I love how on Tumblr, "media literacy" has become "Um, just because someone writes about this doesn't mean they're endorsing this. I hate all these media puritans ruining everything."
I'm sad to inform you that knowing when and whether an author is endorsing something, implying something, saying something, is also part of media literacy. Knowing when they are doing this and when they're not is part of media literacy. Assuming that no author has ever endorsed a bad thing is how you fall for proper gander. It's not media literacy to always assume that nobody ever has agreed with the morally reprehensible ideas in their work.
Sometimes, authors are endorsing something, and you need to be aware when that happens, and you also need to be aware when you're doing it as an author. All media isn't horny dubcon fanfic where you and the author know it's problematic IRL but you get off to it in the privacy of your brain. Sometimes very smart people can convince you of something that'll hurt others in the real world. Sometimes very dumb people will romanticize something without realizing they're doing it and you'll be caught up in it without realizing that you are.
Being aware of this is also media literacy. Being aware of the narrative tools used to affect your thinking is media literacy. Deciding on your own whether you agree with an author or not is media literacy. Enjoying characters doing bad things and allowing authors to create flawed or cruel characters for the sake of a story is perfectly fine, but it is not the same as being media literate. Being smug about how you never think an author has bad intentions tells me you're edgy, not that you're media literate. You can't use one rule to apply to all media. That's not how media literacy works. Sorry! Sorry! Sorry! Aheem heem. Anyway.
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So there’s a trend that I absolutely hate in online discussions of (non-satirical) genre, particularly genre that’s influenced by the gothic. This trend makes my eyes roll back in my head until I can see through my own skull. It makes me want to bite a car in half. It makes me want to step into the jellyfish tank at the New York Aquarium and beg for the sweet sweet annihilation of a thousand stings.
I call this trend: Oh Just Be Sensible, and it goes like this:
“Why do vampires always end up covered in blood when they feed, I don’t spill soup all down the front of my shirt when I eat dinner. Real toddler energy.”
“Why do people always cut their hands to swear oaths, everyone knows it would hurt way less on the [insert body part with fewer nerve endings]”
“Vampires shouldn’t be feeding from people’s wrists, it damages the tendons, if doctors don’t take your blood from your wrist, vampires shouldn’t either! No one will be able to flex their fingers the next day.”
(This comes up a lot with vampires, I mention, as I stride purposefully into the glistening mass of jellyfish.)
There are direct answers for some of these when it comes to the practical visual language of a particular medium (for example, you cut your hand on stage / on set because you can hold a blood pack in there, and even if you don’t have an effect, the gesture and its purpose can be discerned from the nosebleeds) but what really gets me is how thematically boneheaded this sort of observation is.
Like, let’s go down the list here.
Why do vampires end up covered in their victims’ blood? Well Scoob, do you think it could maybe have something to do with their bestial, inhuman nature? Or with the erotic and sensual abandon with which they can approach violence, now that they’re untethered from human morals?
Why do people cut their hands to swear oaths? Aside from what I mentioned above, do you think maybe it’s because it adds a layer of gravity to see two people swearing an oath to one another with blood dripping from their clasped hands? Do you think it’s maybe to evoke a unity of body, something greater and more primal than a unity of word? Or maybe to remind us of the dire consequences of breaking a blood oath?
Why are authors having vampires feed from people’s wrists if it damages their tendons? Damn, maybe that’s because it’s where the pulse is. You know, the pulse? The heartblood, the thing that races when you’re scared or turned on or both? The thing that stutters when you’re close to death and could, should the author choose, ring in the vampire’s ears like a chime or a great pounding thunderclap. Maybe in a story about undead beings who drink blood, we can sacrifice a bit of sensible reality in order to enforce the emotion and thematic heft of a scene?
Images like these communicate what is happening between two characters, not just the events that are transpiring! No one making stories forgot to consider ~sensible~ little observations, because it would be absolutely inane to consider an observation with the creative value of a wet paper towel. This stuff is part of our visual language for a reason! Themes also need to be communicated!
God, like, okay, I’m exhausted and the aquarium staff keeps yelling at me when they find me here, but let me just wrap up by saying that relationships, character and meaning are expressed in so many ways beyond dialogue or internal monologue, and those expressions are so rarely sensible.
(Also all this shit looks cool as hell, do you really want your protagonists swearing to die for one another by dabbing their slightly bleeding elbows together, grow up.)
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Some kind of Danny and Damian are twins au, but Dan is the one who remembers, not Danny.
SOmething about how the brain blocks traumatic memories, but Dan doesn't have a brain anymore, does he, so he unlocks the truth when he fuses with Plasmius. He relishes killing the Grandfather, the Mother, the Brother, the Family, all who threw him aside and abandoned him (murdered, he was murdered by his family--)
But now he's back in the past, he's getting redeemed, and he has his big sister, and parents who love him, and a little sister, and even a little brother once again-
But sometimes he has trouble remembering who the real little brother is, Danny or Damian, and Danny doesn't remember, might not ever remember, Dan wishes he didn't remember because now he jumps at every shadow (Grandfather is coming for them--) and he barely sleeps and his clone body needs sleep, and he ends up thinking-
Maybe he should kill his old family again. Just for his own peace of mind.
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So far my merfolk haven't been particularly "cursed", but I really want to get to that territory somehow! And I have an idea how...
Most seahorse mermaids have the human-fish split be around the main torso of the seahorse (the seahorso if you will), akin to a centaur: they replace the head and neck with the upper human torso!
However, the way I draw my merfolk, the human-fish split happens at the neck of the fish, as merfolk need the fish gills to breathe. You already know Ahti, here's two examples besides him:
Fish head is replaced with the human torso!
If I want to follow this same formula with all fish mermaids, that would make seahorse merms look like this:
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