Tumgik
#haters back off
mr-cactis · 1 year
Text
Tumblr media Tumblr media
Pessoas estão, quem é melhor, e eu estava omg dois bolos!!!!
32 notes · View notes
unhingedmess · 1 year
Text
Tumblr media
haesung supremacy
13 notes · View notes
haunted-car0usel · 8 months
Text
:33 < im gaining so many friends just for beinf myself
:33 < take that, h8rs!!
3 notes · View notes
quntress · 11 months
Text
I’m so fucking happy that Miranda Sings is finally getting dragged. I’ve been saying since day 1 that the character seemed like a shitty depiction of someone with mental disabilities, and I used to be told that I’m just a HATER. Well I am a HATER, and I feel vindicated.
4 notes · View notes
johnnyxrositafan · 2 years
Text
I don’t want anybody on Tumblr to put mean, hate, and drama comments on my account, if I asked you guys a question about sing 2 headcanons, fanfictions and drawing characters who I love, please never be mean, put a hate comment, and be drama to me because it’s very hurtful to me.
6 notes · View notes
lit3rally-obs3ss3d · 1 year
Text
Tumblr media
Just saw a Miranda Sings comedy show! 💋 She is so sweet and I think I got in the YouTube video lol, I’ll let y’all know!
1 note · View note
huehnerhuut · 1 year
Text
Tumblr media
this was a comment on a femboy bf tiktok
0 notes
iampattonsanders · 2 years
Note
This blog is childish and silly, might as well delete since it's fucking pointless trash apparently
Just like your comment. If you don't like my account then block it instead of leaving immature comments because this account is for fun.
1 note · View note
qqchurch · 4 months
Text
Saijaku Muhai no Bahamut had an arc where the MC crossdresses, is treated as a girl for the entire time, and has pseudo-yuri scenes with the main girl cast, and the staff changed the ED to show the MC in his girlself for the entirety of that arc????
Tumblr media Tumblr media Tumblr media Tumblr media
what were they cooking
for reference, this is the usual ED and the guy's looks:
Tumblr media
283 notes · View notes
ivoreene · 11 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
“Because I want to leave him in the care of an adult who understands other people’s pain. Someone like you.”
“…You came here just to say such sugary-sweet words?”
“You know that I have a sweet-tooth, don’t you?”
“I’m not good with sweets, though.”
----------------
happy nanago day!! it still 7/5 where i live so it counts :] go read the jjk light novel (where the quotes come from) ! its very cute !
my fav translation here -> right here! (i used quotes from this translation, please go check it out it has footnotes and everything! :] )
684 notes · View notes
pileofmush · 13 days
Text
cw: short. hopeful angst? not-so-vague jjk 261 spoilers. a/n: fuck it we move (i wrote this in a state of misery).
Tumblr media
You’ve not one to be superstitious, but. There is something about him that makes you question your interpretation of reality. In the reflection of his wide, beady eyes, you see visions of yourself—crumpled, on the floor. A shadow of a shadow. Reduced to a something that is less and worse than nothing.
What could it be, but love? Reflected in his pitch black eyes?
It is certain, then. You can either leave. Disappear. Run until you reach a place where no one knows you and no one can find you and you are no one. Or you can stay. And watch yourself be nourished, then starved.
It is too bad that you don’t ever listen to your gut.
The notion approaches you when you’re in the midst of walking to the supermarket. It’s cloudy and cold, and the wind makes you feel like a brittle wafer. One crack and you’re done.
Yuuta walks beside you, even though the pace you set is slow. You pretend not to notice his nervous glances at you, quick and needy. Just like he pretends not to notice your longer, more appreciative stares whenever you forget yourself.
But can he blame you? He looks quite striking in his black wool coat. There’s a healthy pink glow resting just above his cheekbones. It’s cute. And his hair’s a bit messy, black strands falling loosely out of its natural parting, like he’s run a hand through it a few times.
Yes, he’s nervous alright. But when is he not nervous? And when do you care what he’s feeling, anyway?
It’s only a few moments later when he’s crouched before you, kneeling in the middle of the sidewalk, deft fingers reaching for your ratty, untied laces, that you realize how in deep you are.
“What are you doing?” You ask, just to ask.
It does not bother him. “Your shoe,” he says quietly, then he looks up at you and smiles. “Let me tie it for you.”
Yes, you’re in deep. You don’t utter a peep as Yuuta works quietly at your sneaker, then unlaces your other shoe and starts retying that. Foot-traffic swerves around you both, but you don’t have it in you to be sorry. Fuck. This was not in your plans, and yet—
When he’s done, he tells you so and runs a hand lightly up and down your calf.
You blank.
“Sorry, was that too much?”
Yuuta’s feminine voice brings back you back to your senses. He’s biting his bottom lip in worry, you note, though he seems reluctant to let go of your leg. He’s started tapping mindlessly against it, seemingly in thought. You don’t mind. You’re really pondering some thoughts of your own, such as how often he gnaws his lips. If they’d feel chapped against your own. If he ever accidentally draws blood.
“No, not too much.” You eventually reply, and then unwisely, you add, “Perhaps…not enough.”
And there is a sick, sharp sound of a lock slotting into place. The final snap of a coffin lid. You just might be doomed. But then, Yuuta tilts his head, hands tightening reflexively, and you really can’t find it within yourself to care.
So what.
So what if your intuition cries thick hot tears. So what if you see the worst in his haunting eyes.
Surely, you can take it. Surely, he is worth it.
For he is kind. Far too kind for his own good, maybe. And pretty. And he makes himself small, for you. And he smells like petrichor. Or lavender. One of the two.
.
You’ll regret it. Maybe. But not today.
You are not superstitious, but. The day you fall for Okkotsu Yuuta, you light a thin candlestick in the dark and allow yourself the space to mourn.
Tumblr media
ty for reading T-T
84 notes · View notes
sailorgrams · 8 months
Text
Tumblr media Tumblr media
POV you have a little hater
Enemies to lovers arc when lmaooo
187 notes · View notes
grogumaximus · 1 month
Text
Tumblr media Tumblr media Tumblr media
× ×
33 notes · View notes
every Green Brothers post reminds me that the true casualty of "cancel culture" is you can't just be a hater anymore. it is pointed out time and again that the only thing the brothers are accused of is being overly-friendly with fans to the point it seems creepy and of having gross energy.
invariably the fans are like "wow way to spread baseless rumors" bitch what rumour??? them skeeving me out isn't a rumor it's a fact! i don't have to accuse anyone of a crime to point out they're acting creepy and weird. you can't be sent to jail because someone on tumblr said "your vibes are so fucked up and nasty"
this is why i never stand in the way of people who make similar comments about the McElroys, even as a MBMBAM fan myself. it's your god-given right to see someone and say "ew, no" and i'll defend that right with my life!!! there is nothing i respect so much as the pure art of being a hater!!!
206 notes · View notes
musical-chick-13 · 2 years
Text
I think people who pick one character from AsoIaF/GoT to be The Protagonist are missing the point, because pretty much all of the characters think THEY are The Protagonist™ and that’s ultimately what screws them over.
(I also want to preface this by saying that that’s the reason I find these characters so interesting, and that this is not meant to insult any of them. I LOVE this story, and this is one of the many reasons why.)
Cersei thinks she’s the Villain Protagonist™ of a gritty drama. Even if it doesn’t make sense for things to work out for her, she assumes they will, seeing everyone around her as faceless idiots serving her narrative. Anyone and everyone will betray her because that’s what always happens in stories like this, so she won’t give them a chance to ever get there. People will move the way she assumes they will; everyone is predictable and stupid and shallow and cowardly. And as such, no one possesses the necessary skills to take her down. If she’s more ruthless and ambitious and paranoid than everyone else, she’ll get what she wants. But that’s not how life actually works, so all she does is alienate those around her, even necessary allies. People aren’t always predictable, not all of them are compliant or subservient or easily-frightened or incompetent. And if you prioritize ruthlessness and distrust, the people who aren’t those things aren’t going to see any reason to keep you around or give you aid.
Jaime thinks he’s a Cynical Misunderstood Antihero. He doesn’t need to work on bettering himself or de-internalizing his violent impulses, because he’s not the problem, it’s society, it’s people’s incorrect assessment of him. Look, he made a friend in Brienne, that must mean he’s not all bad, right? He thinks this story ends in a Public Image Rehabilitation, but he still conflates love with violence, and he still has a fucked up relationship with consent, he’s arrogant to a fault, he still insults Brienne (and just about everyone else) when the opportunity presents itself, and he never bothers trying to change that. And it’s all of this that prevents him from every truly becoming a good person. He’s so mired in this idea of being misunderstood that he doesn’t make a concerted effort to prove that he actually is. People think he’s an oath-breaker, that he has too big of an ego, that he doesn’t care about the people he swore to protect, and he thinks that simply going, “Yeah, but they don’t have the whole picture” is enough in and of itself to prove them wrong because, in a lot of stories, it is. But all his behavior does is cement his reputation as these things.
Dany thinks she’s The Chosen One, which means whatever she does is automatically the right decision. People will accept her rule because it’s hers, she deserves it, it’s morally right. All of her enemies are blanketedly wrong on all accounts in all cases. Her goals supersede anyone else’s because those goals are the way to a Happy Ending, and she doesn’t consider that other people might not see it that way. Many people’s gripes with her stem from gross places like misogyny or wanting to continue keeping slaves, but she forgets to acknowledge that some people’s issues with her might actually be valid. And that The Chosen One is actually a terrifying idea to people outside that person’s immediate personal context. She has three sentient WMDs, essentially. And if she thinks that using them is always morally correct, that the fallout from doing so can’t possibly be a problem because she’s using them and it’s for a noble cause, you end up with what happened in Astapor; and you end up with Drogon killing a child in Mereen and, eventually, her demise at the end of the show.
Sansa starts out thinking she’s an Optimistic Child Hero in a fairytale. This leads to her being held captive at court (she trusted that the authority figures were benevolent), writing a letter to her family that almost comes back to bite her to a deadly degree once her sister finds out in the show (she thought she could solve everything herself via a peaceful resolution), and to her trusting a complete monster of a boy until it’s too late (she thought he was Prince Charming). She thinks that being the Soft, Beautiful Heroine means people will love her and everything will end nicely and neatly, but sometimes instead of “love”, people just take advantage of you. And sometimes their reaction to your beauty isn’t innocent appreciation-sometimes you end up with Littlefinger. (Or Tyrion or The Hound who...let’s just leave it at “they have their own issues,” especially book-wise.) This morphs into assuming that a fairytale-esque betrayal will befall her with every new person she meets. It’s why she defends Petyr after his murder of Lysa, and it’s why she doesn’t leave with Brienne; if she’s going to be betrayed anyway, she might as well at least stick with a villain she understands.
Ned thinks he’s the Noble Hero in a typical fantasy series. He doesn’t consider everyone else’s capacity for cruelty or the idea that honor alone might not be enough. Sometimes there are no perfect choices, sometimes mercy does not give you the end goal you envisioned, and sometimes you can try your best and that can all be undone by one impulsive, unforeseeable action. You can’t honor your way out of ruthless political conflict.
Robb thinks he’s a Romantic War Hero, and thus everything will magically work out for him. His ideals and his marriage will conquer everything. But he broke a marriage promise to a powerful family, and that has consequences. The world won’t bend to his will, not even if he is doing the right thing or has noble goals, not even if he’s had war success, not even if the people at home love him, not even if he’s in love (show) or doing the most honorable thing he can (books). He thinks that being the hero means he can make it through Westeros without having to play the game, and he gets murdered for it.
Theon thinks he’s an Underdog Outcast Hero. He’ll come up from behind with an unsuspecting War Victory, and that will earn him respect, the love of his family, and a legacy he can look back on with pride. And that mindset leads him to murder two children, to drive away any allies and good grace he had at Winterfell, and the reason that the War Victory he imagined was so unexpected is because it’s completely untenable. He gets more and more desperate and it’s increasingly harder and harder to hold onto the control he’s managed to obtain. He has reasons for wanting this that make sense, and he’s been dealt a pretty bad hand in life, and he thinks that’s and his determination to overcome his personal identity struggles is enough to not only justify his actions, but ensure that those actions will be successful. And then his plan blows up in his face, he assumes he’s been miraculously saved (probably still having something to do with seeing himself as The Unexpected Hero), and ends up at Ramsay’s mercy.
Arya thinks she’s a Badass Heroine in the making, a skilled swordslady and Rebellious Princess who’s destined for more than this stuffy life of politics and dresses and formalities. But rebelling isn’t always enough. It doesn’t help with the Mycah situation, and she still needs to rely on others’ help in getting out of the city after Ned is executed. When she does try to embrace the “fully self-sufficient sword lady” idea while with the Faceless Men in Braavos, she is told to functionally discard her identity completely. She does an unauthorized kill because she, not her assassin-persona-in-training, wants to (though the victim’s identity differs in books and show), which leads to her being temporarily blinded and prevented from going on assassination missions, and outright forced to beg for food in the show. In the show, after being reinstated as an apprentice, she is tasked with killing an innocent person, refuses (rebels), and realizes that this life is one she can’t handle. She goes home, and her heading straight for her sword is one of the things that almost completely ruins her relationship with Sansa. In the upcoming Winds of Winter release, her chapter excerpt has her prioritizing revenge over her apprentice duties, and she remarks that her new identity is ruined with this rebellious action. When you rebel, there are consequences-this doesn’t change just because your intentions are good or because you are or think you are important.
Jon thinks, similarly to Ned, that he’s The Good Guy, that doing the right thing, that following The Code is paramount. He thinks that, because he’s The Good Guy, that doing the right thing with the maximum amount of good for everyone will always be a workable option, and that the heroic option will always yield the best result. This is why he thinks proclaiming his love to Ygritte in the show will end well (because love is good and conquers everything) and is, instead, shot by her several times. It’s why he doesn’t foresee a mutiny in either medium, which leads to his (temporary) death. (Let’s be real, he’s getting resurrected in the books, too, this is the one thing I’m sure of.) Because yes, everything is tense and he’s on bad terms with the Watch, but surely they wouldn’t go that far. It’s rough going, and he has to juggle the needs of several widely different groups of people, but he’s doing the right thing and that will win out; his conviction will protect him, at least for the time being while he tries to manage the bigger threat of the White Walkers. The real fight is with them, the mysterious overarching enemy, not within his own ranks. This is a story where everyone puts aside their differences to fight a greater threat-except for the times when it isn’t.
Even Catelyn isn’t immune, as she assumes that Petyr, since he’s her childhood friend, is invested in solving the mystery of what happened to Bran when he tells her the dagger used in the attack was Tyrion’s. Lysa is her sister, she can’t possibly be suspicious. She thinks the Lannisters are evil, her instincts tell her that they were behind everything, she’s the Protective Mother Heroine, so she must be right. But although she is to a certain extent correct, that’s not the complete picture. And this slightly-misplaced confidence leads her to arrest Tyrion, the retaliation of which is Tywin siccing his forces on her homeland, one of the major first steps in the upcoming political war. Then, her continued focus on saving her children-something that must take precedence because they are her children, and this is her story-leads her to taking Walder Frey’s supposed offer of a fix-it solution for Robb breaking his marital pledge at face value, despite House Frey’s reputation, and despite this neat resolution seeming far too good to be true. She’s so focused on the Lannisters-the Obvious Endgame Enemy-that she doesn’t consider the possibility of betrayal from the Freys. She thinks that the world is giving her a break-because she is so desperately looking for one, because she deserves one, because her family deserves one, and those are reasons enough for her to have one-that she doesn’t even bother to re-evaluate the situation until it’s too late.
Melisandre thinks she’s a Religious Hero, but she ends up burning a child alive and alienating one of her few remaining allies in the process (and Davos was barely an ally to begin with). She thinks she’s Doing What Needs To Be Done to serve her savior, but it hurts Stannis more than it helps him, and he just ends up being murdered by Brienne. This is obviously in the show only (at least at this point), and I don’t know if Stannis is going to burn Shireen in the books or not. Stannis thinks he’s the Lawful Hero, and thus, because according to law he’s the Rightful Ruler, anything he does is automatically excusable; he’s just righting a wrong. And in the process, he imprisons his closest friend, has a hand in murdering his brother (when kinslaying is one of the most universally hated breaches of conduct in this fictional universe), allies with a dangerous woman that much of his own court despises, and, in the show, murders his only child and drives away most of the rest of his remaining team.
They all think that, since they are the main characters of their own stories, that they’re the main character of the larger, overarching narrative. That having understandable reasons or sympathetic qualities or even just having a clear goal that they desperately want, that’s enough to cement their importance. And they think that means that they’re justified in everything they do, that everything will work out for them, that the consequences will be lesser for them than for others, because that’s what it’s like to be the main character. The whole point is that there is not A Protagonist™ and that maybe we should examine why a story needs A Protagonist™ in the first place and what that narrative tradition tells us. When GRRM said he turned down adaptation offers because they only wanted to focus on Jon and Dany, this is why.
#asoiaf#got#asoiaf meta#got meta#most of this is directly related to everyone deconstructing the archetypes they would represent in other stories#so I'm not sure how much of this is just 'deconstructing tropes' and how much of it is 'Main Character Perception Syndrome'#also obviously this isn't every character I ran out of room and honestly some of them like davos and brienne and maybe even loras#probably don't think they're The Main Character which there's a whole other essay in there about how they're The Good People#I personally think Bran never gave off 'I think I'm the main character' energy but I know haters will disagree with me on that#like...Idk his sense of self-worth kind of went away and he spent a bunch of time trying to get it back and figure out how to get by#in a society that now thought he was worthless. and how to get enjoyment out of life when his goals were no longer reachable#it read less as 'I think I'm more Important™' and more 'I'm just trying to survive man' but also I love bran I might be a little biased lmao#cersei lannister#jaime lannister#dark!dany#sansa stark#arya stark#theon greyjoy#jon snow#catelyn stark#robb stark#ned stark#melisandre#stannis baratheon#I take my life into my own hands by putting actual names in the tags but I talk about these characters and I don't know how else to tag#this to ensure people who don't want to see it won't have to see it#also for anyone wondering where tyrion is on this list: I was too tired to delve into this phenomenon regarding him because it is ESPECIALLY#prominent regarding him. and this post was already so long and talking about tyrion in this context probably would've made it TWICE as long#there genuinely isn't enough space in here to include him but know that I'm counting him too. most definitely#behold! a creation!
598 notes · View notes
explorerof-theunknown · 9 months
Text
the thing i love abt army of darkness is that even though i've seen people call it the "big budget studio" one, it's still like...so fucking charmingly practical and camp despite whatever money they threw at it half the army is dudes in suits and half of it is super obvious stop motion bruce gets rubber skeletons just thrown at him from off camera to a pottery breaking sound effect when ash shoots evil ash into a tree, the tree fucking shakes because its made of rubber there's still matte painting lines on the castle in the background
i love cinema
122 notes · View notes