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carolinanadeau · 30 days

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In Praise of Sally Ann Howes

As I've made it one of the purposes of my blog to share photos and songs and general positivity about the wonderful English actress Sally Ann Howes, I thought I'd make a post to talk in much more detail about all the great things about her and why I adore her so much!

This classy English beauty possessed a highly expressive face and eyes, an astonishingly powerful soprano, a great sense of humor, and the world's most charming laugh. One thing I cannot stop saying about Sally Ann is that she did not and does not get nearly enough credit and recognition for her immense talent and prolific career, and it's precisely for that reason that I'm here to do my part in giving it to her!

This overlong rambling post is a combination of biographical information and my personal fawning over her performances... whatever I felt I most wanted to put out there in the world and what I'd like people less familiar with her to know.

Click on Keep Reading and I'll take you on a journey!

As she preferred to work on the stage and didn't really pursue a film career, the catalog of Sally Ann's work that can still be viewed today is unfortunately small - though you can find almost all of her early films on the internet if you look hard! In her early film days, mostly made before she was able to pursue her true passion of musical theatre, her extraordinary singing talents weren't utilized by the producers at all.

However, we were fortunately blessed with exactly one musical film role from her, and it's an iconic one: the aptly-named role of Truly Scrumptious in Chitty Chitty Bang Bang (1968), the golden-haired, golden-hearted candy heiress who falls in love with and eventually marries Dick van Dyke's character Caractacus Potts after joining him and his children on a madcap adventure. She's a sweet, intelligent ingenue with hidden depths and one of my favorite sorts of character arcs - the uptight, lonely woman who becomes more and more warm and open as she discovers newfound freedom and joy in life and falls in love.

There is something about Sally Ann that just glows in every scene of Chitty, and it's not only that bright blonde hair! The way she widens her eyes sometimes, the way she raises her eyebrows, her gentle and soft presence in the happiest scenes, and the particular airy lilt she has to her speaking voice are all so distinctive and appealing, and I can't take my eyes off her. And her smile! When I say she glows it's barely even a metaphor, the woman just emits light.

(Funnily enough, I started to realize that many of the laudatory quotes I've found about her also refer to her in this way, like this quote from a 1965 TV Guide article, from playwright Sidney Kingsley: "She's luminous as an actress. I mean that literally. In Brigadoon she really lit up the stage.")

For me, I'm weak for any actress who can do the defrosted-ice-queen trope so incredibly well. Truly starts out as closed-off and prim, and nearly reverts to that state when she and Caractacus have a Big Misunderstanding near the end, but in the scenes where she's happy and carefree, the warmth just radiates off of her.

She also has the most adorable chemistry with Dick van Dyke in an annoyances-to-friends-to-lovers relationship that absolutely shaped my young brain. Whenever Sally Ann and Dick glance at each other, whether with irritation and frustration early in the film or with warmth and affection later on, their chemistry is obvious and natural, and there's so much expressed in each one of those glances. One has no difficulty believing that these characters are going to be very happily married.

(Here's a cute on-set interview where she talks about, among other things, how easily she and van Dyke clicked.)

While I acknowledge that the character of Caractacus Potts was absolutely originally planned to be an actual Englishman, Dick van Dyke played him with an American accent, and to me they will always be an adorable English-American couple. It's a whole part of the charm of this pairing to me!

Sally Ann also had a great relationship with child actors Adrian Hall and Heather Ripley who played Jeremy and Jemima Potts, and did her best to help make them more comfortable and happy during the many very long days on set. Having been a child film star herself, she knew a great deal about how difficult and alienating it could be. The genuine affection the three of them shared is obvious in their scenes together, especially in the extremely adorable "Truly Scrumptious" number, and it really makes the developing mother-child relationship between the characters so believable.

The beach scene, where so much of the relationship between Truly and Caractacus and the Potts children is developed, is incredibly cute and heartwarming, and a lot of that rides on Sally Ann's performance and how her previously prim-and-proper character shows herself to be warm and loving, once she (literally) lets her hair down. We've already seen how happy the Potts family is together; now we see how Truly fits in perfectly and makes them all even happier.

Look at her! Literally glowing!

(One thing I should mention: I think both the plot and the love story of CCBB are greatly improved if one just treats the "dream sequence" as real events, which was possibly the original intention anyway, so just note that is always the perspective I'm coming from here. It's the only way to make some things make sense and for the characters and their relationships to fully develop.)

"Lovely, Lonely Man" is Truly's big solo moment, and was probably the least comprehensible part of the movie to me as a kid (lol), but is now indisputably one of the very best parts to me as an adult. It's an exquisitely beautiful love song, especially the bridge, and I somehow love it more and more every time I rewatch it. Sally Ann's dreamy, graceful movements and the way the whole scene is shot make her look like a princess, and the slow build of the song is masterfully done. She has this distinctive crisp way of articulating her words while singing, especially the closing consonants like N and M, that I just love to listen to. The string section and the building countermelodies are so beautiful it makes me want to weep. Everyone involved in creating this scene and song deserved an award, I'm being so serious. While it's not the highest of soprano songs and doesn't fully show off Sally Ann's astonishing range, she shows an incredible amount of vocal control here through the many diminuendos and crescendos, and she's mesmerizing to watch and listen to. One of her "glowiest" scenes, for sure!

While I've seen people call this song irrelevant to the plot, I strongly disagree - the romance is part of the plot, of course, and while I didn't fully understand the meaning as a kid, this song establishes how much Truly's outlook on life and hopes for the future have already changed since meeting Caractacus, and how much happier she is with the poor Potts family than she's ever been in her life of luxury. Plus, now we know for certain that she's head over heels for Caractacus, but he doesn't know... increasing the dramatic irony of the pining and yearning to follow!

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In the reprise of "Hushabye Mountain", which was sung in a much earlier scene by Dick van Dyke alone, Caractacus loses the will to continue the song because he's overwhelmed with emotion thinking of his children being held captive. Truly comes in to aid him with the final verse - another pivotal moment in the developing romance - and Sally Ann's singing here is nothing short of breathtaking.

And of course, I can't neglect to mention the "Doll on a Music Box" number, where Sally Ann, who was not a trained dancer and in fact considered herself to be "appalling" at it, performs an incredibly precise, incredibly impressive clockwork song-and-dance number while on a spinning turntable! She practiced it so well that she managed to successfully complete the shot in a single take, prompting the stage full of extras to burst into applause.

This is another important character moment for Truly, though it's disguised in a diegetic performance: though it's another thing that went over my head as a child who only got to see the movie once, the lyrics about being trapped up on a music box and longing to be freed by love pretty clearly symbolize how trapped the real Truly's high-society life makes her feel, and how she yearns to break free from class restrictions and live happily-ever-after with Caractacus, as it's only with him and his family that she really feels free.

Then there's that incredibly warm romantic look that Truly and Caractacus share at the end of the song when she silently acknowledges the love confession he's just made while singing in counterpoint with her, though they're still in a dangerous situation and can't give themselves away by appearing too human and breaking their disguises... sadly this vital moment is cut off on all the Youtube videos of the scene I can find, because none of the people who clipped it understand that that's the whole point of it all, apparently. But here's a gif!

The character of Truly doesn't exist at all in the original (quite different) book by James Bond author Ian Fleming - surprising, I know, given her name! - and, honestly, the fact that Truly and the romantic subplot of this movie exist are why it had such a strong impact on me as a child, and very much why I fell in love with it again as an adult. Even though the score is wonderful anyway and the story is charming and magical, I can confidently say that I would not have become as completely enchanted or had such a strong desire to revisit it again and again if there'd been no Truly and no love story. The fact that Sally Ann's performance makes Truly so loveable is, obviously, a pretty crucial factor there.

Sally Ann's delivery of "Well, Mr. Potts... now you'll have to marry me!" after Caractacus kisses Truly... that slide from prim mock-outrage to the playful, warm, you-can-hear-the-smile-in her-voice conclusion is flawless. Not even exaggerating when I say that this was the moment that made me into a hopeless romantic as a 9-year-old child. Sure, this wasn't the first movie I'd seen where two people fall in love and live happily ever after, but I distinctly remember that this was the first romance story that had me in a giggling, kicking-my-feet, "I ship it so hard" state of mind. And after revisiting it as an adult for the first time last year, I have confirmed that yes, child me already had great taste in fictional romances!

Oh, I could say so much about the difference in her body language between the two scenes where Caractacus carries Truly out of her car that's become stuck in a pond. The first time, Truly is affronted and extremely embarrassed by the situation, holding herself so stiffly and awkwardly to avoid an accidental embrace that she causes him to nearly lose his balance and drop her. The second time, when they're in love and they know it, she snuggles right up into his arms without hesitation and it's the cutest thing ever. Sally Ann was 5'6" but looks so tiny in that scene!

(And that kiss! Maybe I'm getting off-topic here in terms of strictly focusing on Sally Ann's contributions, because Dick van Dyke deserves tons of credit for making this kiss so good... but wow, the kiss. Several times I have called it "the Most Kiss they could have gotten away with in a children's movie." Again, giggling, kicking my feet etc.)

While Truly's costumes and hairstyling are rarely historically accurate (the film is set around 1910), the stylized nature of her fashion is iconic and memorable in itself. Sally Ann also completely pulls off playing a fresh-faced ingenue who is 12+ years younger than her actual age - and I do wonder if the aging-down of Sally Ann is at least part of the reason why Truly wears her hair loose throughout most of the movie! Either way, it works perfectly and I was shocked when I first learned how much older she was than her character. (If you watch her in The Admirable Crichton, where she is also in Edwardian costume and was closer to Truly's actual age, she really doesn't look all that much different. If anything, I think she looks even more glowingly beautiful in Chitty!)

Also, as for Truly wearing her hair down... it may just have been an intentionally anachronistic stylistic choice, but in-story, I think it actually contributes to her character by showing a willingness to flout convention and pursue whatever will make her happy instead of what's expected of her, which happens to be a key theme of her character arc.

Another thing that led me to adore Sally Ann as a person as I learned more about her over the last year: in the 1960s, she appeared as a panelist in quite a few episodes of the game show To Tell the Truth (as well as a few episodes of Password), and these can be found on Youtube. I really adore how her personality shines through - she's unfailingly bubbly, witty, self-deprecating, and a bit quirky. Just listening to her speak is a delight and she has one of the best laughs I've ever heard. Here is one of my favorite little moments that I clipped.

By all accounts, she was a delightful person to know and work with, witty and clever, very professional, and very serious about her craft. She also always maintained a great affection for and pride in Chitty Chitty Bang Bang and her role as Truly, which is always a wonderful thing to know about an actor in a beloved role.

Another bonus: here is a super charming interview with her after a backstage disaster at What Makes Sammy Run? on Broadway.

She was also, along with Twiggy and Diahann Carroll (as Julia Baker), one of the first three celebrities to have her likeness made into a Barbie doll.

Two of her earlier films I recommend are the comedies Fools Rush In (1949) and The Admirable Crichton (1957), if you can find them (hint-hint, you can.) You may also be able to find the 1966 TV movie of her reprising her Tony-nominated role of Fiona in Brigadoon with Robert Goulet, and although I feel like the oddly close-up way the film was shot kinda does a disservice to the actors at times, it's still amazing to be able to see and hear her in a role she performed on Broadway.

Richard Rodgers once called Sally Ann "the greatest singer who ever sang on the American musical stage." Now, I don't quote this to claim this superlative as some kind of objective fact. If you know anything about me, I am very, very strongly opposed to pitting women against each other and all the Golden Age sopranos are absolute queens who deserve crowns, no matter how much mainstream success or present-day name-recognition they have/had. I just think it's phenomenal that she received such high praise from a man who worked with many of the best musical theatre singers who ever lived... and to think, many people today have never even heard her voice. Without her performance as Truly Scrumptious, it's possible almost nobody would in the future! I am so glad that Sally Ann's lasting legacy was ensured by such a beloved film role.

Sadly for us, many of the theatrical roles which she originated (and thus, for which cast albums featuring her exist) were in shows that either flopped quickly or at least did not enter the theatrical canon, so she never achieved the level of mainstream recognition she clearly deserves. But Sally Ann also played such legendary and challenging roles as Eliza Doolittle in My Fair Lady, Fiona MacLaren in Brigadoon (for which she received a Tony nomination), Maria Rainer von Trapp in The Sound of Music, Anna Leonowens in The King and I, and, much later, Desiree Armfeldt in A Little Night Music. She received great acclaim for all of these performances and, judging by what we know of her process on My Fair Lady, was excellent at making roles distinctly her own and never merely imitating another performer.

Even in her iconic original role of Truly Scrumptious, you don't get to hear the true full power of Sally Ann's extraordinary soprano. For that, I highly recommend listening to "Another Time, Another Place" from Kwamina (1961), and "Something to Live For" from What Makes Sammy Run? (1964). I'm always sad that we don't have any recordings of her in her "fiery" star turn as Eliza Doolittle in My Fair Lady, but you can at least hear her do a Cockney accent, be silly, and sing "With a Little Bit of Luck" with Bing Crosby here!

If it weren't for the enduring success of Chitty Chitty Bang Bang, few people might have even heard of Sally Ann Howes today, and that would be a terrible loss. I cannot overstate that I am so grateful that we all know who she is because she played this role and we get to see her give this radiant performance of a character that's all her own. Maybe this sounds strange, but I think the fact that this was Sally Ann's only musical film role (and the ONLY role most people will ever see her in) makes it even more precious, and makes everything she brings to the character that much more distinctive and unique and special.

Both for all of the talent and charm she brings to the role itself, and everything else that I and many other fans have been able to learn of so much of her otherwise-obscure work because of it, the world is incredibly lucky to have the lovely Sally Ann Howes immortalized as our Truly Scrumptious, and I wouldn't have it any other way 💖

#*mic drop*#sally ann howes #chitty chitty bang bang #and that's why you should vote for... wait there's no poll involved? I may have gotten carried away ;)#ok so I doubt anyone will even pay attention to this post but if you are going to tag or comment on this BE KIND AND POSITIVE ABOUT HER #like this is obviously a labor of love on my part here... don't be weird or backhanded. I don't need to hear how you disagree or whatever #and no pitting women against each other on my posts I am so serious #this is a fan post! this is a stan post! this is a celebration! do not derail!#I feel like I need to sprinkle holy water on this post before I release it out into the world #oh Sally Ann we're really in it now #also parts of this are poorly written I know. it's literally just an infodump about my Special Interest English Lady what do you expect lol #the switches between formal tone and informal fangirling are intentional btw #this is what I'm using my degree for apparently #I know I mixed in a lot of character/story analysis here and maybe that's slightly off-topic from lauding her performance but hey #it's not like I'm getting graded on this. and I mean you can see these things in her character BECAUSE of her performance #take my hand. love her with me. life could be a dream #you know the lyric in Hamilton - 'I wrote my way out'? that's what this was for me. I wrote my way out of a mental health crisis with this #when I came up with this idea I was going to save it for her birthday but that is sooo far away. so I'll post now and reblog it then!#I'm shocked tumblr can even handle whatever I'm trying to do here #I wouldn't have put SO many photos except that I needed to use multiples so I could make them smaller!!#my original post #long post

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papercutsmp3 · 4 months

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bro is inquisitive

#thinking of the possibilities of how it could be worse it's funny how you start to get addicted to thinking like a danmei writer #you are like anddd what if this person was (insert a guy who coughed once in chapter 15) anyways #i managed to not get many spoilers bc i hate it but i have always suspected that shi mei had a thing for cwn firstly bc i once saw a ship #tag and was like ?? well that is not uncommon as people ship shrek with chanyeol (im people) but secondly after that scene where mo ran #pinky interrogated him i was sooo 100% sure of it. but then there was nothing much so i let it go. the one mini spoiler i saw was #the enemy on pinterest who replied to a pic of a character saying it was shi mei/other name (didn't look at it) so it was why i knew #he was classically someone else. but even without that his ass was raising suspicion just for the way how blank he was #and i knew it was intentional so i kept thinking who he could be and my guess was xu shuanglin (rest in pieces poor guy)#bc i thought that both of them had the same spiritual essence or something. also the guy in the motel at the beginning who also had water #essense could only be either of them. but this is not the point bc then i was thinking that shi mei was simultaneously mo nian #bc why would he have the reason to be annoyed with mo ran to that extent. and also bc i knew there was a fire and hua binance has face burn #but mo ran chopped his head off bless his souls and good for him so how else can that be worse #he could also be that child of nangong yan who had his mother die bc of mo ran and mom he would also have a reason to try and compare #himself to mo ran in every way and hate him but why would he need to store nangong blood for mount jiao is he is nangong himself #but that would be great for disgusting points bc he would be mo ran's half brother doing all that ??#im just taking a break from throwing up bc of his ass trying to assault cwn every chance he gets and idk anything yet #so it would be interesting to keep guessing his motives as i do not get it yet but also (procceed to throw up)#also his interactions with corpse taxian ?? god tier. taxian is in the middle of diss battle drops his mic after every sentence #the crowd (me) cheers. moving on but i really enjoy insane plot twists i wish i remembered well what i was thinking while reading tgcf #the widely known thing is that i didn't even consider that fu yao and nan feng were fengqing it's my favorite thing bc i wholeheartedly #believed the little guys just loved their generals way too much #00

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papirouge · 1 year

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the irony of rehashing the same "Black French can't be french because they're from Africa" talking points as racists just because you're pissy muh colonizer country won a silly football match and thinking you're on the good side of the fence

tragic.

#FYI France NT is HATED by actual racists in France bc they call them an African team #but go off and keep showing off how utterly ignorant you are of the racial dynamics in France #and since yall are SOOO obsessed about stirring up ppl's ethnicity it's an actual player of PORTUGUESE origin who scored one of the goals #so not African #and in the previous match Giroud who is pasty White also scored #like at some point you need to stop making stuff up for your narrative #if having 'African' players was enough to win matches many more African teams would remain in the competition #FRENCH technique education and strategy made it happen #i hate you all #*drops mic*#papi watch

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dykedvonte · 18 days

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Discussing the NCR (Fallouts NV's Military Industrial Complex)

Fallout regularly discusses the idea of the military, its faults, its strengths, and most importantly, the psycho-social aspects of it regarding those who are members. We have seen a direct critique of the military generalized through the Enclave's overt nationalism, the hoarding of resources and indoctrination through the Brotherhood of Steel, and an almost eerily modern critique of the whole military-industrial complex through the NCR in New Vegas. In these series of posts, I will be focusing primarily if not exclusively on the last one.

The NCR we see in the game is strictly the military side of things and the depiction of active occupation during a time of eminent war, conflicting factions, and resource scarcity. It is in this we are missing a major factor that negatively affects the view of the NCR in the game and out: Civilian life along with citizen opinion on the military. While we do get Mojave civilian opinion on the military (often neutral or negative) we do not get those who are New California Republic citizens, not those who actually discuss the military more so not understanding the importance of the occupation and the President's choices.

We do not see how life is regularly lived by the average citizen as we have not seen New California in New Vegas, though, we get words and glimpses that the people are relatively content in the growing country minus the fact many people are not happy with the choice of encroaching on the Mojave. This most similarly reflects it's real-world application that many civilian citizens reject acquisition and war due to the economic effects it has on the country and the general violence/loss associated.

In this, we come to an issue of losing a perspective that is unique to the NCR as a military representative. The Brotherhood is notably a place where its active members are intertwined with its efforts, the young are raised to be scribes, paladins, etc... To where even if one is not fighting for The Brotherhood, they are still intertwined, it's propaganda is the life. The Enclave is even more cut n' dry in that it is mostly made up of government representatives. It is a group even smaller than the former, even more selective and intertwined that their propaganda IS a form of Eugenics. The NCR is unique in that there is a clear distinction between what is the military force, the civilian population, and the choice if one wants to be a part of the former.

There is a distinct difference in the cultures of the factions you are born into and those you must enlist or join (forcibly for some). While this is a long-winded way to get into the actual discussion I want to facilitate throughout these posts I wanted an initial background post to understand the aspects I am and am not exploring and explaining along with a hub post to link everything I intend to discuss in the coming days and weeks, starting with:

Why Do People Join the NCR?

...which will be discussed and linked back here like everything else regarding to this topic.

Links: TBA

#fallout #fallout new vegas #new california republic #these will be longer posts so be warned #prepare to be sick of me #you thought i could yap before #should pin this but Im just gonna link it in the pinned post to be concise and since this isnt just a fallout blog I just am just obsessed #plus I dont want it to be centered focus while im only half way through with the first word doc #the three posts are just the beginning on my disection of the NCR and how the MIC is shown through it cuase #like pls its so much more nuanced with the specific ways each character in the faction interacts #at least the ones you can talk to and have options for like i know so many people do independent route but its so intriguing and you get ho #the military takes advantage of people but also how the individuals try or believe they fight for a good cause cause of all the brain washi #like some perpetuate and others dont but its a system that just gets worse the higher you go like grrrrr #a take cant be nuanced if you refuse to look or discuss the reasonings of another side or generalize their arguement through a personal len #like you need to be objective at points cause while you may feel a way in an analysis the context explains why in canon they feel a way #a retrospective on tumblr??? shocker #was gonna make this one giant mega post but it wouldve been cluttered and i wanna space them out cause its a lot to work on in one sitting #and what if I want to be silly in between???

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itsbebebrainrotting · 2 months

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Why does the barbie lore board in teds latest video give mikes mic but straighter

#srry I was MIA watching ted nivision go insane #idk how many mikes mic ppl there are here but if ur one of them then heyyyy bestie #im also gonna sleep soon so hasta mañana!

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unproduciblesmackdown · 2 years

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akd as lucifer (the mysteries)

#as per virtually always coming from that nothingunrealistic research (finding these pics in their ig backlogs)#had seen that top pic via the Visible docuseries but naturally had no idea it was from the mysteries rehearsals...loved it already though #such a great portrait lol the quality of the Light (spotlight even. all the more pertinent when you're Lucifer though)#and then the way sure the figure is mostly in darkness but the Illumination is such as to provide defining features....#it's also what we're working with with most shots of ''pretty sure that's akd lucifer'' lmao like #if one didn't Know that was them up top i wouldn't be at all sure; such as the ''maybe?? probably?? possibly??'' status of other shots #and Another hairstyle lol longer but seeming less styled than any other rehearsal pics...hell yeah though #and then the much more identifiable straight on fully lit in costume / makeup / apparent final hairstyling having a snack break...#asia kate dillon #lucifer the mysteries #speaking of gender and literally theatrical performance looks. i wanna be the lucifer in the secular the mysteries performance....#inherently nonbinarily as hell even if that's not quite definitively known / out there yet....#there's only one problem (there's many problems) i know Nothing abt acting lol. i mean i know some things but i don't know how. boo #in that to hell with vibing through shit i need to learn Technical Things & Techniques....ppl aren't just vibing out here #but it was always fun to also just try to make up [how to act] while like 9 & who cares yknow #got taught the crucial technique of ''there's no mics so if you don't talk really loud nobody can hear you anyways'' first & foremost lol #literally so true...got a real kick out of our one half semester middle school theatre class but you know #a) didn't get much feedback but ''i mean that was also incoherent lmao what was going on'' having fun & being theatrical mainly #b) wasn't abt to join an extracurricular for several reasons or get into theatre stuff when older sibling was already on it lol #c) didn't have Experience to start trying it out in the next stage of things anyways but still had a tiny bit more opportunities to f around #always had like Tangential theatrical experiences & then just Being theatrical lol like oh yeah that annoying kid stuff was also shticks...#and now here we are today. but wherein now i Know who wouldn't wanna be a worm lucifer nonbinary secular the mysteries hellooo. iconique #but more than that? would be [so long as we're just making shit up] I Wanna See Akd Lucifer The Mysteries lmao like no kidding #or malcolm in the brewery performance. or malcolm in the broadway performance. or just whatever like. we're Looking; Listening; Absorbing

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matoitech · 2 years

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i would say theres no hope for ppl who still believe in klance in 2022 but hoenstly there was no hope for ppl who believed in klance when the show had just come out

#i think it wouold be fascinating to do a poll where we see how many gay n bi guys thought there was literally anything there or cared abt #them at all vs other ppl cuz i honestly dont thinkive ever seen any gay dude regardles sof age care abt this #cuz i feel like we all kinda knew there was just nothing there and its big put two boys together fandom thing #if anyone has anything 2 add to this i would love 2 hear it cuz i find it rly funny #holding out a mic any gay or bi guys out there ever believe in klance. its for research #i did not 4 the record #i watched the first couple seasons n thought it was boring n did not understand why klance became some big thing when it was nothing #i do remember seeing ppl post clips of netflix gaybaiting them later on tho #but like actual gaybaiting thru marketing. doesnt mean this was ever anything

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akkivee · 6 months

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reeeeeeeeeiii……….. that can kill people……….

#vee queued to fill the void #hypanispoilers #reeeeeeeeeeeeeeiiiii…………… that’s human experimentation reeeeeeeeeiii #lol idk if i’ve ever shared my thoughts about the side effects of the hypnosis mics #and how before they were finalised we have proof they used prisoners to test them and many died #and i’ve been under the assumption rei quit the military in part because he didn’t agree with the ethics #so me wanting to critique this is on ME lol i’m making assumptions #but rei defending ramuda’s right to exist as he is is the only reason i’ll nitpick it lol #but it’s got me wondering about what rei’s stance was in the human experimentation part of development since rei’s ill name laboratory #was based off a real world human experimentation camp so hm 🤔🤔🤔

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pealingpetals · 1 year

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(here is the angsty kuroboromiczawa playlist for anyone interested!!)

#The whole piece was mostly inspired by the first track 'Nobody Loves You Like Me'#I heard it and was consumed by the idea that it's Mic singing (the gentle harmonized autotune sounds EXACTLY like how I imagine he would)#(If he were sad and a little drunk maybe)#He's singing about aizawa's grief and how that's put so much distance between them but he still loves him so much and doesn't know #how to bridge the gap between them #I'd make an animatic but I don't have the follow through to finish a project that beefy (I have tried many times 🤣😭)#The rest of the music on there is purely designed to make me sad-- pretty much any sad song on my mic aizawa or oboro playlists #got slapped in there if it fit the vibe #👍

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mariamlovesyou · 5 months

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tuned into Plestia's live with Rahma Zein's second account (she got shadowbanned). key moments:

plestia talked about her adjustment to living in australia. "it's 1:30am now and it's normal for me and many palestinians who live abroad to be awake hours into the morning. i am scared of sleeping. because of the time difference, i'm scared if i sleep i will wake up to bad news. in gaza i was scared of the sound of the bombs, here i am scared of the quiet."

contacting family and friends in gaza is near impossible. "sometimes i feel like a crazy person, calling 20 times in a row hoping that on the 21st time the call might go through."

on the destruction of entire communities and neighbourhoods: "i'm scared when i go back to gaza i won't recognise it anymore. someone sent me a picture of my neighbourhood, and i couldn't tell it was mine at first. all my favourite places, cafes where the aunties used to give me extra food and ask about my day, have been destroyed. i dread looking at my gallery or seeing snapchat memories because most of these people in the pictures are no longer alive."

rahma asked plestia to talk about one story that stuck with her. plestia said "i remember walking one time on the 'safe corridor', that's what they called it anyway, and i saw an older woman clutching onto a donkey cart where her son's body was, refusing to let go of it. i asked my colleague what the smell was, he said it's dead bodies under the rubble. it was the first time i familiarised myself with the smell. the son's body was decaying and the woman told me about cats and animals eating away at it. i've had children talk to me about birds eating away at their parents' decomposing bodies and not being able to chase them away."

"it seems so silly to go to hospitals for minor sicknesses now. i can't even think about how many palestinian children are going to be terrified of hospitals now. there was a girl who was taken to the hospital to get treatment for injuries by one of the bombs, and while she was in the bathroom another bomb landed nearby. the impact from that sent the ceiling crashing down on her.. she got another injury while getting treated for her first one."

"i hate how people talk about our resilience - as if it's okay that this is happening to us. we are only surviving because we have to, because we have no other choice."

rahma brought up the way family homes are set up in palestine and asked plestia to elaborate. "basically, there are floors. someone will live on the ground floor, and then their married son lives with his children on the floor above them, and then their successors above them and so on. so when family homes are targeted, they wipe out entire families. many families officially no longer exist."

"i used to wear my journalist helmet and vest all the time, felt naked without it, even slept with the vest on sometimes until i realised it only made me more of a target. they didn't give me any protection, only headaches and back pain."

"i am an optimistic person, i loved covering sweet sentimental things, like at my graduation asking parents of top graduates how they feel about their children graduating. that's what i love reporting on. i wanted to cover things like that when i came back to gaza, show the beautiful side of gaza that the media didn't really show, but i didn't have the chance." "do you think they'll give you right of return?" "i can only hope."

plestia mentioned how hard it was being a journalist with limited access to the internet, charging facilities, no mics, lack of equipment and how difficult it was uploading things. rahma asked her what's one story that wasn't really recorded or posted due to these constraints; plestia said "the evacuations. sometimes they informed us about them, sometimes they didn't. you have no idea how hard it was, everyone looking for their family members, making sure every one was there, taking to the streets in 5 minutes and not knowing which way to go. i remember i went to my friend's house for shelter for 30 minutes before the first evacuation was announced and we ran to another family's house, stayed there for 2 days before another evacuation was announced. me, my friend, and that family all evacuated together to another family's house. there were already so many people there seeking shelter, it wasn't just one family staying there. none of us knew how long we had in any place."

before october 7th, palestinians were used to limitations on electricity. plestia used to plan her day's tasks around when the electricity was working. "for example when the electricity was on from 12 to 4, i would say i will do my laundry and charge the phones during this time. life wasn't exactly 'normal', but all of us pray to have those days back in comparison to what we are experiencing now." plestia also said that cars are running on cooking oil now because there is no fuel.

on hygiene: "many pregnant women have to give birth without any pain medication or medical attention. once we ran out of medicine, that was it. women who had to get C-sections couldn't stay to recover or get followup treatments because someone else needed the bed. we have no water, no tissues, no pads, barely any bathrooms. in the shelter schools you have to wait an hour before even getting to use the bathroom because of how many people are there."

"something you don't hear about is how many people die because of sadness. there's so many ways to die in gaza, because of the bombardment, because of starvation, the lack of resources, but i also know many elderly people who died because their hearts couldn't take it anymore. i have been in gaza before and lived through 4 aggressions, but nothing compared to this one."

a recurring sentiment that was echoed in the video: "sometimes i thought to myself: who am i recording this for? because we've already shown everything, we've already talked about everything. everything has already been said, the proof is everywhere, nothing i talked about today is new." rahma said the first video posted about what's happening in palestine should've been enough.

she is 22 today. plestia's closing words: don't stop talking about us, don't stop boycotting, don't stop protesting, please don't get bored of fighting for palestine.

#this is all off the top of my head if i remember other key points i will add them

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