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midfilesmagazine · 5 months

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SitaAlexandra Mesmerizes the Crowd at Wales Festival, Ready to Rock the 2024 Festival Season In a whirlwind of ethereal melodies and magnetic stage presence, SitaAlexandra left an indelible mark on the recent festival scene in Wales. With her captivating performance, she cast a spell on the audience, igniting anticipation for her upcoming appearances in the festival circuit of 2024. The Wales festival, known for its diverse lineup and enthusiastic attendees, provided the perfect backdrop for SitaAlexandra's musical prowess. Adorned in her signature bohemian attire, she took the stage amidst a hushed anticipation that soon erupted into thunderous applause. SitaAlexandra's performance was an amalgamation of soul-stirring vocals, intricate instrumental melodies, and an aura that seemed to transcend the stage. Her versatile voice effortlessly navigated through haunting ballads, upbeat anthems, and emotionally charged tunes, leaving the audience spellbound and yearning for more. Her setlist was an eclectic fusion of her original compositions and reimagined classics, showcasing her musical range and depth. From the hauntingly beautiful "Whispers in the Wind" to the upbeat rhythm of "Wildfire Hearts," each song was a testament to her artistry and storytelling ability. Beyond her musical talent, SitaAlexandra's connection with the audience was palpable. Her genuine interactions and moments of vulnerability between songs created an intimate atmosphere, fostering a sense of unity among the festival-goers. It was evident that she wasn't merely performing for the crowd but sharing a piece of her soul through her music. The stage lights danced to the rhythm of her melodies, enhancing the mystical ambiance she effortlessly created. Her band, a group of seasoned musicians, complemented her performance with their seamless synchronization and passion for the craft. As the final notes echoed through the festival grounds, the crowd erupted into a chorus of cheers and applause, unwilling to let the magic dissipate. SitaAlexandra gracefully bid adieu, leaving an undeniable imprint on the memories of those fortunate enough to witness her performance. With the Wales festival as a testament to her artistic brilliance, SitaAlexandra stands poised and ready to embark on the festival season of 2024. Her enigmatic presence, coupled with her undeniable talent, promises to captivate audiences around the world. In anticipation of what lies ahead, fans eagerly await her upcoming performances, ready to immerse themselves once again in the enchanting world of SitaAlexandra's music. As the festival season approaches, one thing remains certain – SitaAlexandra is primed to leave an indelible mark on the hearts of music lovers worldwide. Contact PRESS

#SitaAlexandra #Sita Alexandra #sitaalexandramusic #sitaalexandraevents #SitaAlexandrashows #SitaAlexandrabeautiful #SitaAlexandrasinger

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campusrootsmagazine · 5 months

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In a whirlwind of ethereal melodies and magnetic stage presence, SitaAlexandra left an indelible mark on the recent festival scene in Wales. With her captivating performance, she cast a spell on the audience, igniting anticipation for her upcoming appearances in the festival circuit of 2024.

The Wales festival, known for its diverse lineup and enthusiastic attendees, provided the perfect backdrop for SitaAlexandra's musical prowess. Adorned in her signature bohemian attire, she took the stage amidst a hushed anticipation that soon erupted into thunderous applause.

SitaAlexandra's performance was an amalgamation of soul-stirring vocals, intricate instrumental melodies, and an aura that seemed to transcend the stage. Her versatile voice effortlessly navigated through haunting ballads, upbeat anthems, and emotionally charged tunes, leaving the audience spellbound and yearning for more.

Her setlist was an eclectic fusion of her original compositions and reimagined classics, showcasing her musical range and depth. From the hauntingly beautiful "Whispers in the Wind" to the upbeat rhythm of "Wildfire Hearts," each song was a testament to her artistry and storytelling ability.

Beyond her musical talent, SitaAlexandra's connection with the audience was palpable. Her genuine interactions and moments of vulnerability between songs created an intimate atmosphere, fostering a sense of unity among the festival-goers. It was evident that she wasn't merely performing for the crowd but sharing a piece of her soul through her music.

The stage lights danced to the rhythm of her melodies, enhancing the mystical ambiance she effortlessly created. Her band, a group of seasoned musicians, complemented her performance with their seamless synchronization and passion for the craft.

As the final notes echoed through the festival grounds, the crowd erupted into a chorus of cheers and applause, unwilling to let the magic dissipate. SitaAlexandra gracefully bid adieu, leaving an undeniable imprint on the memories of those fortunate enough to witness her performance.

With the Wales festival as a testament to her artistic brilliance, SitaAlexandra stands poised and ready to embark on the festival season of 2024. Her enigmatic presence, coupled with her undeniable talent, promises to captivate audiences around the world.

In anticipation of what lies ahead, fans eagerly await her upcoming performances, ready to immerse themselves once again in the enchanting world of SitaAlexandra's music. As the festival season approaches, one thing remains certain – SitaAlexandra is primed to leave an indelible mark on the hearts of music lovers worldwide.

youtube

#SitaAlexandra #Sita Alexandra #sitaalexandramusic #sitaalexandraevents #SitaAlexandrashows #SitaAlexandrabeautiful #SitaAlexandrasinger #Youtube

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movieswelove23 · 5 months

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n a whirlwind of ethereal melodies and magnetic stage presence, SitaAlexandra left an indelible mark on the recent festival scene in Wales. With her captivating performance, she cast a spell on the audience, igniting anticipation for her upcoming appearances in the festival circuit of 2024.

#They SitaAlexandra #Sita Alexandra #sitaalexandramusic #sitaalexandraevents #SitaAlexandrashowsSitaAlexandrabeautifulSitaAlexandrasinger

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selffindermagazine · 5 months

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SitaAlexandra Mesmerizes the Crowd at Wales Festival, Ready to Rock the 2024 Festival Season

Contact PRESS

Tim Davies

Filmzo Crisis PR

EMAIL: [email protected]

#They SitaAlexandra #Sita Alexandra #sitaalexandramusic #sitaalexandraevents #SitaAlexandrashowsSitaAlexandrabeautifulSitaAlexandrasinger

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marcoventico · 5 months

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#ThSitaAlexandraSita Alexandra #sitaalexandramusic #sitaalexandraevents #SitaAlexandrashowsSitaAlexandrabeautifulSitaAlexandrasinger

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thexandralyricsfans · 5 months

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SitaAlexandra Mesmerizes the Crowd at Wales Festival, Ready to Rock the 2024 Festival Season

youtube

#SitaAlexandra #Sita Alexandra #sitaalexandramusic #sitaalexandraevents #SitaAlexandrashowsSitaAlexandrabeautifulSitaAlexandrasinger #Youtube

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lewislvr · 9 months

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SEROTONIN CONFESSIONS ⋆.ೃ࿔*:･

pairing: Carlos Sainz x y/n

summary: after Carlos’s maiden win, he finally built up the courage to confess his feelings

warning: english isn't my first language (grammar, vocabulary or text issues might appear) | fluff

"You're falling hard, I push away, I'm feelin' hot to the touch

You say you miss me and I wanna say I miss you so much

But something keeps me really quiet, I'm alive, I'm a lush

Your love, your love, my love"

It wasn't only fear, but more adrenaline pumping through my veins as the cars brushed past us for the 45 time by now. Carlos who had started in pole position had to put up a hard fight with Perez, who was always on hot on his heels. As I was Carlos's assistant I was watching the race from the side of the track cheering with the Ferrari fans who kept on shouting the same.

"Forza Ferrari"

It was slowly beginning to echo through my head, almost like the constant repetition burned it onto my mind.

The first red car shot over the finish line and through the radio of his engineer, I heard his shaky voice.

"WE MADE IT", a deep sob escaped Carlos's throat.

The maiden win of the Spaniard caused the crowd to break their contentment free. From behind I got pulled into the group hug, that had formed only seconds ago.

From the car, his shaking figure rose standing tall on it.

Carlos's helmet was quickly found on the floor as he ran over to the team in red.

He took a last step before he got engulfed by his team, support, and fans.

"Thank you, everyone", Carlos smile was wide and his eyes glossy, as we all took a step back.

Before I would leave to organize the upcoming festivities for the winner, I decided to congratulate him personally again.

"Good job, Carlos", Rarely I called him by his first name, as our relationship was purely professional. The Spaniard seemed to notice the informal way I used it. It became evident when his already cherry-red cheeks darkened.

Instead of thanking me, I was caught off guard by him pulling me into a hug.

The first thing I seemed to notice was the smell of gasoline and burned rubber that almost drowned out the usual smell of aftershave and perfume.

"Thank you for your support", I felt his plump lips ghosting over the shell of my ear and his breath trickling across my neck.

My head only nodded softly, as I swallowed hard.

Quickly I hurried to my small office-like space shutting the door and gliding down on it with my back.

Even after taking deep breaths, my cheeks were still hot and my heart was continuously pounding at a rapid pace.

Something changed after the race. Unsure whether it was the way he whispered into my ear or how his eyes softened when I showed my appreciation for his win, I knew something was off. It was like a switch was flicked when the serotonin overtook his senses.

Desperately I tried to calm my ragged breath, sweaty fingers circling my temples.

I tried to hide it for months, the way my heart fluttered in his presence, my hands got shaky at every touch and the undeniable jealousy seeing Carlos around the company that would come and go once in a while.

Knowing the podium celebrations would start I hurried outside. In the cold air of England, it was a special occasion to enjoy the generous amount of sun that was beaming onto my face.

With my hand shielding my eyes from the sun, I looked up at the 3 men that were all standing proud on the podium.

Carlos's hair was still a sweat-drenched mess that made him look astonishing in the yellow sunlight.

A sly smirk laced his lips as he discovered me in the crowd. It could be the distance between us that made me believe that the Spaniard even shot me a small wink.

Quitley, I heard the spanish anthem play, before Carlos held up the heavy golden throphy, that was rewarded to the winner of the Silverstone Grand Prix.

Whilst my stomach began to fill with butterflies I walked back into the building. The distance gave me the chance to think about whatever had changed in his simple actions, that made my head spin.

"Why did you leave so early?", the hallway echoed with his silky voice bouncing off the walls.

I turned arund to see him drenched in champagne and his racing suit hanging loosely around his hips. Carlos's biceps twitched as he leaned against the wall crossing his arms over his chest, observing the way my mouth twitched.

"I could ask you why you are in here instead of giving interviews and celebrating?", I teased, avoiding answering his question or even looking into his eyes.

"I told them I need to get cleaned up first. But what about my question?"

Indistinctly a few words brushed past my lips, which only seemed to make the Spaniard more invested in my sudden disappearance.

"I was-" suddenly I was empty-headed "-packing up.", internally I slapped myself for the dumb excuse I had just made up.

A smile danced over his lips, as he shook his head knowingly.

"If you don't tell me, then I have something to tell.", Carlos's eyes were glistening in the artificial light.

"I love you. Since you walked into the paddock with your hair put up, in that gorgeous dress I adored you and I remember falling for you when I saw you at that sponsorship event in the red dress you were wearing, looking as beautiful as ever. Your bright eyes shining and your hair flowing down your shoulders. I needed time to understand, but I needed to tell you now, today.", There wasn't a hint of anxiety or fear displayed on his face. Carlos presented his confession with confidence. The confidence I was drawn to since day one.

"I understand if you need time or want to quit-", Whilst salty tears left my eyes, Carlos gave me an apologetic look.

"No, Carlos. I love you too.", With a smile on my lips I ran over to him swinging my arms around his neck. Champagne was sticking to my face and blouse, as well as his fireproofs and hair, attaching us. He lifted me off the ground hands around my waist, as my hands cupped his rosy cheeks and I smashed our lips together.

A kiss that tasted like champagne, tears, and maybe even pain, thinking about my future in F1.

"I love you so much."

#ferrari #carlos sainz #f1 imagine #carlos sainz x reader #f1 #first story #wattpad #Spotify

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bananaofswifts · 1 year

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HOW DO WE measure the impact of a musician in 2023? Streams can be bought. Awards can be finessed. Is it when demand for show tickets leads to a congressional hearing about Ticketmaster’s policies? Or when flight attendants shout out a fanbase making a pilgrimage to see a tour opener? Or when TikToks of merch inspirations and setlist predictions rack up millions of views? Nearly a decade ago, a headline ran declaring ‘Taylor Swift Is The Music Industry’ and those with even the slightest pulse on pop culture can tell she’s only grown more omnipresent since. It all led to a warm evening in Glendale, Arizona where months after delivering her most commercially-successful album to date, Midnights, Swift debuted a discography-spanning setlist that lasted over three hours and kicked off an aptly-named stadium run. The Eras Tour has arrived.

The sheer length of the set is a feat, but not completely surprising considering the breadth of catalog at Swift’s disposal. Watching the 12-time Grammy winner take the stage right at 8pm, and continue past 11pm triggers the often overused cliché: Who’s doing it like her?

After night had fallen and GAYLE and Paramore revved the crowd up with a mix of recent chart-toppers (GAYLE’s “abcdefu”) and cultural anthems (Paramore’s “Misery Business”), it was time for the main event. At 7:57pm, a timer appeared on a massive screen prompting screams from all corners of State Farm Stadium. Lesley Gore’s “You Don’t Own Me” played as fans braced themselves for the arrival of Swift. When the timer hit 0:00, the house we’d seen in the “Lover” music video assembled on the screen, indicating that this evening was first and foremost about reviving the feelings each era evoked.

“So tonight, we’re going to be going through an adventure, one era at a time,” Swift said. “We’re going to be exploring the last seventeen years of music that I’ve been lucky enough to make and you’ve been kind enough to care about.”

It’s easy to compare one of Swift’s stadium shows to something you’d see on Broadway — never has that been more true than for The Eras Tour. The setlist is cut up into acts, grouped together by eras for each of Swift’s ten studio albums. For each era/act, Swift went full-send into that album’s look, feel, costume, color blocking, and more.

Many eras got a few songs. At one moment, it seemed like Swift’s soft spot for Folklore would mean we’d hear the entire album. On the opposite end, Speak Now’s part of the show was short but impactful. Swift played only one song from her third studio album, “Enchanted,” while wearing a stunning floor-length ballroom gown designed by Nicole + Derr. Hopping from act to act, Swift made it extremely clear when she’s taking the audience out of one era and into another. This isn’t a hastily put together setlist with a vague thread of connective tissue — Swift is taking her audience on a nostalgic extravaganza.

For both Swift and her fans, it’s been a long road to get to The Eras Tour kickoff. Friday night’s opener was four projects, millions of record sales, and over 1,500 days removed from the last tour stop on the Reputation stadium tour in 2018. Plus, who can forget the Ticketmaster fiasco in handling the sale of The Eras Tour tickets, which not only prompted an apology to Swift from the ticketing monopoly but also for Congress to investigate.

In perhaps a sympathetic nod to the canceled Lover Fest, Swift began the festivities with the Lover era. Wearing a jaw-dropping Versace bodysuit, Swift launched into “Miss Americana & the Heartbreak Prince” for the opening number. Swifties eager to see “Cruel Summer” live weren’t disappointed, as Swift strutted down the catwalk towards the stadium’s center, belting out the fast-paced bridge eager to deliver what stans had snatched away from them due to pandemic-related cancellations.

For “The Man,” Swift completed her Versace look with a blazer and made sure everyone could see the red bottoms when she kicked her feet up on a conference room table as she delivered the masterfully written and scathing assessment of gender inequality in pop culture. Swift closed out the Lover era act with “You Need to Calm Down” and “The Archer,” the latter getting a beautifully stripped down rendition so Swift’s vocals echoed across the stadium: “Because all of my enemies started out friends / Help me hold onto you.”

At one point, as Swift ran through hits from her Fearless era, she flashed a smile and announced to the crowd that she was taking us back to high school with her. The nostalgia seeped into the show, resulting in some of the loudest crowd participation yet, especially from those old enough to have grown up with Swift and were in high school at the same time she was. The singer ran through “Fearless,” “You Belong With Me,” and “Love Story,” reminding us of a time when we discovered the pop phenomenon unbeknownst to the level of celebrity she’d achieve.

Something about Swift — she’s online. If the fact that she decided to end last night with the TikTok-friendly “Karma” doesn’t make that obvious enough, her joke about disliking Evermore hammers home the point.

“We’re currently in the middle of the Evermore album, which is an album I absolutely love despite what some of you say on TikTok,” Swift said with a grin.

Later on in the act reserved for her ninth studio album, in line with how theatrical the event was, Swift set up a beautiful dinner setting only to deliver a heart-wrenching rendition of “Tolerate It.” She also performed “Tis the Damn Season,” “Willow,” “Marjorie,” and “Champagne Problems,” giving fans a sizable taste of the Evermore live experience they weren’t able to receive when the project came out in 2020.

For the acts dedicated to Reputation and Red, fans were treated to a masterclass in visuals and hitmaking, two key elements that has assured Swift prolonged success for as long as she’s had it. The powerful, striking, snake motifs were an awesome callback for fans who attended the Reputation tour.

For Red, Swift went through “22,” “We Are Never Ever Getting Back Together,” and “I Knew You Were Trouble. She closed out the act with a beautiful performance of the 10-minute “Taylor’s Version” of “All Too Well.” In the evening’s most ethereal moment, small white confetti made to look like snow blanketed the State Farm Stadium as she neared the end of her magnum opus, singing “Because in this city’s barren cold/I still remember the first fall of snow/And how it glistened how it fell/I remember it all too well.” Not only is Swift a savant for world-building, but she’s perfected the ability to translate those worlds into the live experience.

Swift wasn’t shy about making sure people got the full Folklore live experience. A makeshift cabin, not unlike the one made during Swift’s 2021 Grammys performance, sat on the stage with Swift perched on it during “Invisible String.” The star also discussed how she finally got comfortable crafting narratives for purely fictional characters, rather than ripping them from the headlines about her life.

“Folklore was such a different album for me. I start writing it about two seconds into the pandemic. I was just so very aware of how much time I was going to have to spend away from you,” Swift explained before launching into “Betty,” “The Last Great American Dynasty,” “August,” “Illicit Affairs,” “My Tears Ricochet,” and “Cardigan.” “With this album, I thought it would be so fun to create characters, and storylines, and they can live in different times, and then can do all of these things, and they could fall in love and hurt each other and go to war…”

1989’s era act turned the party up and restored the energy, with Swift donning a Roberto Cavalli top and skirt and going through “Style,” “Blank Space,” “Shake It Off,” “Wildest Dreams,” and “Bad Blood.”

To cap off the evening, Swift returned to Midnights, performing album highlights “Lavender Haze,” “Mastermind,” and more. It was hard to ignore the immense gratitude the singer continued to exude throughout the evening, with the “thank yous” coming more and more often the closer she got to the end.

Eventually, the singer asked the crowd if they had time for one more and launched into her finale, “Karma,” a track with a passionate chorus that’s begging to be scream-sung in a room of about 60,000 who’ve been waiting for this exact moment for years. Maybe it’s fitting that an artist who’s had more than her fair share of ups and downs, and at times has been the most polarizing musician alive, ends her stadium tour opener with a song about how she can finally protect her peace. Karma’s a relaxing thought, indeed.

The Eras Tour is a feat. It’s live music at its highest spectacle and greatest excess. And for most, without the catalog and showmanship of Swift, it’d be too much. But 17 years into her career, maybe we ought to stop being surprised when she finds a way to top her own efforts year after year. Towards the end of Paramore’s set, Swift’s good friend Hayley Williams said we had gathered that evening to celebrate Swift’s incredible career. There’s something funny about a greatest hits concert for someone who’s never been more in her prime, isn’t there?

#taylor swift #the eras tour review #the eras tour

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obioveria · 5 months

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#They SitaAlexandra #Sita Alexandra #sitaalexandramusic #sitaalexandraevents #SitaAlexandrashowsSitaAlexandrabeautifulSitaAlexandrasinger

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edinburglatesnews · 5 months

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SitaAlexandra Mesmerizes the Crowd at Wales Festival, Ready to Rock the 2024 Festival Season

Sita Alexandra's performance was an amalgamation of soul-stirring vocals, intricate instrumental melodies, and an aura that seemed to transcend the stage. Her versatile voice effortlessly navigated through haunting ballads, upbeat anthems, and emotionally charged tunes, leaving the audience spellbound and yearning for more.

As the final notes echoed through the festival grounds, the crowd erupted into a chorus of cheers and applause, unwilling to let the magic dissipate. Sita Alexandra gracefully bid adieu, leaving an undeniable imprint on the memories of those fortunate enough to witness her performance.

In anticipation of what lies ahead, fans eagerly await her upcoming performances, ready to immerse themselves once again in the enchanting world of SitaAlexandra's music. As the festival season approaches, one thing remains certain - SitaAlexandra is primed to leave an indelible mark on the hearts of music lovers worldwide.

Contact PRESS

Tim Davies

Filmzo Crisis PR

EMAIL: [email protected]

youtube

#sitaalexandraevents #Sitaalexandrabeautiful #Sitaalexandrashows #sitaalexandra #Youtube

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nextfrontiergalaxy · 5 months

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#They SitaAlexandra #Sita Alexandra #sitaalexandramusic #sitaalexandraevents #SitaAlexandrashowsSitaAlexandrabeautifulSitaAlexandrasinger

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black-arcana · 4 months

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The 50 best metal albums of 2023 - as voted by the readers of Metal Hammer

20. Blackbriar - A Dark Euphony (Nuclear Blast)

With many of the bands that brought symphonic metal to prominence in the late 90s and early 2000s since shifting away from the style to explore other realms, newcomers like Blackbriar are quickly filling the niche. Grandiose, gothic symphonic metal with a fairytale edge, the Dutch band's second record A Dark Euphony was hailed by Catherine Morris who hailed it as "unabashedly gorgeous and darkly romantic, Blackbriar have shown they are masters of painting lush soundscapes that symphonic metal fans will want to dive right into."

18. Delain - Dark Waters (Napalm)

Martijn Westerholt was forced to effectively rebuild Delain from the ground up when the other members quit in 2021, leaving him the sole remaining member. Thankfully, the band's seventh studio album shows no signs of that strife, the return of former drummer Sander Zoer and guitarist Ronald Landa helping cement a sense of vintage Delain whilst new vocalist Diana Leah delivered the grandeur and brilliance fans have come to expect, Danii Leivers ruling that "this feels like a band reborn: grandiose and fizzing with bright energy."

16. Beyond The Black - Beyond The Black

Beyond The Black have been steadily building as symphonic metal's next stars ever since their 2015 debut achieved a top 20 position in their native Germany. The band's self-titled fifth record is an affirmation of everything that makes them brilliant: strident songwriting, fist-pumping melodies and hooks you could land Moby Dick with, reviewer Catherine Morris writing that "many of the melodies on Beyond The Black will stay with you – a sign that the band are now truly in their groove."

3. Within Temptation - Bleed Out (Force Music)

Whilst Within Temptation have never been wallflowers, their eighth record represents the band at their most fired-up and outspoken. Inspired by the state of global events, the Dutch band crafted some of the most inspiring and powerful anthems of their career. It's almost insane that we'll have to wait until late next year for the band to bring these songs to life live, but we dare say the wait will be worth it.

2. Babymetal - The Other One (Cooking Vinyl)

It says something about the sheer scale of what Babymetal have achieved that the release of a new album is only part of their incredible story in 2023. While the recruitment of Momometal has kickstarted a new era, the band started their first new chapter since a year-long hiatus by unveiling some of their most grandiose and impressive songs to date in a sprawling concept record that showed just how much they have evolved in the past decade. Massive shows at home in Japan and an appearance at Wembley Arena with Sabaton in March gave way to smaller shows this winter that set the stage for even bigger things to come. The band already have an appearance at Download Festival set for next year, but beyond that? Well, you should know what they say about Fox Gods at this point.

#blackbriar #a dark euphony #delain #dark waters #beyond the black #within temptation #bleed out #babymetal #the other one

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jokeroutsubs · 10 months

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danas.rs article published on 12.7.2023.

Wherever they appear, they conquer hearts: Joker Out's first solo concert in Belgrade

Photo: Ursa Premik

One of the most sought-after young bands in the region, the Slovenian shagadelic rock'n'roll attraction Joker Out, announced their first solo concert in Belgrade on November 3 at the Dom omladine.

After selling out two solo concerts in Novi Sad in just a few days, the young Slovenian band is planning to meet the Belgrade audience as well. Their festival performance at this year's Belgrade Beer Fest was one of the most attended, and the audience showed interest in wanting to see them again at an independent concert. Serbian fans flawlessly as a choir sing their songs in Slovene. They also released a single in Serbian language called "Demoni" last fall, showing how much they care about the Serbian audience, which also received their second song in Serbian called "Ona" very well.

Wherever they appear, they conquer hearts with their powerful music, incredible energy and charm. They have already sold 12,000 tickets for their biggest concert on October 6 in Ljubljana's Arena. Two gigs in Zagreb's Tvornica which will be in November after the one in Belgrade, are already sold out. The list of this year's performances is rapidly growing, so Irish, British, Polish, Spanish and Nordic tours are scheduled. The power of their music can be seen by multi-million listening to their songs on streaming services. The Eurovision hit and generational anthem "Carpe Diem" has more than 15 million listens on Spotify, and was also on the list of "Top 10 Spotify Global Viral Chart".

youtube

They started their musical opus in 2016 and developed a musical direction called shagadelic rock 'n' roll. They have released two albums so far - "Umazane Misli" and "Demoni". Their international potential is also being recognized by the global media, therefore BBC highlights their collaboration with Costello, and The Mirror compares them to Harry Styles. The band is currently working on their first album in English, which should be released early next year.

Ticket sales for the Joker Out's first solo concert in Belgrade on November 3 at Dom omladine will begin on Thursday, July 13 at 11 a.m. Tickets at a price of 2,500 dinars can be purchased online and at efinity.rs sales points.

Translation by yiboego

#joker out #bojan cvjeticanin #jan peteh #kris gustin #nace jordan #jure macek #Youtube

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