"The outer reaches of space remain unexplored by humankind to this day, but its greed is relentless. We grasp and yearn and hunger for knowledge— answers to questions we cry out into the endless void expecting to understand, expecting the stars to respond. The stars will not, but one day something else will— and we will not like what it has to say." — Rome Solomon, Beyond the Exosphere (1965)
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The Brothers Sun
Warning: rant not spoiler-free
Recently, I watched Netflix’s The Brother Sun and to be honest, I’m still not okay, because my mind is for days processing everything and analyzing over and over again.
I don’t watch much TV series and I decided to give the series a chance mainly for the titular brotherhood between Charles and Bruce and the series did not disappoint me in that regard. I’m absolutely drawn to Charles, not just because of his good look (and he does look very good), but his whole character and development through the story and also, how despite being such badass, he was also the one in need to be saved from the life (trap) set by his own father. But above everything else, how much he is similar to his mother, how both sacrificed so much for the family.
I swear, I don’t remember the last time when a female character captured me the way Eileen “Mama” Sun did. All female characters were pretty cool and each interesting in their own way, but Eileen definitely stole the show and ultimately, it is her and Charles' relationship that glued me to this series. And I still think about the parallels between those two characters, especially in regard to Eileen’s two lines, from episode 3 (how those who cook for you and clean after you are those you forget about) and from last one (how much she sacrificed for Bruce and no one ever asked what she wants). Because Charles is the one cooking for people he cares about and who was showed doing widely understanded cleaning (getting rid of the dead body, unpacking Alexis’ things and making her flat more home-like, tidying own room before sleep and we were told he always loved do that as a child) but also the one trapped, the one who never had a choice, the one sacrificing everything for the family’s sake - even when he was allowed to pursue his own dreams, the family came first. And I’m so, so much thinking about Eileen and Charles, as he was the one that would fully support her when she finally decided to take something for herself, to take control over triads as the Dragon’s Head. Bruce, understandable, didn’t want her to be involved with gangsters and murderers, especially after everything they've been through, but also, he didn’t want that for his own sake. She was his mom, there was a normal life to choose and I don’t think he truly gasped how much Eileen sacrificed to spare him the cruel life his older brother was forced into. But Charles would step away from the position of head of family - something he may never want but would carry on as a dutiful son - just to make her plan (desire) come true and later step away from the one thing (baking) he desired for himself to support and protect her. And I’m truly touched by their relationship and how it evolved from each doing things their own way into a well-working team, but also, if Charles will learn from his mother how to be so cunning, he is gonna be a much more dangerous figure in the future.
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This is not about whether you think you'll make it on Broadway it's about your name and how it sounds.
I believe there simply are names that by their sonority, by the way they sound together, just sound cool. Like they were made up by corporate commercials. I'm talking Robin Williams. Kim Kardashian. Arnold Schwarzenegger. Hugh Jackman. Cameron Diaz. Steven Spielberg. Al Pacino. Drew Barrymore. Jean Dujardin. Jennifer Anniston. Antonio Banderas.
Not saying they got where they are because of their names. But there's something about the way these words roll on the tongue that makes you want to say them and it definitely helped their brand.
So. Thoughts.
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"AZula doesn't feel remorse"
The beach episode and the mirror scene says otherwise! It's always Zuko's dickrider who thinks Azula is anything but human. keep fantasizing about Zuko and leave Azula's character alone.
thanks for proving my point mwah
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"Stratonike evidently retained the Akkadian royal title used for her even after [her husband] Antiochos’ death, since the astronomical diary entry identifies her as šarratu, in logograms GAŠAN, which means “queen.” In earlier centuries under previous regimes this title could not be used of a royal woman unless she also ruled. As suggestive as this is, there is no direct corroborating evidence for Stratonike exercising rulership, unless we credit her influence with her children as a form of political dominance. The trope of the domineering dowager queen mother should be familiar enough from interpretations of other royal families throughout history. But the diary, normally fairly precise in noting royal family connections, does not call her “mother [or widow] of the king,” meaning that at least some people remembered Stratonike as a queenly figure on her own, without reference to male relatives. This is an interesting hint at how these royal women could carry out their duties so as to be regarded as individual rulers in their own right."
-Gillian Ramsey, "Apama and Stratonike: The first Seleukid basilissai," "The Routledge Companion to Women and Monarchy in the Ancient Mediterranean World" (edited by Elizabeth D. Carney and Sabine Müller)
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do you ever just think about how eivor’s whole personal arc is set in the context of her believing varin was a coward and weak for sacrificing himself to kjotve for his clan. not understanding that love doesn’t exist stagnant and immutable. learning, in time, that it’s in action and choices. choosing others, your family, your clan, over yourself. forgiving others, your family, your clan, in spite of yourself. how sad it is that she always sees what her father did (and also what styrbjorn did) as a passivity when she herself is so unwilling to be subject to her own fate. she’s constantly in company but so fucking alone because she all she understands love to be is empty words and sentiment. She can act on it but can’t recognise the act from others, until she can, looking into the faces of the people of ravensthorpe that choose to follow her, to love her. and she chooses them right back.
and ubisoft... ubisoft thinks eivor just decides to up and leave them all. in the middle of the night. to wander alone for the rest of her life. because odin said so.
i just.
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Apart from his parents, does Barty have any other relatives (such as cousins, aunts, uncles and grandparents) and, if so, what are they like? Does Barty visit them?
haha uh. nope!
i didn't come up with any of those, so, he does not lmao. he DOES have a variety of aunt- and uncle-like figures who are his mom's friends, many of whom were her colleagues when she worked at the daily prophet - she left her job when barty was born, then as he got older started moving more into art history and research, which is what she *really* wants to do, but she didn't start going full tilt on that until he'd left for hogwarts
SO since harriet was being a stay-at-home mom, her friends often came to her (or she'd like. meet up with them, she wasn't a shut-in until her family was placed under ministry security), and since barty was basically glued to his mom, this means he's very familiar with all of them and they've known him since he was a baby. probably some of them have kids as well, although jury's out on whether they're remotely near barty's age
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what i find interesting is how minth 'regrets' or carries guilt for her hand and body being used (against her will) under the absolute. she says "i remember every face and life" or something to that extent. it is important to her that we, the player, know this. she thinks about them. they weigh on her.
it's not regret in any traditional sense. minth herself says she has violent intentions - and how she was raised to respond with violence has shaped her interactions with others and the world around her. when she is violence, there is, in minth's mind, always a cause to justify it - she has been hurt, she is making a statement - or in the case of raiding (because girl has razed towns while raiding) for supplies, territory, defense et cetera. it's the regret of senseless violence, it's the regret of killing without any sort of justification for it in minth's mind other than sick bloodlust and impulse - it's the regret of losing control of her body and mind, literally, and being unable to stop it or gain control again until intervention from the prism.
minth responds to hurts and slights with violence ( and she enjoys doing so )- but she wants these things to be justified, because she cannot get the satisfaction from striking without that justification. she'll never strike without what she considers to be just cause or provocation; doubly so if it falls in line with the tenants of her oath.
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Chara in the coat has big... FMAB hoenheim vibes. ya dig?
// funny cause I was going for "Hee hee Chara looks like Colombo the detective hehe" and it's a pure coincidence since this wasn't planned. Omfg
Hoenheim 🤝 Chara
Being immortal and dipping tf out at 5am
In all honesty I think if Baby Edward said "oh.. can you not?" To Hoenheim... he would of stayed LOL
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