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#i found another reason why i love raeda so much
eye-of-the-hawk · 2 years
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I don't consider this a prediction or anything, it's just my own way of coping with the S2 finale lol (think of it as an AU of sorts 🤔)
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azure-wolf-227 · 11 months
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Luz is a Titan AU
I've seen several 'Luz is a Titan/Half Titan/Luz turns into a Titan/Half Titan' AU concepts, and I wanted to do my own take on the idea.
Luz is biologically a Titan and King's older sister. When the Archivists attacked, the Titan couldn't place Luz in the tower with King's egg, so they used their power to send her through time and space to somewhere safe. That somewhere ended up being the Human Realm. Shortly after, Camila and Manny Noceda found the little Titan.
The Titan gives Luz a protective amulet that hides her from the Archivists (it has the same sigil King found in the tower and carved into his tag), allowing Luz to change her form between Titan and Human. Since Manny and Camila were the first beings to find Luz, the magic amulet used their appearance as a template for Luz's disguise.
Luz’s Titan powers start developing at the age of 8-9; around the same age King started developing his powers in canon. Her first power is, of course, the Sonic Shout (WEH!).
When the Nocedas moved to Gravesfield, Luz began having weird dreams - actually the Titan trying to communicate with her - because the portals to the Demon Realm (Eda’s, and the one used in ‘Thanks to Them’) are linked to the town. These dreams help Luz develop her Glyph language, so by the time she is 14, she already has the basic Glyphs and has begun developing the combos.
Luz’s Glyphs are not the same as in canon cause these are her own rather than the Titan’s. And while she can draw them, Luz mainly makes the Glyphs/Glyph Combos appear on her hands or the air.
Titan Luz is mostly similar to Canon Luz in personality, but she also has some self-esteem issues about not being human. Add to how, after Manny’s death, Camila began to insist that Luz act more normal/be more human in fear that her oddities would lead to people discovering her secret.
This AUs version of ‘A Lying Witch and a Warden’ starts out the same with Luz being sent to camp, her chasing Owlbert through Eda’s portal, and meeting Eda; things begin diverging once they arrive to The Owl House and King appears. Luz is shocked to see a being that looks exactly like her (true form); she doesn’t reveal her true form, though, because she is so used to hiding it. Eda and King learn that Luz is not human when she can’t pass through the barrier at the Comformatorium, though it isn’t until after the fight with Warden Wrath, the prison break, and the return to the Owl House that Luz reveals her true form. Safe to say that Eda is stunned at meeting another of whatever King’s species is while King is excited; after hearing Luz’s story, he convinces himself that Luz must have been “shrunk” as well, then banished to Earth.
Anyway, Luz’s decides to stay in the Demon Realm to learn how to be a witch and maybe find some answers about herself. Besides her Titan powers/Glyphs, this Luz can also create spell circles like witches, though she’d still default to Glyphs. Luz would also teach King about his own powers, though he likely won’t awaken them before he did in canon, except maybe he starts to develop his own Glyphs.
Luz wouldn’t go walking around the Boiling Isles in her true form even if it wouldn’t be strange there. The Doylist reason is that I  want the reveal that Luz is the same species as King to happen much later, maybe during Luz’s first confrontation with Belos in the Season 1 finale, or sometime in Season 2. As for the Watsonian/in-universe reason, maybe Luz is used to disguising her true form, or Eda tells her to keep it hidden for some reason.
Set up from the previous idea, Luz figures out how to alter her disguise to look like a witch, instead of a human. Because Eda was her template, Luz’s witch disguise has fluffy auburn hair, and golden eyes. Basically, she looks like a Raeda kid and results in people coming up with secret love child theories.
Edit: @princess-of-the-corner suggested a different idea for why Luz’s disguise changes. The illusionary disguise works by taking traits from the people Luz sees as parental figures. She original looked like Manny and Camila’s biological daughter because they were the ones who raised her; her disguise began to take some traits from Eda, and later Raine, as she began to subconsciously see them as second parents. The change was gradual, so Luz didn’t notice the difference until she first saw Vee disguised as her and found her appearance unfamiliar.
Does Luz has memories of before she was sent to Earth since King could remember things before he was hatched?
Yes, but Luz thinks those memories are just dreams and stuff her mind made up rather than memories, so she never told anyone about them. Or she did as a young child, but her parents just thought they were children dreams.
Let’s end this with what Luz looks like as a Titan. She is mostly a taller version of King, maybe a few inches taller than Canon Luz; her horns are the same as Canon Titan Luz’s; her fur has a more purplish tint than King’s but they have the same eyes; unlike King, Luz wears clothes, the same clothes canon Luz wears; her protective/disguise amulet looks like the medal King wears in the series’ epilogue with a purple ribbon and it has the anti-Collector/Archivist sigil engraved into it. Sometime in Season 2, Luz goes through a growth spurt and grows wings.
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My last post on the situation that happened yesterday
I will say outright on my side my viewpoint
When I found Diisdoodles it was via Tik Tok, I followed them for a while and then they started a Discord which I decided to join,we got talking and I shared with them the Borg Siblings
No matter how much they try to claim they did certain things, I had already created these characters and I have the notes to prove that, these guys were my creations that I trusted with them and if they didn't understand that these were already Orignal Characters of my own, I'm sorry you only created the Aus and world around them
I just was lending you my characters that I had created. I already knew their personalities, I just hadn't figured out their physicalities or very fine details of their histories, and we've all seen my old art I didn't feel comfortable drawing them because I didn't feel like I could properly portray them you can see this with Violet I didn't picture her as skinny I pictured her as heavier set and I had to learn how to draw that.
Honestly I really hope they get a knock of reality on the equal comment because I've seen so many Creators who don't see their crew as equal get torn down hard, a team is meant to be equal you aren't above those who are helping you create your worlds when a Creator sees their team as equal thats when magic happens,
I go in with the mindset I may have created these guys but if you want to collaborate I am more than willing to do so just give me the credit I'm earned and treat me like a creative partner,
I've always had a passion for character design, had a passion for creating original characters that really don't have anywhere to go and breathing life into them.
I am actually creating a Raeda kid she's probably not going to be in anything but it's just fun to think of what a child of theirs would look like that's why I love creating these original characters, the possibilities of stories they could tell.
Another thing that they said that bothered me I never revoked my characters from them that is a lie. I don't know if they're trying to cover up their tracks or something but I never and I can even go back and get the conversations I never removed that permission the only time I said something was after the fact they created their group.
They are the ones who decided to remove my characters in the end. Which actually caused a little bit of hurt because I have their original message here, and they said this on Simone,
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Guess a happy ending means to them getting erased from existence. A character I worked so hard to make getting erased,
I guess I'm not supposed to be upset about that even though I've been attached to these characters for years and yes if this somehow gets back to them or not I still have the DM up I can go get plenty more,
Because you know what I learn I calmed down and I go back and read instead of throwing it away and you know what
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I guess this moment between us three never mattered to you, like it did me.
Because to me agreeing to meet someone offline actually physically flying out to be able to see not only me but another Creator called though.she.be.little to go to a convention, a small town Lego convention that means your friends that you are equals and I don't care if you get angry at me posting that picture
I even still have the ticket from that day
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You're the one that wormed your way in. I still remember being on the voice chat when we mentioned we were going to meet up, and you automatically invited yourself. I should have said no, but you know what the prospect of meeting another friend made me blind, so thank you for teaching me that lesson of boundaries,
Again I guess I really didn't know you, Diisdoodles. And that hurts the most especially after all we did but like people keep telling me I guess I don't have a reason to be upset.
But from my viewpoint I definitely do have a reason I have several reasons.
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spinaroos-47 · 3 years
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Hunter Whispers AU!
A quick (hopefully) post about the basic things that change on the au!
Also a quick warning about blood on one of the images in the middle of the post when I start to talk about Lilith.
Like the other two aus here, it is being developed together with @bernardo-draws-and-cries, who drew some of the drawings on this post.
- Raine meets Hunter when he's pretty young, like around 8 years old and training to become the Golden Guard. They show genuine kindness to Hunter and there's a very slow adoption process (like socializing a feral kitten), Hunter sometimes sneaks out to their house, and then when the cheek wound happens when he's 12, that's the breaking point for Raine to go "that's it" and get Hunter out of the castle and adopting him.
- Hunter managed to stay pretty undetected from the EC even if Raine was getting higher and closer to the EC on the bard coven. He's not on Hexside, he and Raine managed to figure out a homeschooling system. And usually if he's not helping Raine with things, or at home, he's likely on the library or outside in the forest.
- He's part of the BATs! (Took a lot of convincing for Raine to let him join) But sometimes when dealing more directly with the EC, Raine doesn't want to risk him being caught and doesn't let him join in these missions. Resentment happens.
- Hunter resenting and feeling trapped and like no adult thinks he's capable of doing what he wants to do is a theme. He's doing better emotionally than Canon Hunter but there's a lot there that he is not doing well with and still some unprocessed trauma.
- Lilith is the in place of the Golden Guard. She has scars across her face from one time fighting Eda, where she intentionally made her turn into the Owl Beast, to try to capture here, which is why she almost always uses a mask now. She ended up telling her family about her cursing Eda and decided to isolate herself and focus only on the EC. Which is... not good for her mental health.
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She still appears mostly on the same momentos as on Canon, but the more friendly times, like Sense and Insensitivity are way less friendly and Eda is less cheery with her, for good reasons. She is Canon Lilith before s1 finale but if she stayed and spiraled.
- Raine has a flying fox palisman! I haven't decided a name for them yet
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(haven't digitalized it yet)
I based them on the animal head on their violin looking a bit like a bat! And this au is working with the headcanon that palismen for bard witches can either transform into instruments or join their witch's instrument to help with the magic casting.
So, they're the violin!
- Raine is the one who gets fooled by Belos about the whole "I'll cure Eda" thing. They don't trust Belos for obvious reasons, but they hoped this would help Eda, and they're not going for the capture path, they want to talk with Eda about all this but they never find the time to tell her their plan. Which wasn't going to be 100% doing their part of the deal either, they were planning on getting Eda cured and then let her escape. Also they also have a path of realizing that the curse itself isn't the problem, but it happens a bit too late. And Hunter doesn't know about it. Until YBOS.
- Lilith had also been trying to capture Eda, being way more aggressive about it. And she's still the one who captures Luz in AOAW and makes it seem like it was Raine's choice. Very angst
- The two appear way earlier, in Covention, and appear some more other times, like Hunter in Escape of the palisman, and the two on Grom (and more times. They become semi regular characters but we haven't figured out that much)
- Hunter ends up befriending Luz (and hexside trio) and goes to quite some sleepovers there, specially after discovering about the glyphs! (his love language is snack giving and one constant on these aus besides Hunter having a bad sleep schedule is him having a great relationship with King)
(both him and Raine have bad sleep schedules)
- Hunter gets Lil rascal on SOTP. He has the same wish as canon, just a different situation. He still feels caged and unable to fully decide what he wants for his future
- There's the obligatory awkward pining Raeda
- Eda's requiem has quite some changes that i will probably make a separate post about
- Amber, Derwin and Katya are basically like Hunter's older sibilings. He's the baby of that found family
- And on this au he acts more like an older cousin than as a brother to luz. Still close but not like a brother.
- He can kinda use bard magic but it's kinda weak since he himself is powerless (Lil Rascal helps with that), and we're using another headcanon, about bard magic being able to be used by beings without innate magic in them, just less powerful than if performed by a being with innate magic
- Raine ends up sharing the curse with Eda (the assumption that Eda cursed Raine and not that they shared the curse gets spread around) and Raine can become the Bat Beast
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Very fluffy. They can still do bard magic (but way weaker) as it is Eda who is still the main carrier of the curse.
- Things get...pretty tense with Raine and basically everyone else (specially Eda, Luz, King and Hunter) after ybos. Their relationships get slowly rebuilt but then Eda's requiem happens.
- But before that, they're around quite often on season 2, together with Hunter
This au is a lot of "Raine fucked up and is trying to fix it/make up for it" and it's really fun to work on it, even if it looks like it's mainly angst, we still have some non angst stuff about it fksmdmfm
And that's it! The basics about this au! There's a lot more stuff we're going to be slowly sharing
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ordinaryschmuck · 3 years
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What I Thought About "Eda's Requiem" from The Owl House
Salutations, random people on the internet who certainly won’t read this! I am an Ordinary Schmuck. I write stories and reviews and draw comics and cartoons.
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...HOW IS SEASON TWO SO GOOD?! WE'VE HAD SEVEN EPISODES SO FAR, AND EACH ONE OF THEM WAS A HIT!
Take "Eda's Requiem," for example. It's yet another episode where I have NOTHING bad to say about it! That's two weeks in a row where that happened! HOW DOES THIS HAPPEN?!
HOW!
HOW!
...But anyways, "Eda's Requiem." It's another fantastic episode, and I'm about to dive into explaining how and why. Just keep in mind, it's gonna require spoilers to do so, so be wary of that as you keep reading.
Now, let's review, shall we?
WHAT I LIKED
Eda’s Checklist and Grom Photo: Within the first second, "Eda's Requiem" perfectly sets up Eda's central conflict in the episode. Despite spending years being on her own and looking after herself, she now has two kids that she's constantly caring over. Eda can try all she wants to say that she doesn't care, and I bet she has in the past. But given the hard work she's putting into getting King and Luz what they need and having a grom photo of the three of them together pinned in her mirror, it's pretty clear that those two knuckleheads wormed their way into her heart and are never getting out.
Eda’s Worried About King and Luz Leaving: And thus, that's precisely why something like this bothers her so much. Eda inadvertently adopted two rambunctious rapscallions (Yeah, I know. I'll get to it), so the idea of them not being around her anymore is going to be terrifying. That is a situation most parents, especially mothers, can identify with. It’s called empty nest syndrome and it proves just how much Eda loves Luz and King that she can't stand the thought of her babies leaving the nest. It's yet another well-made, wholesome, found-family moment that this series continues to excel at each week, making me extra excited for more like it to come...while also readying myself for heartbreak when one of them eventually does leave Eda.
Eda and Raine’s Music: Ok, I don't know the exact instruments that were played during this episode, but I also don't care because it was all (for lack of a better term) music to my ears. Every time Eda and Raine played resulted in melodies that are so beautiful and filled with so much emotion and feeling that I'm honestly tempted to listen to them again, multiple times, on repeat. Shows rarely do that for me, as background music doesn't always draw me in as much as lyrical songs do. Usually, it takes something so extraordinarily composed to give me the desire to listen again, and that's the case here. So huge congrats to Brad Breek for doing so. Seriously, the man's been killing it this season.
Eda’s Bard Magic Causing Things to Turn to Ash: This was assuredly a surprise side-effect of the curse. The fact that Eda can sort of do magic at all was its own shock. To then reveal that a specific type can do dangerous things to people and environments is...Well, it definitely brings up its own fair share of questions. Like, how can she do this? Will she do it again, one day? And are there other types of spells that can be negatively affected by Eda's curse? We don't get answers for any of these questions, and odds are, we never will. But that's alright with me. Because if a show makes me consider these many possibilities after a brief amount of time, it is a show that has to be doing something right. Even if I don't get the answers I want, the fact that it caused such a reaction makes me less willing to care.
Raine Whispers: Hey, would you look at that. Another fun, interesting, and compelling character added to the list of this shows' other fun, interesting, and compelling characters...how is this series so good at this!?
Joking aside, Raine's pretty good. I like Raine. They could have been this super serious leader who lost all their fun after years apart from Eda, but I'm glad that they're not. There are moments when Raine takes their job as leader of the BATs seriously, as one would, but I still prefer the fact that they kept a jovial nature despite how grim their situation is. It's an admirable trait to have, and it avoids the trope of making leader characters boring just because they're the ones who have to take things seriously.
Oh, and also, Raine's Disney's first non-binary character who has a stake in the plot. This is a tremendous deal, as you don't usually see that many non-binary characters in children's animation, let alone ones that hold importance to the story. So it's pretty cool for the writers to feature Raine, as it helps several kids feel as though they're finally seen and respected. And the fact that Disney of all companies gave the thumbs up is even more impressive. I hear people say that Dana Terrace should have pitched The Owl House to more progressive networks to avoid pushback, and while I absolutely see your point, I'll have to respectfully disagree. Disney is the largest entertainment industry of all time, so if you want to make LGBTQA+ representation normalized, you gotta stop making splashes and start making waves. Because if the same company that made three racist cats in the span of a few years manages to say that being gay is a-ok, then you know there's something wrong with you. Yes, Disney ended up screwing over the show anyway. But for that one moment, when kids felt pride after seeing a character like Raine, then, in the end, it's kind of worth it.
Also, if you're still having issues with more representation like this popping up in kids' shows, then allow me to redirect you to the complaint department.
...I made that post earlier today for this bit. YOU HAVE BETTER APPRECIATED IT!
Day of Unity is meant to be a Secret: At least, that's what I got when Raine stumbled over their own words. So if it's true, then I wonder why? Why does Belos want to keep the most critical change in the Boiling Isles a secret? Does he want to make it a surprise for his grateful subjects, or does he not want to spread worry and fear amongst the wild witches? It has to be something big if he doesn't want his followers to even say the words "Day of Unity." Whatever reason he has, we most likely won't know until the future. A future that I grow more and more afraid of each week.
Hooty Eating Echo Mouse: My heart sank in that brief moment when I thought that Hooty intensely screwed Luz over in getting back home. But looking back...it is pretty funny.
Just the suddenness of Hooty eating the poor creature that Luz desperately tried to earn its trust is priceless in how shocking it was. And also, Luz's expression.
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That was the look of a young girl who immediately shoved her hand down an owl demon's throat the second the scene cut away. The Owl House may not always be a hit in the comedy department, but scenes like this prove that when it's funny, it is hilarious.
Luz and King Entering the Grand Prix: Not much to discuss here. It's just a cute subplot that adds frivolity to the intensity of what's going on through Eda and Raine's story. But I will say that I love how both stories occasionally interconnect with each other through the many moments of Eda being worried about King wanting to leave to find his father and avoiding any conversation about it. It helps both plotlines feel like they belong together, without being something like "Through the Looking Glass Ruins," whereas both stories could have been in their own episode. Which is neat.
How Bard Magic Works: I really love how this season is diving into how the other magic types work. More specifically, the ones that seem a little vague. I mean, stuff like healing, potions, and plants are easy to figure out, but what does it mean when a witch's talents are construction, beast keeping, and bard magic? We've been getting a lot of clearing up lately, with bard magic looking like a witch can control their environments and enemies through the power of music. Which is fair. Music is pretty powerful in the metaphorical sense, and I actually love that it's powerful in the literal sense when in the Boiling Isles.
The BATs: Not much to comment on these three either. The BATs have the potential to have an entertaining dynamic, but they do very little in this episode that I can't say much other than I hope they make a return in the future. But I will make this claim: Amber is my favorite. I'm sorry, but her screaming "You're not our mom!" to then go, "Bye, mommy Eda" is just too precious for me not to love.
I'm a simple man who falls for cute s**t. Leave me alone.
Raeda (RainexEda): Well, EdaxCamila, you were a fun crack ship while it lasted, but I'm afraid that this is now goodbye. The current canon has provided an incredibly adorable and believable relationship that I would be a monster not to support with my whole bi-heart. It's been real.
Ok, back in serious mode: I love these two together. Eda and Raine are grown-ups, and they still act all flustered near each other as if they were still Luz and Amity's age. It's definitive proof that you're never too old to get flustered near a crush, and seeing them interact adds a sense of wholesomeness when seeing them together as well as heartbreak when they're forced apart. Plus, we get confirmation that Eda's LGBTQA+! Whether she's bi, pan, or whatever, now that we know Eda can catch feelings for someone like Raine, it's yet another case that The Owl House is the most important series to the community. Because having the main character be queer is fantastic in its own right. But having the same apply to the motherly mentor figure? That's is an extra bit of normalization that anybody would be willing to appreciate.
Unique Guard Designs: Not many fans are going to appreciate this, primarily compared to everything else this episode does perfectly. For me, I actually like that you see a few Coven Guards looking differently from the others, as it helps make them less like clones and makes it seem like anybody of any body type could be a part of the coven.
Gus Looking Uninterested when Presenting Grand Prix with his Dad: I am positive that you didn't notice this (I didn't even notice it until someone else pointed it out), but there's something to dissect here. It hints that perhaps Gus isn't as interested in his father's field of work as one might think. If he did, he would look a lot less bored and much more excited to be helping Perry Porter present the race. It could just be the race itself, but judging from Gus' expression, it really seems like the kid would prefer to be anywhere but there. And why would he have that reaction to a race that his best friend is competing in? To me, this seems like an inkling of what Gus' relationship with Perry could be, which may not actually get time to shine, what with how little wiggle room the series has now (Thanks Disney). Regardless, it is interesting to notice, and it will certainly have fans thinking for a while.
Bump Being Smug of Luz Being in the Lead: That's it. Principal Bump looking smug as his human student is beating the students of his rivals is yet another moment that proves why Bump is easily the best cartoon principal.
Darius: First of all, this guy is f**king fabulous, and I love him. *Snaps*
Second, he is definitive proof that you do NOT want to f**k around with Coven Leaders. Lilith may have had her intimidating moments, but none of them compare to the guy who can turn himself into an abomination monster where only magic that hasn't existed before can take him down. It's genuinely scary to see Darius lose control, and I fear for the day when Luz inevitably ends up in his crosshairs.
With that said, Darius' still a ton of fun! He may be threatening, but he's just a flamboyant guy that hates the idea of getting his outfit the tiniest bit dirty. And I love that. I love that these Coven Heads have actual personalities instead of being generically evil. I consider it preferable to make villains entertaining rather than blatantly scary as I'll remember the personalities first and the villainous acts last.
Eberwolf: But this one's my favorite. I told you: I'm a simple man who gets easily swayed by cute s**t. And Eber? I mean, just look at her:
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She's just a cute widdle rascal! I just want to pinch her cheeks, give her a belly rub, and--
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...Eberwolf is not a cute widdle rascal. She is a strong, independent woman, and I will respect her as such from this moment forward...lest I feel her wrath.
That is all. Let's move on.
Eda and Raine Attempting a Final Performance: This was the best scene of the episode. It looked gorgeous, it shows the dedication Eda and Raine have for stopping Belos, and it says so much through so little. Go back and look at how Eda and Raine regard one another when performing Eda's requiem. Through their expressions and a few short words, you know they understand that if they complete the song/spell, they probably won't make it in the end. And yet, they don't care. They both know bad stuff will happen if Belos wins, so Eda and Raine put everything to the side, both their feelings for one another and the people they leave behind if it means putting an end to a tyrant. That level of dedication...Words can't fully describe how powerful that is.
Raine Sacrificing Themselves Instead: But in the end, Raine can't do it. Not when they know the life that Eda has and the people she'll be leaving behind. It's an extra bit of nobleness to the character seeing that Raine refuses to take away a woman from two kids who need her the most. A tad bit selfish, sure, knowing what Belos has planned. But when it comes to love, the romantic, familial, or platonic, the best decisions aren't always the logical ones.
Eda Crying: Luz crying tears me up, but seeing Eda cry is a whole different level of heartbreak. Like Lilith, Eda has her emotions locked up tight, with the closest she came to weeping were those two tears in "Young Blood, Old Souls." In "Eda's Requiem," she cries but almost quickly stops herself. As if she knows that doing so isn't going to save Raine. That is...even worse than seeing Luz break down after losing Eda. The fact that Eda refuses to give herself time to mourn losing someone she loved is tragic because crying is the most natural way of showing grief. Turning that off isn't healthy, and seeing her do it with little resistance is sad to me. It's sad to see a character I love can easily shut off all emotions despite how badly she may want to embrace them. It's one of those moments that, again, by doing so little, it shows so much.
“No one watches Crystal Balls anymore. It’s all about streaming.”: Oof. Even I felt that burn towards cable.
King’s Message: King's message was the pick-me-up I needed after the heart-wrenching sadness this episode put me through a few minutes ago. Seeing King say who he is and listing all the things he loves is nothing short of adorable. On top of that, I adore that Eda willingly recorded the whole thing. She may not want King to leave, but that doesn't mean she'll sabotage the one thing he wants. Especially not after Raine gave up everything so Eda could be with her kids. The opening scene may prove how much Eda cares about a rascal like King, but this heartwarmingly sweet moment reveals just how far she'll go to make him happy.
King’s Dad Reveal: ...ok, I'll be honest, I did not think we'd get that reveal this soon. Dumb of me to say, considering the number of times I've said that these writers don't waste time getting to the s**t, I know. But still, it's pretty cool knowing that King's dad is alive and well, added with the fact that we've got a fair idea of what he looks like. At this point, it's only a matter of time before we see him figure out where the Clawthorne residence is and witness the tear-jerking moments that will follow.
King Changing his Name to King Clawthorne: Not the official adoption I was expecting Eda to make...but DANG IT, is it still diabetes-inducing levels of sweetness!
Personally, I feel like the main reason why Eda breaks down this time is not only because she shouldn't be worried about King leaving her life, but also because Raine's sacrifice wasn't in vain. Her kids really do need Eda because no matter how far apart they'll be, she will always be a part of their life...dang it, I'm going to cry too!
What those Coven patches really do: Well...that was horrifying to see.
...Writers, if you kill off the best non-binary character in animation (it's a short list, I know), we are going to have PROBLEMS!
IN CONCLUSION
"Eda's Requiem" is--surprise surprise--another A+. The emotions hit hard, the representation hits harder, Raine is a fantastic addition to the cast, and it was all surprisingly cute at times. Season Two is currently on a hot streak, constantly winning with every episode that's come out so far. When a bad episode does eventually show up (IT'S GONNA HAPPEN!), I'll be sure to sing my requiem then. For now, I'm just gonna enjoy the ride.
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