no but srsly the ao3 lyric video might be my favourite genre of fanmade things because
look because. just. the collaboration involved? dozens of people who never met and never coordinated, all deciding independently "hey, a line from that song would make a baller fanfic title, wouldn't it?" and then someone else coming along thinking "wow I really like that song I bet I can find all the lyrics from it in a very specific function on this one specific website". and it works!
& of course sometimes there's a little bit of cheating involved - like people putting out prompt lists for missing lyrics - but still. it's just. art that can only exist at this specific point in history, and only because hundreds of thousands of strangers share the same hobby and like the same songs.
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deeply refreshing to see someone critical of Swift who also like, genuinely likes her. Like i'm neutral to positive on her, but the online discourse has been absolutely rancid. flipping between "Taylor Swift has never done anything wrong ever and she's a fucking genius" and "Taylor Swift is the worst lyricist of all time and also a bad person" is exhausting, so thank you for like. nuance or something lmao
not to make it serious for a sec but i genuinely think that being able to like things that are bad is really important. like I think that it's an important skill to be able to look at something and see what you personally enjoy about it and then take a step back and acknowledge that objectively it's flawed. and to also be able to acknowledge that liking something isn't necessarily an identity or a moral stance. and i think that fandom space in general could really benefit from more people taking the time to learn how to do that. it's okay to like things that are bad
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okay wait laughingstock concept Incoming: so im imagining some of the neighbors (maybe Julie & Frank) noticing that Barnaby & Howdy are a lil fruity, yk yk. and Julie's like damn, i guess we have to play matchmaker here.
so naturally they wind up getting the whole neighborhood involved. everybody's a wingman here. Poppy's dropping hints when Howdy drops off groceries, Wally is constantly asking Barnaby to go get him things from the bodega, etc etc. Howdy and Barnaby are facing this sudden change in town-wide behavior with slight concern and bemusement
eventually - lets say Julie, Sally, and Wally - get Barnaby into the bodega and then abruptly leave like "don't have too much fun without us you two *wink wink nudge nudge*". once they're gone (read: very obviously hiding outside & watching through the window) Barnaby & Howdy turn to each other like:
Barnaby: you think we should tell them we're already married?
Howdy: let them have their fun - they'll figure it out eventually
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watching two dozen interviews of wes ball talk about how he made the maze runner movies is genuinely such a pleasure to watch. it's so so clear that he deeply loves the content of the maze runner books while still understanding that they're fucking insane and makes next to no sense. the vision he has for the movies are unparalleled, the way he slims down the books while still upping the character moments is so impressive!! he was able to capture the heart of the series while still making it really accessible to a general audience. it has a clear trilogy feel to it, which a lot of trilogies do NOT have. and the best part is the cast LOVES him, you can tell just by the way they describe and poke fun of wes that this project would NOT work without him. also the way the cast NEVER talks about dashner is so fucking good. they're like 'omg there's wes, the genius, doing a one man show haha so silly, ily wes' and then it hard cuts to someone being like 'james is on set a lot.'
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ok im a really chill and normal person and i get over things and am well adjusted but take a walk with me here. just give me my time to complain when im not in the absolute fucking trenches. and yes i believe i suffered more than those in trench warfare. it was literally a lesbian situationship with a bistraight girl come on. just. magenta choppy shag with the roots coming in. camo cargo pants black t shirt with red lettering and striped long sleeve (sign someone likes music. confirmed). lip ring big black stud earrings and nails. red docs. i think lesbians should be allowed to kill one dyke baiter in their lifetime idc
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dawg my body is so ready for seeing your human versions of the gang. like the need to draw these sillies is JUST TOO DAMN GREAT--(please don't take this as "OMG HURRY UP", i'm just very excited to see your interpretations!)
well shit now i gotta buckle down on brushing up + improving upon my human scribbling skills, which - meager to begin with - have deteriorated due to Puppet Disease (and i say this with playful exasperation. i've been needing an excuse to Practice and this is a damn good one)
though i will say! i'll be adhering to the ~canon~ human versions we've been gifted via Clown's pokemon au. ofc since we don't know what Howdy, Poppy, Sally, and Eddie look like, i'll have to think of something myself
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tbh i think oda meant to reach wano and make it all about zoro the same way he reached whole cake and made it all about sanji. I mean like, at the very beginning, back when he made him japanese and then said "there is a country that's one piece's japan, btw, and that's not where zoro's dojo is" - I think that's why his original backstory is so simple, it was supposed to follow the same trend as luffy's and sanji's and turn into this whole grand thing once they reached wano and discovered that he's the only direct descendant of one of the last daimyo and also of the greatest samurai ever lived, those are great bases to start some form of conflict on? tbh? and also directly mirror our finding out that sanji is some form of prince himself, but then instead we got to wano and the only thing we found out on page was that kuina's relatives were from there, and everything about zoro is revealed in a sbs family tree with oda going "I don't think I'll ever say this in the manga at this point so here". Imho what happened was that oda wanted to form some kind of conflict between zoro's family rights/what was expected of him in wano and his belonging in the crew, but then the way he evolved as a character through the story made it so that his only plausible reaction to finding out all that would be some form or another of I don't care and you don't really write an arc on that, do you. zoro's so simple minded and goal oriented that it's impossible for him to have any serious drama that's not about luffy, at this point. I do prefer it like this, though? everyone in the fandom likes to draw comparisons and parallels between zoro and sanji one way or another but my favourite one is the narrative foils one and zoro's lack of a proper backstory and complications to his being part of the crew make for a great black-and-white situation with them. something like sanji's story being all about running from his past and zoro's being all about running towards his future, I love that so I'm glad this is the zoro we got in the end
still, would be cool to know what oda had planned for him exactly
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