theres is such a stark divide between traditional porn consumers (typically cis straight men) in the community and everyone else. like the rest of us are on a different conversational tier talking about ethical feedism and neurodivergence and they're still on that "being fat is gross and my douchebag friends make fun of me 🥲 how do i get rid of my kink??" shit.

Actually.... have I ever talked about how I think Wheatley is basically the perfect synthesis of what an average Aperture employee was?? Because he was created in Aperture, he'd likely be a reflection of their entire work culture (....moreso than the gimmicky cores we meet in portal/tie-in games). Like the scientists responsible for making him really put all their hatred of their workplace/that-annoying-coworker-they-dislike into him.

He's sooorta miserable but Fine, mostly. A tad paranoid. Kinda classist/ableist (he disparages Manual Laborers in his dialogue and like... everything he says to chell is just so Bad lmao). he's TERRIFIED of GLaDOS but still belittles her. He laughs at the turrets dying in a shredder then realizes how messed up that is and backpedals (also backpedals on his smelly humans bit, but i'll be fair and say he deserves to hate humans as much as GLaDOS does). He breaks the nanomachines' work and then has the audacity to threaten to file a lawsuit against THEM for a Hate Crime?? (which is so so funny for so many reasons but I DIGRESS) Like I don't ascribe to him being a former human employee, but also I can clearly imagine working at Aperture and talking to Wheatley by the water cooler and he's That Moderately Unpleasant Guy who is juuust adequate enough to not be fired but never Exceptional enough to promote, but most importantly, he's not clever enough to actually do anything about his shitty situation in the company. He only fucks up a little less than what is allotted. He's got charisma! Fun for a chat sometimes! But he makes ppl feel bad when they talk to him. He's not the WORST, but he for sure isn't the best. It'd be easy to convince him to commit a crime in the name of Science. (He wouldn't sell your soul for a single corn chip, he'd only sell it for a whole bag.)

Wheatley is THE Aperture employee. And this all tracks because literally what could be a worse decision than continuing to work at Aperture Science?

[pounding on the bus windows] please does anyone remember the young justice 80 page giant 1890s vampire hunters au does anyone remember please pl[i am taken away]

I feel weird giving out unprompted permission statements because I'm making a big assumption that anyone's going to want to use my work. That said I also know people do like to build on other people's art and can't always work up the nerve to ask, so: Anyone is free to use this design if they want to for any reason- I don't own this character anyway. (Although I am hopeful that you do not, you know, monetize it, because i cant do that and if you do that its not fair ;_; ) Feel free to remix, improve, use as basic inspiration, etc. I would appreciate a tag/mention if you use it so I can see what you did!

This design has evolved a little since I first started drawing it, and I will see people reblogging the original design notes and think 'oh no! those are out of date and I don't have new/accurate ones!'

Reblogging the old one is still an honor- and the first take on a design just sometimes has a different appeal because it's less refined and more chaotic (especially with a character that should be chaotic), so I suspect some people will just prefer the older drawings & they'll still get shared, which is great! But I felt as if the project was a little bit incomplete without an update, since I think I've reached the point where if you see that old post & then come to my blog and look at my current content, there's a noticeable difference.

Also I kind of like making design notes.

If anyone's wondering why things changed, the answer's really simple- 90% of it is just the result of him settling into having more consistent anatomy and facial structure so that I can keep him looking accurate across different angles and poses. If you look at the old drawings you may notice that Gollum has an inconsistently shaped squishy head. That's fine for a concept post but doesn't work as well for maintaining him across different comic panels or in an animatic, at least not the way I work.

In the same vein, while my art is still & will always be heavily stylized, I started giving him more structured semi-sorta-realistic anatomy so that he wouldn't look entirely out of place next to less bizarre-looking characters such as Aragorn. (I feel that's also helpful in nudging Gollum into the uncanny valley where he ought to be, rather than leaving him so abstractified that there's a risk you won't see anything wrong with him having noodle arms.) He also acquired the new-style 'garbage bag' outfit because I found a reference in LOTR to his arms and legs being bare/exposed (it's in one of my favorite passages, the 'an eagle would think Gollum was dead if it came by right now' passage in The Two Towers):

Not even an eagle poised against the sun would have marked the hobbits sitting there, under the weight of doom, silent, not moving, shrouded in their thin grey cloaks. For a moment he might have paused to consider Gollum, a tiny figure sprawling on the ground: there perhaps lay the famished skeleton of some child of Men, its ragged garment still clinging to it, its long arms and legs almost bone-white and bone-thin: no flesh worth a peck.

And what's in it for me?

asgard awaits

speaking strictly from a plot & writing perspective here, not a commentary on characters or who or who is not my favorite blorbo (they all are). it's gale time and I wanted to get down everything I thought about this go around with his romance & the writing before it escapes me.

so I once again had a ton of fun of course, the game is still a blast, and several arcs were way more satisfying this time around simply because I ... did not skip the creche, unlike my very first run (I was an idiot) (I didnt think it would be that important) (it really really was). love it 10/10. I cannot WAIT to do my gith run & really focus in on that because the lore there is just, so cool, and that subplot was really rich & rewarding this time around since I had someone who was not orpheus become a mindflayer instead.

as for Gale, Thank Fuck I started before they bugged him up again too much. but let's deep dive into The Material.

shoutout to Tim first of all, he's a legend, dreamboat, superstar. there are so many lines delivered so effortlessly when they would sound ridiculous in anyone else's mouth. he gives gale so much soulful intensity and subtle, nuanced gravitas befitting someone like gale; with enough of Gale's own moments of silliness, cheekiness, wry wit & understated sarcasm, to outright flabbergasted at times, I was Giggling every conversation fr. I'm not usually prone to the "I LOVE YOU" Romances that come earlier rather than later, but ohhhhhhh tim gives each line with all the weight & agony that you can feel inside Gale when it comes (the looming death; not knowing what the end may bring; not wanting to leave any regrets behind) so like. MWAH to him. MWAH MWAH. all the kisses in the world.

okay mandatory compliments to the actor aside. I came out of the whole thing with breadth of new appreciation for Gale as a character in terms of the... concepts, threads, that make him up, and act 2 is where he REALLY shines overall.

I didn't necessarily come away from it with the same... weepy...... done-no-wrong? interpretation of Gale that I've seen floating about. he's lovely. he's intense. he's got soul-crushing devotion on his mind, no doubt. but for every fracture of tenderness, raw sincerity, & off the cuff soliloquy, he's got a lot of interesting flaws/characteristics I'd love to unpick with a fine-toothed comb on some replays or rewatches. Still trying to turn over in my brain exactly what that is, but it's there, and I love it. will say I'm really glad I played it mostly in a vacuum rather than getting too into others' thoughts on him, because What I Had Seen on the Webbed Site had near put me off entire (seeing someone say he's not prideful or pompous at all... when he self-describes as pompous?) -- maybe it's my tendency to focus in on what makes a character tick, when are they sharper, or harder, or meaner, and I enjoy watching that play out a lot, but? yeah. I didn't come away thinking him a super soft mushy mwahmwah -- ROMANTIC, yes, but overall as a character not nearly so lovesick and in desperate need of some protector. in fact when you tell him you don't want to be his crutch, he says as much too -- you've helped him, but you're not the sole focus of his person or the only thing keeping him alive.

there's enough of the humanity in his cheekier moments (stop licking the damn thing!!) and plenty of tear-jerking aside all of that. gale my canon-depressive-episode, mildly suicidal, chronic pained up, still-kind-of-full-of-yourself king. I adore you I love you I cradle you softly in my arms. he charmed me entire! I think that the themes hey were trying to tackle are really interesting and nuanced and I do have some thoughts on the success of the game in actually tackling those, what is there is really wonderful. some gorgeous writing in act 2, especially, and it was sold so well by the voice acting & sincerity in the writing I was just like. PERFECT. 10/10. NEED TO WRITE 98 FLUFF PIECES RN. which does not happen often, to me, as a person.

with. some exceptions, going back to critiquing act 3 as a whole.

act 1 & 2 are both strong, really nice. however this romance definitely needed at least one or two more scenes in act 2 to pad out the space between awkward flirting at the party to "I like it when you're sweaty and bloody-- sorry who said that" to "I LOVE YOU. I LOVE YOU." -- these scenes should've elaborated on Gale's personal feelings; of mystra, of what's been asked of him, of Tav. they should've set in threads of Gale's anger earlier, rather than the jarring shift from late act 2 "yeah I'll kill myself" to "actually... mystra fucking sucks! lol!" in act 3 at sorcerer sundries. yeah babygirl, mystra DOES fucking suck, wish I could've listened to you as you arrived to these conclusions rather than connecting empty character lines between act 2 and 3. and act 3 desperately needed more space to talk gale in or out of the crown. because by the time we get to the end, if he's really into the crown, he's into it beyond the focus of all else. but in the scenes where you talk him off that particular ledge, it doesn't even take very long to do so, and leaves kind of a weird... gap of intention.

I feel like they wrote themselves into a bit of a corner, honestly. because Gale's personal quest literally cannot be resolved until 5 minutes before the end, any climax wouldn't have much space afterward to pad the aftermath. so the solution to that would've been more character focus scenes, more flavor text depending on how you've influenced gale, something that actually makes the choices feel rewarding -- some hurdles to cross too, checks of some kind. but there really isn't any of that, and so the conflict is almost nonexistent. you squirt gale with a water bottle and he gives up the crown with no real additional dialogue. or you tell him "ma...maybe???" and he's suddenly a power obsessed little freak (complimentary) with no recourse, and in either case, we never got much dialogue to get some insight into his personal thoughts on it. this doesn't make Gale a bad character, but it does leave the narrative to be lacking in some regard.

like, for example. Astarion gets dialogue changes depending on the quest outside of character-specific moments (such as a spawn Astarion changing his dialogue after you help Aylin with Lorroakan), post-quest conversations, PRE-quest conversations with his siblings, moments where he reveals more of what he thinks (such as "You're... you. no one is like that.") etc., Gale gets None of that. the only other characters who really do are Lae'zel and Shadowheart; everyone else is either shafted or resolved in the last few minutes too. I came out of this most satisfied as a player overall with LAE'ZEL'S conclusion (also at the end of the game!!) because we had gotten a few more moments where her focus is obvious and her motivations are clear.

anyways, those are just general writing issues. Act 3 overall is the weakest, most agree, and that's still true here. Sadly it kind of takes some of Gale down with it in this case, because his personal quest is both so removed from the overall plot (despite him being a literal fixture as the only character who knows anything about the crown & was decreed by a literal god to take out the absolute).

however none of this is related to Gale as a guy. as a guy I'm Fucking Obsessed With Him. taking him with me everywhere was so rewarding especially in act 1 / 2. his commentary & insights, when they were there, ranged from funny as fuck to genuinely insightful & interesting for the overall plot. the ideas behind him, the glimpses we get of the life he led before, and the life he wants to lead after with Tav -- or what he alludes to wanting to lead with Tav, thinking that he'll still probably die at the end of this -- are lovely, interesting, TOUCHED MY SPIRIT. he's such a neat version of how to do a character that is as endearing as he can be foot-in-mouth, and as intelligent as he can be a little belligerent. I looooved every moment I could talk with him about magic in act 1, see his passions (beyond mystra), argue with him about how to do something (I'M the magical wonder here actually and I get to make the shadowlantern), all of that really MADE the romance for me in the lulls where his Silence or the gaps in his writing were more clear. 10/10 would kiss that fucking wizard again and cry a little bit thinking about exploding with him aboard a giant alien brain while one of those "ITS YOUUU I LIE WITH" songs plays in the bg

Little Hope idea that has never left me... I wld have loved if the crew ran into their version of Megan and she was like. With them the whole time. Mostly bc I think it wld be rlly funny if she was super sweet towards Andrew but just horribly ominous and strange to everyone else. Andrew like omg yall r so mean 2 her :(( shes just a kid shes literally never done anything wrong. Meanwhile she is behind him Fully speaking in tongues

why do i ponder about the universe when i get wasted, i just want to have fun 😔😔😔

The Light's most stoic and disciplined warriors...

What other fandoms do you think you’d write for? Or are you strictly an HP writer?

PS. Love ATWMD and THTF. Your writing is impeccable.

i’ve written a captive prince & succession fic as well so! & have also briefly written fics in some other fandoms when i was much younger which r now too embarrassing 2 name lmao

honestly not sure what other fandoms i’d write for it honestly just comes down 2 whether i’m gripped w an idea for certain characters…would love 2 escape hp fandom lol but i think part of why it’s sucked me in so bad is that i like fucking around w the holes in the canon universe…like most of the marauders fic i’ve written has been either canon compliant or canon divergent & me going “hmmm what would these characters do in this context” & now bc i’ve spent so much time thinking abt & writing them it’s just also becoming easy 2 plug these characters into aus 🤧

actually thinking abt my fic writing experience generally the thing that tends 2 make me wanna write fic is if there’s something abt canon that i wanna patch in…like my captive prince fic is just canon but from a different character’s pov & my succession fic is just “what if kenstewy were canon” lol. have thought abt writing aftg from andrew’s pov & the first book of the feverwake duology from dara’s pov simply bc that’s something i enjoyed doing w atyd & captive prince but never actually did…guess i could also see myself potentially writing spn fic if i came up w an idea i liked…& honestly i think if i ever reread trc i might go crazy for real & could then potentially decide 2 write fic who knows. but atp i feel like marauders fic has just become my comfort zone…it’s just a weird balance to strike where a story has to have characters i love but be unsatisfying (poorly written/queerbait/not actually queerbait but i’m delusional/would be fun 2 see from another character’s pov) enough that there r gaps i wanna fill. so like there r various stories/franchises/series i’ve loved where i’ve just never felt compelled at all 2 read or write fic bc i got everything i wanted out of the story etc!

Thinking about Aziraphale saying "I forgive you", and about how Crowley called himself unforgivable because he's a demon and "it's what I am". Thinking about that. Haven't figured out what I think it means, or what I want it to mean. But still thinking about it.

& sorry posting a lot many thoughts right now. I rreally like arcade cabs like the old clunky kind. theyre so cute & i treat them so nice kindly. maybe in a more than simply object personification way...

another day another why must my mom make everything as difficult as possible

Adam only starts investigating in A House Divided because he's worried that Joe is being used...

But Joe doesn't understand and reacts with anger to what he sees as unprovoked attacks on a friend...

And maybe that explains why Adam breaks so completely at the climax - he was trying to protect Joe from manipulation, but that only hurt their relationship, and he's terrified that having done so much harm with good intentions hardly bodes well for what might happen between them if it comes to a real fight?

hey there, sawbones...

[why yes! the collaboration with @dxppercxdxver continues.]