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flowercrowngods · 1 year

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Suggesting/Requesting Eddie having a crush on the valiant knight Steve Dustin goes on about, not realizing it's Steve "the Hair" Harrington and the way he reacts when he realizes they're the same dude. Cue adjustment period.

hi! first of all thank you for the prompt 🥰 i slipped and kinda decided to take your ‘valiant knight Steve’ quite literally and made this a medieval/regency au with knight steve and bard eddie, kinda enemies to lovers. it totally got out of hand, so this is part 1, with all my apologies to your original prompt 🤍🌷

Eddie smiles as the fields and forest that surround Hawkins come into view, kissed by the early afternoon sun with more affection and richness than the city probably deserves. It looks different this time of year, the green seems deeper than he left it, and nostalgia paints him a picture of glory and welcome that would make any traveller linger at the sight.

He knows it’s only the magic of coming home, the thrill of having been gone so long that he needs to learn his town a-new, and the curiosity of a poet that makes his heart beat faster; but it’s his life’s blood to embrace all of that. So he spurs on his trusty horse to make it home even just a minute sooner.

The people’s reactions to his arrival come in multitudes, though Eddie can respect the healthy dose of mistrust with which they regard him. He has made a name for himself after all, a bard more than a jester these days, but most people don’t tend to forget the pretty face they chased out of the city on multiple occasions.

He lifts his head in greeting as he passes the elderly Wheelers as they’re tending to the flowers lining their windows, and grins with glee at both the disapproving scoff and the wary nod he gets in return.

He’s in good spirits. Great spirits, in fact, the sun shining down on him, welcoming him and lighting familiar paths for him to tread again after years of absence. Hawkins will see his glory, his success, his victory, and it will pale in jealousy and regret. They cannot chase him away this time, not with the title of royal bard and winner of the bardic competition three years in a row.

If his travels have taught him anything, it’s that he is pettiness acts as a wonderful motivation.

Of course, he shall also see his friends again. One of his saddlebags is half full with their letters that have accumulated over the years, all of which Eddie has kept for reasons of muse and a heart entirely too soft for his own good.

Most of all, though, even more than proving his worth and success to his city and its people, it is curiosity that brings him home.

Dustin and his friends have been mentioning a most valiant knight, waxing poetic about his glorious deeds and his kinder heart — or, as poetic as they get, which is hardly at all. Which consequently made Eddie write no less than five ballads about the stories they told him, three of which have made it into songs yet, one of which he was made to play in every tavern on his long journey back to Hawkins and to Princess Nancy herself on more than one occasion.

The Knightmærs, as he calls his little collection of poeterey, his pride and joy about a man he has yet to meet. Tales about maidens saved and brothers defeated, hearts stolen and retrieved with the gentlest gestures, and children protected against the evils of night, expecting naught but friendship. And friendship he got.

If Eddie’s heart picks up yet another notch at the thought of meeting this knight as the familiar city walls tower before him, he allows it for a second before announcing himself to the guards. They looked wary upon his approach and blanch now as they hear his name; Eddie does not hide his laughter this time and preens as he is told to ride on.

“Oh, Hawkins, old friend,” he mutters under his breath, not even bothering to hide his smile. “You and I shall have so much fun, shan’t we?”

~*~

He barely makes it to the home he has been sharing with his uncle since the ripe age of twelve with minimal fuss, unsaddling his horse and guiding her to the trough, when he hears it.

“Eddie!”

Halting in his motions the currycomb, he looks up from the rusty brown that shines red like embers in the sun and spots Dustin racing down the street towards him.

He lowers the comb and steps around his horse, grinning at his rapidly approaching friend.

“Why, good day to you, young traveller, what brings you to my humble abode?”

Dustin doesn’t falter in his approach, doesn’t even slow down, and Eddie braces himself for impact. Years of experience have made him quite practiced in handling tackle-hugs, but Dustin has grown quite a bit since he last saw him, and they both stumble backwards when Dustin’s arms wrap around Eddie in a way that seems to press all air out of his lungs. Eddie laughs as he hugs his friend back with as much ferocity.

“I’ve missed you! I was writing to you this morning when I remembered you said you’d come this week. I didn’t think it would be today!”

“I came as soon as I could. Such is the Munson way, or did you forget?”

Dustin shakes his head and finally lets go, though Eddie yearns for another hug. It’s been too long. The boy has grown. He’s hardly a boy anymore, though he shall always remain as such in Eddie’s heart. He smiles and ruffles Dustin’s locks, realising with a pang that they’re almost of a height now.

An ache like homesickness settles in his gut and wears on his heart heavily.

“What is it? What’s wrong?”

“Nothing,” he shakes his head, smoothing out the curls he’s put in disarray. “It’s just been too long. And I’ve missed you, too. You’ve grown quite a bit since last we talked.”

“I have!” And he looks so proud of it, too, preening a little under Eddie’s faux scrutiny, and it’s what makes him pull Dustin against his chest again.

Eddie continues taking care of his horse, feeding her, combing through her mane, making sure she has as much comfort as he can provide after their long days of travel. Dustin sits on the fence and watches him tend to her, feeding her the occasional apple when he thinks Eddie isn’t looking. He hides his smile and pretends not to see.

God, but he has missed his friend.

Their twosomeness is rudely and entirely too quickly interrupted by Lord Harrington of all people, who hurries down the street in search of Dustin.

Eddie never did like the lord and his pompous appearance coupled with his rude personality. He always acted like a prince among men, subject to many a jest in Eddie’s younger days. On one memorable occasion, Eddie managed to steal the lord’s clothes and swap them with his own, making him walk about in linen rags and torn-up trousers.

Days later, all of his lute strings ripped just as he was getting ready to play at the tavern, and he never messed with Harrington again — even though there was a parcel three days later with new lute strings and his old clothes he had made the lord wear. No note attached to it, because Lords didn’t stoop down to converse with lowly peasants even for revenge.

So, seeing Harrington now on the very first day of his being back, it sours Eddie’s face and his humour.

“Why, Lord Harrington,” he speaks before the man can get a word in. “To what do I owe the displeasure of seeing you here? Have you suffered a fall from grace yet, or was it a hit in the head that left you disoriented, bringing you to my humble abode?”

Harrington frowns at him, though Eddie deems to detect confusion more than distaste.

And then he has the audacity of not even answering to Eddie’s ruse, simply ignoring him and instead turning around to Dustin.

“Dustin, Master Clarke is expecting you. I will not cover for you once more.”

“But—“

“Spare me,” Harrington says, hands on his hips now, and Eddie is starting to feel defensive over Dustin. How dare his lordship come and steal his best friend away when he hasn’t even been home for an hour yet?

Before he can get so much as a word in, however, Dustin is already jumping from his perch on the fence and trudging towards Harrington, rounding the man and leading the way up the hill towards the castle.

“I’ll come back later, Eddie,” Dustin says over his shoulder, and then he is gone, rounded the corner, out of his sight.

Harrington, however, lingers. Eddie raises his eyebrows in question and challenge, and the Lord scoffs a little. It’s like he wants to say something — but what could it be? What could Lord Harrington have to say to him, years after they last saw each other?

He does look stunning, Eddie has to admit with a grudge against his self and his integrity. The golden light of the afternoon sun catches in his hair, likening it to strands of gold that kings and queens pay alchemists across the world to procure. Eddie, for a moment, feels like he has found it in Lord Harrington’s hair and the skin of his face, but he quickly snaps out of it, cutting off that particular train of thought before it can run away form him.

“I hear you are a bard of great renown these days.”

The words catch him off his guard, for Eddie was sure that the Lord would not attempt to converse. Yet it seems that propriety still has a tight grip on him.

Does Harrington like his ballads, his plays, his poetry and sonnets? Has he heard them? Or has he heard of them? Has word travelled across the countries, telling of Eddie the Bard and his brave-hearted muse his soul yearns for and his quill bleeds for?

Eddie is not sure which option thrills him more, but whichever one it is, it makes him smile, feeling quite bashful and yet proud.

“So you hear,” he says, approaching the stiff Lord. “What exactly is it that you hear, my Lord?”

He swallows, following Eddie’s steps with his eyes, turning his head when the bard circles him slowly. “I hear you sing of beasts slain and brothers banished, a knight at the heart of your ballads.” Eddie smiles at that, knowing that Harrington has at least heard of two of his Knightmærs. I hear it sounds like mockery, the knight but an object of your hyperbolic fascination and flowery imagination, his pain and bravery nothing to you.”

He stops dead in his tracks, his feet planted right before Harrington. The Lord looks like he is taking personal offence to his works, and it irritates the bard.

“And what, Lord Harrington, would you know of fascination, pain and bravery? I cannot imagine you have faced a lot of hardship in your life, and the only acts of bravery you had to chance upon were mislead in the name of false honour.”

“False honour,” Harrington repeats, his words like poison, sharp and dangerous as the sword’s blade at his hip. “You would know something about that, I imagine, telling stories of which you have no idea. Immortalising glory where there should be sympathy.”

Eddie studies him, the frown between his brows, the hard line of his jaw, set and calmed to keep more words from spilling. Imposing, this Lord is. A sight for sore eyes even in his purely misplaced anger.

Eddie huffs, his eyes travelling between the Lord’s where they are standing so impossibly close.

“Sympathy,” he repeats. “Nobody, my Lord, wants a ballad of sympathy. It is glory that the people seek!” He steps back from Harrington, gesturing with his arms as he dramatically recounts the lessons he has learned over the years, passionate for his craft. “Glory, heroism, heartbreak and love! Yearning and longing and deeds of an aching heart, that is what the people want to hear. That is what deserves to be immortalised in art, in poetry, in song! I shall forgive you for being so painfully unaware of this, my Lord, but I shall not stand to be in your company much longer, calling my work lacking or a mockery when it is borne out of nothing but loyalty, fascination and love.”

They are close again, because Harrington did not step back when Eddie approached him once more, his feet planted like a tree, fierce and strong and unbudging.

It is intoxicating, though Eddie blames half of it on the passion and the rage, on the bravery that possessed him to send the Lord away, or the fierceness with which he came to his muse’s defence.

Harrington swallows again, his eyes wandering over Eddie’s face once more, lingering at his lips, both their jaws set in determination and perhaps a sudden tension.

“Forgive me for insulting you with my company,” he speaks at last, his voice nothing but a rasp. “You will find there is an irony to your words soon. I shall not rob you of that discovery. I ask you do not take it out on our mutual friends when you do, Munson.”

And with one last glance, Harrington turns on his heel and hurries up the hill, too, leaving Eddie puzzled and quite dazed upon the lingering warmth of their close proximity.

When did Harrington become so handsome? There was a fire in his eyes that Eddie got to witness for just the blink of an eye, but he wonders where that comes from, what it means, and what other secrets he holds.

Perhaps, if he cannot meet his muse, the knight Dustin has only ever referred to as Steve, Harrington might serve to inspire a ballad or two himself.

~*~

Harrington catches his eyes on more than one occasion over the next days. Eddie is invited to the castle to play for Princess Chrissy, though she greets him like an old friend and makes him sit close to her at the banquet. Right beside Harrington, who merely nods at Eddie, his fists clenched as Chrissy asks the bard about one of his ballads — the one about the valiant knight slaying a horde of monsters to keep the kingdom’s children safe.

The Lord must really hate Eddie’s work. It fills him with spiteful glee, for some reason, and he makes sure to play and recite all of his Knightmærs that night. Harrington excuses himself when Eddie hasn’t even made it halfway through his songs, and he doesn’t return that night.

He takes personal offence now and vows to make the Lord’s life as difficult as he can.

But still there is no sign of Steve.

Eddie is starting to get frustrated.

He was supposed to be here, stand tall and proud with a smile on his face upon seeing Eddie, sweep him off his feet, make him swoon, dare Eddie to fall in love with the face long after the name.

His mood is sour, and only sours further when Harrington rounds the corner and stumbles upon Eddie who is tuning his lute for tonight’s banquet. The annual royal tournament is set for the next morning, so everyone is in a good mood.

Well, everyone except Eddie. And Lord Harrington, by the look on his face.

“Munson,” he says, straightening before he bows his head in greeting. “Forgive me, I was looking for some quiet. I shall look somewhere else.”

And, somehow, that is enough to snap his patience that was already wearing thin. “Why can you not stand being in my presence, sir?” he asks, rising from his seat. “Does it disgust you so to be around mere peasants?”

Harrington looks taken aback, shock and confusion clear on his face before a frown takes its place and washes away all further emotions.

“It is not your presence that bothers me, nor the nature of your birth.”

“And yet you leave every time I so much as strum a tune, Lord Harrington, ready to throw both caution and propriety to the winds. Leaving me to wonder what it is that I have done to deserve such treatment.”

Eddie finds himself walking closer and closer to the Lord, coming to a stop not one foot before him. He is drawn in by his presence, his charm as alluring as his cold silence. Everything about Lord Harrington intrigues him, horrified as he is to admit it. But with Steve not around to catch his eye and captivate his heart and mind alike, he simply has to find inspiration elsewhere.

And the way Harrington’s face is taken over by a dangerous expression is the most inspiring, alluring thing he has seen in a while, even though it is directed at him.

“How can you have the audacity to feign confusion over my disdain, bard,” he hisses, and Eddie shivers slightly. Harrington does not even have the sense to step back, staying right where he is, so close, so improper. “How can you pretend it is not my life you have taken and made your own, singing songs and telling stories, making into nothing but a jaunty tale recited by drunkards with no regard to the blood it was written in.”

Eddie blinks, not quite catching up with the point Harrington is making.

“What—“

“You sing your ballads, your histories, your Knightmærs like you know what they mean. Making a mockery of me, stealing from me every chance to tell my tale in my own voice, in my own tempo. Entire kingdoms will know before I will have had the chance to wake up from a nightmare, and they sing about it, sing about pain they did not have the misfortune to suffer, sing with a smile, with booming voices because you make them. And yet the only one without a voice remains the one who slew the beast.”

Lord Harrington speaks to him as though he takes offence at the content of Eddie’s ballads, offence at the reality of their background. But what right does he have to take offence when his songs are based on heroic deeds, recounted to him first hand by his very best friend. What right does Harrington have to question the truth behind them?

“If it is a matter of truth that concerns you, let me reassure you, my Lord, that all of my ballads are based on true events. I ask that you do not call me a liar, no matter how great your dislike of my craft.”

“It is not a liar that I call you, but rather a thief.”

Eddie gasps, offended now. “What do you suggest I have stolen, then?”

“A person’s right to their own story. To their own nightmares. A man's right to flee from the horrors he lived through, acquainting every tavern in this kingdom and the next with his horrific and desperate deeds.”

“How dare you call his deeds horrific,” Eddie hisses now, feeling protective over his knight. “How dare you accuse me of ill intent when every word out of my quill is written with nothing but love and admiration.”

“For whom?” Harrington challenges, disdainful and cold. “Only for yourself, your vanity, your overgrown sense of artistic ambition.”

“No,” he shakes his head, hands clenched into fists as he finds himself incredibly close to Lord Harrington, their faces only inches apart now. “It is love for this person I have never met, whom my dear friend has told me about. A man who has kept me awake at night as I was pouring over letter after letter, hoping he should be well. It is a love so strong it has to be turned into art, into song, love that should be sung in every voice of the kingdom.” He scoffs, stepping back to catch his breath. “I do not expect you to know such a love when all you have in your cold heart is disdain for all things beautiful. You would never know bravery if it looked you in the face, you would never know love if it was the very fabric that makes this world. It would slip through your fingers, my Lord, for you would be busy yearning for the day your life found its meaning.”

He is seething, heaving breaths, out of control over the words tumbling out of his mouth. Insulted in his pride and his muse, offended, hurt. Confused, still, as to why the Lord hates his songs with such vigour.

“Is that your opinion of me?” Harrington whispers, though even in that toneless voice of his lies so much that Eddie cannot begin to decipher.

“Yes,” he whispers back, the fight leaving him now, the very air sucked out of the room they share. “I believe I made that clear just now.”

Harrington takes one step closer once more, but Eddie does not budge.

“Then I suggest you forget that knight of yours,” he says, quiet and final. “And forget the idea you have of love. To love someone is not to turn his nightmares into song. To love someone is not to look him in the eye and insult his very existence even further. You love yourself, your craft, your mind. But you do not love him. You would not recognise him if he shared the same breath as you.”

Eddie huffs, just barely able to stop himself from rolling his eyes. “And what makes you so sure of that, Lord Harrington?”

A smile twitches his lips, though there is no mirth, no glee. “You have just proven it to me, Mr Munson.” He takes a step back and evades Eddie’s eyes. “I believe you should return to the fest now. Good night.”

And with that, he turns around and leaves.

Eddie finds himself rooted to the ground, air returning to the room now but still he is unable to catch his breath, staring ahead as he is.

Words echo in his mind as the picture paints itself and a horrible, horrible realisation dawns on him.

You will find there is an irony to your words soon.

How can you pretend it is not my life you have taken and made your own?

But you do not love him. You would not recognise him if he shared the same breath as you.

You have just proven it to me, Mr Munson.

But… There is no way. There is no way that Dustin’s friend, Dustin’s knight and protector, his saviour, Steve, should be the same as Lord Harrington with his careful, quiet, disdainfully quirked eyebrow.

Except, Lord Harrington collected Dustin from Eddie’s home, speaking with him in a tone filled with such familiarity, they cannot be mistaken as anything but friends.

And Lord Harrington had listened with such rapt attention when Eddie played his jaunty tunes and the well-known classics at the banquet days ago, looking like he enjoyed Eddie’s play. His face had only soured when people started requesting his newer original songs, his fists clenched upon the opening chords of The Knight and His Nightmare, leaving the hall altogether when people requested more.

You sing your ballads, your histories, your Knightmærs like you know what they mean.

Eddie’s heart falls when he realises what he has done. How blind he was to the frowns and the tension, how deaf to the hints and insinuations, how ignorant he was of the pain he inflicted on Lord Harrington. Lord Steven Harrington. Steve.

His Steve. And yet not his at all.

He falls back onto the bench, dazed, as the weight of his realisation settles inside his chest.

onwards to part 2

#steddie #steddie fic #stranger things #steve harrington #eddie munson #honey i’m so sorry you gave me a rather clear prompt and i went and disrespected it but i hope this is fine too??#this is also the part where we remember i’m german and am using this language like lego bricks on a playmobil set #dio words #this wasnt meant to be so dramatic but uh. apparently i write miscommunication tropes now. pride&prejudice made me do it #i am planning on a part 2 but i do not control the brain #knight!steve harrington #bard!eddie munson #bard/knight

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turtleblogatlast · 14 days

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Thinking about the Don Suave scene and what it means in terms of LGBTQ+ representation because my brain does nothing if not torment me with random topics to ramble about on the regular.

Anyway, I just wanted to ramble about why I like the scene but to get it out of the way - the scene can very easily be interpreted in so many different ways, and all of them are valid. I personally see it as Leo having at least some attraction to a man. And the following is an explanation of my own interpretation and thoughts on it and what it means especially for Leo’s portrayal in the grand scheme of things.

Long-winded interpretation under the cut!

Now, to start with, it’s important to me that in the scene Leo looks at Don Suave in the very beginning and then for the entirety of the rest of the time the man is on screen, Leo’s eyes are closed. Yet, in the end, he is still visibly enamored with Don Suave, happily cuddling up to him as he’s being carried away.

You can very easily interpret this as Leo being spellbound and that’s honestly super valid and I believe he likely was at least somewhat in the beginning, but considering how fast he looked away and how he never looked again, I personally think it makes more sense to read it as Leo just finding the man attractive, at least somewhat. (For the record, I personally headcanon Rise Leo as bisexual with a heavy preference for men, but I want to be blunt when I say that any interpretation is valid. Literally any. Ace, pan, gay, bi, none of the above or a mixture of something new literally all of it is more than okay and fair. Hell you could even interpret this entire scene as more romantic attraction than physical and it would still work. Anything goes!! Don’t bother people, guys, really.)

The main reason I take this scene to be at the very least LGBTQ+ adjacent isn’t just because of how it’s portrayed, but because of who Leonardo is. Not in terms of Rise of the TMNT, but in terms of the entire Teenage Mutant Ninja Turtles™️ franchise.

Leo’s a character who, while changing with each iteration, has still at his core been around for decades upon decades as “the blue one”. One fourth of the team. He’s the one most are going to look at as the Leader, and oftentimes he is the one closest to having the title of Main Character. Not to say the others aren’t just as important, but Leo’s presence in the A plots of basically all TMNT media is often something very main character-esque.

And that’s very, very important to note. Here we have a Main Character of a prolific and decades long-running franchise distributed by a children’s television network. You can play around with his and his brothers’ characters all you like, but there is always going to be challenges to dodge around, especially since this was still in 2018-2019.

For example, you can play around with their designs so long as they’re color coded turtles, but their sexualities? Now that’s tricky.

“But what about Hypno and Warren?” Not main characters and also they’re Rise originals. They have a lot more room to play around with than a character like Leo does. But even talking about main characters in the franchise, you could arguably have an easier time playing around with Donnie or Mikey’s sexualities than Leo or even Raph, as (unfortunately) the former two tend to get more B plots, so they’d likely have had a little more leeway (still not a lot though.)

So, where does this leave us?

It leaves us in a place where outright stating and/or showing undeniable proof of Leo’s attraction to men is very, very difficult. So, workarounds!

Workarounds like the entire Don Suave situation.

To be honest, as left up to interpretation and lowkey and deniable as it is, this whole scene means a lot to me because of who Leo is as a character. It’s just nice when we get so see even the bare bones of representation with characters that have been such a large part of pop culture for decades, y’know? Even if more would be so much nicer, this is better than I thought we’d ever get for these boys.

And, again, literally nothing I’ve said is the only way to interpret it, I’m more than happy when people interpret media on their own honestly, it’s just something I’ve been thinking of lately and I was wondering if others felt the same way.

Whatever you think when you interpret this scene or Rise Leo as a whole, I just thought this would be interesting to think about, even if it was ramble-y, haha.

#rottmnt #rise of the teenage mutant ninja turtles #rottmnt headcanons #rottmnt leo #rise leo #rise don suave #rottmnt don suave #I lied I’m back to ramble because I’m just #so bad at keeping my mouth shut #or uh #not typing word vomit #anyway- yeah this is my personal interpretation #I believe Leo was legitimately mesmerized by Don Suave’s powers…in the beginning #but even the series’ creator says it was ‘at least PART of what was going on with Leo’ so #idk it’s something that’s been on my mind and I was wondering if anyone else felt the same??#may delete this later who knowssss #pleaaaase feel free to disagree I just like to talk lol #but yeah sometimes I look around at how much media has LGBTQ+ rep in it now and it honestly makes me emotional??#(we always always ALWAYS could use more but)#we did not have even a crumb of this as kids #but also like most of that rep is new properties #and I just was thinking about what that could mean #idk man idk #once again please don’t take this as facts it is VERY MUCH NOT #man I was looking around for good images to use and found jack all #anyway tho did you know Donnie often has bi colors around him and Leo is often dressed in the colors of the trans flag-#okay anyway back to the caves I go this comic won’t draw itself #I gotta spray myself with water any time I go to type long winded essays because they’re not great for the mental health fr

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