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#harry collett icons
jacevelaryonswife · 9 months
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— Harry Collett via Instagram
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favorite-characters · 2 years
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ℍ𝕠𝕦𝕤𝕖 𝕠𝕗 𝕥𝕙𝕖 𝔻𝕣𝕒𝕘𝕠𝕟
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Harry Collett as ᴊᴀᴄᴀᴇʀʏs ᴠᴇʟᴀʀʏᴏɴ (S01.E08 • dir. Geeta Vasant Patel • 2022)
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behindfairytales · 1 year
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icons of Harry Collett in House of the Dragon (1.08-10) as Jacaerys Velaryon
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hotdaesthetic · 3 months
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Modern characters from the series HOTD in school aesthetics
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Jacerys
The guy always drives into the school parking lot in a cool car along with loud music, thereby attracting the attention of not only all the girls but also the boys
King of all proms
Understands etiquette
Loves female attention
He goes to the gym with his friend Krigan
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thenovamuse · 1 year
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synkverv · 10 months
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team black + art icon header sets
includes tumblr and twitter headers with matching icons likes and reblogs aren’t necessary but are very much appreciated credit if using isn't necessary but don't claim as your own team green version here
bonus: alternate rhaenyra icon under the cut
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chelez · 1 year
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random harry collet aka jacaerys velaryon icons
➤  like or reblog if u save - follow me.
twt: @babyzshit
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saintlopezlov3r · 1 year
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Jacaerys Velaryon🍷
House of the Dragon
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Broadway Divas Tournament: Round 1A
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(this poll breaks my heart)
Six-time Tony winner Audra McDonald (1970) holds the record for most Tony acting awards a person has ever won. She is one of five actors to be nominated across all four respective acting categories and the only person to win every one (and the only actress out of the three who is still living...). Her stage work includes: Ragtime (1998), Porgy and Bess (2012), and Lady Day at Emmerson's Bar and Grill (2014) among so much more on Broadway and far beyond. All this woman needs is an Oscar to EGOT, and what are we as a society doing to make that happen? Audra debuted on Broadway as a replacement in The Secret Garden, and yes, Rebecca Luker was still there.
Rebecca Luker (1961-2020) was known for her luminous work in The Secret Garden (1991) as the original Lily Craven, The Sound of Music (1998), and The Music Man (2000) where she was nominated for a Tony alongside an iconic lineup (Audra McDonald, Marin Mazzie, Toni Collette, and Heather Headley). She had an extensive regional theatre and concert career and had four solo recordings. In February 2020, she was diagnosed with ALS, and by October her beautiful voice was all but gone. Rebecca passed away in December of 2020. She was 59.
PROPAGANDA AND MEDIA UNDER CUT:
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"Is any propaganda really needed? Is saying six-time Tony winner Audra McDonald not enough for you people? Just listen to this woman's voice and tell me your soul doesn't ascend to a higher plane of being. And just listen to her do Lady Day. Audra McDonald, what the fuck? How are you this talented? Audra McDonald is THE Broadway Diva and a true triple threat. She has ten Tony nominations to her name, and is right up there alongside the legends that were Julie Harris and Chita Rivera."
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"True operatic sopranos are a dying breed in the most literal sense. Rebecca was a gift to this world, and I miss her dearly. Her Marian in The Music Man was everything, and I refuse to acknowledge that we live in a world where we had her revive Barbara Cook's role after over forty years, only to get a second revival barely two decades later with a fucking belter in a soprano role. Go listen to Rebecca Luker's "My White Knight" and cleanse yourself, and watch how she somehow finds the bootleg camera and sings right to it."
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mediamixs · 2 months
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10 amazing horror movies starring women
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"The Exorcist" (1973): Linda Blair delivers a chilling performance as Regan MacNeil, a young girl possessed by a demonic entity. Her portrayal of the character's descent into darkness and the horrifying manifestations of the possession remain iconic in the realm of horror cinema.
"Carrie" (1976): Sissy Spacek stars as Carrie White, a shy and outcast teenage girl with telekinetic powers. Directed by Brian De Palma and based on Stephen King's novel, the film explores themes of bullying, religious fanaticism, and the consequences of unchecked power.
"Alien" (1979): Sigourney Weaver stars as Ellen Ripley, the resourceful warrant officer aboard the spaceship Nostromo. Directed by Ridley Scott, this science fiction horror film features Weaver's iconic portrayal of Ripley as she battles against a deadly extraterrestrial creature, setting the stage for a franchise known for its strong female lead.
"The Ring" (2002): Naomi Watts plays journalist Rachel Keller, who investigates a cursed videotape that leads to a series of terrifying events. As she delves deeper into the mystery, Rachel finds herself entangled in a supernatural curse that threatens her life and the lives of those around her.
"28 Days Later" (2002): Directed by Danny Boyle, this post-apocalyptic horror film stars Naomie Harris as Selena, a survivor in a world overrun by zombies infected with a rage-inducing virus. Harris delivers a powerful performance as Selena, a determined and resilient woman fighting for survival in a dystopian landscape.
"The Descent" (2005): Shauna Macdonald leads an ensemble cast of female characters in this claustrophobic horror film directed by Neil Marshall. As they explore an uncharted cave system, a group of friends encounters terrifying creatures lurking in the darkness, testing their courage and bonds of friendship.
"Let the Right One In" (2008): Lina Leandersson stars as Eli, a mysterious young girl who befriends a lonely boy named Oskar in a Swedish suburb. As their bond deepens, Oskar discovers Eli's dark secret, leading to a chilling exploration of love, friendship, and the horrors of vampirism.
"The Babadook" (2014): Essie Davis portrays Amelia, a grieving mother struggling to raise her troubled son while haunted by a sinister presence from a mysterious children's book. As the malevolent force grows stronger, Amelia must confront her inner demons to protect her family from the horrors lurking within their home.
"The Witch" (2015): Anya Taylor-Joy stars as Thomasin, a young Puritan girl whose family is torn apart by paranoia and supernatural forces in 17th century New England. As tensions rise and accusations of witchcraft emerge, Thomasin must navigate a landscape of fear and suspicion to survive.
"Hereditary" (2018): Toni Collette delivers a tour-de-force performance as Annie Graham, a woman unraveling the dark secrets of her family's ancestry after the death of her mother. As she delves deeper into her family's history, Annie confronts a malevolent force that threatens to consume her and her loved ones in a nightmare of unimaginable horror.
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jacevelaryonswife · 11 months
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— Harry Collett and his beautiful hair · ✧✵
he is sooo boyfriend material, I swear @harrycollettapologist @howyouloveyourdragon
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ℍ𝕠𝕦𝕤𝕖 𝕠𝕗 𝕥𝕙𝕖 𝔻𝕣𝕒𝕘𝕠𝕟
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Harry Collett as ᴊᴀᴄᴀᴇʀʏs ᴠᴇʟᴀʀʏᴏɴ (S01.E10 • dir. Greg Yaitanes • 2022)
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behindfairytales · 1 year
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HOUSE OF THE DRAGON (s1) ICONS PACK
By clicking the source link, you’ll find 809 icons for roleplay, made by myself from House of the Dragon (s1).
Featured: Ty Tennant, Tom Glynn-Carney, Sian Brooke, Ewan Mitchell, Emily Carey, Olivia Cooke, Luke Tittensor, Bethany Antonia, Steve Toussaint, Fabien Frankel, Matt Smith, Elliot Tittensor, Graham McTavish, Ryan Corr, Phia Saban, Harry Collett, Jefferson Hall, Savannah Steyn, Nanna Blondell, Theo Nate, John MacMillan, Matthew Needham, Elliot Grihault, Gavin Spokes, Sonoya Mizuno, Rhys Ifans, Phoebe Campbell, Milly Alcock, Emma D'Arcy, Eve Best, Wil Johnson & Paddy Considine
Please check the rules
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hotdaesthetic · 4 months
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Vampire aesthetics with Harry 🫦
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Вампирская эстетика с Гарри
creator @hotdaesthetic
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blackkudos · 4 years
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Dexter Gordon
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Dexter Gordon (February 27, 1923 – April 25, 1990) was an American jazz tenor saxophonist. He was one of the first players of the instrument in the bebop idiom of musicians such as Charlie Parker, Dizzy Gillespie, and Bud Powell. Gordon's height was 6 feet 6 inches (198 cm), so he was also known as "Long Tall Dexter" and "Sophisticated Giant". His studio and performance career spanned over 40 years.
Gordon's sound was commonly characterized as being "large" and spacious and he had a tendency to play behind the beat. He was known for humorously inserting musical quotes into his solos, with sources as diverse as popular tunes like "Happy Birthday" to the operas of Wagner. This is not unusual in common-practice jazz improvisation, but Gordon did it frequently enough to make it a hallmark of his style. One of his major influences was Lester Young. Gordon, in turn, was an early influence on John Coltrane and Sonny Rollins. Rollins and Coltrane then influenced Gordon's playing as he explored hard bop and modal playing during the 1960s.
Gordon was known for his genial and humorous stage presence. He was an advocate of playing to communicate with the audience. One of his idiosyncratic rituals was to recite lyrics from each ballad before playing it.
A photograph by Herman Leonard of Gordon taking a smoke break at the Royal Roost in 1948 is one of the iconic images in jazz photography. Cigarettes were a recurring theme on covers of Gordon's albums.
Gordon was nominated for an Academy Award for Best Actor in a Leading Role for his performance in the Bertrand Tavernier film Round Midnight (Warner Bros, 1986), and he won a Grammy for Best Jazz Instrumental Performance, Soloist, for the soundtrack album The Other Side of Round Midnight (Blue Note Records, 1986). He also had a cameo role in the 1990 film Awakenings. In 2019, Gordon's album Go (Blue Note, 1962) was selected by the Library of Congress for preservation in the National Recording Registry for being "culturally, historically, or aesthetically significant".
Life and career
Early life
Dexter Keith Gordon was born on February 27, 1923 in Los Angeles, California. His father, Dr. Frank Gordon, was one of the first African American doctors in Los Angeles who arrived in 1918 after graduating from Howard Medical School in Washington, D.C. Among his patients were Duke Ellington and Lionel Hampton. Dexter's mother, Gwendolyn Baker, was the daughter of Captain Edward Baker, one of the five African American Medal of Honor recipients in the Spanish–American War. Gordon played clarinet from the age of 13, before switching to saxophone (initially alto, then tenor) at 15. While still at school, he played in bands with such contemporaries as Chico Hamilton and Buddy Collette.
Between December 1940 and 1943, Gordon was a member of Lionel Hampton's band, playing in a saxophone section alongside Illinois Jacquet and Marshal Royal. During 1944 he was featured in the Fletcher Henderson band, followed by the Louis Armstrong band, before joining Billy Eckstine. The 1942–44 musicians' strike curtailed the recording of the Hampton, Henderson, and Armstrong bands; however, they were recorded on V-Discs produced by the Army for broadcast and distribution among overseas troops. In 1943 he was featured, alongside Harry "Sweets" Edison, in recordings under Nat Cole for a small label not affected by the strike.
Bebop era recordings
By late 1944, Gordon was resident in New York, a regular at bebop jam sessions, and a featured soloist in the Billy Eckstine big band (If That's The Way You Feel, I Want To Talk About You, Blowin' the Blues Away, Opus X, I'll Wait And Pray, The Real Thing Happened To Me, Lonesome Lover Blues, I Love the Rhythm in a Riff). During early 1945 he was featured on recordings by Dizzy Gillespie (Blue 'n' Boogie, Groovin' High) and Sir Charles Thompson (Takin' Off, If I Had You, 20th Century Blues, The Street Beat). In late 1945 he was recording under his own name for the Savoy label. His Savoy recordings during 1945-46 included Blow Mr. Dexter, Dexter's Deck, Dexter's Minor Mad, Long Tall Dexter, Dexter Rides Again, I Can't Escape From You, and Dexter Digs In. He returned to Los Angeles in late 1946 and in 1947 was leading sessions for Ross Russell's Dial label (Mischievous Lady, Lullaby in Rhythm, The Chase, Iridescence, It's the Talk of the Town, Bikini, A Ghost of a Chance, Sweet and Lovely). After his return to Los Angeles, he became known for his saxophone duels with fellow tenorman Wardell Gray, which were a popular concert attraction documented in recordings made between 1947 and 1952 (The Hunt, Move, The Chase, The Steeplechase).  The Hunt gained literary fame from its mention in Jack Kerouac's On The Road, which also contains descriptions of wild tenormen jamming in Los Angeles. Cherokee, Byas a Drink, and Disorder at the Border are other live recordings of the Gray/Gordon duo from the same concert as The Hunt. In December 1947, Gordon recorded again with the Savoy label (Settin' the Pace, So Easy, Dexter's Riff, Dextrose, Dexter's Mood, Index, Dextivity, Wee Dot, Lion Roars). Through the mid-to-late 1940s he continued to work as a sideman on sessions led by Russell Jacquet, Benny Carter, Ben Webster, Ralph Burns, Jimmy Rushing, Helen Humes, Gerry Mulligan, Wynonie Harris, Leo Parker, and Tadd Dameron.
The 1950s
During the 1950s, Gordon's recorded output and live appearances declined as heroin addiction and legal troubles took their toll. Gordon made a concert appearance with Wardell Gray in February 1952 (The Chase, The Steeplechase, Take the A Train, Robbins Nest, Stardust) and appeared as a sideman in a session led by Gray in June 1952 (The Rubiyat, Jungle Jungle Jump, Citizen's Bop, My Kinda Love). After an incarceration at Chino Prison during 1953-55, he recorded the albums Daddy Plays the Horn and Dexter Blows Hot and Cool in 1955 and played as a sideman on the Stan Levey album, This Time the Drum's on Me. The latter part of the decade saw him in and out of prison until his final release from Folsom Prison in 1959. He was one of the initial sax players for the Onzy Matthews big band in 1959, along with Curtis Amy. Gordon continued to champion Matthews' band after he left Los Angeles for New York, but left for Europe before getting a chance to record with that band. He recorded The Resurgence of Dexter Gordon in 1960. His recordings from the mid-1950s onward document a meander into a smooth West Coast style that lacked the impact of his bebop era recordings or his subsequent Blue Note recordings.
The decade saw Gordon's first entry into the world of drama. He appeared as a member (uncredited) of Art Hazzard's band in the 1950 film Young Man with a Horn. He appeared in an uncredited and overdubbed role as a member of a prison band in the movie Unchained, filmed inside Chino. Gordon was a saxophonist performing Freddie Redd's music for the Los Angeles production of Jack Gelber's play The Connection in 1960, replacing Jackie McLean. He contributed two compositions, Ernie's Tune and I Want More to the score and later recorded them for his album Dexter Calling.
New York renaissance
Gordon signed to Blue Note Records in 1961. He initially commuted from Los Angeles to New York to record, but took up residence when he regained the cabaret card that allowed him to perform where alcohol was served. The Jazz Gallery hosted his first New York performance in twelve years. The Blue Note association was to produce a steady flow of albums for several years, some of which gained iconic status. His New York renaissance was marked by Doin' Allright, Dexter Calling..., Go!, and A Swingin' Affair. The first two were recorded over three days in May 1961 with Freddie Hubbard, Horace Parlan, Kenny Drew, Paul Chambers, George Tucker, Al Harewood, and Philly Joe Jones. The last two were recorded in August 1962, with a rhythm section that featured Blue Note regulars Sonny Clark, Butch Warren and Billy Higgins. Of the two Go! was an expressed favorite. The albums showed his assimilation of the hard bop and modal styles that had developed during his years on the west coast, and the influence of John Coltrane and Sonny Rollins, whom he had influenced before. The stay in New York turned out to be short lived, as Gordon got offers for engagements in England, then Europe, that resulted in a fourteen-year stay. Soon after recording A Swingin' Affair, he was gone.
Years in Europe
Over the next 14 years in Europe, living mainly in Paris and Copenhagen, Gordon played regularly with fellow expatriates or visiting players, such as Bud Powell, Ben Webster, Freddie Hubbard, Bobby Hutcherson, Kenny Drew, Horace Parlan and Billy Higgins. Blue Note's German-born Francis Wolff supervised Gordon's later sessions for the label on his visits to Europe. The pairing of Gordon with Drew turned out to be one of the classic matchups between a horn player and a pianist, much like Miles Davis with Red Garland or John Coltrane with McCoy Tyner.
From this period come Our Man in Paris, One Flight Up, Gettin' Around, and Clubhouse. Our Man in Paris was a Blue Note session recorded in Paris in 1963 with backup consisting of pianist Powell, drummer Kenny Clarke, and French bassist Pierre Michelot. One Flight Up, recorded in Paris in 1964 with trumpeter Donald Byrd, pianist Kenny Drew, drummer Art Taylor, and Danish bassist Niels-Henning Ørsted Pedersen, features an extended solo by Gordon on the track "Tanya".
Gordon also visited the US occasionally for further recording dates. Gettin' Around was recorded for Blue Note during a visit in May 1965, as was the album Clubhouse which remained unreleased until 1979.
Gordon found Europe in the 1960s a much easier place to live, saying that he experienced less racism and greater respect for jazz musicians. He also stated that on his visits to the US in the late 1960s and early 1970s, he found the political and social strife disturbing. While in Copenhagen, Gordon and Drew's trio appeared onscreen in Ole Ege's theatrically released hardcore pornographic film Pornografi (1971), for which they composed and performed the score.
He switched from Blue Note to Prestige Records (1965–73) but stayed very much in the hard-bop idiom, making classic bop albums like  The Tower of Power! and More Power! (1969) with James Moody, Barry Harris, Buster Williams, and Albert "Tootie" Heath; The Panther! (1970) with Tommy Flanagan, Larry Ridley, and Alan Dawson;  The Jumpin' Blues(1970) with Wynton Kelly, Sam Jones, and Roy Brooks; The Chase! (1970) with Gene Ammons, Jodie Christian, John Young, Cleveland Eaton, Rufus Reid, Wilbur Campbell, Steve McCall, and Vi Redd; and Tangerine (1972) with Thad Jones, Freddie Hubbard, and Hank Jones. Some of the Prestige albums were recorded during visits back to North America while he was still living in Europe; others were made in Europe, including live sets from the Montreux Jazz Festival.
In addition to the recordings Gordon did under his major label contracts, live recordings by European labels and live video from his European period are available. The Danish label SteepleChase released live dates from his mid-1960s tenure at the Montmartre Jazzhus. The video was released under the  Jazz Icons series.
Less well known than the Blue Note albums, but of similar quality, are the albums he recorded during the 1970s for SteepleChase (Something Different, Bouncin' With Dex, Biting the Apple, The Apartment, Stable Mable, The Shadow of Your Smile and others). They again feature American sidemen, but also such Europeans as Spanish pianist Tete Montoliu and Niels-Henning Ørsted Pedersen.
Homecoming
Gordon finally returned to the United States for good in 1976. He appeared with Woody Shaw, Ronnie Mathews, Stafford James, and Louis Hayes, for a gig at the Village Vanguard in New York that was dubbed his "homecoming." It was recorded and released by Columbia Records under that title. He noted: "There was so much love and elation; sometimes it was a little eerie at the Vanguard. After the last set they'd turn on the lights and nobody would move." In addition to the Homecoming album, a series of live albums was released by Blue Note from his stands at Keystone Corner in San Francisco during 1978 and 1979. They featured Gordon, George Cables, Rufus Reid, and Eddie Gladden. He recorded the studio albums Sophisticated Giant with an eleven piece big band in 1977 and Manhattan Symphonie with the Live at Keystone Corner crew in 1978. The sensation of Gordon's return, renewed promotion of the classic jazz catalogs of the Savoy and Blue Note record labels, and the continued efforts of Art Blakey through 1970s and early 1980s, have been credited with reviving interest in swinging, melodic, acoustically-based classic jazz sounds after the Fusion jazz era that saw an emphasis on electronic sounds and contemporary pop influences.
Musician Emeritus
In 1978 and 1980, Gordon was the DownBeat Musician of the Year and in 1980 he was inducted into the Jazz Hall of Fame. The US Government honored him with a Congressional Commendation, a Dexter Gordon Day in Washington DC, and a National Endowment for the Arts award for Lifetime Achievement. In 1986, he was named a member and officer of the French Order of Arts and Letters by the Ministry of Culture in France.
During the 1980s, Gordon was weakened by emphysema. He remained a popular attraction at concerts and festivals, although his live appearances and recording dates would soon become infrequent.
Gordon's most memorable works from the decade were not in music but in film. He starred in the 1986 movie Round Midnight as "Dale Turner", an expatriate jazz musician in Paris during the late 1950s based loosely on Lester Young and Bud Powell. That portrayal earned him a nomination for an Academy Award for Best Actor. In addition, he had a non-speaking role in the 1990 film Awakenings, which was posthumously released. Before that last film was released he made a guest appearance on the Michael Mann series Crime Story.
Soundtrack performances from Round Midnight were released as the albums Round Midnight and The Other Side of Round Midnight, featuring original music by Herbie Hancock as well as playing by Gordon. The latter was the last recording released under Gordon's name. He was a sideman on Tony Bennett's 1987 album, Berlin.
Death and postmortem
Gordon died of kidney failure and cancer of the larynx in Philadelphia, on April 25, 1990, at the age of 67.
On June 25, 2019, The New York Times Magazine listed Dexter Gordon among hundreds of artists whose material was reportedly destroyed in the 2008 Universal fire.
Family
Gordon's maternal grandfather was Captain Edward L. Baker, who received the Medal of Honor during the Spanish–American War, while serving with the 10th Cavalry Regiment (also known as the Buffalo Soldiers).
Gordon's father, Dr. Frank Gordon, M.D., was one of the first prominent African-American physicians and a graduate of Howard University.
Dexter Gordon had a total of six children, from the oldest to the youngest: Robin Gordon (Los Angeles), California, James Canales (Los Angeles), Deidre (Dee Dee) Gordon (Los Angeles), Mikael Gordon-Solfors (Stockholm), Morten Gordon (Copenhagen) and Benjamin Dexter Gordon (Copenhagen), and seven grandchildren, Raina Moore Trider (Brooklyn), Jared Johnson (Los Angeles), and Matthew Johnson (Los Angeles), Maya Canales (San Francisco) and Jared Canales (San Francisco), Dexter Gordon Bogs (Copenhagen), Dexter Minou Flipper Gordon-Marberger (Stockholm).
When he lived in Denmark, Gordon became friends with the family of the future Metallica drummer Lars Ulrich, and subsequently became Lars's godfather.
Gordon was also survived by his widow Maxine Gordon and her son Woody Louis Armstrong Shaw III.
Instruments and mouthpieces
The earliest photographs of Gordon as a player show him with a Conn 30M "Connqueror" and an Otto Link mouthpiece. In a 1962 interview with the British journalist Les Tomkins, he did not refer to the specific model of mouthpiece but stated that it was made for him personally. He stated that it was stolen around 1952. The famous smoke break photo from 1948 shows him with a Conn 10M and a Dukoff mouthpiece, which he played until 1965. In the Tomkins interview he referred to his mouthpiece as a medium-chambered piece with a #5* (.080" under the Dukoff system) tip opening. He bought a Selmer Mark VI from Ben Webster after his 10M went missing in transit. In a Down Beat magazine interview from 1977, he referred to his current mouthpiece as an Otto Link with a #8 (.110" under the Otto Link system) tip opening.
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problematicwelshman · 4 years
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Dolittle Home Release Dates
Universal announced the official home release details surrounding Dolittle. The film will be available on Digital on March 24th, and will be released on DVD, Blu-ray, 4K Ultra HD, and On Demand on April 7th.
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The 4K Ultra HD, DVD, and Blu-ray editions of the film will also feature multiple special features, which you can check out below: 
TALK TO THE ANIMALS – Dolittle is surrounded by a motley cast of characters. Take a peek at all the fun the cast had giving each of the animals their unique voice.
ROBERT DOWNEY JR. & HARRY: MENTOR AND MENTEE – Acting opposite a legendary actor like Robert Downey Jr. can be an intimidating experience, but Harry Collett handled it like a pro. See the unique bond the two actors formed on-set, and how Downey took the film’s young co-star under his wing.
BECOMING THE GOOD DOCTOR - See the process of how this team of talented artists brought this film to life, and how Robert Downey Jr. transformed into the iconic Dolittle.
ANTONIO BANDERAS: PIRATE KING - Antonio Banderas discusses what attracted him to the project, his experiences working with Robert Downey Jr., and what he brought to the role of King Rassouli.
THE WICKED DR. MÜDFLY- Who is the nefarious villain Dr. Blair Müdfly? Michael Sheen dives into his character's motivations for being Dolittle's foil.
A MOST UNUSUAL HOUSE - It takes a special home to accommodate humans and animals alike. Explore the unique rooms and modifications that allow Dolittle to house anyone or anything - big or small.
(source)
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