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#forever SCREAMING about this scene
ioveiy · 16 days
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who at abc do i need to bribe to get a bucktommy kiss like this zero/jude scene, huh? WHO?
youtube
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iam-tryingmybest · 9 months
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I don’t think I’ll ever get over how hiccup choosing to save toothless is him also choosing himself. It is him looking at his awkward kind self and actively deciding not to fit into the mold everyone wants him to be
Like they really peaked with cinema with hiccup and toothless huh
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whynotimtired · 2 years
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The best part of Will saying he wants forever with Mike so blatantly is that he isn't the one who brought it up, Mike was. In an act of projection he asks "What did you think? That we'd actually get to be together forever? When we're both boys?" and will says yes. He says yes, and Mike immediately regrets it.
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einaudis · 24 days
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ALL OF US STRANGERS (2023) dir. ANDREW HAIGH
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kemendin · 4 days
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He tightens his hold around the inert Jedi in his arms, and uses the Force to leap from the metal-strewn crater and onto solid ground. Several startled soldiers turn on him, their weapons lifting, until Kira hastily waves them off. If they harbour any hesitations about obeying her direction, the Sith’s burning glare gives them plenty of incentive to fall back. As though they truly could have stood in his way. Without hesitation Scourge pushes past them, heading as swiftly as he dares for the monorail and the emergency landing platform that waits outside. He is oddly, intensely aware of his fingers digging into Caspian’s jolting body, of the Jedi’s armour scraping against his own. The way the weight of the other’s head has rolled against him, bloodied brow resting upon the Sith’s aching shoulder; and now Scourge feels a different sort of pain spasm through his tightening chest. “I have you, Jedi,” he breathes raggedly. It makes no sense, Caspian clearly cannot hear him - and yet he feels the need to say it. To reassure him. I have you. You are safe. - Fall On Me, With All Your Light
I love commissioning artists to draw scenes from my stories. This one was truly a dream commission of mine, and I finally had the chance to see it come to life under the incredible patience and skill of hifarry on dA. The colours, the atmosphere, the details - this is everything I wanted from this piece, and I am beyond ecstatic!
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leo-bandito · 7 months
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CORRUPTS ABSOLUTELY.
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gayvecchio · 1 month
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purrvaire · 5 months
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if i had a nickel for every time Russell T. Davies separated the Doctor played by David Tennant and one of his companion by a WALL I would have exactly two nickels but it's ENOUGH PLEASE STOP THIS IS THE THING I'M SENSITIVE ABOUT
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tytangfei · 9 months
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You owe me nothing. Do you still want to be with me for the rest of your life? Correct. But I'm a man. Don't you think that's weird? You're a woman. How can you be so sure? Even an astute guy like Xiang Liu isn't sure about it. He hasn't seen part of you.
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sylvianartist · 9 months
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a big ol batch of doodles n sketches I did after reading @liberxi's epic killjoy fanfic https://archiveofourown.org/works/46751218/chapters/117747610
still was leaning how to draw all the guys tho and ghoul never comes out right ahhh
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p4nishers · 9 months
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"but you LIKE waiting inside"
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fallloverfic · 6 months
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Remember when Olrox grabs Mizrak, picks him up and throws him across a courtyard? (And then straddles him. And then flirts some more)
Yeah.
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moon-warlock · 1 year
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“Our fate has burned the bridge...”
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Listen this whole scene hurts so much. And the choreography is so gorgeous. I just had to draw it.
Also I have So Many screenshots of all my favorite poses from this show so. I might end up drawing more of them...we’ll see
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baejax-the-great · 11 months
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Snippet Sunday
Have some Sunset
Achilles throws his head back, and he howls.
The sound reverberates in all four directions of the intersection, echoing off the tall buildings. More than one person drops what they are holding to cover their ears. Windows shatter, the streetlights pop and spark before falling dim, and Achilles continues screaming until the whole street is dark, until other sirens are wailing with him, and everyone with the audacity to still be alive is on their knees, on the ground, like he is. He screams until there is no breath left in his chest, and when he gasps an inhale, everything goes silent and still.
Sparks hover in the air. The snow that has been falling so steadily all night stops mid-flight. The people around him in the street are still. Everything is unmoving. Achilles has not heard such silence since he first arrived in this cursed place.
“Gods, that’s the good stuff,” a voice rings out. The words are almost moaned, and Achilles doesn’t need to look to know who has said them. Glass crunches underneath her shoes as she approaches. Only when she is right in front of them does Achilles look up. Aphrodite towers over them, twice as large as a mortal woman, pupils so wide and black are swallowing even the whites of her eyes. She runs her tongue over her teeth. Achilles clutches Patroclus closer, as if he can protect him from her now. “I mean, nobody does it like you,” she drawls, “Nobody.”
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handsome-edvard · 2 months
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Hot take for the Robinwest nation
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I think the scene in season 1 where she gives him the puppy eyes could have been more interesting if he did stick to his firm NO. He storms off and that’s the end of that.
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But what if that was just the set up?
Cut to the Robinsons scrambling to figure out how to make it work with just John’s weight in the shuttle, and Maureen is stressed but determined in her calculations, and Judy is clearly considering going with her dad when-
Enter Don West, clad in a bright orange spacesuit, swaggering into the passenger seat of the shuttle saying, “If anyone asks, I got paid for this.”
“Don?” Maureen gasps.
“A lot,” Don carries on, settling into the co-pilot station. “And if I die up there I better get a statue. My own holiday on Alpha Centauri.”
And Maureen is smiling in disbelief and John is skeptical but at a loss, and Penny and Will are relieved. Don sees all of that but he hasn’t looked at Judy. Not yet.
Thing is he didn’t see her behind him in that room when Maureen and John tried to sell him on the idea, and he told them to send him a postcard.
He’d said no because it is his life on the line too, he likes being alive, and doing the right thing does really suck.
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So he doesn’t look at Judy right now as he doesn’t know what he’s going to find behind those big brown eyes that previously beseeched him to help. The ones he couldn’t stop thinking about later.
She had looked so devastated by his refusal, so vulnerable, that he is honestly not sure risking his life is enough to get her to talk to him again.
Probably for the best.
He flipped that tanker for her and he lost the money, then they lost Evan eventually. It was all for nothing. From where he’s standing, doing things for Judy doesn’t help him in any way, and that’s a problem because he can’t seem to stop. It’s entirely irrational.
He locks eyes with her later on, after various trials of his recovery time in test launches. He’s even more sluggish with each trial but it can work. They can do it. Don can’t tell what Judy is thinking and she looks away just as quickly as he does. But one thing he knows for certain is how she looks when she’s pissed and this — is not that.
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Now they’re about to leave and Don needs an excuse to be near Judy one last time. Debbie clucks beside him and Don figures if he dies up there with John, he should make sure the lucky chicken is with someone else, maybe bring them a bit of extra luck like she did for him.
“I don’t want your chicken,” Judy says, when she realizes what Don has for her.
He thought she looked almost eager when he called out for her (it was endearing, really), and the way she rolls his eye at him right now is—that’s what it is.
That’s what does it for him.
The reason he’s risking even more than he already has is not because Maureen asked or because John needs someone else in the shuttle.
“And I don’t want to hurtle through space in a tin can,” Don replied, “but here we are.”
She doesn’t seem mad at him, not anymore, and that’s good enough for him. If he goes out doing something for her, it’s good enough for him.
He’s a decent person who has been dealt a bad hand and it’s still so awkward for someone like him to admit he’s a smuggler—he never liked that word—and the thing about Judy is, when she looks at him, it’s like she can see who he actually is underneath everything.
That’s why all her appeals to his better nature always succeed. It’s how the prior caught-off guard No eventually turned into a Yes.
It’s not just his life on the line, it’s her life too, and everyone else’s lives. He wants to reaffirm that he is a better man than everyone thinks, that they are past the money.
“Bye Debbie,” Don says gently.
“Don?” Judy calls after him just as he turns to leave. Her eyes are different, almost shimmering with emotion. Doing that thing from earlier but for a different reason. “Hey, try not to die up there, okay? Make sure you fight.”
There it is. Now he knows for certain they’re back on good terms. Beneath the hefty space suit, a flutter blooms in his chest.
Judy is preparing herself for the possibility that they may never see each other again. Don gives her a smile. He wants her to remember him well.
“Do my best. See you on the other side.” He winks at her and departs, hiding his own bittersweet smile.
. . .
When the shuttle explodes as it hurtles through the atmosphere Judy lets out a scream before she even knows it, and her eyes fill with tears for her Dad and for Don, because Don didn’t want to do this. She tried so hard to convince him and she thought she failed until he came back and strapped into the copilot seat.
And now he’s gone. He’s dead because of her. How can she live with that?
. . .
But then when she hears his sweetly bruised voice through the comm, thick with emotion, her eyes fill with tears again. “Are you crying?”
“No?” Don says.
“Yes you are!” Judy laughs and cries a little too, already thinking about when she’s going to see him again.
“They’re happy tears,” John confirms.
Don is so heroic. He made it. Judy is overjoyed and she can’t wait to hear his voice his person, to see the crinkles near his eyes when his smiles begin to form.
. . .
Don shuffles a few paces behind John Robinson. He knows the family is going to be all over the man, so he figures he’ll just give them some space. Although he’s been thinking about Judy he can’t let that show in front of everyone, and so when he becomes aware of her presence, Don tries his best to maneuver around everyone and maybe go see about Debbie.
But Judy pulls away from John and comes to him. Her eyes are full of admiration and pride and relief. It’s crazy how one person can make him feel like he’s a hero among men.
“Hey Doc,” Don says, watching as her arms extend. He catches her quickly, glad to see someone is happy to see him, and not just anyone — her. “That’s right Judy, I am amazing.”
Judy laughs, her arms tightening around him, basking in his warmth. “I’m glad you’re okay,” she says softly.
“Yeah. Me too.” Don pulls back to see that something is different about Judy’s demeanor — like calling her princess might do some things to her. “You good?”
Judy nods. “Never better.”
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lovecolibri · 1 year
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I'm not reading the interview but I've seen some screenshots and I am *cackling* at KR saying it wasn't intentional for Eddie to act that way, he was just the one doing the controls so he was there, but that was just the performance Ryan gave on the day.
Like, you know that man rehearsed it like a normal dude, NOT in love with his best friend, and then once they rolled the cameras he pulled out the Buddie guns. He is tired of waiting and took matters into his own hands! And I love that for him and for us.
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