Hi! Saw you jumped on the tim hate train, welcome to the club! Aplarently you're Damian fan, which is good bc hes also one of the characters who's hit by tim's..woobification? Victimization(???) while simultaneously being the bestest, most competent batfam member. You Damian fans honestly have my respect for the pure amount of shit Damian gets because of tim.
hi lmao. Thanks xD. I usually try to keep all my negativity off of the internet, but last night I was going the anti Tim drake tag bc my frustration was flaring up. At first i was collecting posts by liking them instead of rb, then I was replying, and then at some point... “Fuck it. I want this on my blog.”
(This is gonna be a ramble btw, I don’t care abt making a good post rn.)
I used to be fine with Tim! I think the whole thing was a lot less prominent in the dpxdc fandom bc DANNY was the fan favorite/community elected woobie, but then I kinda moved out and... well. It still took awhile for this issue to seep in bc those Tim fans (you know the ones) are certainly a minority, but I just don’t think you can be a Damian fan for longer than a few months without getting frustrated.
Nowadays I refuse to read anything tagged with any variation of “Tim Drake angst” that features the batfam. Timkon fics are usually just fine though.
Actually— recently? Shit’s been bothering me so bad that I don’t wanna risk reading fics that have Tim in the first relationship tag at all. He’s gotta at most be in the second one. Ship fics are again an exception, but I don’t tend to seek out ship fics much anyway.
But, like I said, I usually keep it to myself. Every time i catch myself venting in the tags I either screenshot the tags and delete, or I delete and retype them. I put them into a private notes document. I also journal in there a lot instead of posting it.
That document is pretty long.
I do wanna say that there’s nothing wrong with what tim fans are doing. It is fun to woobify your fave. It’s fun to prop them up and tear others down and make everything about your blorbo and it is harmless. I do it too (usually in my daydreams). It’s a fantasy, and that’s what fanfiction is for. People who act like it’s “problematic” are wrong. That doesn’t mean it’s not annoying. Because it is. It’s annoying as all fuck.
Also wanna mention that I once read a damian fic that like... started off with some delicious whump, but then it turned into a whole Damian pity party and it guilt tripped all his friends and family. Damian IS my blorbo and I couldn’t read that. I didn’t even know who Maps was at the time but it seemed so bizarre to throw her under the bus. Anyway I feel like that’s what a quite large portion of Tim fic is like except a bit less extreme.
I used to tell myself that “ohhh it’s just a rivalry. I’m sure Tim fans get the same shit in reverse all the time” but I literally NEVER see it in the other direction and spend the most of my time in Damian circles. The only time I see tim hate from damian fans is frustration at those particular fans in response to it or in response to favoritism of authors.
I mean i saw a good chunk of it last night, but what else can I expect from the anti tim drake tag?
It’s actually funny how most of the stuff in anti tags is polarized hate shitting on the character with a lot of bad takes, but in tims anti tag it was almost exclusively frustration from Damian and Jason fans, and usually pretty mild takes. Also people calling Tim boring.
Ngl, Idk much about Jason. I’m familiar with his fanon, but the only comic i’ve read that featured him in a major way was Gotham War. I don’t know him well, and I don’t have too much interest in him. However, I hate “Jason falls over in guilt and kisses Tim’s fingers begging for forgiveness” type posts in solidarity. It’s yucky.
Anyway, I didn’t even mean to get on this anti tim train you speak of, It just sorta leaked out of my vent doc. Don’t expect me to keep posting about it.
but also... don’t not expect it. It might happen.
Even so, my dms are absolutely open for Timothy Drake related frustration! I’m pretty tired of being nice to him.
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You know what's interesting to me? For all people keep claiming at every juncture that perhaps Bells Hells will come around on the gods and see the harm they do (which, as discussed extensively, is, half the time, simply not intervening) not only have they never done so, but also they never quite cross the line into saying the party should join the Ruby Vanguard or aid them - and indeed, they defend against it - so what does this achieve? It feels like they're asking for a story in which the party stands idly by, which isn't much of a story nor, if I may connect this briefly to the real world, a political stance anyone should be proud of.
That's honestly the frustration with the gods and the "what if the Vanguard has a point" conversations in-game. What do we do then? Do we allow the organization that will murder anyone for pretty much any reason that loosely ties into their goals run rampant? The group that (perhaps unwittingly, but then again, Otohan's blades had that poison) disrupted magic world-wide, and caused people who had the misfortune to live at nexus points to be teleported (most, as commoners, without means of return). While also fomenting worldwide unrest?
Those were the arguments before the trip to Ruidus; with the reveal of the Vanguard's goals to invade Exandria, the situation becomes even more dire. Do you let the Imperium take over the planet?
And do the arguments against the gods even hold up? If Ludinus is so angry at them for the Calamity, what does it say that he destroyed Western Wildemount's first post-Calamity society for entirely selfish means? (What does it say about the validity of vengeance as a motivator?) What does it say that Laudna told Imogen she could always just live in a cottage quietly without issue before the solstice even happened? (Would this still be true if the Imperium controls the world?) What does it say that when faced with a furious, grieving party and the daughter she keeps telling herself was her reason for all of this, Liliana can't provide an answer to the question of what the gods have done other than that their followers will retaliate...for, you know, the Vanguard's endless list of murders. (That is how the Vanguard and Imperium tend to think, huh? "How dare your face get in the way of my boot; how dare you hit me back when I strike you.") She can't even provide a positive answer - why is Predathos better - other than "I feel it", even though Imogen and Fearne know firsthand that Predathos can provide artificial feelings of elation. Given all the harm Ludinus has done in pursuit, why isn't the conclusion "the gods should have crashed Aeor in such a way that the tech was unrecoverable?"
Even as early as the first real discussion on what the party should do, the fandom always stopped short of saying "no, Imogen's right, they should join up with the people who killed half the party," it was always "no, she didn't really mean it, she just was trying to connect with her mother." Well, she's connected with her mother, and at this point the party doesn't even care about the gods particularly (their only divinely-connected party member having died to prevent the Vanguard from killing all of them). So they will stop the Vanguard; as Ashton says, the means are unforgiveable. As Laudna says, it's not safe to bet on Predathos's apathy. As Imogen says, she's done running; the voice that she used to think of as a lifeline belongs to someone she doesn't trust. So I guess my question is: if they're stopping the people who are trying to kill the gods (and defense of the gods isn't remotely their personal motivation)...do you think the next phase of the campaign is Bells Hells personally killing the gods? Reconstructing the Aeor tech and hoping none of their allies notice? How does this end? Does your ideology ever get enacted? Or is this entirely moot and pointless and the story ends with Bells Hells saying "well, I'm really glad we stopped the people who [insert list of Vanguard atrocities from above]; none of us follow the gods or plan to, but honestly, the status quo we return to is preferable to whatever nightmare Ludinus had concocted in his violent quest for power and revenge"?
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thinking about how akio sees his younger self in utena and wondering if there's any fondness there. doesn't change the horror of what he does to her obviously but i do wonder
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Essay: Post-Holidays, I see my Uncle's "Strange New Girls" Hate Watch in a Whole New Light.
No that is not a typo, that is actually what he calls SNW. And my macho-loving Kirk-fanboi of an uncle has been hate watching it religiously. The last time he hated a Star Trek show (DIS) he just didn't watch it. So this opposite response to SNW fascinates me. He talks big talk about there being too many women on the Bridge and hates on La'an with a particular vehemence, both because she's permitted in Starfleet despite a direct relation to the augments' leader and because she's a tiny lady running security. (I can't separate the more reasonable perspective from the sexist one, the man is both.)
At first I took his persistent critiques of the SNW crew as a very straightforward anti-women enmity, until Christmas when he came out with the following bomb-shell.
"We just watched Voyager, you know Janeway: Janeway is alright. She's a good captain."
(Color me shocked we had rage-inducing debates about this in my teens and early twenties)
On the one hand, perhaps my uncle has gotten slightly less sexist towards a female captain over the last 30 years? Doubtful considering the way he layers personal criticisms on the female SNW characters.
But on the other, him now enjoying Janeway's show does make me understand his hate and fascination with SNW. It's not about the women on the Bridge at all.
It's about Pike.
I'm sure there are other factors. Janeway's main Bridge crew was almost entirely male. And Voyager was written to try not to offend the sensibilities of men like my uncle (an effort that hasn't worked on him until now). But I also think it's got a lot to do with the two captains' presence on the Bridge, and how each captain is portrayed in their own show.
Janeway makes many more aggressive command choices than Pike, by virtue of personality and situation. Sometimes she makes those choices even against the reservations of male subordinates. She stares down the barrel of death on numerous occasions, unblinking. She's often the protagonist in her own show. She changes the timeline to influence her past self and encourages her to make a daring and selfish choice that is applauded and shown to pay off in a big way.
And notably, while she's the first woman to have center stage in the captain's seat, her femininity and portrayal of gender is what I think is best described as micro-managed (One need only look at the dizzying array of styles the show experiments with for her hairdo). She dresses in a very feminine way off duty, but often displays more "masculine" behaviors, especially on duty. She very rarely cries. Outside of expressing anger, flirtation, and curiosity, she is not often overtly emotional. A special note for flirtation: she gets wide license to be flirtatious with everyone from enemy combatants to her senior staff to even her ship when she's trying to sweet talk it. She avoids talking about her feelings at all costs. She can't cook and that's a running joke. In all the ways that matter, she acts like one would expect a traditionally male captain to act, with just enough feminine concessions sprinkled in to keep her from coming off as "too masculine."
Pike is very diplomatic and much more rule-conscious. He's Starfleet's boy scout. He takes a back seat in many episodes as other characters get to shine. When he is center stage the conflicts he combats are very personal. He stares down the barrel of "death" (as he's referred to his future disability) and flinches. His trip to change time is done to tell his past self to step aside, act selflessly and take a back seat to a fate that terrifies him. He often listens to and makes decisions that align with his (largely female) Bridge crew's recommendations. And while he dresses in a traditionally masculine way on and off duty, emotionally, he's shown to be much more traditionally feminine. He cries over a dead horse (My uncle was particularly aghast at that). He cooks and is shown to take pleasure in it, even using it as a tool of diplomacy. He is a sympathetic counseling ear for many of his crew.
He does not get to flirt with his Bridge crew. When he is shown expressing sexual interest in someone it leads to emotional hurt and command weakness (in Lift Us Up Where Suffering Cannot Reach, he becomes aware of his love-interest's abhorrent ethics only after watching her participate in something horrific, which he is helpless to stop. And when Batel gets into trouble with the Gorn in Hegemony, his fixation on her well-being comes off as somewhat short-sighted, and contributes to command paralysis in the final scene). His very close friendship with Una may border on romantic attachment, but there's nothing sexual about their on screen interactions. And his quest to have her accepted by the Federation is one of the only major emotional decisions he undertakes that is shown to have a majorly positive outcome.
In sum I think Pike is shown to be vulnerable, gentle, and craving of connections in a way that is very human, but one that men are not traditionally supposed to be. The themes of his arc center on standing aside for the benefit of others, accepting future loss of ability and death, making peace with a future that doesn't center around you - all messages about moving from selfishness to selflessness. His lack of sexual incentives and behaviors stands out distinctly from how male protagonists typically get portrayed. He's basically anathema to the masculine ideal my uncle's spent his life trying to embody.
I still don't know what reason drives my uncle to keep watching "Strange New Girls" as religiously as he has. But I do now see his fixation on finding fault with all the women on the Bridge differently. By critiquing them, he is deflecting attention from his discomfort with the man in the center seat.
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Study
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So like, does everyone else also have an extremely strong instinctive negative reaction towards Sam Levinsons continued existence, and have you also begun to consider him your arch nemesis????
This is a totally normal and sane response, right?
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hey what if i just started tmnt posting. what then
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no genuinely i will fight to the death to defend yuuji being a good character and how interesting it is to see yuujis struggles of being used as a tool his entire life/viewing himself as a cog while bringing out his own strengths as someone who doesn’t have the raw power and talent as gojo, yuuta, or megumi.
With gojo’s reflection in his past arc of his own strength not being enough to save someone, they need to be someone prepared to be saved, I have a lot of confidence in what yuuji was training for and his set up to save megumi (going full circle with his grandpa’s last words or “curse”).
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The motherfucking uhhhhhhhhg
ARCHETYPE MASTERPIST
Oh please pleas read this whole thing and reblog Isswear I'm not insane and put way to much effort into it scratching at my cage bars also this is probabty the only time u guys will get more oc info than my insta story viewers so be grateful/s
The only real difference between a shadow and paper archetype is slightly different powers available, like shadow archetype's can sneak past things a lot. better due to being able to blend into shadows, and can teleplane without the user even knowing the ability since it's kinda just innate to their state of being (I’ll explain what teleplaning is too sorry this is so long—). The difference between forming one or the other can just be a difference in mentality, but it can also steam from fact that a shadow archetype can be easier to form for someone who's less artistic. Though personally I think it'd be cool if an archetype can be mad from anything that's relatively 2D.
imagine that Raz's doodle archetype wouldn't change much as he got older, or maybe become a tiny bit less "young" or simplified but kinda just, stay the same over the years, since he kinda just embodies Raz's younger mindset anyway. Raz's archetypes r split into the motifs of young and mature, whereas Dex's are themed after quiet and loud/showy. Here's something I said about dex's bandit archetype that sums it up p well
But the reason that Dex's 1st doesn't change while his 2nd one does is centered on the fact that the formation and purpose of his 1st archetype is just so heavily tied to his childhood, whereas the second is a mirror of his parents/what his parents wanted him to be, but y know, utilizing that for his own benefit. His second archetype has a loud showman type personality, and is, I have no idea how to put this other than, Cheshire Cat-y. For context be iirc I only put this on my insta story, his parents r two non-psychic magicians, who are "generally okay" with psychics but are rily dissatisfied with their son being one as [insert explanation screenshot I don't think I could articulate better]
As for his magician archetype's abilities though along with any basic paper archetype stuff he can summon as well as turn into a large playing card, which can help with any sort of platforming type activities, as well as suck up and shoot back out any enemies from his hat. Any other campy type magician abilities you can think of he can probably do too.
Dex himself probably argues the most with his own archetypes though only his second one really but I think Raz's would butt heads on the occasion as well, especially with his doodle archetype probably not listening to the other two that well lol. Also playing around with the scenario what if Raz were to be affected with any sort of mental affect that caused him to act erratically or against his own motives that his archetypes would be able to operate independently of him and be able to help the psychonauts still!
As for teleplaning here’s just what I have in my notes about it
I have no idea how to explain it other than just. That.
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bought myself a new lil dabi plush as both a reward and a comfort after visiting my dad :)
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one day i might actually write an essay on russells relationship with masculinity and (over-)performing masculinity in his search for his own identity during the 90s till about the mid zeroes
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if theres one thing I love more than posting my obscure mages AU, its drawing the boys in a state of gay panic
ft the garbage line Y/N dropped to make this happen (these are out of context because I haven’t finished the ding dang chapter these scenes are in rip my adhd)
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literally thank you dovid katz for putting everything you’ve ever published online
(https://www.dovidkatz.net/dovid/dovid_bibliography.htm -- his bibliography arranged by date here
https://www.dovidkatz.net/ -- and more of his stuff available here)
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Unpacked the ornaments today and started laughing over this. He looks like a relative of Gritty. My mom bought him to represent my first christmas and over the years he's gotten crushed because she didn't do a great job of packing things up; I inherited some of her things after she died and kept even less, so digging to the bottom of the box today yielded the best laugh I've had in a while. He is now proudly on display dead center on the tree, close to Blue and Beta, and staring wildly into the room.
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only watching mark but help wanted 2 seems to be head and shoulders above security breach. like genuinely a return to form and actually rewarding any investment you put into security breach and really doing a lot with these characters and the new lore
it's a shame i literally can't get past the fact that the fnaf 6 location and every tiny joke from it is being milked to death in a way that's actually cheapening the original for me
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