canon ever questions why there are five marks, but only four dragons. Even Rua, who was previously hopeful that he might secretly be a signer, never brings it up. If canon had bothered to actually point this mystery out, they could have used it not only to foreshadow Black-Winged Dragon, but to aid Life Stream Dragon's setup, too. What the fuck am I talking about, I hear you ask. Hear me out: Life Stream Dragon is shown way, way later down the line, long after the audience probably already accepted that it was simply never going to show up, literally bursting out of Power Tool Dragon's armour. We are not provided with an explanation as to why. Imagine if they had sprinkled in another dream Ruka could have had about the ancient past here. Imagine if they had used the opportunity to show something like, oh, during the battle, Life Stream Dragon got injured so badly they had to protect its wounded body with a suit of armour, in the hopes that it would heal. And with one original signer dragon out of commission, the Crimson Dragon sadly had to choose a replacement in between, because the Earthbound Immortals were sure to return. Bam. Black-Winged Dragon. Two signer dragons, set up simultaneously, without forcing the canon lore to do somersaults. Furthermore, to actually explain why Pearson had the dragon but wasn't a signer, they could have easily sprinkled in a flashback between him and Crow. Maybe Pearson could have mentioned how the dragon always feels like it's never really his, as a joking aside. It would have been enough for me to suspend my disbelief, you know? And then the rest of canon could have played out exactly as we know it. Crow could have confronted Bolger, could have obtained Black-Winged Dragon because maybe the dragon finally decided he was worth throwing its weight behind. The mystery behind the missing fifth dragon could have been solved, and it would have made for satisfying payoff without kneecapping Life Stream Dragon's setup or conjuring an extra dragon out of thin air. And really, stuff like the runner thing could have so easily been solved by simply picking one version (did he build it himself or inherit it?) and sticking with it. All it took was a little more care.
Option B: We assume Crow didn't actually become a signer, but try to keep his backstory intact.
Okay, this version works under the assumption that Crow, despite partaking in the final battle against Goodwin during the DS arc, didn't receive a signer mark. To make this work, I would, bluntly put, simply make it so that Black-Winged Dragon doesn't exist. Pearson can still play a powerful Blackwing monster during his flashback that Bolger wants to find and sell later, but it simply isn't that dragon. Really, Blackwings have enough to choose from there. If the backstory episodes had been placed a little later, say, during the pause in the middle of the WRGP, he could have even received something like Blackwing Full Armor Master here. (Yes, I know that card didn't exist at the time, but my point is that he could have simply received a powerup like Yusei and Jack did, instead of a completely new monster.) With this setup, they could have still added the intrigue of taking the question why there are only four signers now seriously. They could have still set up a mystery about why no one ever saw the fifth dragon outside of dreams. And it could have made Rua becoming a signer later, and in this version getting the tail mark instead of a completely new one, that much more satisfying. And Crow could have kept his "fuck destiny, I'm trying to save the world here"-attitude from the DS arc, providing a nice, amusing counterweight to our heroes chosen by an ancient Incan dragon deity. All it would have taken would have been not giving him a mark and switching out Black-Winged Dragon for something else.
So, take your pick, I guess. In the meantime, I'll try my best to work on part three faster than I did part two, lmao.
See you next time!
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shirozora-draws · 2 years
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... so anyway, I'm a lying liar who lies about not drawing for the rest of the month. If I say I'm gonna "doodle something real quick and then write", grab my access to Clip Studio Paint and all my tablets, and run.
One is a sketch/color test based on a scene in the staircase fic and inspired heavily by Eyvind Earle's work for Disney's Sleeping Beauty. The other is me feeling a bit spicy and also letting my brain build up on a sliver of an idea. But it's mostly me feeling a little bit spicy, as a treat.
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mothusband · 1 year
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reminder to newcomers that if your blog has no posts, no profile picture, no header, and your blog colors aren't changed, i and most other people will take that as you being a bot and will block and report you as spam if you follow us. go to your profile and click the little paint pallette and give your blog a makeover real quick or if that's too much just change your blog title to something like "not a bot". i really recommend the makeover though because that's much more fun even if you don't want to reblog and you're just here to lurk.
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