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all-chickens-are-trans · 2 years

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first of all, love that you just kinda. graduated your icon to a next level. looks like the inside of my brain.

now

trans ted- whats your timeline headcanon, like major points in the journey and all that

thank you thank you, once i figure out how to make the background a nonbinary pride flag (with my limited skills and apps) it's over for y'all

(no honestly i looked at several pictures of trent for several minutes and then i was like. i can't do it i can't choose another one so i just. upgraded this one 🙈)

second of all, oh lord. that's a tough one. i mentioned before that I started taking notes for a possible trans ted fic, and that's set after the events of s2, maybe even a while later. i think ted doesn't start the process of ~~realizing stuff until after his divorce. I think just like his bi awakening, the gender stuff is something he never really inspected too closely because he was too wrapped up in being michelle's husband, and that meant that both his gender and his sexuality revolved around that. (Being Henry's dad plays a big part on how he conceptualizes his gender, too, I think.)

(this is long af so here's a cut)

I'm gonna project here because of course I do that and say - ted's journey isn't linear. it's not like he has a realization at one point and then starts transitioning and then never looks back. it's more like. there were moments in his life. like when he was in middle school, he definitely grew his hair out at some point, right? little weird kid, obsessed with Queen, of course he did. (I'm not gonna say teenage ted with a mullet because neither me nor the world is ready for that but. i'm also not not saying it.)

And there you have this kid, round-faced and mild-mannered and definitely misunderstood by most of his peers, who also looks up to his father a lot. Of course he does, his father is a kind man, much nicer than most fathers Ted knows, and since Ted has trouble connecting to boys his age, he looks to his father as a role-model for masculinity. And he's like, yeah, I gotta be that, but better. I can make that work, if I just try harder and don't give up. The other boys may not always understand it, but Ted has chosen his path. He's not like these other boys and he doesn't want or need to be. He'll find his own way.

And then there's girls. Ted loves them, I'm sure he does. Especially this one he meets one day, just him and her, the only two people in that big parking lot. He wants to be good for her, the best boyfriend he can be, and later the best husband he can be, and even later the best father to their child he can be. He always goes the extra mile, but he also always feels like he just has to try a little harder. It's never quite enough, but surely, if he'll just does a little more, does it a little better, eventually he'll crack the code. he's happy, most of the time, at least as long as michelle is happy, and henry is happy. and if they're not happy, he'll be whatever they need him to be so they can be happy again. There's no need to think about himself.

Couple's therapy is rough, not only because it's Michelle and her therapist against him (or that's what it feels like at least), but also because for the first time in a long time, Ted is forced to look at himself. He's not allowed to look away. This isn't me saying he never self-reflects - I think he does that a lot actually - but it's very different to actively reflect on what kind of man you've been in your marriage and in your family, and how all the efforts you put in have often been more for your own sake than for the other person's. I think Ted scratches the surface of ~~realizing things there. Because he's been playing this part for so long, and for whom?? for what?? Always trying to be the man everyone needs him to be, but now finding out that's a burden he has placed on himself? Oh, that must hurt. I think it even hurts too much for Ted to dig deeper, to find a truth behind it.

That's later, after the divorce, at Richmond. The thing is this: Ted has been surrounded by men for most of his career, but even for a social butterfly like Ted, the way he connects to Higgins and Beard and Nathan and then Roy is a new thing. Beard as Ted's closest friend for decades might be weird, yes, but he's also way closer to the masculinity you'd expect from someone in sports - a little gruff, no lasting romantic relationships, emotionally unapproachable etc. He's Ted's levels of weird, but they've already been close for probably two decades, so they click on a different level. But with the others, Ted has a wide range of masculinities - Nathan's insecurities and Higgins the family man and the push-over, even Roy with his whole 'tough on the outside, soft on the inside' bit... Ted clearly values their input, respects them and all that, but sometimes, he still seems to set himself apart from them as well.

Now at the same time, i'm not sure there have been many women in Ted's life before Rebecca and Keeley - not that closely, not in the way of friendship and mutual respect. Keeley is one of the first people (maybe the first) at Richmond Ted genuinely connects with, and he's working hard to win over Rebecca, and he always meets them eye to eye.

And then there's the "Lavender" episode. Where Ted desperately tries to be part of Rebecca and Keeley's 'girl talk' in a way that blows my mind. (now we're at the point where tedbecca shippers may start to like me a little less - i'm sorry, friends, this is just my interpretation, i'm not trying to shit on yours or anything 🙈) Because they could have played this a dozen different ways - Ted could have been weirdly jealous of the guy Rebecca is talking to, he could have been uncomfortable from the vibes there. But no, he genuinely just wants to be a part of this kind of friendship, and all episode long, he makes an effort to learn the rules of it and adapt it. He later even applies what he has learned to the diamond dogs (the whole 'sometimes, people just need to talk about a thing and there needs to be no solution'), which i think is SUCH a cool choice. Because of course they could be saying here 'Instead of devaluing femininity, Ted lifts it up and learns from it' - but they go even beyond that. He says he wants to be Keeley multiple times a day AND he lets Rebecca use his hand to try out different nail polishes. He doesn't just play along to learn from it and adapt it for his own needs - no, he enjoys femininity for femininity's sake. Like I said, blows my fucking mind.

And I think somewhere there, somewhere after Nathan leaving when Ted is full of self-doubt, somewhere around the time he starts talking to Doctor Sharon for real - that's when a door opens for him to finally examine his gender.

And it's hard to say where that leads him, but holy shit, the possibilities excite me to no end.

#ted lasso #trans ted #i'm only ending this here because it's already getting impossibly long #but. you know i'm not done #i could never be done #my posts

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ruporas · 1 year

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bound to want (part two) /// part one rest of pages under READ MORE after ID

[ID: 23 page digital comic of Vashwood from Trigun Maximum. The comic is in a limited palette of a dark blue, light pink, white, black, and a light beige color for Vash's skin and a mid-brown color for Wolfwood's. This comic is the second part to "Bound to Want" and is spoiler-free. The first part is linked here.

It begins with a panel close up of Vash's expressions. The sky colored in dark blue can be seen behind him. He has a neutral expression, but he holds a slight frown and the reflection of his glasses covers one side of his eyes. Wolfwood says, "Hey. What's with the distance?" In the second panel, the shot widens to show both of them, a clear physical distance separating them with Wolfwood walking ahead and Vash trailing a little behind. Vash responds, "What? I'm just walking a bit slower today..." Wolfwood looks at him with a an irritated expression, clicking his tongue. Wolfwood says, "I was going to wait for you to start... But yer just running away away."

Vash is seen looking away, unable to hold eye contact with Wolfwood as he continues, "You've been avoiding me since that night. Did ya think I wouldn't notice? It's about that dream, right? Tell me about it already if you're going to be moping like this." Vash looks slightly downwards, his brows furrowing and he starts to walk ahead of Wolfwood without looking at him and responds stiffly, "I really don't want to talk about it..." Wolfwood looks at him with a surprised expression, but doesn't probe.

A panel close up to Wolfwood's eyes as he watches Vash go on ahead before he follows suite with an irritated sigh. The panels are overlapped by Wolfwood's hand holding the bottle of the Bride with motion lines, indicating a transition in time.

A wide shot of Vash and Wolfwood in a room now. Vash is seated, his back turned away from the viewer, while Wolfwood's body faces the viewer with his eyes looking towards Vash. He rests the bottle of the Bride on the table with a "clack" and his other hand holds two shotglasses. The background is coated in a light pink.

A panel shows a close up of Wolfwood's face, his eyes looking downwards to Vash as he says, "Let's drink." Next to this panel is Vash looking up at Wolfwood, his brows furrowed and a slight frown. The bottom half of the page is a wider shot with Vash's body turned away from the viewer as he says, "I'm not going to talk about it." Wolfwood responds, "You don't have to." as he sits down.

A wide panel of Wolfwood holding the shotglass, pouring in the drink as he continues, "I'll talk." The next panel is a profile view of Wolfwood, his eyes looking down at the now filled shotglass as he continues to say, "You're..."

"... upset with me." Vash can be seen next to this speech bubble with narrowed eyes, looking towards Wolfwood. The panels are all coated in with a dark blue background. Wolfwood continues, "I can't be certain why since yer not telling me a thing -- but it's probably... my bad." The panels show Wolfwood about to bring the shotglass to his mouth but he turns way as he continued to speak, his eyes not on Vash. The bottom page shows him looking away completely with a guilty expression as he says, "I'm sorry.

If you can ever tell me why, I can try and adjust to make it more bearable. But if you're just trying to get rid of me--" The panels follow Wolfwood's certain expression as he says this, "I don't intend to leave you. I can't... and I won't." A panel shows Vash's wide-eyed expression, surprised upon hearing this, and then his eyes soften as Wolfwood again concludes with, "I'm sorry."

Vash's inner thoughts begins, a boxed speech at the center of the page and panels of his eyes, his brows furrowing again and a resigned, but frustrated expression. His thoughts starts, "Stop. I shouldn't be happy hearing that. And why are you apologizing? I should be the one to..! I can't let anything like that happen to you. You deserve to live a long steady and peaceful life. I want to be optimistic. I want to protect you, but I might end up doing the opposite." The text surrounds Wolfwood from Vash's perspective, the other man drinking out of his shotglass, his eyes downcasted.

"I shouldn't have you. And you won't leave." Behind these text is a panel of Wolfwood's eyes finally looking over to Vash. Vash's thoughts continues, "It's so unfair." When Wolfwood sees Vash, his eyes soften and he frowns. The last panel shows the lower half of Vash's face, but tears begins to flow down his cheek. Wolfwood's hand is already reaching to wipe at them as he starts to say, "You know..."

A wider shot of Vash and Wolfwood, Vash slightly leaning forward with his mouth tightly shut, and tears steadily continuing to flow out of his closed eyes. Wolfwood continues to wipe at them with his hand as he continues, "This isn't a dream anymore. I don't know what you saw for you to be this shaken up, but whatever happened, you'll overcome it, right? If not you, I'm here too. You'll be okay, Spikey. So..." Wolfwood's expression grows more tender, "Have a little faith in me... and come back already." The dark blue starts to fade.

The wide panel has the dark blue background faded and replaced is the light pink. It shows Vash in full up to his shoulders, his eyes are still tears littered, but there's light in them as he says, "Wolfwood..." making eye contact with the other. The next panel shows Wolfwood's tender expression, his eyes and brows fully soften and he has a small smile on his lips, finally seeing the other return a level of sincerity with him.

The next panel shows the bottom half of Wolfwood's face and his hand is offered towards Vash for a dance as he says, "C'mon. We don't have to talk, but this is okay, right?" The background is now white and a ribbon flowing across the page separates this panel from the next sequence. Vash's inner thoughts continus, "I've spent too long avoiding this. It's scary to want after I've taken so much from others." A sequence close up of their hands is shown, with Wolfwood's outstretched hand on the right and Vash's reaching hand on the left. Vash gently places his hand in Wolfwood and at the bottom, Wolfwood wraps his fingers across Vash's.

Throughout the page, a dark blue ribbon starts to flow around the both of them with confetti raining alongside the effect. Vash and Wolfwood are hand and hand, dancing together with Wolfwood as the lead. The viewer can see a peak of Vash's expression, full of fondness but also a hint of sorrow as he looks down at Wolfwood. His inner thoughts continue, "I don't deserve this. I don't deserve you. But why is that even though I have these burdens, I still want to love you. I still want you to be by my side."

With a close up of their mouths, Vash's thoughts continue, the text covering his mouth, "Wolfwood, I--" Wolfwood's speech bubble covers Vash's text as he completes his sentence, "want you." Vash's eyes widen for one panel and in the next, his eyes spark, a blush appearing on his cheek and the confetti flows and spark. Tears ease up on his eyes again.

"Want me too already, Spikey." Wolfwood has leaned in enough to rest his head against Vash, a hand of his on Vash's neck, holding his nape and another hand pressed gently against his back. A ribbon separates this panel from the next, a mix of confetti flows across the page, as Vash envelopes Wolfwood in a hug too, holding him and his hand gripping tightly onto his back.

This page is just the ribbon flowly throughout the page on the white background, one white ribbon and the other a dark blue. Near the bottom, the ribbon envelopes each other in a loop. A conversation of Vash and Wolfwood is held over these ribbons, Vash starting to say, "What if I hurt you? What if you..?" Wolfwood responds, "You? How could you hurt me?" Vash, "You know what I mean... You see it everyday..." Wolfwood responds, "If you think I'm going to kick the bucket so easily, I suggest you look at me more closely from now on, idiot. I'm not that easy to get rid of."

The next page has the ribbon criss cross over the top of the page. Vash and Wolfwood can be seen in their dancing position again, Wolfwood now resting a hand on Vash's shoulder, as Vash takes the lead. Vash continues, "Well, I know that... I tried." Wolfwood responds, "But you won't anymore... since you want me... around, yeah?" Wolfwood's head cocks to the side, smiling with assurance, cheeks flushed. Vash looks at him with a wide smile and fond, loving eyes. The confetti flows across the bottom of this page and as it eases into the next page, it starts to disappear.

Vash responds, ".. Yeah... I do..." as he pulls Wolfwood into a hug again. Wolfwood says, "Not going to run away anymore, are you?" Vash says, "No... I trust you." A panel shows Wolfwood's turning away slightly with a shy expression, muttering "Geez..."

In a more simplified style, Wolfwood is seen gripping Vash's cheeks now with his hand, "Though... You do remember you avoided me for two weeks straight, right? How are you going to make that up to me?" Wolfwood asks. Vash responds with eyes closed and a pucker of his lips. A vein of irritation appears on Wolfwood's face. Wolfwood starts to squeeze at Vash's cheek with both hands, shouting, "Now that you've recovered, you're trying to be funny, huh?!" Vash says through the squished cheeks, "I'm just happy..."

The next page opens with a closed up panel of Vash's widen eye as Wolfwood's hand moves from squishing his cheeks to gently holding them and Wolfwood leans in. The inner thoughts starts again, "There's a chance I'm not making the right choice... My dreams, my fears of losing you, it will never go away. But you said you won't let it happen... And I want to hang onto your words closely this time. After all, if it's anyone who can make me believe, it's you." The white ribbon from previous pages flows across the page and it visibly ends at the bottom of the page, enclosing the two of them as they share a gentle kiss with Vash holding Wolfwood's face, a tear in his eye.

The next pages starts with Wolfwood saying, "You cryin' again?" Vash responds, "I'm just grateful..." Wolfwood responds, "But you've always had me." Vash responds, "Being like this is different from staring at you from behind all the time though..." The two can be seen together again, Wolfwood pressing his elbows against the table with Vash leaning over him. Wolfwood is easing the tears out of Vash's eye again, just like earlier. A close panel of Vash's fond expression is seen as he says, "Thank you, Wolfwood." Wolfwood looks up at him with a small smile, gentle eyes. Confetti starts to flow lightly across the page as text starts to appear against the white background, "I'm the one who's grateful...

That you'd embrace someone like me, when I'm not fit to hold you in the first place... But I know better than to hesitate. The moment I acknowledged it, I knew I'd spend the rest of my life loving you. So, have as much of me as you want, Vash."

The final page shows the confetti gently falling down the page and at the bottom shows Vash and Wolfwood pressing their foreheads together, Wolfwood's hands cupping the side of Vash's face gently, and both of them smiling brightly with each other. ID END]

#vashwood #trigun #trigun maximum #vash the stampede #nicholas d wolfwood #its done.... after 2 months.... collapses on the ground #theres a lot of things i would prob change about this but. its so sappy that it makes me a little happy where it ended up #they deserve a little sap too!!! and in the end this is the closest they could get to a first confession #through want! want in each other's life and company since they both have this strained relationship with keeping people permanent in their #lives... and the people or things that are tied to them in the long term tend to be something that harms them.#and as the saying goes -- good things never last! and im sure they prob gave up trying to find a good thing for a long time #vash managed to be found after the moon accident and got his good thing for a bit but even he prob knew itd come to an end eventually #ironically it was wolfwood that ended it. but he really just planted smth new for vash... and now they have some security #or at least vash does. or at least just for this one moment #a moment of bliss and feeling like they are deserving of love is so Fluctuating for vashwood #and ultimately i think wolfwood could only push onwards to initiate because he sensed there was smth vash wanted. and its just #naturally in wolfwood to give to those that he love #but anyway anyway.... i like to think in a sweet universe -- they had the chance to confess like this and got a little bit of time to #enjoy and share their company in this manner. to be a little less restrained and love each other freely #ruporas art

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