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#hm much to consider
immediacies · 1 year
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slept for nine hours last night sleep deficit VANQUISHED
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impishtubist · 7 months
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What are your feelings on 1776!verse Franklin/Adams?
Oooooh, as much as I am a multishipper, I never was into Franklin/Adams! I prefer Adams/Jefferson and Rutledge/Dickinson, though I remember also being pretty fond of Adams/Dickinson hatefucking....
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abreathofthewild · 7 months
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Karlach is worth knowing in my opinion. She’s a barbarian tiefling. A lovely, lovely woman. I adore her so much.
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👁️👄👁️
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still unwell over the prospect of Howdy slowly putting the pieces together and having a complete mental breakdown over it. Laughingstock edition!
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nyaskitten · 11 months
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the only things that matter in life are boobs and killing the rich
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somecunttookmyurl · 4 months
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have you ever see someone complete super mario 64 in 23 minutes using an honest-to-god full drumkit as a controller?
youtube
now you have :)
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sysig · 10 months
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Take care of him (Patreon)
#Doodles#Wander Over Yonder#Commander Peepers#Watchdogs#Lord Hater#Wander#He's very important don't you know ♪#I may or may not have been reading sickfics where the Watchdogs take care of Peepers in his moment of weakness hehe#The Watchdogs really swing between brutally competent and hilariously frivolous they have no middle slider haha#I really like them <3 They're such a cute bunch!#Never getting over all the Watchdogs all stuffed into that one carnival ride on Bingleborp lol#So many eyes and all single-seeing there's just something Very about them hm ♪#I can't decide which I like more - the Watchdogs kinda just putting up with Peepers or actually admiring him#I can have both since there's so many! A Peepers fanclub? Haha ♫#I don't think he'd be comfortable with it tho - at times his actions make me wonder if he even considers himself a Watchdog#He does a lot of bullying and gets bullied in return - The Cartoon as an example of the latter haha#He truly is more competent than the average foot soldier which is y'know - why he's a Commander in the first place lol#But to the point of comedy (and yes of course I know it's a comedy show lol) - the divide is very stark! He feels very separated#I like that about him :) He has visual differences and spacial differences - his own room - and competence and just ah! He's interesting!#He rises to meet his desires!! I like him very much ♪♫#More on the sickfic train lol a bit of a role reversal - a careful Hater and a lackadaisical Wander haha#Peepers is so small and breakable in Hater's arms! Treat him gently! Whereas he's barely smaller than Wander lol#Maybe they went out drinking together and he needed to return him to his room haha - so many identical doors#Normally he'd know but it's funnier to drag him around lol#The usual sleepy doodle <3 Gotta do it haha#A couple silly ones - I wanted to try the X eye shape but I didn't want it to stick haha though they do use it when they fall down sometimes#Almost X-shaped when he squints really hard! How cute haha
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thesunlikehoney · 11 months
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Seeing some pretty gross posts about Miguel, and... It's actually pretty important that Miles, an Afrolatino character, is both making friends with the younger generation of POC and in direct conflict with the older generation of POC. Like yeah Gwen and Peter B. are still important figures in his life for good and now also bad reasons, but it is Miguel and Jessica who he has an ideological conflict with. It is Hobie who in some ways takes over as a mentor and guide. Margo helps him escape. Pavitr is someone Miles himself helps and gives advice to. The antagonist is not Latino because they wanted to use stereotype shorthand to make everyone understand how dangerous he is, he is Latino because Miles is Latino. And surprise surprise this movie has a lot to say about-- not generational trauma per say, but community trauma. About what happens when shared trauma starts to define the boundaries of who is and who isn't a member of your community, rather than shared passions and shared dreams and shared missions.
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raulsparza · 7 months
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there's something about Izzy telling Lucius that his leg is gone because a shark bit him but then turning around and talking to Stede about how Ed shot him because he confessed his love
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nyxi-pixie · 11 months
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sometimes i think abt how shocked chuuya was when dazai was like 'teehee i blew up your car' and its like ??? bro why are you surprised?? he presumably left the pm the same day your car blew up and you never connected those two things😭😭
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franky-y · 7 months
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So, in an attempt at calming myself down I ended up drawing these two pictures
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and now I'm considering taking them with me to the concert tomorrow, but I'm not sure if I really should? I don't think I'll get the chance to give them to Jere and Häärijä and I don't know if they would even want to have them lmao
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boyfridged · 1 year
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You may have already mentioned this in some of your other metas, and I just missed it, so please ignore this if it's redundant.
Do you think Bruce is projecting onto Jason by pushing him as a Robin? Obviously, Jason wanted to be Robin and was excited about it, and Bruce let Jason do other things, but (if I'm not mistaken) before Tim came into play, solidifying the whole Batman needs a Robin/support to keep him upright, Bruce and Dick becoming Batman and Robin, in the beginning, was also sort of a coping mechanism.
I think there are a few examples of Bruce enabling this kind of mindset. Like in Gotham Knights #43–44 (sorry), every time Barbara brings up Jason's inner turmoil, Bruce refocuses on his ability as a Robin; similarly, when Jason finds out about Two-Face and his dad, he is hurt, and Bruce acknowledges that but then does the same thing, zeroing in on reassuring Jason that he made a mistake but is still a good Robin.
Like, Jason got it from Bruce, but he unintentionally encouraged that kind of thinking.
oh, i definitely think that bruce is projecting on jason and that it profoundly affected jay. and, while every single one of your observations is apt, i would add that what truly made it so tragic is that he projected his own worst traits on jason while being blind to the fact that jay already shared his best qualities.
tldr: bruce projects himself on jason in terms of grief (saying that jason needs vigilantism to work his grief through) and sees his own worst traits in jason (anger) but doesn't see his own best traits in jay (compassion, love, and sensitivity). ironically, jason does end up developing all of the (projected) worst characteristics of bruce (obsessiveness, and relentlessness in pursuit of the respective perceived idea of justice). this happens even though they were barely present in his early storylines, and only ever manifested when jason was scared or lost. later, they truly came to be because of his trauma relating to vigilantism.
and the long, long version, coming with panels and quotes: under the cut.
first i want to say that the following analysis focuses very specifically on bruce's mistakes, but i don't view the overall of jay's upbringing by bruce solely in these terms. from text it is also clear that bruce deeply loves and cares about jay, and that jay enjoys being robin. now that this is clear, let's get to particularities, and start with jay's origin story.
i truly never stop thinking about the significance of bruce meeting jay in the crime alley, the place of his parents' death. there's a lot to be said about it, but here the focus is, of course, on the fact that he sees a little boy, very much similar to himself, angry and hurt, in the same scenery that brought him so much grief. and jay in some ways does appear to be a mirror of bruce's own agonies, as well as a mirror of his own inclination for seeking justice; and somehow, bruce fixates on the first one, while almost completely dismissing the latter.
bruce looks at him and assumes that the remedy to jason's pain and anger is being robin; and he doesn't stop to think about it. (it has to be noted that there's also classism at play, classism that is mostly a result of writers' own beliefs – collins did state in a couple of interviews that that the motivation behind jason's background was to make his introduction into vigilantism seem less offensive, as jason has already been exposed to crime...)
i think, in this context, it's interesting to look at the two-face storyline even closer, and from the start too. in the beginning, bruce talks of jason's 'street' roots and assumes jay would go "down the same criminal road that took his father [willis] to an early death." he also talks of jason making a lot of progress. later, in batman #411, after jason learns that willis has been killed by two-face, bruce comments that jay "has never been like this...listless...almost pouting--"
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this all, along with jay's cheerful and diligent behaviour from the previous issue builds an interesting picture for us: because we essentially learn that jay has been overall an unproblematic child. bruce, of course, attributes this "progress" to the training. however, for anyone else, the logical conclusion would be that jay's quick adjustment was simply a matter of finding himself in a safe and stable environment and receiving continuous support and attention from a parental figure. i find it rather questionable that jason's personality softened down because he had something to punch in the cave–– the more intuitive explanation is of course that he was angry and quick to fight when they first met because he couldn't afford anything else and because he was scared. but months later, in a loving home, he can allow himself to drop his guard; and his cocky attitude disappears until much later.
so the rather unsettling picture that we derive is that bruce is training jay to become a vigilante in order to "channel" his (nonvisible at this point) anger into something useful and just. and he clearly links this to his own trauma in batman #416 (that’s already starlin btw), in his conversation with dick, explaining why he took jay in: “he’s so full of anger and frustration… he reminds me of myself, just after my parents were killed.” bruce also mentions that soon after their first meeting, jason helped him and "handled himself well" in the fight, but he doesn't mention that jay has ran away from a crime "school" and intended to stop injustice on his own only because he was ignored.
the theme of bruce comparing jay to himself appears again in detective comics #574 (barr), where it is approached with a much more... critical look, thanks to leslie's presence and her skepticism of bruce's actions. after jason has suffered nearly fatal injuries at the hand of the mad hatter, bruce reminisces on his own trauma and motives. he tells leslie: "i didn't choose jason for my work. he was chosen by it...as i was chosen." leslie replies: "stop that! (...) you do this for yourself... you're still that little boy (...)" then, the conversation steers to the familiar ground and the topic of anger. in bruce's words, again: “i wanted to give jason an outlet for his rage…wanted him to expunge his anger and get on with his life…” and finishes "and instead, i may have killed him."
the recognition that bruce's projection on jason and involving him with his work might have fatal consequences is, as always, fast forgotten once jay wakes up and proclaims that he wants to continue his work as robin.
but to circle back, i think there's something else worth our attention, something deeply ironic, that is showcased in that issue: that bruce has no evidence for jay's "rage." when leslie talks of bruce's past, she recalls his tendencies to get into brutal fights at perceived injustice as early as in school; when bruce talks of jason, two pictures that are juxtaposed, are that of jason fighting as robin and jason... smiling, playing baseball.
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so, in the early days of jason's training and work in the field, we see bruce talking of jason's anger a lot; but we barely see it.
that being said, jay is angry sometimes– and i think your observation about how bruce deals with it is incredibly interesting and accurate.
we first see jay truly and devastatingly angry in the two-face storyline. bruce focuses on jay's reaction as robin, which is, in fact, aggressive. but something that he barely addresses is that jason's first reaction is sleeping all day, and not beating anyone to a pulp; in fact, this vengeful instinct seems to arise only when he is put right in front of two-face. and his third instinct, once the rage (very quickly) dies down after the altercation with two-face, is crying, because bruce hid the truth about willis' death from him. jay, while crying, asks bruce: "you have taken me out into combat-- but you spare me this?" in response, bruce lectures jason about how grief inspires revenge, which is, again, deeply ironic, given that jay seeking out revenge seemed to be prompted and enabled solely by the role of robin. moreover, his question suggests that at this point he saw grief ("you spare me this") and fighting as two different things.
the final is, as you said, bruce focusing on making it into a lesson on vigilantism, or, in his own words, "tempering revenge into justice." personally, i think in this way bruce directs jason to bring his grief into the field as a powering force, something that he didn't necessarily have an own incentive to do. the flash of compartmentalisation between his ordinary life and being a sidekick that jay has shown by questioning bruce's decision is lost. emotions are now a robin thing, and they have an (informal) protocol, a moral code. and when jay is confronted with an emotionally exhausting case next – the garzonas case, i believe that the focus on "tempering revenge into justice" is exactly the problem– we don't see jay crying, we see him frantic about finding the solution. this, right there, is bruce's obsessiveness, that in my opinion, was developed in jay specifically as a result of how his engagement with vigilantism combines with his deep sensitivity.
and, needless to say, his sensitivity is all the same as that of bruce – they both can't stand looking at other people hurting, they both wear their hearts on their sleeve, caring way too much – the thing is, bruce never quite acknowledges how they are similar in this matter. instead, he focuses on his sparse bursts of anger, wanting to bring jason closure in his grief the only way he knows it – in a fight for a better world. so, as you said, he focuses on jason's ability as robin.
which just doesn't work for jason. at all. we know it from how his robin run comes to an end: in the first issue of a death in the family (batman #426) alfred informs: “i’ve come upon him, several times, looking at that battered old photograph of his mother and father, crying.”  to that, bruce contends: “in other words, i may have started jason as robin before he had a chance to come to grips with his parents deaths.” he also tells jay that the field is not a place for someone who is hurting; a message that is the opposite of what he's been saying for years now, and something that i imagine was difficult for bruce to conceptualise, because then he would have to question his own unhealthy tendencies. it's a bit late to come to this realisation; bruce's self-projection that caused him to worry so much about jay's anger has already turned into a self-fulfilling prophecy that will fully manifest itself in utrh, when jason does the only thing he was taught to do with grief: try to channel it into justice.
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What if yassified Howdy, but in the Lights Out AU? Would he be a pretty moth instead of a butterfly?
i like that moth idea, Yes. however, he'd promptly be (forcibly) Removed from the cast
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moths like light a smidge too much. and Sally is a walking bug-zapper
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maulfucker · 23 days
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idk who or what he is yet but I already love him
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coldshrugs · 3 months
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training day
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foundfamilywhump · 12 days
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CONTEMPLATES IT
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