I never considered smokeyeyes before discovering your blog...now I can't stop considering it and how amazing it is
*slaps roof of the Gertude Agnes ship*: This bad boy fit so many dynamics inside!
They are old ladies! Only one of them looks like one! They kiled multiple people Agnes called Gertrude her anchor!!
Also, consider that Agnes knows Gertude way before she become what Sasha called a stone cold bitch- she was just a human
there is so much in this ship!!
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Get ready because it’s time for girl-dad!Simon Riley part 2.
We all know that Simon’s daughter would have him wrapped around her little finger. So, of course he’s going to spoil her with his military salary. She is never unreasonable about it but when she really wants something all she has to do is bat her tiny little eyelashes at him and it’s game over.
She has a wealth of Barbies, sparkly dresses, pink t-shirts with skulls on them and light up sketchers. Her favourite doll (much to your amusement) was a soldier action figure she had begged Simon to buy. “It’s just like you daddy!” She had squealed, little pigtails bouncing as she dragged him to see what she had found. 5 minutes later they had left the store GI Joe in hand, and Simon, with watery eyes (not that he would admit it).
When he is away on deployment it is the one thing she takes everywhere. She had very quickly been unable to fall asleep without it.
When Simon finally gets back he wants to spend as much time with his little girl as possible. You can’t count how many times you had opened the front door to find Simon’s huge frame hunched up on a tiny chair in your daughter’s room. His eyes were always warm and his scarred mouth set in a soft smile as he pretended to take sips of tea from the teensy pink teacup she had handed him. The sight of him there, messy blond hair filled with glittery butterfly clips, while being bossed around by a girl 1/10th his size never failed to be amusing.
And oh boy would his daughter boss him around. When they play dolls Simon is under a strict set of rules. One of which being that if he was going to play Barbies with her then he HAS to use his girl voice. Between his naturally deep timbre and his accent it is a bit of a strangled impression. But he gives it his all every time.
The idea of this big, scarred, war-hardened man being soft and gentle with his daughter has me down HORRENDOUS. I need to lie down—
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There’ve been a few responses to/reblogs with tags on my post about DIY clothing embellishments that basically boil down to ‘I’d love to do this but I’m scared it’ll turn out bad/I’m not a good enough artist’. And I get it, I really do! I also want my art things to turn out nicely. But also...making it badly is sort of the point of punk DIY.
Listen. We live in a world that would dearly love to charge you a subscription fee for breathing. The bastards are doing everything they possibly can to figure out how to turn art - stories, visual art, music, textile/fibre art, sculpture, crafts and creations of every kind - into a neat, discrete, packageable commodity, a product they can chop up into little pieces and stick behind a paywall so they can charge you for every drop of it you want to have in your life.
The whole sneering idea that ‘everybody wants to be some kind of creator now’ and anything less than absolute mastery right out the gate is somehow shameful and embarrassing is a tool those bastards are using. It’s a way to reinforce the idea that only a set group of people can create and control art, and everybody else has to buy it.
But art isn’t a product. Art is a fundamental human impulse. Nobody is entitled to a specific piece of art (which is where this message gets skewed into pitting people who love art against the artists who make it, while the bastards screw us all and run away with the money). But making art belongs to everybody. We make up songs and dances and stories, and paint things, and make clothes, and embellish them, and carve flowers into our furniture and our lintels and our doorframes, and make windows out of tiny pieces of coloured glass, and decorate our homes and our bodies and our lives with things we make and make up, simply for the love of beauty and of the act of creation. Grave goods from tens of thousands of years ago show that ancient hominids gave their dead wreaths of ceramic flowers, tattooed their bodies, beaded their shoes. Making things for the sake of beauty and enjoyment is one of the most ancient and human things we can do.
The idea that we can’t, that we have to buy shit instead, because art is a product and you have to have the bestest prettiest most perfect product, is the enemy of joy. It’s the death of culture. And it means that, instead of whatever it is that you cherish and enjoy and value, you get whatever inoffensive (and to whom is it inoffensive?) bland meaningless samey-samey crap that the bastards want you to be allowed to have. What are you missing and what are you missing out on, if you don’t make or modify or decorate anything for yourself, if you don’t think you can because the product at the end won’t be polished or perfect or marketable enough? What do you lose? What do we lose?
It is a desperately vital and necessary thing for you to make shit. For you to know that you can make shit, that you don’t have to just lie back and take whatever pablum the bastards want to force-feed you (and charge you through the nose for). That the bastards need you more than you need them.
Become ungovernable. Be your own weirdly-endearing punk little freak. Paint on a t-shirt. Sing off-key in the shower or at karaoke night or at open mic night. Make up a story where you get to meet your favourite fictional character and you guys hug or fuck or punch each other in the face. Make art. Do it badly. Do it frequently. Do it enthusiastically. Do it for love and joy and creativity and fun and the spiteful joy of thumbing your nose at some smug motherfucker with a Swiss bank account who wants to track your heartbeat and location for the rest of your life in order to automatically pump AI-generated beats matched to your mood into your earbuds for a small monthly subscription fee of $24.99/month. It is literally the only way we are ever going to have even a chance to save art and our own lives from the bastards.
So. Paint that t-shirt.
(Also support artists where you can, and buy your music from Bandcamp.)
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Thinking about Peter's absolute cry of anguish after the final boss battle when he finds Harry unresponsive. Thinking about how all he can say is I'm sorry. Thinking about the fact that in Peter's head it was him at May's side sobbing I'm sorry. Thinking about how "with great power comes great responsibility" can never be separated from the guilt Peter feels. Thinking about how that guilt extends to May. How it extends to Ben. How it cripples Peter so much that he tells Miles that he can't do this again. Thinking about Peter's voice as he'd begged Harry to fight - pleaded with him to not make him do this. Thinking about how when consumed with the symbiote Peter had screeched out I'm the hero, I don't get saved! Thinking about how that's not just pride, how that's not just responsibility, how it's guilt. How it's always been Peter and the weight of the world, the life of his loved ones, and their blood on his hands. And now it's Harry's and Peter just breaks. Always the hero, he's done the right thing, but this time it's the last straw. His best friend. The last sacrifice Peter Parker can take...
...and it's then... that Miles saves him.
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