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yellow-faerie · 2 months

Note

Could you talk about one of those Doctor Who aus?

Hello! Thank you anon for the ask :) I have a few AUs that I'm currently rotating in my head but my favourite at the moment is the one I just call The Modern AU - it's official name is The Doctor Project but that's not what I call it. This took me a hot minute to write up because it is a lot.

(Also if you wanted to hear about any of my other AUs, I put some brief descriptions in the tags :D)

The basic premise is that the Doctors are all human and a team that worked together for their variety of expertise during the early 2000s to repel an alien invasion and the effect it has on each of them and their general lives. Also the Tardis is there as the only sensible one of the lot.

Some doctors do have more story fleshed out than others, mostly due to the fact that I'm still quite new to a lot of the eu stuff like Big Finish and the books and certain Doctors I would feel better about having engaged with some more of it before getting some proper stories fledged out (mostly because I hope it will give me some more inspiration lol)

I'll put some more general outline below the cut for anyone interested :)

[Warnings: mentions of abuse, discussions of war and the aftermath, complicated relationships to disability, implied torture ]

First Doctor

So the First Doctor is the oldest of the bunch, a retired surgeon and medical doctor (he used to work at Royal Hope Hospital) who was brought into the Doctor project for his research into medicine.

He spent most of the War in London due to his old age making it difficult to run around cities infested with alien invaders but he does get sent out periodically (mostly when one of the others gets too injured to be moved from their current location which happens a few times).

He had a daughter, Gillian, when he was quite young but he and his wife split up, and his daughter spent most of her time with her mother instead. However, he was the one to gain custody of his daughter's daughter (Susan) when Gillian died as his ex-wife had also died.

When the Doctor was conscripted, Susan was about 15 and stayed with their neighbour Steven over the course of the war, and Vicki and Dodo, two girls he fostered as well while their parents were off fighting.

Due to the secure nature of the work that the Doctor Project was doing, she and her grandfather only exchanged a few letters over the course of each year, and they were always heavily edited, and she found herself finding a lot of the emotional support she was lacking from her two teachers at Cole Hill, Barbara and Ian.

When she left Cole Hill Sixth Form, a year before the war ended, she moved back into her grandfather's house but kept in contact with Barbara and Ian who helped her with finding a job and advice on living alone, etc. This would break GDPR and a host of other protection laws these days but it's the middle of an alien invasion, let's pretend that doesn't exist. They didn't know the Doctor at all until after the war when he returns and it's a bit weird for everyone.

Especially since Ian is completely furious at him for leaving his granddaughter alone, mostly because people meet Susan and get the immediate urge to protect her; they do mostly get over that particular hurdle though as more comes out about how the war ended, although the Doctor doesn't help matters much by being his usual grouchy self.

His usual grouchy self made worse by the fact that everything has changed a lot since he had left home. Susan is in training to be a nurse and has these faux-parental figures she trusts so implicitly, and is decidedly more wary around him; he has also been fundamentally changed by living four years in various bunkers while working against an invisible clock to defeat a foe more technologically advanced that they are.

Eventually things do settle down: Ian and the Doctor apologise to each other, Susan and the Doctor have enough heart-to-hearts that it clears the air between them, that sort of thing.

There's not a whole lot of plot to any of the First Doctor's stuff but the vibes and the setting are pretty much in place.

Second Doctor

The second doctor is probably about forty when he's conscripted and he was a physics lecturer at St. Andrews university, specialising in sound and acoustics and waves, that sort of thing. He invented several new versions of sound systems which is what got him noticed for the Project.

St. Andrews is where he meets Jamie, actually, who was working as a guard; they bonded over a mutual love of music, Jamie in particular on the bagpipes, and then over other mutual interests.

I'm imagining they got married before the war (as this is an alternate history anyway, I'm making gay marriage legal earlier because no-one can stop me) when Jamie went on to fight in the army and the Doctor got conscripted into the project. Both of them being in different deployments so regularly meant letter writing was even more difficult.

After the war, the Doctor gives up the whole lecturing thing, as the project had left him with a bad taste in his mouth over the work he had been doing. Instead, he takes his knowledge of music and goes into conducting an orchestra, as well as giving music lessons on the side.

In like...any instrument; he's not even very good at playing a lot of them but he has the technical know-how to make someone else very good at playing them, if they can get past his eccentricities.

Zoe is the first violin in the orchestra who he gives personal tutoring too in a vague attempt to get her to put some feeling into her music. She's technically very brilliant and knows her way around most string instruments with almost military precision, but she was taught in a very wooden way and the Doctor is attempting to bring that out of her.

Victoria, on the other hand, takes piano lessons from him except she's around like four times a week and barely ever actually plays the piano and they always give her supper because her home life is...not the greatest. Her father's very absent and her mother's dead. It's all a bit iffy.

Eventually, Jamie probably calls Social Services who are overstretched in the aftermath of the war as it is, but she manages to find herself to a very nice foster family (the Harris') who make sure she keeps having her piano lessons. Although they continue not to really be piano lessons.

[I feel that I should put a note on Ben and Polly here; they are sort of known to both One and Two as Polly is Barbara's niece (and quite close to her aunt) and Ben is Two's half brother (but not that close all things considered) - they are the sort of people who come around for birthdays and Christmas and the one off weekend, and give you very thoughtful advice and presents, but that's sort of the limit of your relationship with them.]

Third Doctor

The Third Doctor studied chemistry at university, trying out multiple different branches, and had managed to get noticed for a variety of things such as creating a few new medications, discovering the compounds of some rarer chemicals, that sort of thing (I will admit, I don't know what makes a chemist famous).

Sarah Jane is his younger sister by about twenty years: when she was younger, she had a bit of a hero worship of him going on but nowadays she's much more sensible.

He worked at Cambridge with Liz before the war, and a lot of the breakthroughs they made together; they (and by they I mean the Doctor has while Liz is facepalming in the background) have a bitter rivalry with the Oxford researcher Emil Masters (the Delgado Master).

They are married but they keep that out of their professional rivalries.

After the war, however, the Doctor stays with UNIT. He's the only one of the doctors to do this and it's mostly because he doesn't trust that unit won't make terrible decisions with the research the Doctor Project produced, so he stays as a Scientific Advisor and pokes his nose into everyone's business to keep his conscience clean.

Jo is his assistant as per canon, only now she is being invited around for supper four times a week at his house and is probably inheriting everything that both the Master and the Doctor own when they eventually die.

They turn up to her wedding to Cliff when her parents don't.

Once again, this is incredibly vibes based rather than very much plot; there's probably going to be something to do with Jo falling out with her family, but that's about as far as I got with it. It's mostly fluff at this point lol.

[Also a note about the incarnations of the Master: while the doctors aren't actually related, the incarnations of the Master are because I find that entertaining, and also there are less of them]

Fourth Doctor

The Fourth Doctor is an environmental activist before the war! He got a PhD in ecology and then proceeded to throw away a promising career in academia (his parents' words) to gallivant around the planet doomsday prophesying.

What he's actually doing is blackmailing people into implementing climate saving machines, etc. so that he isn't Doomsday prophesying; he actually meets Sarah doing this because they both get thrown in prison for getting nosy around a nuclear power plant and thus is the start of a beautiful friendship/relationship, it's really unclear to everyone else.

He has two sisters; Winifred (although everyone calls her Fred) who is Romana I, and Romana who is Romana II. Romana turns 18 just before the war and Fred turns 25 around the same time, while the Doctor is 30ish.

Romana immediately joins MI6 (she had always wanted to be in the secret service) and the Doctor gets roped into the Doctor project, which means that when Fred dies during the war, neither of them get informed for months due to the lack of proper communication channels.

This is something they both feel very guilty about, especially considering the fact that they have two nephews who got immediately lost in the overworked system without any other relative around who could look after them.

Anyway, also during the war, the Doctor gets captured by the aliens, and held for a good few months; he barely ever acknowledges that this ever happened to anyone, even when he is literally hospitalised after rescue. He just...pretends that everything is fine and dandy actually.

His doctor is actually Harry who then gets roped into the whole Very Secret Doctor Project thing for like a month until the Doctor was determined to no longer need constant observation etc and then he's just sent back to his ship.

However, Harry has better communication with home than the Doctor, and also shore leave, so he's sent to basically tell Sarah Jane that the Doctor is alive and alright - they immediately hit it off and so after the war, Harry and she hang out a lot until he's also living in the house with her, the Doctor and their gaggle of foster children (their are a lot of orphans after the war and so the three of them foster).

The actual content of their relationship is debateable - they could be a throuple, it could be that two of them are a couple and the other is third wheeling like a boss, it could be that none of them are romantically involved at all - but they do care for each other a lot.

Also the children are Luke and Sky from SJA and Leela, who's probably about 16. They have a dog, too, called K9 because the Doctor has called every dog he has ever owned since he wasa child K9, and just added a MK on the end; currently they're on Mk IV.

After the war, they just sort of settle back into what they were doing before; Sarah Jane writes for her newspapers and magazines, Harry takes up a civilian doctor's position again at New Hope and the Doctor returns to blackmailing people into Doing Better, only none of them are all that alright after the war and hiding it affects how well they are with other people.

There are some arguments had, mostly with the Doctor and Sarah Jane as Harry is much more mild mannered - with each other, with various siblings, with annoying work colleagues - until they at least admit that something is wrong, and then they go from there.

Fifth Doctor

The Fifth Doctor is the computer guy. He studied computer science at university and as well as developing quite a lot of high level software, he also developed cheaper hardware storage stuff.

With a lack of people I wanted to make him related to, I made him a Cranleigh - I think this was so he could go to boarding school and hate literally everything about it apart from cricket. His notes say that he cuts most communication with his family after going to university so they're not that important to the story.

During the war, he gets caught under a collapsing building at one point which causes nerve damage to his spine which affects the communication between his legs and his brain, periodically causing the connection to short out and his legs to collapse; the collapsed building also means that he can get quite a lot of pain in his legs, and should really be using crutches (only he forgets to bring them with him a lot).

Before the war, he works for some sort of big tech company who fund a lot of his research but after the war he doesn't particularly want to do research any more - nor work for a big tech company - and goes on to lead the IT department at Royal Hope. Which consists of Turlough (who is there because he needs a job after school and he heard that IT jobs were really easy actually) and possibly a few other characters (I've heard of some that exist in audio format, so when I get there, I may edit this).

He also fosters two kids in the aftermath of the war: Adric, who's mother was Fred and who's older brother died in the time that they were lost in the foster system, and Nyssa, who's father Tremas Masters (the Ainley Master) got imprisoned for murdering both of his wives and very sweetly asked his old university roommate if he might very kindly look after her for him.

Tegan is Nyssa's girlfriend and is subsequently always around at their house, to the point that the Doctor just gave her a key and makes supper expecting that she'll be there.

As for Peri, she and the Doctor meet at the local garden centre, and now she comes around to help look after his garden because her apartment is too small for a proper one (she and Six keep saying that they're saving up for an actual house but that might be a commitment too far).

There are the inklings of an actual plot idea I had here? In my head, somehow the Master escapes prison and intends on escaping the country with his daughter, only the Doctor is like no??? You can't do that to Nyssa??? And someone gets hospitalised.

[A note about Royal Hope, and also Cole Hill, and other reoccurring places: occasionally, the characters coincidentally working at these places is an actual coincidence, but the rest of the time it's because the Tardis has a lot of sway with people and she is always pushing the doctors and their friends to work in similar places so that they actually talk to each other again.

Or something like that. Honestly it's just plot contrivance because I like putting them in the same working environment, it makes it easier for me]

Sixth Doctor

The Sixth Doctor studies law and philosophy, being a lawyer both before and after the war. He's a really good one too, just really obnoxious.

I don't have a lot for the Sixth Doctor yet because I know he has a few audios that I want to listen to for some ideas, but I am very fond of the two seasons we got of him so here's what I have:

Peri meets the Doctor because he represents her in court when she's fighting her stepfather over something; after the court case (which they win) they go out for a few dates, and even though he's obnoxious and incredibly big-headed, he's also weirdly sweet and gentlemanly and so they get together officially.

Then the war starts and the idle talk they had of getting married/getting a house gets pushed aside while the Doctor joins the project and Peri helps with farm work by using her botany to develop crop something or other.

The war really did affect the Doctor. When he was younger, he suffered from Bipolar Depression but got it under control with medication and therapy, but the war and it's aftermath dragged that out of the depths which definitely put an extra strain on his and Peri's relationship.

When it's really bad, he did try to strangle her (like in the show) which did cause her to leave; but she does come back eventually, after the Doctor calls to apologise, and he does get it back under control.

At some points, it's really not the healthiest relationship, but it doesn't stay like that forever; it's something I really want to get into with my writing and I have the outlines of a fic over the period that he and Peri spend sort of separated.

On a lighter note, some of the other characters of the era! The Master keeps appearing on his doorstep after escaping prison looking for help and the Doctor keeps refusing to give it because he did try to kill Five; he once is a prosecutor against the Rani for unethical experimentation and she straight up sends a hit out against him; the Valeyard is his coworker who hates the Doctor a lot more than the Doctor hates him; and Mel is straight up just his personal trainer at the gym who got WAY too invested in his life.

Seventh Doctor

The seventh doctor is a high level tactician for the MOD before the war, and is actually one of the ones to help collect the other doctors together. He actually continues to do his MOD job while doing the Doctor Project which means he's the only doctor to really have a good understanding of what's happening around the world in real time.

However, he doesn't really have anyone to write home about. He grew up in foster care and it took a lot of effort to get to where he was at the outbreak of war, and so he didn't exactly have that many friends about.

The exception to that is Mel who he grew up with in part and so he does send her the odd letter.

After the war, he gets made redundant by the MOD and goes on to become a PE teacher at Cole Hill; he always dresses like he might be lecturing on politics or history, and stands on the sidelines while watching the students. Or he actually lectures on history or politics; honestly the amount of PE that's done is reliant on the mood.

He also ends up living with Ace; officially, she's his foster daughter, but she's so fiercely independent that she insists that they're roommates and he was willing to accept that.

I wish I did have more for him but I'm hoping that as I get through the Audios and books and such like, I'll get a better understanding of his era and the characters around it to make something a bit more developed.

Eighth Doctor

I'm only eight or so audios into this doctor's travels with Charley, and I have yet to read the Eighth Doctor Adventures (although I am looking to) so this isn't at all a complete section.

The Doctor is an expert in psychiatry and neuroscience, specifically in memory, mostly due to his own issues with memory throughout his childhood.

I'm still debating what the actual cause of the memory issues are, but I'm thinking that it might be because he had epilepsy as a child that was believed to have gone as he grew into adolescence but returned due to one (or multiple) head injuries during the war. I know there are certain types of epilepsy that can really affect the memory.

Either way, the Doctor also seems to be a bit of a romantic and very easily swept up in someone else's life; I see him, before the war, having a disastrous marriage to Grace Holloway which breaks down over four years of not seeing each other and ends in divorce as Grace returns to the states.

After the war, I think that he rents out the rooms in his house which is how he meets Charley, but that's about as far as I can really go with other relationships in his life because I haven't seen anything else of his stuff.

Ninth Doctor

The Ninth Doctor is an expert in mechanical engineering and is the one who does the main body of creating the Moment (the thing that takes out the alien invader's mothership).

He is the son of the War Doctor who's the General who Seven went to with his idea of creating a project to end the war, and the one who officially leads them. He mostly raised the Doctor single-handedly but was not exactly the most caring man in the universe.

The Doctor has a lot of very complicated feelings about his father which don't really get resolved because he (the War Doctor) sacrifices himself to set off the Moment.

Anyway, the Doctor never really wanted to get into Academics and become some sort of fantastic mechanical engineer but his father really pushed it (especially when it became clear the Doctor would never join the army); so after the war, he becomes a sort of freelance mechanic and works with Mickey.

Which is where he meets Rose. Rose often comes to visit Mickey at the end of his shifts because they're friends and live close together, and so she and the Doctor meet regularly there until they are both like...want to go travelling?

Rose was 19 when the war started, and runs the Bad Wolf magazine which she basically created at the beginning as a sort fo morale booster and also because she didn't like how the newspapers were reporting and wanted to make something that wasn't filtered through a hundred government filters; Sarah Jane actually writes for it during the war and on occasion afterwards, and is quite a good friend of Rose's for all that they don't see each other face-to-face all that often.

Still, after the war, sales of Bad Wolf kinda drops off a bit but Rose really loves the magazine and so wants to try something different: she wants to travel so she can see the world, and show people how people are rebuilding and getting their lives back in the aftermath (and help out where she can). She tells the Doctor this and then he offers her his van, and they start travelling together.

They live out the back of his van for years and they're quite happy to do it; they get married in Paris, periodically come back to visit Jackie (who is naturally rather displeased about this life choice they've made - although it's fine because they paid for her to come to Paris for the wedding), and just generally having a good time. They're like van lifers except not obnoxious about it, and when they eventually have Mia, they move back to the UK somewhat permanently (they still travel on holidays) so that she is living somewhere steady and permanent in her upbringing.

We also can't forget about Jack - he was a pilot during the war who also wrote for Bad Wolf, usually entertaining and slightly flirty pieces, and after the war, Rose and the Doctor invited him to travel with them after a few years. When they settle down in London, he moves to Cardiff for a bit on a 'journey of self discovery' where he meets the various Torchwood team (I have to admit I haven't got around to watching Torchwood yet).

He is Mia's godfather (so is Mickey, and Shareen is her godmother) and he dotes on her like no-one's business.

Tenth Doctor

The Tenth Doctor is an expert in anthropology and archaeology. He's Donna's little brother although there isn't much of an age difference between the two of them.

Of all the doctors, he's probably the one I've had the hardest time with.

I know he has a wife who died during the war (I'm thinking that this might be Astrid, for lack of someone better), and that Donna's boyfriend Lee died during the war as well - a lot of people did, during bombings and attacks and that sort of thing - and that with his wife he had a daughter (Jenny) (although I'm also playing around with the idea that he also had a younger daughter, that being Sally - as in Sally from Blink).

In the aftermath of the war, then, he and Donna move in together to help each other out, and eventually their mother and grandfather join them as old age arrives.

Donna meets Shawn in the aftermath and they get on well, and have a very healthy relationship and marriage. On the other hand, we have the Doctor who has the worst situationship ever with Martha.

In the aftermath of his wife's death, he meets Martha who got her medical licence during the war and has been working at Royal Hope since then, and I know that they probably hook up a few times in what is absolutely not recommended.

This is where I get a bit stuck on how things develop from here. I've been getting fonder and fonder of Tenmartha as I think on it more (although Martha does not deserve him) but I do quite like the idea of the two of them coming out of trying to force a relationship and being like...oh we're much better and healthier as friends.

Also, although that epilogue for them came out of nowhere, I do think that Mickey and Martha have a lot of potential as a couple.

There's a lot more I would like to develop here but I shall see what happens as I start writing some more of this.

Eleventh Doctor

The Eleventh Doctor was chosen for his mathematical skill. He's also the youngest of all of them, having just finished his PhD at age 20 as the war broke out.

He's the adopted son of Brian, so Rory's younger brother by a few years, and used to follow him and Amy around like a duckling that had imprinted on the closest moving thing. He did end up going to university quite young (honestly like most of the rest of the doctors) and it's there that he met Strax, Vastra and Jenny who took him under their wing as they were older students.

The war happens before he can really start a job and after the war, he struggles for a bit to find his place, but eventually ends up working with his old university friends in the Paternoster Detective Agency.

Amy and Rory get married after the war - Rory is a nurse at Royal Hope, which he was training for before the war, and Amy is a painter. She always intended on being a model or something like a fashion reporter, but during the war she found painting brought her (and others) the joy that could sometimes be very lacking in such a desperate time.

Her favourite artist is Vincent van Gogh.

They have Melody, although her birth is rife with complications, and so they decide to settle very happily with just the one daughter. She is doted on so completely by everyone, especially her uncle; there's a period when she's like four or five when she is convinced that the Doctor is a secret agent of some sort and gets really into all the spy sort of things.

She makes him play dress up with her and she calls herself River Song because it sounds cool and secret-agenty and the Doctor is her quirky sidekick.

[I debated with putting River Song in as a separate character but I wasn't quite sure what I would do with her? There's potential there for an AU of sorts where she is there, but I unfortunately never quite vibed fully enough with River for her to be a major player in the Main AU]

He lives with the Ponds for a bit after the war, and then moves in with Craig, but when Craig moves out with Sophie, he mopes about it and moves back in with the Ponds.

It's around this time that he meets Clara; she's an English teacher at Cole Hill and her mother went missing nearly five years ago. After trying to get the police to do anything at all, and then saving up the money, she hires the Paternoster gang to find out what happened.

What actually happened is still a bit of a mystery, but she definitely isn't still alive, which the Doctor is the one to tell her the news.

I don't think I'm going to do anything romantic with them but I do think they're quite cute together, so I might dabble. But also I quite like the Doctor being aro and I can see him just living with the Ponds and never leaving.

Twelfth Doctor

The Twelfth Doctor is an astrophysicist. He's spent a lot of his life developing telescopes and astral bodies, but after the war, he mostly just lectures. He's such a longstanding part of St Luke's university that they probably couldn't fire him for anything short of murder.

He's married to Missy quite young, actually, although they never had children; she has spent like half of their marriage in prison though, and now spends most of her time hanging around the Doctor's office being annoying to all his students.

During the war, he did get blinded. It's something he has a complicated relationship with, and does not like it when people mention it around him. He uses a cane when he moves around and wears sunglasses because it hides that his eyes aren't necessarily looking at the person he's talking to.

Again, he has a complicated relationship with it.

Nardole is his teaching assistant, only he's massively overbearing about every aspect of the Doctor's life (only he just manages to be endearing enough that the Doctor doesn't just fire him on the spot).

Bill is, like in canon, someone the Doctor tutors, only now instead of getting to see the galaxy, she has he, Missy and Nardole giving her wildly different yet equally terrible dating advice, which somehow works to get her with Heather.

As for Clara, I genuinely don't know what to do with her; she's such a big part of the Twelfth Doctor's story that I do really want to have her be an important character, but I don't know how. If anyone has any ideas, I'd love to hear them!

Thirteenth Doctor

The Thirteenth Doctor is an expert in microbiology. She's a government researcher into disease for the few years before the war, but after the war, she becomes an A&E nurse. She found that she preferred chaos and wanted something that was less science based but still within her interests.

She's fostered by Graham as a child, which is how she knows him, and subsequently how she comes to know Ryan and Grace, when Graham meets them. Her mother was Tecteun who she was taken away from when she was twelve due to the fact that Tecteun was a piece of shit (as in canon).

She wrote a lot to all of them during the war; out of all the Doctors, she probably spent the most writing letters (apart from maybe Six who wrote to Peri...so much, he spent so much time agonising over writing letters to her).

She knew Yaz from school and they both moved to London after the war - they met up again when they both returned from the war, and they decided that a change of scenery from the place they grew up might do them good.

London was one of the main targets during the war so there was a lot of practical work and training to do in both the police force and in nursing (which is what the Doctor wants to go into); they stay in shared accomodation and volunteer to help with the rebuilding effort in some of their free time.

When the rebuilding is mostly finished and everything has started to even out again, they stay in London; the Doctor has a job at Royal Hope and Yaz has found her footing in the local police force. They visit Sheffield a lot though, and invite Ryan to stay with them a lot, so he can get away from all the Old People.

Fourteenth Doctor

The Fourteenth Doctor technically doesn't exist. The Doylist reasoning for this is because there was far too little that separated the Fourteenth Doctor out to make him his own character in a modern AU; the Watsonian is because there was meant to be a Fourteenth member of the Doctor Project but he died in transit to the first meeting. Out of respect, the rest skip over the number that was meant to be his.

I've played around with the idea that the Fourteenth and the Tenth Doctor were siblings/related/possibly twins but I think this might be more of an AU sort of thing.

Fifteenth Doctor

Obviously we haven't had the Fifteenth Doctor's actual first season yet or much of anything for him (very excited for it though) so this is very much a work in progress - I'll make more decisions about his story after the season has come out and I've watched it; from vibes alone though, I think he'd be possibly an expert in sociology, and after the war he would own a club or something similar, where Ruby would get herself a job.

Notes and Stuff

Congratulations for getting this far lol! This AU is very precious to me and gets bigger every time I watch a new episode/listen to a new drama/rewatch/relisten/etc.

There are a few general things I'd probably note: all the Doctors have like...actual names (mostly John or a variation there of) but I refer to them all as the Doctor because that's what rolls off the tongue more easily.

Another thing is Idris/the Tardis - on one hand, the original idea was that she would die and her funeral would be the thing to get the Doctors back together so to say, but the more I think about it, the more I would like her to live.

I'm planning on writing some fic for this AU and posting it to AO3 - there's a Sixperi fic I really want to write, and I'm a sucker for some family fluff with various Doctors - and I might draw some stuff, so stick around if you're interested :)

I've only been really into Doctor who for four or five months, and with such an expansive EU (and frankly, such a lot of main content), there's a lot I don't know (although I very much intend to know it one day). If you got this far, I would honestly love to hear your general thoughts and ideas on the AU, a lot of the Eleventh Doctor stuff I worked out was developed from conversation I had with a friend!

Anyway, thank you for getting this far! And thank you for the ask to let me ramble, it took me a while to get all the rambling together but now I've finished, I'm really pleased I got here.

#Doctor Who #First Doctor #Second Doctor #Third Doctor #Fourth Doctor #Fifth Doctor #Sixth Doctor #Seventh Doctor #Eighth Doctor #Ninth Doctor #Tenth Doctor #Eleventh Doctor #Twelfth Doctor #Thirteenth Doctor #Fourteenth Doctor #Fifteenth Doctor #Doctor Who Modern AU #Time Petals #Sixperi #Thoschei #also if you are interested in hearing about any of my other AUs #I can elaborate on those too #I have a Bad Wolf sort of fic where Rose ends up travelling with each of the Doctors in turn #(because I'm a Rose girlie at heart)#I also had an idea for an Eleventh Doctor fic where he actually did come back when Amy was still seven #And another where Mel is a Time Anomaly (don't ask me where that idea came from lol)#Also one where Romana stays with the Doctor and the two of them spend the rest of eternity giving the Time Lords the middle finger #I am about to listen to the first season of the Gallifrey audios but I just think Romana should get to hang out in the TARDIS being iconic #for the rest of time #I also have another modern AU where the Doctor is multiple people

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carolinanadeau · 2 months

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In Praise of Sally Ann Howes

As I've made it one of the purposes of my blog to share photos and songs and general positivity about the wonderful English actress Sally Ann Howes, I thought I'd make a post to talk in much more detail about all the great things about her and why I adore her so much!

This classy English beauty possessed a highly expressive face and eyes, an astonishingly powerful soprano, a great sense of humor, and the world's most charming laugh. One thing I cannot stop saying about Sally Ann is that she did not and does not get nearly enough credit and recognition for her immense talent and prolific career, and it's precisely for that reason that I'm here to do my part in giving it to her!

This overlong rambling post is a combination of biographical information and my personal fawning over her performances... whatever I felt I most wanted to put out there in the world and what I'd like people less familiar with her to know.

Click on Keep Reading and I'll take you on a journey!

As she preferred to work on the stage and didn't really pursue a film career, the catalog of Sally Ann's work that can still be viewed today is unfortunately small - though you can find almost all of her early films on the internet if you look hard! In her early film days, mostly made before she was able to pursue her true passion of musical theatre, her extraordinary singing talents weren't utilized by the producers at all.

However, we were fortunately blessed with exactly one musical film role from her, and it's an iconic one: the aptly-named role of Truly Scrumptious in Chitty Chitty Bang Bang (1968), the golden-haired, golden-hearted candy heiress who falls in love with and eventually marries Dick van Dyke's character Caractacus Potts after joining him and his children on a madcap adventure. She's a sweet, intelligent ingenue with hidden depths and one of my favorite sorts of character arcs - the uptight, lonely woman who becomes more and more warm and open as she discovers newfound freedom and joy in life and falls in love.

There is something about Sally Ann that just glows in every scene of Chitty, and it's not only that bright blonde hair! The way she widens her eyes sometimes, the way she raises her eyebrows, her gentle and soft presence in the happiest scenes, and the particular airy lilt she has to her speaking voice are all so distinctive and appealing, and I can't take my eyes off her. And her smile! When I say she glows it's barely even a metaphor, the woman just emits light.

(Funnily enough, I started to realize that many of the laudatory quotes I've found about her also refer to her in this way, like this quote from a 1965 TV Guide article, from playwright Sidney Kingsley: "She's luminous as an actress. I mean that literally. In Brigadoon she really lit up the stage.")

For me, I'm weak for any actress who can do the defrosted-ice-queen trope so incredibly well. Truly starts out as closed-off and prim, and nearly reverts to that state when she and Caractacus have a Big Misunderstanding near the end, but in the scenes where she's happy and carefree, the warmth just radiates off of her.

She also has the most adorable chemistry with Dick van Dyke in an annoyances-to-friends-to-lovers relationship that absolutely shaped my young brain. Whenever Sally Ann and Dick glance at each other, whether with irritation and frustration early in the film or with warmth and affection later on, their chemistry is obvious and natural, and there's so much expressed in each one of those glances. One has no difficulty believing that these characters are going to be very happily married.

(Here's a cute on-set interview where she talks about, among other things, how easily she and van Dyke clicked.)

While I acknowledge that the character of Caractacus Potts was absolutely originally planned to be an actual Englishman, Dick van Dyke played him with an American accent, and to me they will always be an adorable English-American couple. It's a whole part of the charm of this pairing to me!

Sally Ann also had a great relationship with child actors Adrian Hall and Heather Ripley who played Jeremy and Jemima Potts, and did her best to help make them more comfortable and happy during the many very long days on set. Having been a child film star herself, she knew a great deal about how difficult and alienating it could be. The genuine affection the three of them shared is obvious in their scenes together, especially in the extremely adorable "Truly Scrumptious" number, and it really makes the developing mother-child relationship between the characters so believable.

The beach scene, where so much of the relationship between Truly and Caractacus and the Potts children is developed, is incredibly cute and heartwarming, and a lot of that rides on Sally Ann's performance and how her previously prim-and-proper character shows herself to be warm and loving, once she (literally) lets her hair down. We've already seen how happy the Potts family is together; now we see how Truly fits in perfectly and makes them all even happier.

Look at her! Literally glowing!

(One thing I should mention: I think both the plot and the love story of CCBB are greatly improved if one just treats the "dream sequence" as real events, which was possibly the original intention anyway, so just note that is always the perspective I'm coming from here. It's the only way to make some things make sense and for the characters and their relationships to fully develop.)

"Lovely, Lonely Man" is Truly's big solo moment, and was probably the least comprehensible part of the movie to me as a kid (lol), but is now indisputably one of the very best parts to me as an adult. It's an exquisitely beautiful love song, especially the bridge, and I somehow love it more and more every time I rewatch it. Sally Ann's dreamy, graceful movements and the way the whole scene is shot make her look like a princess, and the slow build of the song is masterfully done. She has this distinctive crisp way of articulating her words while singing, especially the closing consonants like N and M, that I just love to listen to. The string section and the building countermelodies are so beautiful it makes me want to weep. Everyone involved in creating this scene and song deserved an award, I'm being so serious. While it's not the highest of soprano songs and doesn't fully show off Sally Ann's astonishing range, she shows an incredible amount of vocal control here through the many diminuendos and crescendos, and she's mesmerizing to watch and listen to. One of her "glowiest" scenes, for sure!

While I've seen people call this song irrelevant to the plot, I strongly disagree - the romance is part of the plot, of course, and while I didn't fully understand the meaning as a kid, this song establishes how much Truly's outlook on life and hopes for the future have already changed since meeting Caractacus, and how much happier she is with the poor Potts family than she's ever been in her life of luxury. Plus, now we know for certain that she's head over heels for Caractacus, but he doesn't know... increasing the dramatic irony of the pining and yearning to follow!

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In the reprise of "Hushabye Mountain", which was sung in a much earlier scene by Dick van Dyke alone, Caractacus loses the will to continue the song because he's overwhelmed with emotion thinking of his children being held captive. Truly comes in to aid him with the final verse - another pivotal moment in the developing romance - and Sally Ann's singing here is nothing short of breathtaking.

And of course, I can't neglect to mention the "Doll on a Music Box" number, where Sally Ann, who was not a trained dancer and in fact considered herself to be "appalling" at it, performs an incredibly precise, incredibly impressive clockwork song-and-dance number while on a spinning turntable! She practiced it so well that she managed to successfully complete the shot in a single take, prompting the stage full of extras to burst into applause.

This is another important character moment for Truly, though it's disguised in a diegetic performance: though it's another thing that went over my head as a child who only got to see the movie once, the lyrics about being trapped up on a music box and longing to be freed by love pretty clearly symbolize how trapped the real Truly's high-society life makes her feel, and how she yearns to break free from class restrictions and live happily-ever-after with Caractacus, as it's only with him and his family that she really feels free.

Then there's that incredibly warm romantic look that Truly and Caractacus share at the end of the song when she silently acknowledges the love confession he's just made while singing in counterpoint with her, though they're still in a dangerous situation and can't give themselves away by appearing too human and breaking their disguises... sadly this vital moment is cut off on all the Youtube videos of the scene I can find, because none of the people who clipped it understand that that's the whole point of it all, apparently. But here's a gif!

The character of Truly doesn't exist at all in the original (quite different) book by James Bond author Ian Fleming - surprising, I know, given her name! - and, honestly, the fact that Truly and the romantic subplot of this movie exist are why it had such a strong impact on me as a child, and very much why I fell in love with it again as an adult. Even though the score is wonderful anyway and the story is charming and magical, I can confidently say that I would not have become as completely enchanted or had such a strong desire to revisit it again and again if there'd been no Truly and no love story. The fact that Sally Ann's performance makes Truly so loveable is, obviously, a pretty crucial factor there.

Sally Ann's delivery of "Well, Mr. Potts... now you'll have to marry me!" after Caractacus kisses Truly... that slide from prim mock-outrage to the playful, warm, you-can-hear-the-smile-in her-voice conclusion is flawless. Not even exaggerating when I say that this was the moment that made me into a hopeless romantic as a 9-year-old child. Sure, this wasn't the first movie I'd seen where two people fall in love and live happily ever after, but I distinctly remember that this was the first romance story that had me in a giggling, kicking-my-feet, "I ship it so hard" state of mind. And after revisiting it as an adult for the first time last year, I have confirmed that yes, child me already had great taste in fictional romances!

Oh, I could say so much about the difference in her body language between the two scenes where Caractacus carries Truly out of her car that's become stuck in a pond. The first time, Truly is affronted and extremely embarrassed by the situation, holding herself so stiffly and awkwardly to avoid an accidental embrace that she causes him to nearly lose his balance and drop her. The second time, when they're in love and they know it, she snuggles right up into his arms without hesitation and it's the cutest thing ever. Sally Ann was 5'6" but looks so tiny in that scene!

(And that kiss! Maybe I'm getting off-topic here in terms of strictly focusing on Sally Ann's contributions, because Dick van Dyke deserves tons of credit for making this kiss so good... but wow, the kiss. Several times I have called it "the Most Kiss they could have gotten away with in a children's movie." Again, giggling, kicking my feet etc.)

While Truly's costumes and hairstyling are rarely historically accurate (the film is set around 1910), the stylized nature of her fashion is iconic and memorable in itself. Sally Ann also completely pulls off playing a fresh-faced ingenue who is 12+ years younger than her actual age - and I do wonder if the aging-down of Sally Ann is at least part of the reason why Truly wears her hair loose throughout most of the movie! Either way, it works perfectly and I was shocked when I first learned how much older she was than her character. (If you watch her in The Admirable Crichton, where she is also in Edwardian costume and was closer to Truly's actual age, she really doesn't look all that much different. If anything, I think she looks even more glowingly beautiful in Chitty!)

Also, as for Truly wearing her hair down... it may just have been an intentionally anachronistic stylistic choice, but in-story, I think it actually contributes to her character by showing a willingness to flout convention and pursue whatever will make her happy instead of what's expected of her, which happens to be a key theme of her character arc.

Another thing that led me to adore Sally Ann as a person as I learned more about her over the last year: in the 1960s, she appeared as a panelist in quite a few episodes of the game show To Tell the Truth (as well as a few episodes of Password), and these can be found on Youtube. I really adore how her personality shines through - she's unfailingly bubbly, witty, self-deprecating, and a bit quirky. Just listening to her speak is a delight and she has one of the best laughs I've ever heard. Here is one of my favorite little moments that I clipped.

By all accounts, she was a delightful person to know and work with, witty and clever, very professional, and very serious about her craft. She also always maintained a great affection for and pride in Chitty Chitty Bang Bang and her role as Truly, which is always a wonderful thing to know about an actor in a beloved role.

Another bonus: here is a super charming interview with her after a backstage disaster at What Makes Sammy Run? on Broadway.

She was also, along with Twiggy and Diahann Carroll (as Julia Baker), one of the first three celebrities to have her likeness made into a Barbie doll.

Two of her earlier films I recommend are the comedies Fools Rush In (1949) and The Admirable Crichton (1957), if you can find them (hint-hint, you can.) You may also be able to find the 1966 TV movie of her reprising her Tony-nominated role of Fiona in Brigadoon with Robert Goulet, and although I feel like the oddly close-up way the film was shot kinda does a disservice to the actors at times, it's still amazing to be able to see and hear her in a role she performed on Broadway.

Richard Rodgers once called Sally Ann "the greatest singer who ever sang on the American musical stage." Now, I don't quote this to claim this superlative as some kind of objective fact. If you know anything about me, I am very, very strongly opposed to pitting women against each other and all the Golden Age sopranos are absolute queens who deserve crowns, no matter how much mainstream success or present-day name-recognition they have/had. I just think it's phenomenal that she received such high praise from a man who worked with many of the best musical theatre singers who ever lived... and to think, many people today have never even heard her voice. Without her performance as Truly Scrumptious, it's possible almost nobody would in the future! I am so glad that Sally Ann's lasting legacy was ensured by such a beloved film role.

Sadly for us, many of the theatrical roles which she originated (and thus, for which cast albums featuring her exist) were in shows that either flopped quickly or at least did not enter the theatrical canon, so she never achieved the level of mainstream recognition she clearly deserves. But Sally Ann also played such legendary and challenging roles as Eliza Doolittle in My Fair Lady, Fiona MacLaren in Brigadoon (for which she received a Tony nomination), Maria Rainer von Trapp in The Sound of Music, Anna Leonowens in The King and I, and, much later, Desiree Armfeldt in A Little Night Music. She received great acclaim for all of these performances and, judging by what we know of her process on My Fair Lady, was excellent at making roles distinctly her own and never merely imitating another performer.

Even in her iconic original role of Truly Scrumptious, you don't get to hear the true full power of Sally Ann's extraordinary soprano. For that, I highly recommend listening to "Another Time, Another Place" from Kwamina (1961), and "Something to Live For" from What Makes Sammy Run? (1964). I'm always sad that we don't have any recordings of her in her "fiery" star turn as Eliza Doolittle in My Fair Lady, but you can at least hear her do a Cockney accent, be silly, and sing "With a Little Bit of Luck" with Bing Crosby here!

If it weren't for the enduring success of Chitty Chitty Bang Bang, few people might have even heard of Sally Ann Howes today, and that would be a terrible loss. I cannot overstate that I am so grateful that we all know who she is because she played this role and we get to see her give this radiant performance of a character that's all her own. Maybe this sounds strange, but I think the fact that this was Sally Ann's only musical film role (and the ONLY role most people will ever see her in) makes it even more precious, and makes everything she brings to the character that much more distinctive and unique and special.

Both for all of the talent and charm she brings to the role itself, and everything else that I and many other fans have been able to learn of so much of her otherwise-obscure work because of it, the world is incredibly lucky to have the lovely Sally Ann Howes immortalized as our Truly Scrumptious, and I wouldn't have it any other way 💖

#*mic drop*#sally ann howes #chitty chitty bang bang #and that's why you should vote for... wait there's no poll involved? I may have gotten carried away ;)#ok so I doubt anyone will even pay attention to this post but if you are going to tag or comment on this BE KIND AND POSITIVE ABOUT HER #like this is obviously a labor of love on my part here... don't be weird or backhanded. I don't need to hear how you disagree or whatever #and no pitting women against each other on my posts I am so serious #this is a fan post! this is a stan post! this is a celebration! do not derail!#I feel like I need to sprinkle holy water on this post before I release it out into the world #oh Sally Ann we're really in it now #also parts of this are poorly written I know. it's literally just an infodump about my Special Interest English Lady what do you expect lol #the switches between formal tone and informal fangirling are intentional btw #this is what I'm using my degree for apparently #I know I mixed in a lot of character/story analysis here and maybe that's slightly off-topic from lauding her performance but hey #it's not like I'm getting graded on this. and I mean you can see these things in her character BECAUSE of her performance #take my hand. love her with me. life could be a dream #you know the lyric in Hamilton - 'I wrote my way out'? that's what this was for me. I wrote my way out of a mental health crisis with this #when I came up with this idea I was going to save it for her birthday but that is sooo far away. so I'll post now and reblog it then!#I'm shocked tumblr can even handle whatever I'm trying to do here #I wouldn't have put SO many photos except that I needed to use multiples so I could make them smaller!!#my original post #long post

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