HEY GUYS OH MY GOSH I AM SO EXCITED FOR THIS

KATYDID AND ZYLA SWEETBEAN MADE A DFO FIC WHERE THE HUMANS ARE SPACE ORCS AND WHEN I FOUND OUT I WAS MELTING IN MY SEAT FROM EXCITEMENT

They have been so awesome and let me in on the writing process and AKDHSKAJHD LET ME TELL YOU ITS SO GOOD

But anyway here's some art and a link!!! please read you will not regret it!!!!!!!!

Hi! I happened to stumble across your analyses on both Majima and Saejima and boy am I blown away by them! You captured their personalities so well it’s awespiring. Is there a chance you’ll write a post about Kiryu as well? It’s just that originally I’ve had a hard time liking him as a character because of the numerous mistakes he has made across the series (and the fact that others don’t really address them for some reason). Despite that I’m a huge fan of kazumaji and that’s why I feel conflicted sometimes. Anyway, I would really like to hear your thoughts about it!

Awww, you’re very kind ^^; Thanks for asking for more c: So, the reason why I haven’t yet made a post about Kiryu is NOT due to my lack of feelings about him, it’s quite the opposite. I have essays worth of feelings about Kiryu and just... have not found the time to really give those feelings credit ^^; But, since you ask and you’re having a hard time with his character, let me at least start. 

As a preamble, let me first say that there’s a difference between a character making a mistake and the writing making a mistake. This is not to say Kiryu never makes mistakes, far from it. I have a lot of feelings about Kiryu’s mistakes, they’re one of the reasons I love him, but a lot of the more egregious fuck ups are the writers making weak or poorly thought out choices. For example, like you point out, Kiryu makes mistakes and no one ever calls him out for it... that’s a writing flaw, not a problem with Kiryu. 

(Please note that to give my best reading of Kiryu, I’m going to reference as many games as I have seen, which is through game 6. If you do not wish to be spoiled through at least game 5 (I never reference game 6 if I can help it), do not read further.)

Continuing with that example... I cannot tell you how simultaneously OVERJOYED and FURIOUS I am about game 3 when Mine, MINE YOSHITAKA, a character who was introduced that game and then never appears again, is the only person who criticizes Kiryu’s decisions when he has DEMONSTRABLY made bad ones! Like, Mine’s criticisms are ENTIRELY valid, but because they come out of his mouth it’s hard to say if the audience is meant to sympathize or not. Especially since Mine is sort of the antagonist of that game and he’s not really pitched as a sympathetic character. You have to really be willing to be critical of Kiryu to hear what Mine’s saying there and agree with him. The way the scene is played, you’re sort of supposed to still identify with Kiryu and insist that he’s never done anything wrong ever, even though he’s put all of his friends in a vulnerable position and IS arguably to blame for the state Daigo’s in now, as Mine points out. 

And the writing is on some level aware that it is Kiryu’s fault or they wouldn’t have brought it up. They wouldn’t have had Mine say that if they didn’t see that problem. But the problem is they’re afraid of letting Kiryu be flawed. They’re afraid that if Kiryu’s wrong, even once, he won’t be The Good Guy anymore and the audience won’t like him anymore. This is weak and cowardly writing. Characters aren’t compelling because they’re never wrong, characters are compelling from what they do when they’re wrong. Any character who’s never wrong is unrealistic and, ultimately, boring. We all fuck up, we’re all only human. You ultimately will not identify with an infallible god because they would make choices you wouldn’t. I’m sure we can all think of characters who were pitched to us as infallible that, sooner or later, we ended up hating because of this very trait. So trying to pitch Kiryu as infallible is a ginormous mistake. But an understandable one, especially in a franchise that depends on the likability of its main character. But this means that they don’t trust their own writing, they don’t trust Kiryu’s inherent appeal and they fuck up the story around refusing to take risks. It’s one of the most heartbreaking writing decisions for me that those words come out of Mine’s mouth and not one of Kiryu’s friends. 

Because it’s Kiryu’s friends who deserve to get to say that. It’s Kiryu’s friends, the people who are directly affected by his actions and the people who CARE about Kiryu, who have the right to criticize him. Not some fucking young blood with a chip on his shoulder. Having Mine say it makes the criticism look biased an illegitimate when it isn’t. I understand the writing impulse to not let us criticize Kiryu, but think how much more compelling it would be to show that Kiryu’s relationships are strong enough to handle criticism. That the trust and love is there for a friend to come to Kiryu with this and to force Kiryu to confront himself and listen rather than ignore the problems and insist that he’s never done anything wrong. But to make that call, to let us doubt Kiryu, you, as the writer, have to trust your story, you have to trust your character, and, worst of all, you have to trust your audience. Many many writers of popular media do not trust their audiences. They don’t trust that if they let you doubt, you’ll come with them and see where the story leads. They’re afraid you’ll lose interest and turn away. Many writers feel that they cannot take the risk of trusting their writing for fear of losing their base and therefore their income.

And, again, part of the issue is the aims of the story. At the end of the day, RGG is here to produce a fighting video game, that’s it. Wrapping that up in a compelling story makes it more sellable, but their primary focus isn’t the story itself. It’s getting you to buy a fighting video game. If the mechanics aren’t up to par, if they fights aren’t cool and interesting, the rest doesn’t matter. RGG came up with a story to link the games together and invested in making an interesting protag, but it was to sell the games. If the point of this story was the story, I think we’d be seeing different writing decisions and maybe some of these flaws could have been avoided. And I don’t actually mean to point this out as a criticism and say why aren’t they creating art for art’s sake? I mean it really as a grain of salt that I personally use to try not to hold the writing here up to the standard that I would a novel or something. That may not be useful perspective for anyone else, but it’s a thing I like to keep in mind. 

So, part of what we see in Kiryu is that the writing fucking sucks. And it’s fair not to want to redeem Kiryu’s character or dig deeper into him when the writing hasn’t provided you with much. So no one feel bad if you’re not persuaded by my assessment, I’m not here to shame or convince anyone, I’m just offering my two cents. 

And now alllll of that said... Let’s talk about my boy, Kiryu Kazuma. 

I said earlier that characters are compelling based on how they react to mistakes, how they deal with them. Let me tell you, Kiryu is aware that he’s made mistakes. And he has regrets. 

What I find compelling about Kiryu is that he tries so fucking hard to do the right thing, all the fucking time. What I find compelling about Kiryu is that he wants so much to make people happy, to make people proud of him. He is scared all the time of doing wrong by people and making himself untrustworthy, making himself scary. He has lost so much, he has lost everything and he still gets up every goddamn day and tries. 

Does he fuck up? YES. ABSOLUTELY. ALL THE FUCKING TIME. But he gets up. Every. Fucking. Day. And tries. And you can’t buy that. You can’t ask for that. That’s just who he is, a guy who tries. 

I don’t... have time to explain the depths of my love for Kiryu, but let’s take my favorite Kiryu, what I think the best characterization of Kiryu is in the entire fucking series: game 5. Game 5 Kiryu is my favorite fucking Kiryu, including 1, including Zero, bar fucking none. I fucking love game 5 Kiryu. 

And Game 5 begins with a colossal mistake. 

Before the game starts, Kiryu is convinced, either earnestly or nefariously, to leave his little family and specifically abandon AHEM release his daughter Haruka to someone else. This is the stupidest fucking thing Kiryu’s done since giving up the chairmanship. But he does it because he is told that he is a greater threat to his family WITH them than abandoning them. I want you to think about that. Kiryu loves his family so much he would sooner leave them than do them harm. I need to remind you that Kiryu has already destroyed and rebuilt his own life once already. He has repeatedly given up everything for his dream of having a family and for all his beautiful kids more than once. And he just loves his little Okinawa home so much, he can’t stand the idea that he would bring it harm, so he fucks off. This is categorically the wrong decision and any other reasonable adult would know this. I’m sure you yourself understand intuitively why a parent, no matter how dubious, can’t just leave a brood of underage children to fend for themselves in the world.

But here’s the thing: Kiryu’s made a number of dumbass decisions that have led him to this point in his life. He doesn’t have any adult, peer friends to counsel him about this. He’s deliberately estranged himself from Majima, from Date, from all the people who could have helped him out here and told him not to. And deep down Kiryu’s always been worried that he was unworthy of this. He’s always been afraid that he didn’t really deserve to be happy, deserve his little family of innocents. And the plot SURE AS FUCK has confirmed that for him, repeatedly putting the kids in danger and reminding him that you can never actually leave the yakuza. Kiryu knows he’s fucked up. He knows adopting his family was a mistake, but it was too late, what was he gonna do now? But here comes this little insidious voice confirming his worst fears, telling him he needs to go, and Kiryu listens. He has no one else to listen to and he’s been so beaten down by the plot by this point, he’s lost so fucking much now, that he doesn’t have the strength to believe in himself anymore. So he goes. Believing that he is doing the right thing.

And then, as it always does, the plot comes for him, telling Kiryu he needs to come help, telling Kiryu only he can fix it. And Kiryu, for the first time in his life, puts his foot down. He’s so fucking tired, he won’t fucking do it, not one more time. Because every time he gets his ass up to help, what happens? Someone else dies. Someone else dies and it’s Kiryu’s fault all over again, and it’s Nishiki all over again, and Kiryu can barely fucking live with himself for all the guilt that he feels. He starts to help and he just loses. Every fucking time. So this time, no, this time he won’t do it. He can’t do it anymore. He just wants... everyone to be okay. And he’s so sure that everyone would be better off without him. 

If that’s a huge screaming red flag for anyone else IT SHOULD BE. Kiryu is in a depression spiral. He’s suicidal. He’s cut himself off from all his meaningful relationships, he’s not participating in his favorite hobbies, he’s alone and isolated in a new city where he doesn’t know anyone. He’s Not Doing Good. Game 5 is about finally, FINALLY confronting Kiryu’s demons, all the pent up unresolved guilt and turmoil that we never fucking addressed for 5 games running. (And if you’re hearing Bitter Resentment in the way the games have handled Kiryu’s emotional reactions OH BOY YOU BETCHA but that’s for another post.)

So Kiryu finally says no. He won’t fucking do it. But the plot comes for the fucking carotid. It’s Majima. It’s Majima. The only person Kiryu really, truly trusts. The person Kiryu was relying on to still be there, to be strong, to do the things Kiryu couldn’t. It’s Majima this time. And Kiryu loses his goddamn mind. That was the one thing you had left to take from him, his belief in Majima, and you took it. Kiryu nearly has a psychotic break at the news and decides, fine. Fine. I’ll go fix this, and then I can die. Then it’s over. Because there ain’t nothing left for him now. 

And he does. Kiryu gets his ass down there, he solves the fucking problem, and then he does his level best to die there. Because it’s what he feels he deserves. He’s let down everyone. All those losses, all those people... they’re his fault. If he was really the hero, he could have saved them. If he was really a good person, these tragedies wouldn’t keep happening. It must be his fault. Fuck, even Majima died, even Majima... and he wasn’t even there, he couldn’t even have helped him, he just... He abandoned him. And Kiryu feels intensely that guilt and grief for his mistakes and his missed opportunities. And all he can think to do with that feeling... is die. It’s what Nishiki did before him. It’s what Kazama did before that. That’s what you do when you’ve fucked up and you don’t know how to fix it. You die. Then no one has to deal with you anymore.

But Haruka. His daughter. The best thing he ever did. She’s up there on stage and she loves him. She still loves him and wants him to be her dad. She’s been with him the whole time, she knows all about it. And she’s not scared. And she doesn’t think he’s bad. Maybe... maybe he can stay alive then. Maybe it’s okay if Haruka is still his daughter. And against all belief, he finds his way back to Haruka. He stays alive for her. He won’t repeat the mistakes of the past. And maybe... he can learn to do something different this time.

Kiryu... makes mistakes all the time. But he knows. And he feels so guilty. The writing doesn’t always do a great job of showing it. We don’t process Nishiki the way we should. We kill Rikiya for no reason. We forget that game 3 should have been TRIGGERING AS SHIT. And we awkwardly no homo out of Kiryu’s most important relationship while still insisting that it is Kiryu’s most important relationship. The writing is spotty and flawed and sometimes you can barely piece together a coherent narrative out of it. 

But at its white burning core is a guy who just keeps trying. Who gets up the next day and tries again. Because he’s lost so much. Because he loves so much. Because he believes there is value in being nice to people and being a good person. And I love that.

Diary of a Junebug

Alone together at the Summer Sweets Festival

Sweet treats, flying carpets, and colorful blooms - it's a magical day in Falcon Harbor when the Summer Sweets Festival comes to town. Everything's so soft and pastel, it's such a lovely sight to take in. Standing on the bridge, getting a full view of the festivities, I feel peaceful, like despite everything going on in the world right now, as long as I'm here, I'm safe.

Since we've been busy with camp stuff and running the shop, Daisy Jane and I felt that we needed some time to ourselves. Up until now, we haven't really had one on one time together, something we knew had to be fixed.

Hard to believe that Daisy Jane's been here for over a year now - how different things were back then. She went from stagnating in life to living her dream, being independent and creating art. And not too long ago I was in a similar position, trying to find my place in the world but having a hard time doing so. People objected - usually for good reason - but we took the plunge anyway, stumbling more than succeeding, but finding our way eventually. To some, it's still not ideal, but to us, we're happy, and that's more than enough for us.

Like I said, it's been nice just the two of us hanging out. I mean, we did meet up with friends but for the most part it's only us off on our own while occasionally meeting up. Not that I don't miss the campers but sometimes you just gotta go off and do your own thing. I've been so wrapped up in camp events lately that I haven't had time to do that and it was starting to affect me. As I'm still learning, it's important not to get too wrapped up in things - and there's nothing wrong with taking things slow, even slacking off if you can.

Since Pai brought along Connie and the gang, I've been thinking about that a lot. As much as I enjoy and look forward to camp events, they take a lot out of me. I get that they're kinda necessary to keep things running - and it's not like we're running out of ideas (I'm starting to think that's becoming one of my worst fears if I ever get to that point) -  but it's important to know when to slow down. I've made the mistake of back to back events so now I know to space them out for everyone's sanity.

Basically, what I'm trying to say is that burnout ain't good. Know the signs and take steps to prevent yourself from crashing and burning. Problem is that it can sneak up in unexpected ways, so it's extra important to catch the warning signs as soon as possible.

A festival may not seem like an ideal way to get some rest and relaxation, but this one's different. I think it's the peaceful atmosphere in general - things aren't too crazy or crowded, just people vibing in their own spaces. Kinda like a cafe's that's sorta busy but not too crowded or loud so you can just chill out and do your own thing without feeling like you're in the way. I always feel bad for taking up space, especially when I know that someone else needs it more than I do, which is why I tend to feel self conscious out in public. Doing stuff at a cafe sounds nice but actually doing it? I need to find the right place, the right atmosphere, the right spot that gives me privacy while not be closed off from everything else.

In other words, the Summer Sweets Festival's kinda like finding the perfect cafe to hang out in. The vibe's similar to the Traveling Fika, a relaxed atmosphere that doesn't compel you to have to try out everything all at once but instead encourages you to take your time and explore at your own pace. As much as I enjoy festivals - even more so as I've had a hand in behind the scenes for some - they can take a lot out of me. Again, there's nothing wrong with slowing down and taking your time.

While enjoying the festivities we ran into some friends. Turns out Emmaline and Minnie had the same idea of going to the festival for one on one time. I think this is the first time I've hung out with them since their wedding. As usual, they've been traveling around the universe, though they've been slowing down a bit and visiting home more often. It's still up in the air, but they're really considering the idea of buying a place in Rosevine. They'll still be traveling but that means they'll also have a home base to go back to.

The four of us enjoyed galaxy themed dango and fresh jasmine tea while catching up. I think since getting married, Emmaline and Minnie have fallen even more in love with each other. It's always so sweet seeing them side by side, holding hands and just being together. Like me and Daisy Jane, they also took a gamble by going off on their own - they were always more bolder than us in many ways despite being younger. In a way, they seem older, though it's more of a kinda had to grow up faster because of life circumstances.

Now that I think about it, no one really comes out unscathed from their upbringing. I'm lucky to not experience the traumas Emmaline and Minnie went through, though I can relate to being seemingly older than your peers. I'm not knocking my upbringing but the culture I grew up in - where my parents were also brought up - tends to put pressure on all of us. Maybe I'm biased because I'm the firstborn daughter in an Asian family but in a way I'm kinda expected to be maternal - not that I don't want to be, it's just the pressure of being that gets to me. It's the whole idea of you have to be the best, not just for you, but for your family - in other words, you have a lot to carry on your shoulders.

Then there's the whole debate of whether I should do something because it's for me or should consider my family over myself. Eh, that's something for another time I don't feel like getting into all that today.  Will I have to address it someday? Probably but I don't have the brain power to even touch on that.

After getting lost in the stars, the four of us hopped on a flying carpet for a scenic view of the harbor. They say that Falcon Harbor's known for its magical carpets, from their beautiful and intricate designs to the magic these threads possess, it's amazing to see how much work is put into making a single one. The view is absolutely gorgeous - it adds to the dreamy vibe of the festival.

Not too long after parting ways, we ran into Blossom. It was an unexpected surprise as she came here on sort of a whim. For the past year or so she's been hanging out with a time traveling professor and exploring various parts of the universe with him. She posts a lot of about her travels on social media and it sounds like she's having a blast.

Though as much as she enjoys going on adventures with the professor, Blossom finds him a hassle to get along with sometimes. She describes him as the kind of guy who's used to pretty much getting away with everything and doesn't really know how to take responsibility, so inevitably that ends up getting him into a lot of trouble. Jamie's heard stories about him and while he has good intentions, most tend to have a like-hate thing with him. I get where Blossom's coming from with the lack of foresight and accountability - like it's understandable if you're from an upbringing that neglects that but at the same time you're a grown adult so act like one.

Aside from that the professor guy sounds cool but to be honest I'm not sure if I can stand to be his traveling companion. Blossom finds him to be good company most of the time and he brings some excitement to her normally monotonous life. Now with her little sister moving across the country, Blossom finally has more freedom to do what she wants. The main reason why she accepted the professor's offer to join in on his adventures was to get away from her, which is understandable. Her sister's a lot like mine in which I love her, but she can be a bit much to deal with - and not ideal to live with 24/7. With her sister gone, Blossom doesn't have to deal with nosy siblings who, while well intentioned, make her feel bad for doing her own thing. And yes, I speak from experience.

Originally, Blossom and the professor were gonna go on a space adventure but that was scrapped at the last minute. Basically, the professor owed an old friend big time for something he sorta screwed up on the last time he visited, so now, after avoiding it for years, he has to finally pay up. It's not as bad as it sounds as he knew that he would have to own up sooner or later, plus Blossom knows them to be good friends.

As much as she wants to see the cosmos, she's been busy helping her sister with the moving out process so she'd rather have a lowkey weekend. Since she lives about 20 mins away from town, Blossom figured that maybe she'd pop in to join in on the festivities for a bit. So we enjoyed candied strawberries, tiger milk tea, and a boat ride around the harbor before going off our separate ways again.

At night, we met up again with Emmaline and Minnie to set up a picnic and watch the fireworks show. Seeing all those bright, vibrant colors against the dark night sky, it's a pretty sight to look at. We also chose a good spot to view it as there's not too many people around and the sound doesn't break our ears. After that, we hung around a bit longer, exploring stands we haven't gotten around to visiting yet. The quiet atmosphere along with the gentle glow of the lanterns - I almost didn't want to leave because it felt so comforting, especially when it's just us alone.

Did I just say "us" alone? Maybe it's just because we've known each other for so long and have a lot in common, but as much as I like having alone time, I'm starting to see myself more open to sharing that time with Daisy Jane. Not exactly interacting, but existing in the same space, doing our own thing. I still need my solo alone time, but I also wouldn't mind being alone together with Daisy Jane, like how we were at the festival.

Anonymous asked: Your blog isn’t what I expected for someone who champions conservative values because it is very rich in celebrating culture and strikes a very humane pose. I learn a great deal from your clever and playful posts. Now and again your feminism reveals itself and so I wonder what kind of feminist are you, if at all? It’s a little confusing for a self professing conservative blog.  

I must thank you for your kind words about my blog and your praise is undeserved but I do appreciate that you enjoy aspects of high culture that you may not have come across.

My conservatism is not political or ideological per se and - I get this a lot - not taken from the rather inflammatory American discourse of left and right that is currently playing itself out in America. For example my distaste for the likes of Trump is well known and I have not been shy in poking fun at him here on my blog. Partly because he’s not a real conservative in my eyes but a .... < insert as many expletives as you want here > ....but mainly he has no character. My point is my conservatism isn’t defined by what goes on across from the pond.

Rather my conservatism is rooted in deeply British intellectual traditions and draw in inspiration from Edmund Burke, Michael Oakeshott, Roger Scruton, and other British thinkers as well as cultural writers like Coleridge, Wordsworth, and Waugh. So it’s a state of mind or a state of being rather than a rigid ideological set of beliefs.

Of course there is a lot of overlap of shared values and perspectives between the conservatism found elsewhere and what it is has historically been in English history. But my conservative beliefs are not tied to a political party for example. I wash my hands of politicians of all stripes if you must know. I won’t get into that right now but I hope to come back and and address it in a later post.

As for my feminism that is indeed an interesting question. It’s a very loaded and combustible word especially in these volatile times where vitriol and victimhood demonisation rather than civility and honest discussion so often flavour our social discourse on present day culture and politics.

I would be fine to describe myself as an old school feminist if I am allowing myself to be labelled that is. And in that case there is no incompatibility between being that sort of small ‘f’ feminist and someone who holds a conservative temperament. They are mutually compatible.

To understand what I mean let me give you a potted history of feminism. It’s very broad brush and I know I am over simplifying the rich history of each wave of feminism so I’m making this caveat here.

Broadly speaking the feminist movement is usually broken up into three “waves.” The first wave in the late 19th and early 20th centuries pushed for political equality. The second wave, in the 1960s and 1970s, pushed for legal and professional equality. And the third wave, in the past couple decades but especially now, has pushed for social equality as well as social and racial justice. It is the first wave and bits of the second wave that I broadly identify my feminism with.

Why is that?

Again broadly speaking, in the first wave and overlapping with the second wave legal and political equality are clearly defined and measurable, but in the third wave (the current wave) social equality and social justice is murky and complicated.

Indeed the current feminist movement - which now also includes race and trans issues in a big way - is not a protest against unjust laws or sexist institutions as much as it is the protest against people’s unconscious beliefs as well as centuries-worth of cultural norms and heritage that have been biased in some ways against women but also crucially have served women reasonably well in unwritten ways.

Of course women still get screwed over in myriad ways. It’s just that whereas before it was an open and accepted part of society, today nearly all - as they see it - is non-obvious and even unconscious. So we have moved from policing legalised equality opporttunities to policing thought.

I understand the resentment - some of it sincere - against the perceived unjustness of women’s lot in life. But this third wave of feminism is fuelled in raw emotion, dollops of self-victimhood, and selfish avoidance of personal responsibility. Indeed it bloats itself by latching onto every social and racial outrage of the moment.

It becomes incredibly difficult to actually define ‘equality’ not in terms of the goals of the first wave of feminists or even the second because we can objectively measure legal, civil and political goals e.g. It’s easy to measure whether boys and girls are receiving the same funding in schools. It’s easy to see whether a man and woman are being paid appropriately for the same work. But how does one measure equality in terms of social justice? If people have a visceral dislike of Ms X over Mr Y is it because she’s a woman or only because she’s a shitty human being in person?

The problem is that feminism is more than a philosophy or a group of beliefs. It is, now, also a political movement, a social identity, as well as a set of institutions. In other words, it’s become tribal identity politics thanks to the abstract ideological currents of cultural Marxism.

Once a philosophy goes tribal, its beliefs no longer exist to serve some moral principle, but rather they exist to serve the promotion of the group - with all their unconscious biases and preferences for people who pass our ‘purity test’ of what true believers should be i.e. like us, built in.

So we end up in this crazy situation where tribal feminism laid out a specific set of paranoid beliefs  - that everywhere you look there is constant oppression from the patriarchy, that masculinity is inherently violent, and that the only differences between men and women are figments of our cultural imagination, not based on biology or science.

Anyone who contradicted or questioned these beliefs soon found themselves kicked out of the tribe. They became one of the oppressors. And the people who pushed these beliefs to their furthest conclusions — that penises were a cultural construction of oppression, that school mascots encourage rape and sexual violence, and that marriage is state sanctioned rape or as is now the current fad that biological sex is not a scientific fact or not recognising preferred pronouns is a form of hate speech etc— were rewarded with greater status within the tribe.

Often those shouting the loudest have been white middle class educated liberals who try to outcompete each other within the tribe with such virtue signalling. Since the expansion of higher education in the 1980s in Britain (and the US too I think), a lot of these misguided young people have been doing useless university degrees - gender studies, performing arts, communication studies, ethnic studies etc - that have no application in the real world of work. I listen to CEOs and other hiring executives and they are shocked at how uneducated graduate students are and how such graduates lack even the basic skills in logic and critical problem solving. And they seem so fragile to criticism.

In a rapidly changing global economy, a society if it wants to progress and prosper is in need of  valuing skills, languages, technical knowledge, and general competence (i.e critical thinking) but all too often what our current society has instead are middle class young men and women with a useless piece of toilet paper that passes for a university degree, a mountain of monetary debt, and no job prospects. No wonder they feel it’s someone else’s fault they can’t get on to that first rung of the ladder of life and decide instead that pulling down statues is more cathartic and vague calls to end ‘institutional systemic racism’. Oh I digress....sorry.

My real issue with the current wave of feminists is that they have an attitude problem.

Previous generations of feminists sacrificed a great deal in getting women the right to vote, to go to university, to have an equal education, for protection from domestic violence, and workplace discrimination, and equal pay, and fair divorce laws. All these are good things and none actually undermine the natural order of things such as marriage or family. It is these women I truly admire and I am inspired by in my own life because of their grit and relentless drive and not curl up into a ball of self pity and victimhood.

More importantly they did so NOT at the expense of men. Indeed they sought not to replace men but to seek parity in legal ways to ensure equality of opportunity (not outcomes). This is often forgotten but is important to stress.

Certainly for the first wave of feminists they did not hate men but rather celebrated them. Pioneers such as Amelia Earhart - to give a personal example close to my heart as a former military aviator myself - admired men a great deal. Othern women like another heroine of mine, Gettrude Bell, the first woman to get a First Class honours History degree at Oxford and renowned archaeologist and Middle East trraveller and power breaker never lost her admiration for her male peers.

I love men too as a general observation. I admire many that I am blessed to know in my life. I admire them not because they are necessarily men but primarily because of their character. It’s their character makes me want to emulate them by making me determined and disciplined to achieve my own life goals through grit and effort.

Character for me is how I judge anyone. It matters not to me your colour, creed or sexual orientation. But what matters is your actions.

I find it surreal that we have gone from a world where Christian driven Martin Luther King envisaged a world where a person would be judged from the content of their character and not the colour of their skin (or gender) to one where it’s been reversed 360 degrees. Now we are expected to judge people by the colour of their skin, their gender and sexual orientation. So what one appears on the outside is more important than what’s on the inside. It’s errant nonsense and a betrayal of the sacrifices of those who fought for equality for all by past generations.

Moreover as a Christian, such notions are unbiblical. The bible doesn’t recognise race - despite what slave owners down the ages have believed - nor gender - despite what the narrow minded men in pulpits have spewed out down the centuries - but it does recognise the fact of original sin in the human condition. We are all fallen, we are all broken, and we are all in need of grace.

Even if one isn’t religious inclined there is something else to consider.

For past generations the stakes were so big. By contrast this present generation’s stakes seem petty and small. Indeed the current generation’s struggle comes down to fighting for safe spaces, trigger warnings and micro aggressions. In other words, it’s just about the protection of feelings. No wonder our generation is seen as the snowflake generation.

A lot of this nonsense can be put down to the intellectually fraudulent teachings of critical theory and post colonial studies in the liberal arts departments on university campuses and how such ideas have and continue to seep into the mainstream conversation with such concepts as ‘white privilege’, ‘white fragility’, ‘whites lives don’t matter’, ‘abolish whiteness’ ‘rape culture’ etc which feels satisfying as intellectual masturbation but has no resonance in the real world where people get on with the daily struggle of making something of their lives.

But yet its critical mass is unsustainable because the ideas inherent within it are intellectually unstable and will eventually implode in on itself - witness the current war between feminists (dismissed uncharitably as terfs) who define women by their biological sex and want to protect their sexual identity from those who for example are championing trans rights as sexuality defined primarily as a social construct. So you have third wave feminists taking completely different stances on the same issues. For instance there’s the sex positive feminists and there’s also anti-porn, sex negative feminists. How can the same thing either be empowering or demeaning? There are so many third wave feminists taking completely different stances on the same exact topics that it’s difficult to even place what they want anymore.The rallying cries of third wave feminism have largely been issues that show only one side of the story and leave out a lot of pertinent details.

But the totality of the damage done to the cultural fabric of society is already there to see. Already now we are in this Orwellian scenario where one has to police feelings so that these feminists don’t feel marginalised or oppressed in some undefinable way. This is what current Western culture has been reduced to. I find it ironic in this current politically charged times, that conservatives have become the defenders of liberalism, or at least the defence of the principle of free speech.

To me the Third Wave feminism battle cry seems to be: Once more but with feelings.

With all due respect, fuck feelings. Grow up.

I always ask the same question to friends who are caught up in this current madness be they BLM activists or third wave feminists (yes, I do have friends in these circles because I don’t define my friends by their beliefs but by their character): compared to what?

We live in a systemic racist society! Compared to what?

We live in a patriarchal society where women are subjugated daily! Compared to what?

We live in an authoritarian state! Compared to what?

We live in a corrupt society of privileged elites! Compared to what?

Third-wave? Not so much. By vast majorities, women today are spurning the label of “feminist” - it’s become an antagonising, miserable, culturally Marxian code word for a far-left movement that seeks to confine women into boxes of ‘wokeness’.

For sure, Western societies and culture have its faults - and we should always be aware of that and make meaningful reforms towards that end. Western societies are not perfect but compared to other societies - China? Russia? Saudi Arabia? - in the world today are we really that bad?

Where is this utopian society that you speak of? Has there ever been one in recorded history? As H.L. Mencken memorably put it, “An idealist is one who, on noticing that a rose smells better than a cabbage, concludes that it makes a better soup.“

I prefer to live in a broken world that is rather than one imagined. When we are rooted in reality and empirical experience can we actually stop wasting time on ‘hurt feelings’ and grievances construed through abstract ideological constructs and get on with making our society better bit by bit so that we can then hand over for our children and grandchildren to inherit a better world, not a perfect one.

Thanks for your question.

Getting started learning Japanese.

Here’s some resources I’m using to learn Japanese and what I think they do well and not so well. This is all based on my own experiences and what works best for me.

I will be rating based on the following criteria: Cost, Is it easy to use?, How much does it cover?, Pros, Cons, Overall impression.

Tofugu

I’m replacing a previous recommendation with this one. Far superior. I’ll just get right to it.

Free. Easy to use.

Pros: articles on just about everything. Theres a podcast. And every month they post resources for learning japanese. I highly recommend this website for these posts alone.

Cons: some content you gotta pay for but as far as i know they don’t duck around with people’s trust. They are the creators of wanikani and they gotta make money somehow.

Overall: far more useful that the first website i had on here. Maybe I’ll add more details later, but I just wanted to update this one as quickly as possible.

Japanese from Zero (video series)

https://www.youtube.com/playlist?list=PLOcym2c7xnBwU12Flkm5RcLIEhvURQ8TB

Cost: free

Easy to use: yes. Theres a nice playlist so all you have to do is sit and watch.

How much does it cover: You start out knowing absolutely no japanese and by the end of lessons you will know two writing systems. Basic sentence patterns and grammar. There is even a kanji series.

Pros: nothing is easier than sitting and watching videos to learn. You can play it anywhere at anytime. George has been teaching/speaking Japanese for years so he knows where students get stuck. He gives good explanations and examples on when to use new content and when not to use the new content.

Cons: because its a series, sometimes George refers to previous lessons or his book and you may be missing some context if you start in the middle or skip through some lessons.

Overall: The first lessons were painful to get through because It starts out with romanization and if you already know the writing systems, seeing the romaji on screen is like listening to nails on chalk. Not to mention I have a personal beef with numbers and counting as well as the common phrases like “おはよう”

But it is called Japanese from Zero and it is meant for someone who knows absolutely nothing about japanese so I can forgive the painful beggining lessons. Once I got past the introductory stuff the videos became more enjoyable.

Duolingo (app)

Cost: free

Easy to use: yes

How much does it cover: basic japanese sentence patterns, all three writing systems and a handful of new vocabulary.

Pros: teaches new words and sentence patterns and really drills them into your head. Gives you a few new words at a time so you can take the time to learn them without being distracted from all the other words you need to learn. You can go into the course as a Japanese person trying to learn English and really get the most out of Duolingo because the japanese version starts out with Kanji and even gives polite and casual sentence forms.

Cons: very repetitive. I don’t find fault with this but a coworker of mine found this to be very annoying and I can understand why. Duolingo says the lessons will get harder but instead its the same lesson except now you have to review it 10 times instead of 5. That’s not exactly hard, that’s just tedious. My biggest gripe with duolingo is that it doesn’t explain particles or why the kanji has different readings. In order to figure that out I had to go and do my own research which isn’t a big deal but if you’re only using duolingo by itself it makes it harder to understand why you keep getting things incorrect and subsequently how to fix it.

Overall: I will admit I am biased towards duolingo because I’ve used it for Spanish, French, Italian, and now Japanese. I was there from it’s early days when it was absolute shit and it has come a long way. I recognize the issues with Duolingo right now but I know that they are constantly updating. Painful as it may be to keep hearing 六時六分です it really is teaching you sentence patterns that you can use to make your own sentences. You just have to go out and do a little extra work yourself. It is, by far, the easiest to use and the method I use everyday.

TinyCards (app)

Cost: free

Easy to use: yes

How much does it cover: it covers a lot of vocabulary phrases and even sentences. You can probably get a lot mileage out of this one if used correctly and if you’re willing to put in the work

Pros: dozens of pre-made flashcards to choose from and the ability to make your own. Cards come in sets that you can unlock by finishing the first set similar to duolingo. A lot of other flashcard apps work in a similar way except they make you pay for the rest so I appreciate that this one is free of charge. Plus you can find flashcards specifically from the duolingo courses so you can study the vocabulary in isolation rather than in a sentence. Interactive flashcard system. So you don’t just flip cards and call it a day, occasionally you will have to write out the translation in the target language or pick from several choices.

Cons: the difficulty can be a little inconsistent. Sometimes you just flip a card and say I remember that one and other times you’ll have to translate a full sentence in Japanese. Even if you get the kanji right, you may get the answer incorrect because the card wants the hiragana and vice versa. And because there are so many card sets to choose from, not all of them are useful.

Overall: a sister app to duolingo it seems. Cards come from the community of learners and are not limited to japanese or languages. You can also learn about history, art and pretty much anything else. I appreciate the interactive aspect as most other apps don’t do this and the ones that do are muuuch more inconsistent than this one. I found similar interactive flashcard apps that would sometimes show Vietnamese translations instead of English translations. I’ve only recently been using this one but I pretty much gave up on using other similar apps bc they were very inconsistent. I haven’t used it very much though because I’ve discovered that I’m not a flashcard learner. If you learn best with flashcards then I would recommend it.

Tae Kim’s Guide to Japanese (website/pdf/app)

Cost: free

Easy to use: relatively. Just read the damn thing. I get it though. Reading is very tedious

What it covers: It really is a beginner to advanced beginner guide covering the same things as all the above. Basic grammar, writing systems and such. One thing that is very unique about Tae Kim’s guide however is that it also includes cultural notes such as explaining casual vs polite speech. Male vs female speech that a lot of the other resources don’t even touch on

Pros: A very good starting point that covers so so much. The website has an option to show/toggle translations. Additional cultural notes plus examples. Almost every“how to learn japanese” guide points to this website

Cons: one of the reasons I was holding out on making this list was because I haven’t finished going through all the resources so I don’t have any cons for this yet. I’m only part-way through and I’ve yet to have any issues with it. Maybe just that once it gets the point across it immediately moves on. You don’t really have time to digest the content so It’s like a very in-depth crash course in japanese. You may need to go out and do extra research in order to really understand the content. If you don’t understand what is being taught, just read over it again and keep it in mind. I’ve found that I’ll come across more examples as I continue my studies and it all starts to fall into place

Overall: It doesn’t sugarcoat Japanese or treat the learner like a baby. If you read the introductory page, you’ll know what I’m talking about. Definitely influenced my approach to learning despite not having gone through all of it. Like other resources, it builds on top of topics already covered but it’s nice having a book-format with conjugation charts and lessons separated by chapters. Videos and podcasts are nice but Tae Kim’s guide also acts as a manual to supplement your learning. Maybe you want to write a sentence in the masu-form and need a quick reminder? Just flip to the page in the guide. No skipping through videos trying to find the part you need because it’s already there.

Manga Sensei (podcast/website)

Cost: mostly free. I believe theres some extra stuff you can purchase. I’ve seen a special podcast that requires payment and comes along with a free pdf. But for the most part, you get a lot of free content.

Easy to use: relatively. Havent been on the website much so for all i know it could be a mess

What it covers: the podcast covers a lot of grammar points and occasional vocabulary and cultural notes. Gives you a good foundation to build on top of. The website has more details on what the podcasts are about but I haven’t spent much time on the website as I have the podcast.

Pros: grammar points in 5 minutes or less. Differences between common words. Good for improving listening skills. If you’re driving or on a bus, you can learn on the go.

Cons: so much to choose from you kinda have to sift through what you need. Most of it is useful and there are a couple of repeat lessons as Manga-Sensei has a beginner’s guide every year. Because its audio only, you may be learning new words and grammar but you may not be able to identify them as quickly on paper. Best to supplement with some type of visual. I believe the website has something to solve this and I’ve heard there is a youtube channel as well? Although I am not sure.

Overall: If you’re going on a long car ride, folding your laundry or even just working-out, this is a great way to stay on top of your studies. Manga-Sensei has talked a lot about his projects such as his manga, alternate podcasts, and pdf. Even though I haven’t taken a look at all of them, it’s clear he’s working hard to bring content for listening, reading, and conversation skills. That being said, the podcast is just as good for learning as any other method. You can still understand the lessons (which are meant to be short and simple anyway)

Japanese Ammo with Misa (Video Series)

https://www.youtube.com/channel/UCBSyd8tXJoEJKIXfrwkPdbA

Cost: free although she has a Patreon as well if you want to support her.

Easy to use: yep

How much does it cover: A Lot. From basic videos about grammar to more complex videos breaking down japanese songs as well common phrases and little notes that you may not find in a textbook

Pros: Her lessons have a lot of examples and good breakdowns of the grammar and tense. If a verb is in the past-negative tense, she will break down how to get to that point from the plain form or dictionary form. The best part about her videos is that she has her examples on-screen and color-coded. It may seem like a lot at first, but once you adjust to it, it helps to retain the information.

Cons: Because there’s so much content packed into her lessons, I recommend getting a basic knowledge of Japanese first. She has a video series for basic/introductory Japanese. I would suggest starting with that series or George’s series, or Tae Kim’s guide. Just so you don’t get an information overload.

Overall: There is one video in particular that I recommend to watch and I’ll make another post about it, but I really enjoy her content. Even though some of her videos are very dense with information, the comments suggest that its still easy to follow. I just think that while you can still learn a lot as a newbie, you might retain more if you already understand some grammar.

Japanese (app)

Cost: free holy shit!!

Easy to use: relatively

Pros: search using english, japanese, radicals, or drawing the kanji itself. Flashcard system, where you can build your own decks or use a pre-made one. The flashcards operate on a spaced repetition system. Plus it provides example sentences, compound breakdowns, stroke order, conjugations and JLPT level.

Cons: The drawing search method is sometimes hit or miss but i’m impressed the app has this option at all, let alone that it does not crash the app (like some others I’ve tried). The pre-made decks can have up to 400 words or more which is great if you have that kind of patience but I rarely find myself excited to sift through all of those words only to have about 10 of them be useful to me.

Overall: Okay it’s not like this app is super amazing or revolutionary but it’s a dictionary and flashcard sytem all in one. Say you want to keep a record of the new words you learn to refer back to them later? Make a new deck! Or if you’re reading a book or newspaper and come across a word you don’t know? Add it to the list or make a new deck! I try use new words as often as possible to drill them into my head And although my studying has slowed a bit, this app is perfect to double-check spelling and usage. (At least until jisho.org gets an app). Plus it’s easier to learn and remember words when you’ve come across them on your own.

Thundercats Roar thoughts...

So a friend of mine showed me this trailer a few weeks ago, and for a second I didn’t believe it was real. But, before I get further into my thoughts on this thing everybody else on the internet has already covered, let me go into my history with Thundercats.

Despite never drawing much fan art for the series, Thundercats is a property I love, and one of the biggest parts of my life in my earliest years. Born in ‘86 with three older siblings, I was just in time for the original Thundercats. My family already consisted of die-hard fans, so it was naturally one of the first franchises I got into. From the time I was born to when I was about 4, Masters of the Universe and Thundercats were what it was all about. It wasn’t until ‘89 that I got my first TMNT toy, and about a year later that was literally all I cared about. 

But before my TMNT obsession, there was Thundercats. While I do have many fond memories of watching the show, my most beloved memories of it are simply being a fan. Collecting the action figures, listening to my siblings talk about the show, and playing Thundercats. Not a video game, though. On nights when my Mom was out, my Dad would host He-Man or Thundercats games where he’d be either Skeletor or Mumm-ra, my oldest sister and brother would be She-Ra and He-Man or Lion O and Cheetarah (while my other sister would be... somebody) and I, being the baby, would always get stuck being Orko or Snarf. All us kids would wrestle our dad and beat up on him as he’d try to defeat us. Epic stuff. Some how the younger of my two sisters would usually end up horribly injured after each game, though...

Simply put, Thundercats was the real deal with my family when I was little. The action was great, the evil beasts were awesome, the toys were a blast, and Cheetarah, along with the He-Man girls, made me feel things my tiny self wasn’t yet ready to feel. 

It wasn’t until I was in high school that I revisited the show, and, honestly, I was surprised how much it held up. Especially considering in high school I was “too cool for everything” yet I still acknowledged its quality. Yes, it was corny in the way all old children's’ shows were at the time (I have nothing but love for that tone, but I can see how it would be hard to digest for later generations), but it still had great, smart, sophisticated writing for its time, amazing animation and artwork, good characters, and one of the most hype intros ever.

In 2011 a reboot was made. This reboot was far darker and more built on political commentary. It was an understandable progression. The fans had grown up, so the franchise did too. While I wasn’t a huge fan, I can respect the quality of the writing, art, and over all work that went into it. It was a sophisticated piece of art. I felt it went a bit too extreme with the tone it was pushing, and as a long time fan of the original, found lots of the changes and design choices hard to digest. But again, it was a good show, and I respect what it attempted to accomplish. 

However, the show was canceled before season 2 could air. This left a lot of fans mad, confused as to whether it was low ratings, low ratings as a result of its switched time slot that was far from ideal, or just a business decision to sacrifice a popular show just to make way for a potentially more popular future show. While I can understand the upset from fans 100%, I didn’t feel it as I wasn’t a regular viewer. 

So, fast-forward to earlier this month when my friend shows me this trailer. As I said, at first I thought it was a joke, like College Humor or something. Then when the realization sunk in that it was real, I hated it. But, quickly I told myself that I don’t know enough about it yet to fully judge. I haven’t seen an episode. Sure, it looks awful from what I’ve seen, and I can clearly see the “monkey see monkey do” going on here with the copying of other successful modern cartoons. But, again, I haven’t seen it. Before I get into my final thoughts thus far, I need to address the elephant in the room...

...the similarities everybody has seen in this and Teen Titans GO!

While I wasn’t a die hard or anything, I did watch the entire first two seasons of the original Cartoon Network Teen Titans series when it was new, and I did like it. I thought it was very well-written, well-acted, had great characters, great character development, great stories, and great action. The characters worked off of each other beautifully. However, I’d be lying if I didn’t admit I had some issues with it.

UNPOPULAR OPINIONS AHEAD - PREPARE TO HATE ME

Since its release I have always found the art style to look very under-developed and unappealing. It looked like an awkward imbalance of the (already bland in my mind) Justice League cartoon style and a newbie anime style. The best way I can describe it was it resembled the artwork of a junior-high kid who just started drawing anime. Also, I found a lot of the anime-inspired elements to feel forced. When characters would mutate into chibi disasters or tropes like sweat drops scrolling down their faces would happen, it was always a bit cringy and out of place. It felt like it was shoehorned in rather than rightfully fitting in.

But the most notable thing about the show was it was a pretty huge departure from the original DC comics. Gone was the realistic art style of the comics. Now the characters all had big, round heads, twig-like limbs, huge hands and feet, and big anime-eyes. Everything was very simplistic, sharp, and jagged. There was far more comedy, some great, and some that cringy chibi stuff I mentioned. The integration of anime tropes and far more kid humor was a huge departure from the comics. So, basically, despite being a good show, Teen Titans, the show, was a huge departure from its source material.

Then comes Teen Titans GO! and overnight it becomes one of the most hated (and most popular) cartoons of this age. I didn’t quite hate it, but wrote it off as crap without seeing it. It is a shame that the original show was canceled before it got to be finished, but putting fans’ anger towards that aside, the creation of TTG makes perfect sense. The characters proved extremely popular and marketable, largely because how comedic they could be when bouncing off each other (and the original show had been canceled. Continuing a canceled show years later is a difficult task, regrouping the team, dancing through the legal BS, and finding enough staff and people to fund it to be on board, as well as a network to accept it). More simplistic art styles were becoming more popular, and after the post-Adult Swim days, hyper, wacky, odd comedies have become the norm.

To be honest, any time I have seen Teen Titans GO!, which has only been about three episodes or so, I laughed. I don’t care what people say, the show is legitimately funny. Is it the greatest show ever? Not by a long shot. Is it better than the last TT show? Probably not. Is it a shame it exists while the original never finished? Kinda. But is it a bad show? Honestly, no. 

TTG knows exactly what it wants to be and delivers. It may not be the sequel show old fans wanted, but if you put aside the hatred, you’ll see it’s not only a funny cartoon bursting with energy and very well-defined and appealing character designs reminiscent of shows like Dexter’s Lab, but also a huge love letter to the Titans, the last show, and all things DC. It is clearly made by DC fans. I may be biased because I love Weird Al and The Golden Girls, but, man, this is funny right here:

https://www.youtube.com/watch?v=3ICmOMLX3rQ

Admittedly, even the movie trailer looks funny, and I’ll likely see it, despite not really being a fan of the show. Just like the 2011 Thundercats, I see what the TTG team is intending to do, and I appreciate how well they do it, despite not being a regular supporter of it.

And, well, that brings us back to ‘Roar’. Will I like it? Based on what I’ve seen so far, likely not, but who knows. It could end up being the next Sonic Boom. I do strongly dislike the art direction for Thundercats Roar, and the footage shown thus far did not make me laugh (except Mumm-ra learning about the cats being on Third Earth by reading it in the newspaper. That actually got a chuckle from me). But, as much as my gut is telling me to hate this show, I won’t pass judgment until I’ve at least seen a couple episodes. It’s definitely not the Thundercats I love, but to be honest, I didn’t want a TC reboot. I was fine with it just being as it is. So if somebody’s going to reboot it for a new generation, I’ll be glad to see my favorite franchises get passed down, so long as it is done lovingly. If the show truly is a love letter to the history of the franchise as it claims to be, and if it’s a decently quality product that obvious care went into, I’ll be fine with it.

It would be so easy to tear it apart and hate it, but as I get older I find myself growing more accepting of such change. I’m not EXPECTING to like it, but who knows, I also wasn’t expecting to like Sonic Boom. Basically, so far I’m not digging what I’ve seen, but I’ll keep an open mind and stay hopeful. Here’s hoping they can change my mind with the final product.

The End

mo

How to make your firm more diverse and inclusive

Tips for chief executives

Print edition | Business

Nov 7th 2019

To: ceo

cc: pa

Subject: A hard-headed guide to corporate diversity

Dear David,

You face pressure to “do something” about diversity in your company—not only from your wife and woke children. Corporate clients increasingly demand it in your supply chain. Regulators, who use a “stable” or “inclusive” culture as a proxy for low risk, are breathing down your neck. Governments like Britain’s, which now mandates pay-gap reporting, insist on making more of your sensitive data public. And employees, including former ones, can air their complaints on social media.

Small wonder that 87% of your fellow bosses told consultants at pwc that diversity is a business priority. I’m sure you did, too. After all, you recently posted a job opening for a diversity manager. You were not alone; the number of such offers in Britain has doubled in the past year, say analysts at Glassdoor, a recruitment website. Since June 2017 more than 800 American ceos have signed a pledge to “advance diversity and inclusion in the workplace”.

That is where we are: lots of talk, plenty of initiatives, little change on the ground. Between 2015 and 2018 the share of female executives at large (mostly) American and British firms went from 12% to 14%; for ethnic minorities it moved from 12% to 13%. The ftse 100 has fewer female ceos (six) than it does bosses who share your name (seven). In American companies with over 100 employees, the share of black men in management was 3.4% in 2017, half their share in the population as a whole—and virtually unchanged from 3% in 1985. White women make up 25% of executives and senior managers, compared with 60% for white men. Something is clearly amiss.

In the past this letter would have gone straight to your legal department. Since the term “diversity” entered the corporate lexicon in the 1960s it has been code for avoiding lawsuits—especially in America, where companies have coughed up billions in fines for discrimination over the years. The financial sector still treats it mostly as a compliance issue.

Now you are no doubt tempted to forward it to someone in hr, almost certainly a woman with an arts degree, a sound moral compass and too little power. Don’t. This is your problem. Without your leadership it is unlikely to be solved soon.

Keep reading

Deep inside, you may be wondering if anything really needs solving. The short answer is: it does. With that in mind, you should ask yourself three things.

First, why does diversity matter to your firm? Is your reputation in trouble, as it was for Uber, Nike, Lloyd’s of London and others scarred by #MeToo? Do you, like consumer giants such as p&g, hope that more diversity makes for better products? Are you concerned about attracting and retaining bright sparks? You would be in good company: 97% of executives fret about increased competition for talent (according to Mercer’s hr consultants).

Or are you hoping that diversity will boost the bottom line? To be perfectly honest, I have no idea if it does. It is hard to tell if diversity helps firms do well, or if successful firms are also more enlightened on other matters. But variety has been linked to innovation, productivity and, for example in diverse teams of surgeons, fewer mistakes. Lack of it breeds groupthink—which in turn can lead to disasters. The Bay of Pigs invasion and the Lehman Brothers collapse stemmed from narrow-mindedness. And employees who believe their firm cares about gender diversity are 40% more likely to be satisfied at work—and possibly more productive as a result.

Once you have sorted out the why, consider where you want to get to. Some firms, like Facebook, Nike or p&g, say they wish to mirror their customer base. Others are keen not to recruit from an artificially thin talent pool. Goldman Sachs claims its new entry-level recruitment targets—50% female and, in America, 14% Hispanic and 11% black—are based on things like graduation rates. Clear goals make it easier to assess if you are on track. But make them attainable. Qantas’s goal of 40% of its pilot intake to be female by 2028 is as admirable as it looks unrealistic: today just one in 20 pilots worldwide is a woman.

The third question concerns barriers that stop diverse talent from flourishing at your firm. Mapping how it flows through your organisation and where the blockages and leaks happen is a start. A McKinsey study of more than 300 companies identified the second step of the career ladder, from entry level to manager, as the “broken rung”: for every 100 men only 72 women (and just 68 Hispanic and 58 black ones) earned that critical early promotion. When Google was losing women in disproportionate numbers it homed in on maternity as the principal cause; the technology giant increased maternity leave and support for mothers returning to work.

Staff surveys can help, provided they are large and comprehensive enough. After its #MeToo moment, Lloyd’s, an insurance market, found that 45% of staff felt unable to raise concerns about improper conduct. Employees are now encouraged to speak up, including through a bullying-and-harassment helpline. A “culture dashboard” tracking progress on survey metrics will be published with the Lloyd’s annual report.

Now you’ve got your diversity-and-inclusion priorities straight and diagnosed what needs fixing. Good. Before you order a rainbow float for a Pride parade and send staff on a micro-aggression avoidance course, here is what not to do.

American firms spend billions a year on training. Half of large ones have unconscious-bias seminars. Most of these “d&i” programmes are a waste. Or worse: recent research from America shows that diversity statements can put off minorities, possibly because they perceive them as tokenism. Often, firms do d but forget i, which is about ensuring that the workforce is not just diverse, but thriving. Too many try to fix people instead of procedures. Training women to be more assertive in asking for a promotion or pay rise is pointless; they are just as likely to ask for these but also likelier to be seen as pushy when they do. Ushering your managers onto the “Check Your Blind Spots bus”, currently touring America as part of the ceos’ drive, is unlikely to do much. “Days of understanding”, popular in American offices, risk causing “diversity fatigue”. It is hard to beat bias out of individuals—easier to root it out of systems.

The don’ts

Take Silicon Valley. Big Tech has splurged on d&i to little effect. Representation of blacks and Hispanics has been flat (see chart). Girls Who Code, an industry-sponsored ngo, found that a quarter of young women who applied for internships at tech firms said they were asked inappropriate or biased questions. Others reported being flirted with or demeaned. It’s no use hiring diverse coders if the message then is: wear a hoodie and pretend to be a guy, or this is no place for you. They will underperform—or flee, leaving you as undiverse as before. Firms that do not change their ways beyond recruitment see high attrition rates of diverse talent. A lack of diversity is a symptom of deeper problems that a few diversity hires won’t mend.

At this point the how should be relatively clear. In a nutshell, it is all about creating a level playing field. When recruiting, software can mute biases by concealing giveaways to a candidate’s gender or ethnic identity. These include names but also less obvious hints like the sports they play. If only the usual suspects apply, look harder. Specialised recruitment drives, such as visiting “black” colleges or advertising in women’s forums, appear to work. The Bank of England no longer visits the Russell group of top universities, whose graduates apply in spades anyway, and focuses instead on less elite schools. bhp, an Anglo-Australian mining giant, broadened its search for female miners by recruiting from professions, such as nursing, with some similar skills.

In an effort to find trainees from different backgrounds, British law firms are trying “contextual recruitment”. An applicant with Bs from a school where everyone got Cs may be more impressive than one with As from a place full of A* pupils. Rare, a recruitment firm, has developed software which screens candidates for disadvantage and gauges their outperformance against the average for their school.

Once in the workplace, the clearer your criteria for professional advancement, the better. Informality is the enemy of women and minorities. It perpetuates bias. Surveys of American engineers and lawyers found that female workers were nearly twice as likely as their male peers to be saddled with “office housework”, like setting up meetings and conference calls. White men were likelier to be given careerenhancing tasks such as client meetings.

Sponsorship schemes are an effective way to ensure traditionally sidelined groups get a fair shot. PayScale, a pay-comparison site, found that employees with a sponsor made 11.6% more than those without. The Bank of England has offered most of its sponsorship places to ethnic-minority women. Staff surveys, if bite-sized but regular, can bring clarity to fuzzy inclusion metrics. “Psychological safety”, lingo for an environment where people feel free to speak their mind, can be tracked with questions like “are your ideas regularly attributed to someone else?” or “are you regularly interrupted in meetings?” Rotating who chairs a meeting, or a firm word with loudmouths who dominate it, can help.

Many employers—yourself included—would be horrified to learn that they implicitly require employees who want to be considered leadership material to adjust their behaviour. Women shouldn’t need to “act like a man”, gay employees to “act straight” or people with frizzy hair to treat it to “look professional” (ie, white). Let grievances fester and your workers will lose motivation or simply leave.

That is a lot to take in. But unless you do, your most valuable resource—workers—will not be as good as it could be. Best to get ahead of the problem. It isn’t that hard. And it can pay off mightily.

Yours,

Shareholder■

Spice & Wolf receives the true global classic literature overhaul treatment and the auther of this classic tale has earned it I dont say this often about manga or light novels and im from japan but i moved to america for schooling so take these next words i say with extreme sincerity the tale of Spice & Wolf should be named and treated as a global classic literature tale. This is light novel literature at its absolute apex it is not every day you see a light novel get the same overhauled anniversary treatment. That a timeless book like mobydick would get that is how above the graded curb this light novel story is how above the light novel standerd this story is. It would be a crime to pass this story up please i implore you even if you dont like japanese anime/manga pop culture read the story. This is a very rare honor for a japanese light novel to receive even in japan this just does not happen very often the auther must be very proud of this congratulations Hasekura-san. Go to Amazon

An Extravagant Book Oh man how I've longed to read the entirety of Spice and Wolf. To sum this review up if you're a massive Spice and Wolf fan then get this it tells the aftermath of the second season of the anime and continues the amazing journey of Holo and Laurence and continues for volumes. Now story wise Spice and Wolf is a masterpiece there's nothing really wrong with it, it fully fleshes out the main characters and any side characters that may appear and the journey itself is amazing there really are no plot holes nor things left unexplained everything progresses at a good pace not too slow nor fast and pieces of art that is shown throughout is done magnificently.Lastly I have really nothing else to say besides that this review is somewhat lacking in terms of quality and should contain more info about the book and go more in depth I suggest you find someone who did a review for this book and look at their thoughts as mines are rather biased and is to be excepted for a fan of the series to say its a 10/10. Go to Amazon

I am happy to say that a lot of the reviews are ... One of the things that i was worried about when i bought this was the condition of the book. I am happy to say that a lot of the reviews are probably the worst end of the spectrum because my book came with so little damage that i had to look really closely to find about 9 pages with a slight bend in the top of the page, easily smooth out with my bare hands, now it's not noticeable at all. Go to Amazon

Amazing Book; Poor packaging Amazing book with a nice leathery binding and cover. The story itself is easy to pick up, as you follow the adventures of the two lovebirds of different worlds. The font is a bit small and the book is really heavy, but one would imagine that considering it holds all 17 volumes and the artwork that goes within those volumes, so adjustments had to be made. Go to Amazon

What a wonderful, wonderful series I didn't think I'd be as thrilled as I actually was when it arrived. What a wonderful, wonderful series. Go to Amazon

This is a great novel. First if its kind with a subplot ... This is a great novel. First if its kind with a subplot based on the principles of commerce and economy in medieval times. No wonder it has won awards for best writing and made fans all over the World. Go to Amazon

A wonderful item, befitting of the series history and the hard work of the people who helped to create it. I was amazed to find when I opened the box that this book was the size of a large college textbook, which surprised me as no pictures Ive seen give an accurate size comparison. The entire book is filled with original artwork from the novels, which leads to some outright astounding full color 2 page spreads. Having this piece clearly show Ayakura Jyuu's growth as an artist following the stories evolution. Go to Amazon

its actually quite sturdy. and excellent quality bought this expecting it to be rather weak quality. cause 17 novels in one? Go to Amazon

and neither the story nor the book itself disappointed. The cover feels great Great book. Damaged though. ... shipping) small font but my god the quality is amazing. Five Stars SPICY QUALITY ほろさま　だすきです A must have for every 'Spice and Wolf' fan!

why do u think tumblr is trash for fandom? not that i disagree lol, i've just never noticed u talking about it and would be interested in hearing your thoughts

 terrible for fanfic writers - i’m biased obviously but tumblr is a really terrible format for any kind of text based art. 

formatting - theme fonts are really variable and i’ve seen countless writers blogs (usually younger/newer writers who need the attention) with fics that I won’t read because I *can’t* read them. 

getting people to read your fic - Also, if you’re posting to tumblr only and not to the Ao3 (which I totally understand especially for drabbles) there’s a strong chance only your followers will see those as opposed to posting in a community where, if its a central fandom comm you’ll probably get decent traffic from folks who’ve never heard of you. and if you want more people to see something you have to keep reblogging it because it gets pushed down by your other blogging because you can’t have pinned posts (which is way easier than creating a separate masterlist page). also tags work like 60% of the time

feedback - if you get feedback on fic on tumblr its either a. a reply that you may or may not be able to reply to easily depending on if tumblr/xkit is freaking out or b. in a reblog that you then have to reblog to reply to cluttering your/your followers dash further

 terrible for building community

If I go to someone’s tumblr and they don’t have an intricate tagging system, chances are pretty good I don’t know shit about them other than their name/age/maybe pronouns. Y’all don’t know shit about me as an actual person unless you happen to catch the one post or hell, the one tag where I talk about being from the American southeast or the weirdness of planning a wedding while feminist, or how I’m working up to weightlifting. Meanwhile, I have a friend that I friended in 2007/8 when I was in bandom who just graduated with her PhD! She was just starting her program when we met. She also just proposed to her boyfriend whom she’d just met when I started following her. I know her, as a person, not just a fic producing machine.

Which brings me to my next point. Tumblr’s great for being a lil bitch without accountability. Don’t get me wrong. Wank is as old as fandom. Where there is fandom there will be wank, bet on that. And its not like the journal-based websites and forums didn’t often have an anonymous function. But anon hate on tumblr is so normalized and so easy-- you don’t even have to log out to ask a question on anonymous on my blog! And even if you aren’t leaving hate. I talk to 2.5 people regularly via tumblr chat regularly. I think of them as my friends. I know their names. They know mine. They call me by my name. You could be the same anon that’s asked me an anon question since I started this blog. We could be well on our way to fandom besties and I would have no idea. To be a lurker on tumblr is to be anonymous, whereas to be a lurker on your livejournals and dreamwidths still came with some name recognition. 

Also tumblr is great for BNFs. Which like. Whatever, I don’t think there’s any one unifying quality I can place on everyone who’s The Most Popular in a fandom (...and I’m not sharing my phandom bnf opinions with an anon) but I do think that tumblr makes it feel like you either have many thousand followers and a constant stream of anons or you’re Nothing and that’s some ol’ bullshit. 

Livejournal and Dreamwidth (the ones I’m most familiar with) had community functions where one person created a blog to which lots of people could submit fanworks. The bandom one I was most familiar with was called bandslashmania (go check it out!), there was minimal modding and it was on you to post your fic, post it with the correct formatting, tag it so people could find it later, etc. And it was a hub that everyone could go to. It could be your daily stop, congrats now you have a selection of the fic that got posted that day. And if you miss a day, or you read a fic and want to go back to it weeks (or even years) later, you can just go to the tag. I’m having very strong feelings about how much fic we’re going to lose because of fucking tumblr (seriously. post your shit to Ao3. Also if you have a favorite fic? C/p that shit and save it to your computer. That’s the only way to (sort of) guarentee you’ll always have it) and the fact that you can accidentally delete your blog.

You ever made friends in the replies or reblogs of a tumblr post? If you did you’re a rarity. That shit happened every day in forum/journal based 

And I love IDB, I think its a really cool space to have more extended conversations, but I still don’t think its a great place to get to know people unless you have time to be really active on there and pay a lot of attention to peoples usernames, lol.

This is. A delicate one. I’m not going to shit on the tumblr’s contributions to people’s growth in awareness of social justice and the experiences of marginalized folks. Its been a really integral piece to amplifying the voices and communities of people who, previously, would have been shut down and made to talk about their issues only on their blog. That’s a statement. And I think tumblr likes to get on a high horse. There’s some shit fandom does that I have real problems with (the fact that I have to block extreme underage on Ao3 is A Problem for me. The blatant racism of who fandom chooses to write about over and over again is A Problem for me. I could go on). But I do think that there’s a subset of fandom that’s like oh, I don’t like this thing, lets use social justice language to talk about why its Bad and Morally Wrong, rather than just not reading it. And that gets extra annoying because they then sound like people who are trying to point out some real ass problems and so people lump these groups together and I have to ask myself before I follow someone if they’re disagreeing with the idea that fandom’s collective love affair with whitecock is problematic, or if they just want to write their fucking otayuri fic.

This is probably way more than you were expecting! I don’t hate tumblr (...mostly). I just find it really frustrating that we’ve decided that this (and a little bit twitter and a little bit instagram which i’m just flummoxed by) is our fannish home when its actually The Worst for a hobby of which one of the main tenants is community building. Like we’ve glued and stapled shit together, we’ve adapted like fandom always does but like Dreamwidth is right there. We could have it all, we just don’t take it. 

Lol, other Fandom Olds that follow me, feel free to hop on this post, I’m sure you have other shit about fandom on tumblr that you hate.

Fully Automated Luxury Communism *IS* Our Future

I have been planning to write on this topic, but a recently featured article in OneZero inspired me to kick it off now. This is my rebuttal.

  In his analysis of the book Fully Automated Luxury Communism by Aaron Bastani, Robin Whitlock wrote an article that he felt outlined the reasons why Bastani is incorrect in his belief that one day (perhaps sooner than we may realize), the world will transition to a one-world, communist-style form of government. I haven’t read Bastani’s book, but, I have been an avid supporter of this concept for nearly a decade after watching the movie Zeitgiest: Moving Forward.

Over the years, I have also engaged in conversations about this topic with literally thousands of people, and most of them repeat the same fallacies over and over in their denial that such a thing could ever possibly happen. I have found that many people have several cognitive biases that hinder their ability to look forward into the future and see what it could potentially look like.

Often, they believe it will look and behave very similarly (if not worse) than what we have today, maybe just with a few more gadgets to play with. In fact, most people are completely unaware of their own biases, let alone that there are 175 known biases that influence our rationale.

Of course, the most obvious is the negative connotation that the word “communism" brings to mind. Immediately, the thought of walking skeletons forced into labor camps spurs a knee-jerk reaction to immediately stop listening to any argument that can even remotely be deemed “pro-communist". But, just to touch on some of the other common biases that influence this conversation (and most people’s daily lives) are:

Declinism- when we remember the past as better     than it was, while simultaneously believing the future will be worse than     it likely will be.

Just-World- Many of us who live in developed     nations like to believe the world is a just place. It makes us feel     secure. To think that somewhere in the world someone is dying of hunger,     can overwhelm us with guilt if we think about it while we enjoy an     expensive meal at a nice restaurant. So, we chase away the guilt by     reminding ourselves that we work hard and we’re good people, so we deserve     this nice meal. Anyone who doesn’t have access to such things is just not     trying hard enough, so they get what they deserve. Of course, this bias     can cloud our judgment of other people and their situations. It helps to     cloak the madness of the system we have built. It’s also a bias that     politicians tend to exploit to get you to vote for them, and one that     makes people believe the world in the future will be pretty much the same     place it is today.

Belief & Confirmation Bias: Our beliefs shape     our perception. After all, the human condition requires we believe in     something for it to be real. When one believes in something, they will     find or fabricate as much evidence as necessary to support that belief;     likewise for something one does not believe in. Our brains automatically     default to our belief structures when analyzing nearly any subject. And,     it can sometimes be difficult to examine the evidence with an open mind     that may challenge those beliefs.

Dunning-Kruger: The more you know, the less     confident you are. Fools rush in without understanding. The wise     understand how little they know and pause for consideration.

Framing: It is amazing what a frame can do for a     portrait or painting. The right frame really makes the piece pop and     increase the appreciation of those beholding the piece of art. The same     goes for our brains. Major media, consumer data companies, and marketers     understand how their piece of art is framed MATTERS. A LOT. It is often     seen that they will frame things in different ways for different consumer     tastes and preferences. It is an extremely easy way to manipulate the masses.     And, once one recognizes this bias, one begins to see the frames around     everything.

Familiarity: Our comfort zone. Whether in the     physical sense or the literal, most of us have a pretty small comfort zone     surrounding every aspect of our lives. If something encroaches without     permission, or we are challenged to venture outside of our zones, it can     be stressful and uncomfortable. While the huge world outside of our zones     can be harsh and unforgiving, it can also hold the key to amazing new     discoveries in all areas of life.

Self-Attribution: A common example of this is     when working in a group, you feel like you’re doing more than everyone     else. The interesting thing about this is: if you ask 10 people in a group     if they feel like they’re doing more than others, you’ll likely get 9     responses that support their belief they are working harder than everyone     else.

Sunk-cost: You’ve invested a lot of time, effort,     and money into a project (or your career). But, it’s not going as you had     hoped. It’s difficult to walk away from something that is not serving its     intended purpose.

Anchoring: This is when you’re so focused on one     goal, that you miss out on opportunities to have a better outcome because     you refuse to deviate from the initial goal.

Survival: The celebs (and capitalists) make it     all look so easy. Like anyone can go to Hollywood and become a huge star.     But, what we often don’t hear about are all the failed talent who just     didn’t get the right break into the industry. If one does not succeed, one     is simply failing at trying hard enough (similar to the Just-World bias).

There are many others that fit into this conversation. The ambiguity effect (avoiding options where the outcome is unknown), anthropocentric thinking or anthropomorphism (common in discussions about AI), attentional bias (marketing and constantly being told capitalism is the best way), and so on.

But, even FALC supporters are sometimes clouded by their own biases. In addition to the few of the above, automation bias (excessively relying on automated systems which can give erroneous information that overrides correct decisions) is one. Berkson’s Paradox ( The tendency to misinterpret statistical experiments involving conditional probabilities) is another. And, especially the Bias Blind Spot (the tendency to recognize bias more in others, less in oneself).

So, regardless of these biases on both sides of the conversation, people want to see hard facts and plausible ideas about how this future may come to fruition or why it will not.

The truth is: NONE of us know for sure.

But, there are some things that should be considered before completely shutting the door on the idea of humanity living in a Fully Automated Luxury Communist structure in the future. So, back to the original article I am rebutting by Mr. Whitlock. I seriously doubt he read the book, though that is simply an assumption. But, this assumption stems from the fact that many of his rebuttals to the concept are deeply entrenched in a capitalist mindset, disregarding the very essence of the book.

1                                    Assumption One

For instance, many of the government labor statistics he quotes are based on a flawed system of tracking that the US is notorious for. He also claims that automation is a “long way off and not necessarily replacing jobs”. This is also a flawed analysis due to Moore’s law. But, Moore’s law aside — some even believe Moore’s law is dead or evolving— he goes on to state that according to McKinsey digital who stated two years ago that less than 5% of jobs are able to be automated over the next decade. That is a seemingly naive assumption compared to the breakthroughs we have seen in the past two years from companies like Boston Dynamics and their amazing robots.

And, to counter that McKinsey article showing an example of a lumberjack, or construction and raising outdoor animals:

So, now we get into the cost of all this automation. Sure, it is a prohibitive factor for many, especially small businesses. For now, that is. In accordance with Moore’s law, as things become smaller and more advanced, though, the prices tend to drop. The more assistance provided to small businesses (whether by government supplementation or not), the faster these technologies will drop in price and advance.

Then, by quoting articles that are years old (2014 & 2017), the argument is made that, for instance, self-driving cars are facing major logistical and regulatory issues. Again, without considering the major advancements made recently. In fact, he very conspicuously left out Tesla in this analysis. Or, for that matter, the drone taxis that started in Dubai in 2017, and are now being adopted and accelerated by Uber and Boeing.

So, by assuming that automation is not going to replace most jobs anytime soon, we are really turning a blind-eye on the advancements going on around the world.

2                                    Assumption Two

Moving on to asteroid-mining. Mr. Whitlock used an article from 2012 (nearly a decade old) to prove the point that we were a decade away from identifying suitable asteroids to mine. In 2015, Obama signed a law into effect called “Space Law” allowing private companies to mine asteroids. And, the example used — Planetary Resources — struggling only to be acquired by Consensys, Inc. (a blockchain company) is an extremely poor (on purpose?) example, considering that companies like (to name only a few) Deep Space Industries, Orbital Sciences Corporation, Bigelow Aerospace, and even The Blue Origin aerospace company owned by Jeff Bezos are going all-in on this concept.

In the article, he also tries to point out that these ventures being profitable are the highest concern. That is, again, a false assumption. While it is true that funding needs to happen to make these a reality, one must also realize that funding, in itself, is a fallacy. By this, I mean:

The idea of fiat currency having any sort of value is false. It can be created out of thin air. It is either simply a piece of paper or a number on a computer monitor. Nearly the entire world uses fiat currency.

Nor is the number of materials hidden in the asteroids “speculative, at best”. That is his own assumption, without any real-time understanding of how the above-mentioned companies conduct research to identify lucrative asteroids.

As noted in the original article, Mars One’s for-profit business went bankrupt (though the non-profit side is still running). That is a sign that for-profit in this sector will struggle. Perhaps an even bigger signal that non-profit will eventually win in this sector. As an added point of interest, space is a HUGE business and destined only to grow:

 The point is not profit. The point is to succeed at nearly any cost.

3                                    Assumption Three

Aside from the fact that the vast majority of people are essentially wage-slaves who toil away at mind-numbing tasks to make their bosses a little richer, this entire area completely leaves out the concept of AI and quantum computing. Mr. Whitlock is stuck in his own biases that only a company can do what is being talked about and that companies can only be run by humans. While this is certainly the case today, the advent of AI is not to be scoffed at. In fact, the entire premise of arguments against a system like FALC is akin to the people who 20 years ago scoffed at the idea of having hand-held computers that we know as smartphones. It is an archaic way of thinking… Fearful, even. The truth is: We are on the precipice of technological upheaval never before witnessed by humanity. We better get our heads right to understand the challenges we will face and how to make life better for all humans as a consequence of technology. Otherwise, we will find ourselves in dystopian lives as described by some of the dystopian authors people love to quote.

This concept is not some glorified hippie utopia (utopia is highly subjective, btw) of rainbows and lollipops all day. Stop fooling yourselves and diminishing the world we live in and are about to arrive in. This is the reality we face. When people are displaced from employment and when precious metals & minerals are no longer rare, it will not happen suddenly and it will not be a hundred years away. Try the next 10–30 years, MAXIMUM, for us to really start seeing these effects. Sure, you and I may not be around to see it, but my kids will be.

We need to expand our highly myopic understanding of what is in front of us. If you don’t, others will, and it will be you who is left in the dust.

DISRUPT, OR BE DISRUPTED. That is the motto of the 21st-century.

Finally, yes, the future may be run by corporate empires. That is a scary prospect. In the near future, it may be necessary to eliminate the idea of corporations. All other details aside, the idea of competition is only a hindrance to the advancement of these technologies. Why split the resources (money, labor, etc.) between so many different companies hoping for a profit for a few individuals? In many ways, this is a ridiculous notion. It means fewer resources for each company and wasted time between advancements. This problem is becoming more and more obvious as technology advances.

And, all of this is in addition to the people who are working to cure aging, upload minds into the cloud, and make us into something else to redefine what it means to be human like the Transhumanist movement. If one doesn’t take all of these considerations into account when thinking about the future, they are doing themselves and the future a disservice. Because even though you may stick your head in the sand to avoid seeing it, millions of others are working toward this future whether they realize it or not.

There is so much more I could add to this, but then I would need to write a book… A book explaining Fully Automated Luxury Communism…

[SJ] Am I an ISFJ or ISTJ?

When I first took the test, I got ENTJ but I never got to analyze it, I just took as fun. Then I started taking it seriously, and found out that even though I may share some ENTJ's characteristics, I'm still far away of being one. I read all the descriptions in the 16personalities web page which in my opinion the test is to bias, but found myself to connect with the ISFJ by reading its descriptions and mostly its strenghts and weakenesses. Then I started to investigate more, and learn of the cognitive functions and started seeing them, at first I did not understand them very well since their explanations were to vague. I still have problem defining a concrete example of these. I also saw youtube video from a guy called Type Tips which shows some photographs of the different mbti types based on socionics taken by a Russian Psychologist called Filatova. My smile related the most to ISFp (SOCIONICS)/ISFJ(MBTI), but problem is my smirk isn´t that large, is a bit shorter. To make it simple: I usually don't like to take a forced direct picture, cause you either have to smile or be serious, so I rather smile to feel comfortable with myself. I prefer indirect photos that catch a real and not make-up event. My natural smile is closed, (I dont like to show my teeth) a small smirk and usually one side bit larger than the other. I could define it as happy and comfortable smile. Also tranquil eyes looking directly to the camera. Thing is when I was little I was so distracted that I did not even look at the camera but then started to learn to look at it when being taken a picture. My second relation to the Socionics smiles was the ISTJ but their smirk is littler than mine. Things about me that may help you determine my type? I like to write. I am not a professional writer as in I need to write better to consider myself an author. My stories are always inspired on something or sometimes it comes out of my mind. My stories are mostly non-fiction and I never apply feelings to it, it is more practical and sometimes I add a joke to it during the narration or dialogue between characters. I mostly narrate than make speech between the characters, as if telling an anecdote. Close relatives have said my stories are good, and to even prove it, I was ask in school to write a fanfiction and the best two students would win. Of course, the vote was from the teacher itself and maybe I was against rookies. I really want it the prize, and I got it. The teacher told me he likes the way I narrate. Writing comes easy to me, ideas. Once I start writing, ideas start coming in, sometimes I might get stuck. I have great grammar, and often correct my friend's spelling mistakes. I have great short-term memory for numbers (total payment, percentage in a test, etc.) but after two or three days I will forget it since it wasn't important. I can remember non important details in an event, mostly speech (someone said something but it wasn't that important) of course, I do not remember the exact words bu t know what it was about. I am passive agressive, and my moral alignment is neutral good. A friend once said that a thing she likes about me is that I am nice to everyone (as long as you don't hurt me physically is ok or deeply, it's ok). I like martial arts and like fighting but not in means of violence, so yeah, I hate bullies and always find peace before fight in a conflict. Fighting is just to practice and improve upon my martial arts skills which are really low. People such as bullies, law and rule brekers, rebels, immature people who don't care about their school grades, I usually think of them as stupid. If I was to have a friend who suddenly tries to do something I am against with adn then gets in trouble, I won´t defend him since it will be breaking a value important to me. I have my own set of values and follow the rules and like to take a few or absolutely no risks; if I do the opposite, I feel uncomfortable. With close relationships, especially friends and family(father, brothers sister, not including uncles, grandpas, etc.): I tend to listen but I am also eager to talk as in to share my opinion. I talk a lot since I extent myself too much or repeat words (I do not get to the point) (do not assume I may be an extrovert since I talk too much, I also listen since this helps me learn from people). With my close friends, I like to be funny and prank a little, without hurting phisically, not to molest my friends is just a way to entertain myself and show some happiness to them. I mean, I listen and formulate my thoughts and then speak when is my turn but since I don´t get to the point, my speech is too long. Also when speaking new ideas come in so I speak even more. Honestly I like to talk longer rather than be assertive and to the point. I must avoid repeating words or sentences as I just did above. I express my opinion and though on a certain topic easily among closed friends, in public I rather say something short and non important or say nothing. I value my closed friends and family. I feel hurted emotionally when being insulted, but I don't cry unless I feel guilty for myself or if I get hurt physically (realy hurt). I can sometimes being stubborn on trying to be right and defending a point of view. Once, I am proved with great logical argument and concrete evidence that I am wrong, I accept it and say sorry. I usually say sorry for everything when doing something wrong (of course when I know I was wrong). Another thing about me is that wnen in a conflict and argument, I interrupt when someone makes a bad assertion of me since I think it is unncessary since not being real and hate hearing things that are not real, but it is also my fault, and I must let the person finish. I am a patient and impatient person (depends on the situation and how many times it has happened and with whom). Other things about me: I like reading comics, and friends (I called some of them friends since I had a relationship with them before, but I do not talk them as usually as with my closed friends which are more important although family comes first, as long as they treat me good which as far as today, nothing uncomfotable has happended) in school regognize and say my name when I see them (maybe its because I was nice to them, and they appreciate it that). When a person is being hurted emotionally and mostly physically, I tend to feel uncomfortable and go to help that person and give him specific concrete advice as if to say "You must defend yourself, or you'll get hit harder". I help a person when he/she really needs it for example: The person drops something and it is out of reach, I pick it up and give to him. Someone forgot something, I keep it with me and give it until I see him/her. But for example, a person trying to fix a car but she is struggling, I won't be the type of person that asks "Do you need help? Can I help you?, I simply don´t help and ignore because I believe you need to learn to solve things by yourself and become independent. When friends ask me for advice which is rare, I give them advice based on past experience and what I think is the right thing to do, but honestly I prefer that people get me away from their personal conflicts (there is a reason why psycologists exist, and I am not one of them). I like chess, xiangqui, shogi, and basicaly strategy games that require a lot of use in the intellect. I hate strategy games that require economy and army maangement, I prefer implementing ideas meaning tactics and strategy. A perfect game of strategy would be one that requires the use of many weapons and the manipulation of the battlefield. When thinking, I hate being sitted down all the time so I get up and start moving around (in my house of course, outside I would be seeing weird), this mode of thinking energizes me and helps me think faster and ideas come easily. When I am interacting with my friends I dont think a lot, but when I am alone I tend to think a lot. I make up imaginary conversations set in the future about a certain topic with closed friends (not all) or family (not all) but usually dont happen. Sometimes I make this but in a past setting that already happened in real life but a few things were missed to say during that moment and day. I am not good nor so bad at future forecast, it simply isn't in my nature, but when I do make a future forecast, it is based on past experiences or things I have seen before. Some friends say I am weird and unpredictable. Maybe I am just not good socialzing. I have great grades, honestly school is easy if you really want to learn and care about your future. I use facebook rarely, mostly whatsapp which has an importan use. I have facebook since two , three, four, five years ago and have not posted a single thing. The only thing in my profile, is my profile picture (my first one and I have not change it) and very very few persons celebrating my birthday and me replying "thanks". I do not use Instagram, Snapchat or any other useless and boring social media. Twitter is not boring and useless but I do not like it, so I do not have it. One last thing to say is that ISFJ are easygoing, and I tend to be easygoing. When I am interested in a topic (very interested), I investigate a lot and stay addicted for a long time (could be months or even a year). I proscrastinate too much and usually do my homework late, since organizing a schedule for me is complicated since I have a hard time following it. I think this all I have to say: So, what do you think my MBTI is ISFJ or ISTJ? If you think I am another type besides the options I am providing you, feel free to type in. If you think I miss something, tell me please. It would be an honor if you could justify your answer, and please stay abscent from biased interpretations and myths about types. Sorry for the long text but I really want to know my type. Thank you for your answers. Have a nice day (If I was to talk in person I would smile here but I only use emojis with closed friends) and end all my conversations in a period and NO, I AM NOT ANGRY. So if I say OK. it means Ok without the period. Again sorry for the long text and thank you for your answers especially those that were justitfied with concrete logical examples and evidence. http://www.typologycentral.com/forums/showthread.php?t=92052&goto=newpost&utm_source=dlvr.it&utm_medium=tumblr

Soweto

Soweto was most likely my favorite part of the Johannesburg tour, although I can’t say favorite as its all been tremendous and it still strikes me every so often that I’m in South Africa. Soweto is interwoven into the country’s history in so many ways. Its existence serves as a reminder of the segregation that was enforced before and during Apartheid (segregation was a “tactic” that was developed and carried out in the early 1900’s, before Apartheid became written into formal law) and that divide still exists. Superficially, Soweto is composed entirely of “black” and “colored” people, along with a smaller Indian population, all of which were three subcategories of class within the Apartheid structure. As “whites”, namely the Dutch, became more threatened by the burgeoning population of native South Africans, who then became classified into black and colored, they decided that to control and quell the population, they'd move them all outside of the city. Not only did it physically remove them and consolidate them into a single location, it also made it more difficult for blacks, whose labor in the mines was cheaper than that of whites, usually due to skilled versus unskilled labor wages, to access the job opportunities and to make some modicum of a living, even if absolutely minuscule. Side note: I apologize for the extensive use of the classification labels that were given to people during Apartheid South Africa. Talking about other humans in such a reductionistic, overly simplified way is uncomfortable. Yet I also want to convey the language and circumstances that existed and defined the time period, exemplifying how absurd it was/is to have ones entire identity, and thus their lifestyle, culture, accessibilities, privileges, and “freedoms” (if any) wrapped up into an idea that was conceived to justify centuries of paternalism, subjugation, violence, control, and overall horrendous injustices. And it still lives on today. While the connotations may or may not be different, the vernacular used to describe people in South Africa still revolves around these terms, often carrying their weighted history with them.

Soweto has been vastly changed since the end of Apartheid and it is a flourishing micro-city. It represents the reconciliation efforts that continue to occur as the country comes to terms with its past and how to move forward. Soweto was most known for the Soweto uprisings that occurred in the mid to late 70’s. What made those uprisings and resistance to the apartheid regime all the more powerful was the fact that they were carried by children and teenagers. Students, frustrated with the Afrikaans education model that their schools were centered on, decided to stop going to school and to stand up for their rights. It was an amazing display of passion and unity, that didn’t, as expected, come without a massive cost. The government responded with brute force, injuring and killing hundreds of kids in the streets. Soweto became an occupied city with governments troops and tanks scattered throughout. There was a sheer chaos to it as violence escalated and consequently, as violence always does, ignited more violence. Some of these events have been memorialized as various sculptures and pieces of art representing the students and those who lost their lives, it was quite striking.

Despite its development and success, it is still rather divided between those who have been able to access new opportunities and rise out of poverty, and those who cannot. There is a gulley that basically divides the established suburban houses and the government subsidized housing. Much of that housing was recently completed so that people in Soweto could move out of the cinder block houses that are so ubiquitous. Standing side by side with no space in between, these houses with corrugated iron as roofs lack water, electricity, sanitation, and therefore other amenities such as heat or air conditioning that exist just across the little valley. They get very cold in the winter and very hot in the summer. People there live in uninhabitable conditions, yet, as is the human response to the pervasiveness of suffering, they persevere and make do with whatever they have. As previously recognized before whilst in Nepal, I know my perspective is biased based of what I have been lucky enough to have, the living standards that are taken for granted. It is not to cast a judgmental or condescending light on their living conditions and way of life. It is also not to express pity but to express sadness that people must live in such conditions when I know greater standards exist. Standards that improve their health and enhance their lives. Things that I believe are fundamental, basic human rights like clean water, electricity, health care, comfort, peace, fulfillment. If desired, ability to get an education or a job. It is not to say we have it all right, but I think these aspects of life aid and enable, especially when coming from a complete lack of basic necessities. I don’t say this just though observation and comparison; I had the opportunity to walk through one of these areas with a man named Lawrence who gave me insight into his world and described to me what it was like to grow up in this part of Soweto. That, I think, was the best part. Seeing the reality for people there, not sugarcoating it and pretending it doesn’t exist so as to avoid and abdicate my responsibility to help and feelings of sadness and indignation. Pretending that because I’m visiting, I can avoid the parts that perhaps others don’t want me to see. I don’t get to fall back into comfort and distance myself from reality; it’s a reality that I feel obligated to witness just as much as the reality created around a country’s points of attraction. It’s no different anywhere you go. Listen to stories, appreciate people and life. Beauty exists everywhere you go, you just have to remain open to it. Much love,

Zach

Spice & Wolf receives the true global classic literature overhaul treatment and the auther of this classic tale has earned it I dont say this often about manga or light novels and im from japan but i moved to america for schooling so take these next words i say with extreme sincerity the tale of Spice & Wolf should be named and treated as a global classic literature tale. This is light novel literature at its absolute apex it is not every day you see a light novel get the same overhauled anniversary treatment. That a timeless book like mobydick would get that is how above the graded curb this light novel story is how above the light novel standerd this story is. It would be a crime to pass this story up please i implore you even if you dont like japanese anime/manga pop culture read the story. This is a very rare honor for a japanese light novel to receive even in japan this just does not happen very often the auther must be very proud of this congratulations Hasekura-san. Go to Amazon

An Extravagant Book Oh man how I've longed to read the entirety of Spice and Wolf. To sum this review up if you're a massive Spice and Wolf fan then get this it tells the aftermath of the second season of the anime and continues the amazing journey of Holo and Laurence and continues for volumes. Now story wise Spice and Wolf is a masterpiece there's nothing really wrong with it, it fully fleshes out the main characters and any side characters that may appear and the journey itself is amazing there really are no plot holes nor things left unexplained everything progresses at a good pace not too slow nor fast and pieces of art that is shown throughout is done magnificently.Lastly I have really nothing else to say besides that this review is somewhat lacking in terms of quality and should contain more info about the book and go more in depth I suggest you find someone who did a review for this book and look at their thoughts as mines are rather biased and is to be excepted for a fan of the series to say its a 10/10. Go to Amazon

I am happy to say that a lot of the reviews are ... One of the things that i was worried about when i bought this was the condition of the book. I am happy to say that a lot of the reviews are probably the worst end of the spectrum because my book came with so little damage that i had to look really closely to find about 9 pages with a slight bend in the top of the page, easily smooth out with my bare hands, now it's not noticeable at all. Go to Amazon

Amazing Book; Poor packaging Amazing book with a nice leathery binding and cover. The story itself is easy to pick up, as you follow the adventures of the two lovebirds of different worlds. The font is a bit small and the book is really heavy, but one would imagine that considering it holds all 17 volumes and the artwork that goes within those volumes, so adjustments had to be made. Go to Amazon

What a wonderful, wonderful series I didn't think I'd be as thrilled as I actually was when it arrived. What a wonderful, wonderful series. Go to Amazon

This is a great novel. First if its kind with a subplot ... This is a great novel. First if its kind with a subplot based on the principles of commerce and economy in medieval times. No wonder it has won awards for best writing and made fans all over the World. Go to Amazon

A wonderful item, befitting of the series history and the hard work of the people who helped to create it. I was amazed to find when I opened the box that this book was the size of a large college textbook, which surprised me as no pictures Ive seen give an accurate size comparison. The entire book is filled with original artwork from the novels, which leads to some outright astounding full color 2 page spreads. Having this piece clearly show Ayakura Jyuu's growth as an artist following the stories evolution. Go to Amazon

its actually quite sturdy. and excellent quality bought this expecting it to be rather weak quality. cause 17 novels in one? Go to Amazon

and neither the story nor the book itself disappointed. The cover feels great Great book. Damaged though. ... shipping) small font but my god the quality is amazing. Five Stars SPICY QUALITY ほろさま　だすきです A must have for every 'Spice and Wolf' fan!