Sorry for the wait, I just realized I needed to get my brainrots in order (?) and I have a few to share today:
- Canon Ranni and the Tsaritsa are a lot alike, divine-adjacent royalty associated with frost/Cryo. Also, Cryo users all seem to have a contradiction or irony in their life, i.e. Kaeya being a Khaenrian who protects Mondstadt, Diona a bartender who hates drinkers, Rosaria a nun who doesn't worship the gods, Aloy a Sony character in a Chinese animesque game, etc. The Tsaritsa is a goddess of love who has no love left for her people, a god who is (possibly) rebelling against the very order that usurped the Dragon Sovereigns and propped her kind up in the first place. Ranni (and by extension Ranni!Reader) is an Empyrean, chosen by the Greater Will as a potential new vessel for their will, for the Order they have forcibly imposed on The Lands Between, yet Ranni turns her back on them and forges her own path, no matter the cost.
All of this to say, imagine R!R and the Tsaritsa properly meeting for the first time, each laying their cards on the table (to an extent) and oh, finding something of a kindred spirit in the person opposite them. I can just imagine R!R saying:
"I think we shall get along just fine, sister."
Word spreads, and R!R proceeds to never clarify if they meant it literally.
- So the original gods of Teyvat were the Dragon Sovereigns. Let's assume the Creator made them as well. What if their form reflects that?
I imagine R!R initially wakes up in Teyvat in their original body, AKA the flesh they once discarded during the Night of Black Knives. When they recreate the events of that Night with some poor fool in Godwyn's place (I know I orginally said Focalores, but lately I lean towards Raiden or the imposter themselves) their new doll body more closely resembles their original form - you know, red-haired and Just Big like their parents (still with four arms, though). Half of their ghostly face is sort of overlaid on their physical one, like a spookier Phantom of the Opera mask.
Again, all of this to say: imagine R!R with spectral horns and a spectral dragon tail. Now they match with Adula. R!R would be imposing even without them, but with them, they command attention, perhaps even fear.
- Speaking of Adula, I wanna expand on that one brainrot I sent - in Teyvat, Adula has a half-dragon form, tail and horns and claws and all. My idea was 'Rhaenyra Targaryan, but pale and scary apex predator with white hair.' And as I was playing my catalysts only Genshin account, I realized something - the face I was picturing would look remarkably similar to Neuvillette.
Like, half-dragon Adula would be much scruffier than him - imagine the Lazuli Robe, but with a good portion of the skirt unevenly torn off, and something like Rennala's leggings underneath. No gloves or shoes, just simple cloth wrappings. A veritable ragamuffin of a grown woman, the Creator’s draconic equivalent of Scary Dog Privilege, but between the white hair, stoicism and intimidating aura, she looks like she could be the Chief Justice’s long-lost daughter.
Rumours spread, and Neuvillette neither confirms nor denies them, because - well, he doesn't remember, and for all he knows, Adula is related to him somehow.
I've run out of brain juice for the moment, so I will pose you a question: how do you think Neuvillette feels about Furina? I don't mean shipping, but like, what does he think of her as, in relation to him?
Thanks, and well, that's a good question.
Exasperated, maybe. Furina is an Archon, and very much flamboyant. Neuvillette is devoted to his duties and the nation he works for. To me, I see Neuvillette as sort of a tired, almost fatherly/brotherly figure to Furina. Sure, you can hear the annoyance, but I'd like to think he's gotten used to it. It's just his Furina shows herself to others.
Side note: I don't really mind people shipping them. I can certainly see it, though; it's just not for me, really xd
Thank you again for your thoughts! :D
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My intro
Sorry should've done this a while ago lol.
Hey, the name's King.
He/they pronouns
I primarily write fanfiction multifandom-ish(mainly MHA based)
I do like other animes and may delve into some when it comes to my writing, who knows.
As you can tell by my name I love angst, I love to read and write it.
Yes I have trauma lol its how I cope.
This Acc is 16+ since I know that I can't literally prevent anyone from wanting to read smut. You do you buddy I don't blame you.
So if I write something NSFW and you are 16 or 17....idk just don't be weird. You're not exactly my target audience but I'm also not gonna harp on your asses. I don't have the time for that.
I do also have a AO3 where i post some of my other fics (https://archiveofourown.org/users/MrGloomndoom)
Feel free to check them out.
I'm a huge multi-shipper and don't care what the ship is (within reason).
No shipping wars. You like what you like and I like what I like. If you come here to pick a fight about a ship I write for you will be blocked.
A lil extra thing to know about me is. I come up with fanfiction ideas at the most random times. So don't be surprised.
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stupid lil au/just thing ive been thinking about for the past couple days (^ᴗ^)
superstar daycare grand opening ..,,... fbheugsdj
so ,,,, basically,,, yn (who has 0 childcare training, mind you, only previous petcare background) gets hired for a daycare position, under the impression they will be receiving training on site. sun (and moon, by extension) have just been converted to a daycare bot with some childcare protocols messily slapped into their existing code. the code is, frankly, very shoddily put together. at least one human being was legally required to be present with the children so they weren't alone with a robot, so that's where yn comes in.
the daycare's grand opening is coming up. shenagans ensue.
i was gonna continue but im losing steam here outta embarassment dfguwieb. yn's background is very self indulgent for me, since i work in dog care euughfhhdjf (๑•́‧̫•̀๑),, here are a collection of the doodles ive done for it so far ehghjdv
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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
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I think the thing I really love about Desert Duo is the warmth between them.
The way they banter and poke and prod at each other but always with an undercurrent of fondness. Scar teases about Grian's secret soulmate, Grian huffs that his heart is for someone special, Scar whispers with Pearl about ideas to mess with their soulmates, Grian mutters about leaving the desert all season. They both stay. They both giggle together and quickly drop any faux hurt.
The way they play each other. Scar coaxes Grian into doing work for him, Grian snatches a life away from Scar, Scar practically robs Grian blind through 'fair trade', Scar stabs Grian in the back in Thirdlife, Grian stabs Scar in the back in Limited Life. It's all in good fun. They sigh and roll their eyes and smile.
The way they gravitate towards each other. Easily partnering in Thirdlife, dancing around an alliance in both Last Life and Limited Life, being paired by the universe in Double Life, trying to reach for each other only to be torn apart by the universe in Secret Life. They meld easily together, like whispered plans and a presence beside each other is the most natural thing in the world.
The way they understand each other. "You and me, we know monopolies" Scar says, and Grian smiles. "Why DON'T you come along with me?" Grian giggles, and Scar can breathe for the first time all session.
Can you guys HEAR me I'm so NORMAL-
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