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ladyluscinia · 6 months

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"What if it weren't like that?"

...or I'd like to propose a different theory of what's going on in Edward's head.

Going into the S2 finale, I feel like there's once again a huge consensus that Edward and piracy are an unsustainable mix, and he has to quit. Specifically after 2x07 he knows for sure, 100% that he wants to quit, and he's pulling away from Stede because he doesn't know how to communicate that certainty to him.

There's a very established meta framework backing up this belief. It's not new, just everyone pointing and saying "look! - the show is affirming us" at the same time. And it does make a lot of points about foundational trauma, the violence of the lifestyle, etc. I don't need to break it down for you. If you're seeing this post then you've seen the arguments before.

The thing is... I'm not actually sold on this read.

Edward is a complicated guy and I love to try and peel back his layers, and I'm not sure that retirement is truly his endgame. And maybe more importantly... I'm not sure retirement endgame is quite the thematic crescendo it's being presented as.

So let's talk a bit about Edward, particularly in 2x06 and 2x07.

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Edward's Ongoing Depression Spiral

The thing about backsliding - and the Kraken was a pretty monumental backslide - is that even if you gain a lot of ground afterward, you still might not be much further than where you started.

Edward believing change is possible with Button's 2x04 guidance + his & Stede's conversation about taking it slow at the end of 2x05 are both huge steps for a guy that was openly suicidal at the beginning of the season. However, in the grand scheme of things, he's pretty much cycled back to the dilemma he was facing in S1 - continuing life as it was is intolerable, but he doesn't actually have a solid idea of what he wants. "Stede" is not a real, actionable answer.

In S1, this caused him to run recklessly into extremes of vulnerability with Stede because Stede was doing something different. He tried to metaphorically cut loose his entire history - as a pirate, as Blackbeard, as Edward Teach - and become a new "Ed" with no baggage, who was free to live an endless vacation honeymoon with his new boyfriend. And when the consequences of their own actions came crashing back in - an abandoned Izzy, Spanish Jackie, and Chauncey Badminton - Edward's desperate actions to save Stede turned into over-commitment to a guy he barely knows, a reckless plan to run halfway around the world to escape himself, and then a truly disastrous downturn when that blew up in his face.

Wherever you go, there you are - except Edward hates that guy. Edward's only concrete want so far for the new direction of his life is the one thing that's impossible - to not be Edward Teach.

So now, back to contemplating the same unknown future he was trying to chase in S1, the Kraken Era has given Edward new perspective, for better and worse. (I'm gonna link my rambling BlackHands / Kraken Era thoughts from 2x01 - 2x03 just because.) He's learned caution and is dipping his toes in self-reflection - Stede's love alone is not enough to save him, and his self-loathing has been acknowledged. Reckless pursuit of change without growth was doomed - an important lesson both Stede and Edward have started to learn.

Unfortunately, growth requires looking backwards, and if Edward was already disinclined to that due to killing his dad, he's struggling so much worse now that he's got months of fresh atrocities that he absolutely did not need to commit.

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Drowning in Guilt

Edward's core trauma that he flashes to constantly goes back to killing his dad that night - something notably not associated with piracy. That guilt is the root of his self-loathing, but Edward is a rather troubled grown man with guilt aplenty, especially after the first two episodes of S2.

In 2x05 Edward starts with a CEO scripted non-apology firmly recategorizing all of his Kraken actions as "whatever that nasty dark stuff was that brought us here... it's in the past", and then his discussion with Stede does not involve too much reflection on why this probation is necessary and drops this gem:

"Oh fuck no. Apologizing? Nah. Didn't apologize for jack shit."

However - demonstrating self awareness / growth - he's also clearly projecting guilt and a desire (that's almost too big to look at) to apologize to Izzy for everything, and then he honestly talks with Fang (who he's known for 20 years!) about how he can not be understandably mad at him, after Fang pushes back on Edward's toxic rewriting of Knife Parade. He even learns to sit with himself!

All of which makes the start of 2x06 so layered.

We open with Edward sitting with himself, looking out over the ocean and stewing in guilt - in order: his dad, the storm, Izzy's toe, shooting Izzy, driving the crew to mutiny - and then the conversation that Edward was haunted by all last episode comes to him. He's back in his leathers - playacting the penitent with the onesie and cat bell got old after a day, and he had never truly linked his probation rules with any of his earnest feelings of remorse. Just a necessary performance to appease the crew.

Now he's himself again, as uncomfortable in his own skin as ever, and Edward Teach apologizes for Izzy's leg. He isn't being demanded to apologize by Izzy (no matter how much he may deserve it). Izzy is fully prepared to pretend it never happened despite the evidence of his body. But Edward wants to - needs to for the babiest step toward his own peace of mind - and so he does.

And then he flees from one guilt and accidentally stumbles into another. Stede has so helpfully pulled all Edward's Kraken treasure into one place, and Edward lampshades it:

"Excellent. A reminder of all my guilt. A guilt room."

Now, Stede has a decent idea here. His "poison into positivity" bit is not bad (and it echoes the language Izzy and Edward used - though I think it's a tossup whether Stede heard about that or if the parallel is purely on a Doylist level). It definitely lifts Edward's mood for the day and pulls him out of his guilt spiral for a bit.

Until it comes back so much worse.

Ned Low. Oh fuck the implications of Ned Low.

So here's the thing. People have rightly observed that Edward broke Ned's record intentionally during Kraken Era. In fact, since he makes the comment about "We got a record to break" after the wedding boat aka the last ship he takes, and Ned isn't coming after him for a tie, presumably he set the new record and then proceeded to break it over and over again. Just to rub it in. Just to really piss the sadist off.

And if Edward's attempt to take the whole ship and crew down with a storm at his lowest point was bad, what he was courting by baiting Ned before the season even started was worse. This is a man who would have tortured everyone on the breakup boat to death when he caught up to them, and Edward was passively planning on letting him do it.

Edward knows this.

Poison into positivity just became "oh shit I forgot I'm the most poisonous thing any of these people have ever run into," and he's just getting started. It's hard to shove it down and brush it off and pretend it was no big deal when Stede starts getting the hot poker to the chest.

He doesn't want to kill Ned because he's not worth the poison, but the poison is already here.

When Stede kills Ned, Edward has already spiraled. He's already got a whole narrative in his head about how this is all his fault, how this is his poison, his guilt, his Kraken surfacing to ruin Stede too.

"I'm not a good person, Stede. That's why I don't have any friends," Edward chokes out.

"It all boils down to this - You're afraid you're unlovable," snarls Hornigold's ghost in the gravy basket.

"I hate myself," Edward realizes.

"Don't do it, Stede. Killing in cold blood" - like I did - "you can't come back from that" - like I haven't.

Edward's guilt is projecting all over this scene. He's made some baby steps toward seeing Stede as a flawed person vs mythical mermaid whose love can save him, but the idealization is still coloring both their views. Stede still hasn't told Edward about any of his childhood traumas or deep seated insecurities, and Edward has continuously avoided putting together that Stede is fucked up as well. He's convinced himself that killing Ned Low is a great tragedy that will permanently scar Stede's previously unblemished goodness in a way that is all Edward's fault, and he's sticking to it despite how completely it does not apply.

Reality has never been much good at breaking through his self-loathing before.

Izzy tries to warn him to give Stede a minute, but Edward doesn't listen. And while there's a good amount of concerned boyfriend in that act, I also suspect there's more than a little self-harm. Edward's spiraling about what he's wrought. He shows up at Stede's door already paralleling this to killing his dad. Of course he wants to be in the blast radius.

Apparently, having sex about it.

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"Bye-Bye" Blackbeard, See You Again Soon

Last season, when Edward's ignoring his past went poorly, he tried to metaphorically bundle Blackbeard and all his traumas up and cast them into the sea. He was "Edward Teach Born-on-a-Beach," and then "No-Beard" who found folding stuff in prison fun, and then he's kissing Stede and getting excited about picking new, cool names for China, because:

"Our old lives would be gone. Dead. Never were."

Edward, babygirl, that is not how that works.

Now, he's actively backsliding down a guilt spiral, just had ill-advised sex a day after the "take it slow" talk that he's already regretting, and he gets up in the morning, pulls on another goddamn robe, and goes to literally bundle Blackbeard up and cast him into the sea.

Babe you already tried this.

I don't think it's a coincidence that disposing of his leathers signals Edward is back to reckless change instead of intentional change. He tries to make breakfast in bed despite never having ever made breakfast before and explains his twine as a panicked decision. The idealization of Stede is back in force - he chooses now to tell him about the mermaid vision - "fantastic," he describes him - and thanks him for saving his life. (Once again, in times of trouble, Edward is the one offering up rosy imaginations for their relationship that swallow him whole and Stede is shoving his recent childhood trauma flashbacks down to be Normal™.)

In the Republic, Edward does avoid becoming straight up jealous of all Stede's positive infamy, but he's also doing his hardcore all or nothing thing again - this time running away from himself toward a grubby, poor, "nobody" version of Ed (or do we think he's gonna try "Jeff" again?). Jackie calls his attention to how his new life direction (as of 6 hours ago) is not necessarily aligned with Stede's, and - rather than doing something as crazy as talking - he mutters "shit" and heads to the docks where Izzy finds him.

For a guy who felt "Fucking great" throwing away his leathers, Edward sounds kind of sarcastic, even if I'm sure he's feeling just as light as he was on that Naval Academy beach. But Izzy - going through his own shit but still trying to be supportive - opened this conversation with a joke about Stede and I suspect thinks they are talking about putting the "Edward retiring to be with Stede" plan back on the table. (Edward could clear this up, but he's still not communicating his emotions to Izzy.) So Izzy encourages him:

"Maybe you should listen to it."

Edward's face falls, he looks back down at the fishing boat, and apparently gets himself a new job. He just needs to go dump his boyfriend about it. They're simply incompatible, you see?

Edward's a fisherman now. He's gonna sit with himself until he finds a better guy in there, just like Fang taught him. (Don't blame Fang for this 😆 he just wanted Edward to stop talking!)

Now there's a lot going on in the breakup scene, but I want to talk about one statement Edward makes (keeping in mind he's already spiraled all the way into his new fisherman identity):

"I don't even know who I am! Alright, I know I don't want to be a pirate, but you..."

Because, see - I don't think the second part of that is necessarily true.

It's not that Edward doesn't want to be "a pirate". That's what he's using as shorthand (and a way to strongly delineate his new career from Stede: "Fishermen and pirates - they're nothing alike.").

What he's not saying is, once again, I know I don't want to be Edward Teach.

And, babygirl, I love you... but too fucking bad.

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Better Piracy as a Theme

There's a lot of meta around about how Edward views piracy as a kind of enforced toxic masculinity. How his traumas are woven so thoroughly into his Blackbeard career that the thought of continuing as a pirate is killing him. He has to retire. It's the only way he'll truly be happy as "just Edward."

And I question that framing.

Like... Edward clearly has trauma tied up in piracy. His time on Hornigold's ship appears to have defined his (and Calico's Jack's) fairly fucked up approach to casual violence. His time as Blackbeard has enabled his poor impulses, and he is absolutely sick of piracy as he's experienced it the first time we meet him. That's not in question.

But while leaving is one solution, I think change is another.

In the OFMD universe, piracy is not a stand-in for toxic masculinity. Stede, an outsider, describes it as a "culture of abuse" in the first episode, but it's the culture of piracy where we see openly gay relationships, polyamory, freedom of expression in clothing and presentation, the oppressed having power... to treat piracy as inherently toxic is to deny that the culture of piracy is what gave life to Calypso's Birthday party. Our main characters are pirates.

There is a lot of violence and most pirates are very troubled people, but it's not piracy's fault. That's getting the cause and effect reversed. The "problem" with piracy and pirate culture is that the people coming into it and building this community are already traumatized.

As Edward points out to Stede:

"It's usually something like that. It's often family-based stuff."

(Also the problem might be the pirate Captains, lol. I mean, if you start listing the major drivers and enablers of toxic culture... Hornigold, Ned Low, Calico Jack, Blackbeard. Fortunate, then, that the crew of the Revenge is demonstrating that piracy can also be about workers' unions and supporting each other against your shitty boss while operating in a thriving community. He can play nice or get out.)

Oluwande tells us from the start that people don't choose to be pirates - they get forced into it by terrible circumstances in a terrible society. Piracy is the community that accepts the outcasts, but it can't magically fix them. They have to do that themselves, which our crew is showing can be done.

Stede did not swan in with all the answers, but he gave his crew the space and all the confused-yet-well-meant support they needed to strengthen their own bonds and community. Oluwande and Frenchie especially have been really stepping up in leadership positions. Like, the whole plot of 2x05 was showing they have successfully formed a union and that they will operate as a united front against their captains if need arises. It's so good!

They are living that better culture that Stede wanted so bad, and it's not just our crew.

Piracy influenced by the Revenge crew has been shown as helpful and even desirable to chase.

Hellcat Maggie and the rest of Low's crew don't sail off to get new jobs - they are resuming piracy but this time talking about profit sharing. Anne and Mary, our oh so aggressive BlackBonnet mirrors, retired from piracy together like Edward was dreaming of in 1x09, and what "fixes" them is burning it all down and returning to piracy (rejecting Mary's fears) with their love at the forefront of their minds.

Edward wants to leave piracy behind forever because he has depression and hates himself, but the biggest thing he hates himself for isn't even a thing he did as a pirate. He's pushing back on his Hornigold trauma from the moment we meet him - in fact, I have a whole other meta idea I need to pull together after the season about how he has potentially thought he was doing "soft piracy" in spite of Hornigold this whole time - but the guilt he feels about killing his dad is still too big for him to even look at. And that won't go away even if he could cut 20+ years of Blackbeard out of his chest.

He's bored. He was stagnating. He needs to address that knot of self-loathing before it successfully drowns him.

Maybe people are right and he could be the one pirate to find peace operating a bed and breakfast? Maybe he'll follow in Jackie's footsteps and stay connected to the community by running a gay bar or something?

But I also think, maybe, he has a community surrounding him, a home and love on the sea, and a career with plenty of aspects he did enjoy - sailing, fuckeries, luxuries, creative problem solving - and he might just need to join everyone in striving for a better culture?

And step one would be realizing that wherever he goes, he's still Edward Teach, and he's got to stop running from that fact.

#our flag means death #ofmd s2 #ofmd s2 spoilers #ofmd meta #my meta #blackbeard ofmd #edward teach #character arcs #ofmd piracy #ofmd 2x06 #ofmd 2x07 #really wanted to get this one out before the finale because i imagine it's going to either support my theory or cut its legs out #and if it's the former i want the opportunity to be smug 😘#ladyluscinia

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leonard-cold · 4 days

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Leonard Snart + Foreshadowing

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goatbeard-goatbeard · 7 months

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The Resurrectionists: a world with life after death

I didn’t fully appreciate the 2x03 minisode when the season first aired, but I keep finding more great details the more I think about it. Unlike our world, Good Omens is a world with confirmed afterlives. This minisode really digs into the implications of that, even in more subtle interactions where heaven and hell aren’t explicitly mentioned.

For example, the biggest issue with digging up bodies is NOT the corpse desecration. In fact, Aziraphale throws on some extra corpse desecration just for good measure. In a world ruled by heaven and hell, morality is less about the effect people have on the world, and more about the effect their actions have on their own immortal souls.

So Aziraphale is much less concerned with doing good than he is with encouraging the humans to do good. That’s also why he’s so unhelpful during the second grave robbery. He’s not being lazy; the humans have to do the actual work so they get the moral credit for doing it.

Now, he clearly wants to adopt earthly morality, and he does in flashes. He cares about the boy’s death, and he wants to heal Wee Morag. But he knows heaven exists, so he quickly focuses back on eternity — not for himself, but for the humans. And hoo boy, as a former evangelical, is that Relatable.™️

Crowley is sort of the reverse. He spends most of the minisode advocating for earthly morality. But, at the climax, he abruptly switches. He emphasizes that Elspeth has to be properly good, not just pretend good. “Pretend good” would have similar if not identical positive effects on the world, but it wouldn’t work for getting into heaven. Now, Crowley knows heaven isn’t that great, and he obviously thinks their moral standards are bullshit.

But… going to hell would eternally separate Elspeth from Wee Morag. Elspeth trapped in hell and Wee Morag in heaven, while the little bird wears down the mountain with its beak.

Hm. I wonder why Crowley might have strong feelings about that?

#he knows where she’s going #good omens #good omens 2 #good omens spoilers #good omens 2 spoilers #good omens 2x03 #the resurrectionists #cat clarke #wee morag #elspeth #good omens meta #good omens analysis #ex christian #exvangelical #tbh I probably would have noticed all this a lot sooner #if I wasn’t over a decade away from my own deconversion

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goodwhump-temp · 8 months

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Ray Palmer Whump | Legends of Tomorrow / Arrowverse

LEGENDS OF TOMORROW 1x02 Punched, bleeding, imprisoned 1x03 Reckless, hit by a rock (unphased), sad, worried 1x04 Knocked unconscious, captured 1x05 Gulag, beaten, weak, bruised/bloody, annoyed, restrained, tortured/electrocuted, sacrifice/beaten by hammer, weak, unconscious, carried 1x06 Bruised 1x07 Losing oxygen, passes out, heart attack, betrayed 1x08 Psych ward patient (brief), stranded 1x09 Stranded, upset 1x10 Guilt, shot out of the sky, sad 1x12 Thrown, dying, severe internal injuries, past self attacked, bleeding, weak, comforted, heartbroken 1x13 Gut punched, shot unconscious, heartbroken 1x14 Manipulated, heartbroken, choked unconscious, arrested 1x15 Imprisoned, fated to die, knocked unconscious

2x02 Imprisoned, attacked, weak, captured, restrained 2x03 Punched, knocked out, stranded, knocked unconscious, restrained, interrogated/punched, bleeding, angry, knocked down 2x04 Sad, unconscious 2x05 Identity crisis 2x08 Body slammed, protected (26:55) 2x09 Memory loss, kicked x2, hostage, thrown in trash compactor 2x11 Arm twisted 2x12 Fated to die, 1v1 swordfight, shot, unconscious 2x14 Punched x5, crash landing, stuck with Thawne 2x16 Memory loss, punched, pinned 2x17 Choked, killed, punched x2

3x01 Knocked down, painfully pinned 3x02 Allergies, imprisoned 3x03 Drowned unconscious 3x04 Younger self killed, dissapears, bullied, shaken, emotionally hurt (17:10) 3x07 Captured 3x08 Electrocuted, unconscious, mourning 3x09 Therapy, tackled 3x10 Table pinned 3x12 Shock (34:15) 3x13 Captured, leg (indirectly) hit, pain, choked, restrained/gagged, knocked down 3x15 Severely injured, dying/unconscious 3x17 Thrown, unconscious, choked

4x01 Nervous, hallucinating, lovelorn 4x02 Turned into a pig, carried 4x03 Lovelorn, undercover, pinned, knocked out (offscreen) 4x05 Lovelorn 4x06 Mean Constantine (15:25) 4x07 Knocked unconscious, choked 4x08 Shot (16:30), "dead" 4x10 Bug of truth, scared, arrested 4x11 Guilt 4x12 Thrown, unconscious, emotional, possessed 4x13 Tempted, stabs himself, pain, upset, fully possessed, missing 4x14 Possessed, missing, body threatened, throat cut, knocked down 4x15 Possessed 4x16 Possessed, Hell therapy, hit (lightly), collapses, upset,

5x02 Shaken, knocked unconscious, 5x03 Handcuffed, framed 5x05 Mind controlled, choked 5x07 Choked 5x08 Emotional goodbyes, crying

ARROW 3x10 Annoyed 3x11 Punched 3x15 Obsessive, insomnia 3x17 Jealous, trust issues/'betrayed', kicked, bruises 3x18 Shot by Arrow, bleeding out, hospitalized, weak, blood clot, seizure 3x19 Punched multiple times, choked, crash landing, pain, beaten/choked, more pain 3x20 Heartbroken 3x22 Intense crash landing, imprisoned, poisoned, unconscious 3x23 Restrained, caught in explosion

4x06 Caught in explosion, trapped, 4x07 Sad/angst

5x08 Memory loss, knocked down, kicked, trapped

FLASH 1x18 Crash landing 3x08 Brain pain, abducted, mind controlled 6x09 (Superman version) literally dies/destiny changed

#whump #emotional whump #whump list #whumplist #brandon routh #brandon routh whump #ray palmer #ray palmer whump #flash whump #arrow whump #legends of tomorrow whump #legends of tomorrow #arrowverse

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xanthippe74 · 4 months

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The mood this year, as this header photo demonstrates, was Le Tired. Just physically and emotionally slogging along. Brain stuck on perpetual static. A pull-the-covers-over-my-head sort of year. I read a few books, watched a lot of shows, found new songs to listen to on repeat, and spent way too much time futzing around on Tumblr.

But that's not what this post is about! This is to remind myself that I did accomplish writer-ly things this year, even if it didn't feel like it sometimes. So here's my 2023 Fandom Year in Review:

Drarry

🐈 A Dreadful Invasion (of the Feline Persuasion) rated G | 6K words

Most of the time, it’s easy for Harry to forget that Draco Malfoy is his next-door neighbour—until the night Malfoy seemingly goes round the twist in his back garden. Of course Harry has to investigate. A birthday gift for @caroll-in.

🍷 Under the Table rated T, 4K words

A string of nearly-insufferable dinner parties has made Draco acquainted with Harry Potter’s completely insufferable, social-climbing boyfriend. But tonight it seems like Potter’s finally had enough, and Draco’s more than happy to watch it all play out from across the table.

WIP progress: I added about 25K to my Drarry retelling of Howl's Moving Castle. The working title is "Skybound" and it will be about 55 to 60K words when complete (by spring 2024, god help me!). Featuring: lots of banter, secret identities, adventures and misadventures in a floating house, a plucky house-elf, and (of course) a fire demon who wants to make a bargain.

9-1-1 fics, HP recs, and 2023 highlights under the cut!

9-1-1/Buddie

🌧️ It pours, man it pours rated T | 11K words

An endless rainstorm. A head-on collision on a dark canyon road. Eddie and Buck find themselves stranded with a woman in labor after they’re cut off from the rest of the 118 by a flash flood. With the fate of their team unknown, can they weather the night ahead—and mend the rift Buck caused by trying to kiss his best friend?

💣 A Few Good Pranks rated T | 4K words

The firefighters of the 118 decide to give Bobby a turn at pranking them after seeing how disappointed he was to be left out. And since two heads are better than one, why not three? Or four? If only they could figure out who's pranking and who isn't, and who the intended victim is. It's all in good fun, though—as long as everyone is too distracted to notice that Buck and Eddie keep sneaking off alone.

❤️‍🩹Let It Be Me rated T | 1.8K words

After another Buckley Family reunion-turned-disaster, Buck makes a decision about his parents. Of course the 118 has his back. Or, Bobby employs some LAFD equipment to help Buck out—and tell him something he needs to hear.

Episode codas/fix-it ficlets: 1x01 | 1x03 | 2x01 | 2x03 | 6x10 | 6x11 | 6x12 | 6x13 | 6x15

WIP progress: First chapter of a season 3/canon divergence Buddie fic. Featuring: angst with a happy ending, a secret marriage of convenience, and pandemic bed sharing.

HP Rec List

I was inspired by this post to rec twelve favorite fan works from 2023 in twelve days in December. It actually took fourteen days, but I did it!

💖 12 Favorites from 2023 💖

(after posting those twelve, of course I thought of a few more faves that I missed. I'll try to share them soon!)

2023 Highlights

I'm so very grateful for the wonderful, funny, imaginative people here who shared their creative works, the memes that made them laugh, photos of their pets, gif sets of shows I didn't know I needed to watch, and insights into the characters we love. You all got me through the year, honestly.

I had a good time doodling some Halloween treats for Inbox Trick-or-Treating. I hope it will become an annual Tumblr event! Thanks to the folks who rang my doorbell that night and the other blogs who gave out treats.

I truly treasured every kudos, comment, and rec I received this year. I was also very fortunate to receive a few special gifts:

🎙️ EllaMcSmellBella recorded a Podfic of "Spooked in Salem," my Drarry 'Round the World fic.

🎙️ Spades/bumblingbees recorded a Podfic of "Crimson Neon."

📕 @cheriecherishchen wrote a lovely rec for "Vortex" and designed gorgeous book covers for that fic and its sequel, "Riptide."

✏️ @saijordison drew this incredible piece of art for "Riptide."

And finally, if you read all the way to the end of this post, I'm grateful for YOU. 😁

Wishing everyone a very Happy New Year and an excellent 2024!

#2023 year in review #my writing #drarry #buddie

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amuseoffyre · 6 months

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Collating a list of Stede's flashbacks/trauma-hallucinations across the seasons (so far). Hallucinations will be italicised. I hadn't realised just how many there were.

1x01

"this is what a man's work looks like" - Father Bonnet killing the goose, then verbally abusing Stede

"left your comfortable life" - family portrait, the family discussion of horses with Stede isolated at one end of the table.

"this is my home now" - the same scene, only this time Stede is sitting with them instead of isolated from them.

1x02

Ghost Nigel beside the Revenge

Flashback to dead Nigel on the deck

"They'll never see papa again" - during the trial in the village.

"This is all coming from you" - Stede thinking about his departure and whispering goodbye to his children.

1x03

Life flashing before his eyes when he's hanged - Mary and the children at a distance

1x04

Department of Backstory - unhappy betrothal, marriage, children and "we were just playing pirates"

Anniversary presents going wrong - he and Mary at odds

"I was a coward" - Mary's appeal for him to try and his departure

Fever Gravy Basket incident when he manifests his family to tear him a new one and then he's killed by the fantasy version of piracy

1x05 and 1x06 have Ed's flashbacks. 1x07 has Jim's flashbacks. 1x08 has none.

1x09

"Mr Bonnet. Welcome" - sees Nigel instead of Chauncey

"weak-hearted lily-livered little rich boy" returns

"I stole his sword and jabbed it through his head" - dead Nigel on the deck

"wife, Mary Bonnet" - flash of Mary's disapproving face

Repeat of the happy families flashback from episode 1, with all of them sitting together and laughing" mismatched with the "which is your favourite pig" passive aggression

Beach flashback including "playing pirates", "I don't hate our lives" and Stede's arrival on the Revenge

Post-kiss flashback to Mary's "we have to try, don't we?"

"You defile beautiful things" flashbacks to dead Nigel, unhappy family portrait and Ed

"God's perfect little rich boy" - goose-killing and flower-picking flashbacks

1x10

"Death is an unavoidable part of the pirate lifestyle" - dead Nigel on deck, dead Chauncey in the forest and Stede screaming

"His name is Ed" - Stede's romance flashbacks

None in 2x01 but a full fantasy dream sequence that references a lot of the stuff he's worrying about.

2x02

"You wear fine things well" - Stede's POV

2x03 is only Ed flashback/trauma/coma hallucinations. 2x04 & 2x05 have none.

2x06

back-to-back flashbacks of flower-picking and goose-killing, immediately after Ned's death

Technically no flashbacks in 2x07, but since Stede spends his entire day being cheered on and praised by a man in a blood-stained leather apron (like this father in the goose-killing incident) after doing 'man's work', don't think he really needs to be flashing back 😬

And 2x08 really didn't have time for any, despite the fact that Stede ended up in the same uniform of the first two people who's deaths he was involved with.

#ofmd #ofmd s2 #stede bonnet

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raayllum · 9 months

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I remember starting the show because my friend told me about Callum and Rayla and how cute they were together. But after binge watching all 5 seasons, I just feel like the writers don’t really give a damn about them, in many ways, compared to other couples. But, to be fair, I have lots of issue with the writing. But, to me, the primary idea was to make Callum and Claudia a couple (no, I don’t ship them together), because they actually have a background, development, even chemistry too. So, I don’t understand why the writers changed their minds on this (please, tell me if they ever addressed this issue). I just think that him moving on from a childhood love, like that, out of nowhere to Raylla was again a bit odd and out of nowhere. Because nothing indicated that in the first 2 seasons. Same goes to Rayla too. And, in S5 they have acted more as friends than anything else. It’s just weird. What’s your opinion about this? And again, I don’t ship Callum with Claudia, it’s just my opinion after watching all seasons.

Thank you for sharing your feelings, I definitely have been in fandoms where the Big Ship (canon or fanon, in show or in fandom) have just not been things I could click or with or understand, so you have my sympathies. The crew has gone on record saying that Callum and Rayla being a couple was not originally the plan (we don't know if there were any endgames being considered for either of them as alternatives, but I lean toward no) with Janaya and Ruthari presumably being the main couples. This changed in 2x04 with the lightning flash and moment the two share on the boat, "everyone in the room saw it" (legit quote from showrunner) and they began to write and develop it. It is unknown if they went back to add or shift anything in S1 (we know the crew works on seasons simultaneously) but it wouldn't surprise me given the vibes

I definitely can't promise to change your mind (I'm obviously a big Rayllum shipper and I have been since S1, so I'm clearly coming at it from a different perspective) but I do have some metas that do address what you've brought up, I'm gonna link them below and then do a quick summary in case you understandably don't wanna read all that!

Rayllum and Loneliness (Post S3): a meta about how it is likely (now confirmed in supplementary material) that Rayla grew up pretty friendless and a deeper dive into how Rayla is/was the first person Callum had who was unequivocally his peer and his friend (as Soren bullied and Callum's crush - as well as other things - made him and Claudia have a fair amount of distance.)

Callum and Claudia: You Already Did (Post S3): On what appeal the ship has, why it may not appeal to others, and why I don't think Callum and Claudia were actually that close pre-S1, the various factors why, and why they were doomed to fall apart since 1x02.

How/Why Callum's feelings for Claudia and Rayla Were Overlapping (Post-S3): Exactly what it says on the tin, mostly because he is obsessed with Rayla lowkey in S1 (trying to get her to laugh three times in 1x05, taking a flirty tone with her when they aren't arguing in 1x06, etc) and then outright devoted in S2, trusting her over Claudia in 2x03.

Rebuttals to Rayllum Reservations (Claudia, Pacing, Etc) Post-S3: Pacing, emotional intimacy, platonic development and romantic feelings, etc. Probably the simplest meta and the most on brand for what you're (presumably) looking for, but the other metas I think uh do contribute nicely to explaining why Rayllum is what it is and som of the reasons it appeals to people.

It's also honestly not surprising to me that in S5 they just feel like Friends (hopefully best friends) given that a decent chunk of the Rayllum fandom, myself included, are on the aromantic and/or asexual spectrums, and don't really care if they're Romantic as long as they're Life Partners. (Aspec Rayllum tag here) Callum and Ezran are two of the, if not the, most important people in Rayla's life, and Rayla and Ezran are two of the most important people in Callum's life. To me, romance / devotion / whatever you want to call it intermingling makes sense. One of the things I've loved most about S4-S5 is the fact that whatever they are, they have each other's backs, and they care for and protect each other, no romance required, which hits different since they do both also have romantic feelings for each other. It's just not a pre-requisite for them and a lack of it is never something they'd hold against one another. In other words:

Chemistry is also something that's hard to pin down sometimes - like all shipping preferences are subjective, but evaluations of chemistry tend to be in particular (for example, I don't really think Callum and Claudia have chemistry in that way, but that doesn't mean that they can't or they don't).

That said: platonic Rayllum tag here and foils Rayllum tag here, and I hope whatever parts of the show you do enjoy, well, give you joy.

#rayllum #thanks for asking #anonymous #shipping

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