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#dystopia watch
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The internet is not a (link)dump truck
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Monday (October 2), I'll be in Boise to host an event with VE Schwab. On October 7–8, I'm in Milan to keynote Wired Nextfest.
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The second decade of the 21st century is truly a bounteous time. My backyard has produced a bumper crop of an invasive species of mosquito that is genuinely innovative: rather than confining itself to biting in the dusk and dawn golden hours, these stinging clouds of flying vampires bite at every hour that God sends:
https://themagnet.substack.com/p/the-magnet-081-war-with-mosquitoes
Here in the twilight of capitalism's planet-devouring, half-century orgy of wanton destruction, there's more news every day than I can possibly write a full blog post about every day, and as with many weeks, I have arrived at Saturday with a substantial backlog of links that didn't fit into the week's "Hey look at this" linkdumps.
Thus, the eighth installment in my ongoing, semiregular series of Saturday linkdumps:
https://pluralistic.net/tag/linkdump/
This week, the miscellany begins with the first hesitant signs of an emerging, post-neoliberal order. The FTC, under direction of the force-of-nature that is Lina Khan, has brought its long-awaited case antitrust case against Amazon. I am very excited about this. Disoriented, even.
When was the last time you greeted every day with a warm feeling because high officials in the US government were working for the betterment of every person in the land? It's enough to make one giddy. Plus, the New York Times let me call Amazon "the apex predator of our platform era"! Now that it's in the "paper of record," it's official:
https://pluralistic.net/ApexPredator
Now, lefties have been predicting capitalism's imminent demise since The Communist Manifesto, but any fule kno that the capitalist word for "crisis" also translates as "opportunity." Like the bedbugs that mutated to thrive in clouds of post-war DDT, capitalism has adapted to each crisis, emerging in a new, more virulent form:
https://boingboing.net/2023/09/30/bedbugs-take-paris.html
But "anything that can't go on forever will eventually stop" (Stein's Law). Perhaps our mistake was in waiting for capitalism to give way to socialism, rather than serving as a transitional phase between feudalism and…feudalism.
What's the difference between feudalism and capitalism? According to Yanis Varoufakis, it comes down to whether we value rents (income you get from owning things) over profits (income you get from doing things):
https://pluralistic.net/2023/09/28/cloudalists/#cloud-capital
By that metric, the FTC's case against Amazon is really a case against feudalism. Through predatory pricing and acquisitions, Amazon has turned itself into a chokepoint that every merchant, writer and publisher has to pass through in order to reach their customers. Amazon charges a fortune to traverse that chokepoint (estimates range from 45% to 51% of gross revenues) and then forces sellers to raise their prices everywhere else when they hike their Amazon prices so they can afford Amazon's tolls. It's "an economy-wide hidden tax":
https://www.thebignewsletter.com/p/the-ftc-sues-to-break-up-amazon-over
Now, feudalism isn't a straightforward proposition. Like, are you sure you mean feudalism? Maybe you mean "manorialism" (they're easy to mix up):
https://locusmag.com/2021/01/cory-doctorow-neofeudalism-and-the-digital-manor/
Plus, much of what we know about the "Dark Ages" comes from grifter doofuses like Voltaire, a man who was capable of dismissing the 800 year Holy Roman Empire with a single quip ("neither holy, roman, nor an empire"). But the reality is a lot more complicated, gnarly and interesting.
That's where medievalist Eleanor Janeaga comes in, and her "Against Voltaire, or, the shortest possible introduction to the Holy Roman Empire" is a banger:
https://going-medieval.com/2023/09/29/against-voltaire-or-the-shortest-possible-introduction-to-the-holy-roman-empire/
Now, while it's true that Enlightenment thinkers gave medieval times a bum rap, it's likewise true that a key element of Enlightenment justice is transparency: justice being done, and being seen to be done. One way to distinguish "modern" justice from "medieval" trials is to ask whether the public is allowed to watch the trial, see the evidence, and understand the conclusion.
Here again, there is evidence that capitalism was a transitional phase between feudalism and feudalism. The Amazon trial has already been poisoned by farcical redactions, in which every key figure is blacked out of the public record:
https://prospect.org/power/2023-09-27-redacted-case-against-amazon/
This is part of a trend. The other gigantic antitrust case underway right now, against Google, has turned into a star chamber as well, with Judge Amit P Mehta largely deferring to Google's frequent demands to close the court and seal the exhibits:
https://usvgoogle.org/trial-update-9-22
Google's rationale for this is darkly hilarious: if the public is allowed to know what's happening in its trial, this will be converted into "clickbait," which is to say, "The public is interested in this case, and if they are informed of the evidence against us, that information will be spread widely because it is so interesting":
https://www.bigtechontrial.com/p/secrecy-is-systemic
Thankfully, this secrecy is struggling to survive the public outrage it prompted. While the court's Zoom feed has been shuttered and while Judge Mehta is still all-too-willing to clear the courtroom during key testimony, at least the DoJ's exhibits aren't being sealed at the same clip as before:
https://www.theverge.com/2023/9/27/23892215/google-search-antitrust-trial-documents-public-again-judge-mehta-rules
In 2023, the world comes at you fast. There's an epic struggle over the future of corporate dominance playing out all around us. I mean, there are French antitrust enforcers kicking down doors of giant tech companies and ransacking their offices for evidence of nefarious anticompetitive plots:
https://www.theverge.com/2023/9/28/23894863/nvidia-offices-raided-french-competition-authority
As ever, the question is "socialism or barbarism." But don't say that too loud: in America, socialism is a slur, one that dates back to the Reconstruction era, when pro-slavery factions called Black voting "socialism in South Carolina."
Ever since, white nationalists used "socialism" make Americans believe that "socialism" was an "extremist" view, so they'd stand by while everyone from Joe McCarthy to Donald Trump smeared their opponents as "Marxists":
https://thehill.com/homenews/campaign/4066499-trump-paints-2024-campaign-as-righteous-crusade/
As Heather Cox Richardson puts it for The Atlantic, "There is a long-standing fight over whether support for the modern-day right is about taxes or race. The key is that it is about taxes and race at the same time":
https://www.theatlantic.com/ideas/archive/2023/09/american-socialism-racist-origins/675453/
The cruelty isn't the point, in other words. Cruelty is the tactic. The point is power. Remember, no war but class war. All of this is in service to paying workers less so that bosses and investors can have more.
Take "essential workers," everyone from teachers to zookeepers, nurses to librarians, EMTs to daycare workers. All of these "caring" professions are paid sub-living wages, and all of these workers are told that "they matter too much to earn a living wage":
https://www.okdoomer.io/praise-doesnt-pay/
The "you matter too much to pay" mind-zap is called "vocational awe," a crucial term introduced by Ettarh Fobazi in her 2018 paper:
https://www.inthelibrarywiththeleadpipe.org/2018/vocational-awe/
Vocational awe is how creative workers – like the writers who just won their strike and the actors who are still fighting – are conned into working at starvation wages. As the old joke goes, "What, and give up show-business?"
https://ask.metafilter.com/117904/Whats-the-joke-thas-hase-the-punchline-what-and-give-up-show-business
In this moment of Big Tech-driven, AI-based wage suppression, mass surveillance, corruption and inequality, perhaps we should take a moment to remind ourselves that cyberpunk was a warning, not a suggestion. Or, more to the point, the warning was about high-tech corporate takeover of our lives, and the suggestion was that we could seize the means of computation (a synonym for William Gibson's "the street finds its own use for things"):
http://www.seizethemeansofcomputation.org/
We are living in a lopsided cyberpunk future, long on high-tech corporate takeover, short of computation seizing. This point is made sharply in JWZ's "Dispatch From The Cyberpunk City," which is beautifully packaged as a Hypercard stack that you run on an in-browser Mac Plus emulator from the Internet Archive:
https://www.jwz.org/blog/2023/09/neuroblast-dispatch-from-the-cyberpunk-city/
Cast your gaze ahead, to the near future: Public space has all but disappeared. Corporate landlords use AI-powered robots to harass the homeless. The robots, built slick and white with an R2-D2 friendliness now most resemble giant butt plugs covered in graffiti and grime.
Science fiction doesn't have to be a warning. It can also be a wellspring of hope. That's what I tried to do with The Lost Cause, my forthcoming Green New Deal novel, which Bill McKibben called "The first great YIMBY novel":
https://us.macmillan.com/books/9781250865939/the-lost-cause
Writing a hopeful novel of ecological, social and economic redemption, driven by solidarity, repair, and library socialism, was a powerful tonic against despair in this smoke-smothered, flooded, mosquito-bitten time. And while the book isn't out yet, there are early indications I succeeded, like Kim Stanley Robinson's reaction, "Along with the rush of adrenaline I felt a solid surge of hope. May it go like this."
And now, we have a concurring judgment from The Library Journal, who yesterday published their review, which concludes: "a thought-provoking story, with a message of hope in a near-future that looks increasingly bleak":
https://www.libraryjournal.com/review/the-lost-cause-2196385
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If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2023/09/30/mesclada/#melange
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krazycat6167 · 8 months
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So @somerandomdudelmao made a version of their sona in a dystopia (inspired by @tapakah0 doing the same to theirs) and the person in this ask named the robot C.A.S.5 and I thought, ‘well then there’s at least four other C.A.S. units out and about in the world’ leading to this being the end result! It was a lot of fun to come up with the different customizations each C.A.S. unit has.
also, the design for C.A.S.4 (Cash) was partially inspired by @mobiitez post.
Doodles:
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tumblasha · 6 months
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a friendly reminder that dystopia is not written about a future bad world but about the one we live in now
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365filmsbyauroranocte · 9 months
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Born in Flames (Lizzie Borden, 1983)
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spinji · 3 months
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This just in: Twitter bots have been taught Bakudeku
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Some of them need some work with the emojis but this is a wonderful development.
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robinsnestwoutrest · 6 months
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I saw “The Hunger Games: The Ballad of Songbirds and Snakes” tonight and was thrown off, horrified really, by how we (the audience) were laughing at Flickerman’s jokes just like the Capital citizens… I don’t think I have to explain the joke or the problem here, do I?
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magicbunnystar · 6 months
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I just had this interesting thought in mind
Idk why, but I was still into the dystopia afterlife concept while I'm working on the comic
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abs0luteb4stard · 23 days
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W A T C H⚡️N G
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st4zia · 7 months
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Marina, where are you?
#splatoon#splatoon side order#splatoon fanart#marina ida#off the hook#no description#okay..can i...rant a little bit because i.... have so much to say about side order#first of all i love LOVE the concepts like bleached coral a menacing dark goop futuristic dystopia TABI SHOES & agent 8s new uniform?!!!!!!#its giving margiela which btw i feel was the inspiration behind toni kensa & that entire brand BUT THats for another post#its like the devs catered side order TO ME.....LMFAO like im obsessed with everything about it so far and the intrinsic horror that comes#along with this concept its just...#immediately after watching the trailer i thought if marina is the final boss~ how would that play out whats going on#so ofc i had to draw it out and like the idea of marina possessed by some sort of mega computer obsessed with order like you get my drift?#you know how fucking cool that would be i just feel like since everything is up to speculation right now im going haywire#i read in the jpn version of some article translation marina was becoming disillusions with oth cuz pearl mentioned she was#getting bored with their music hence the damp socks collab and ghosted marina for some time SO WHAT IF.....#feeling like she was discarded / ghosted...her resentment lingered and she turned to whatever was creepin in that dark goop#to maybe find some reasoning as to why pearl was getting bored with oth (or marina...)#like we were all joking that side order will be the off the hook wedding planning DLC but like WHAT IF IT WAS THE BREAK UP.........#also i mentioned toni kensa earlier what if side order is actually his doing like the color scheme red white and black its all there in the#trailers WHAT IF?!!! so many possibilities im gonna explode#anyway thats just my theories anything is game until nintendo destroys all of our expectations come this spring#this is so long if youre reading this thank you like genuinely thank you for taking the time to read this incoherent rant about a squid gam#have a lovely day <3333#oh & high five to anyone who knows what poster i used for reference here hehe..
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bad-wolf-circe · 4 months
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finally watched the barbie movie. guys it's literally just an advertisement. yall hyped up an advertisement. y'all hyped up a 2-hour russian nesting doll of advertisements with surface level feminism that doesn't actually accomplish anything. this is literally just a giant, "edgy-but-self-aware" advertisement. it says alllll the right things, all of the politically correct things, but at the end of the day IT! IS! STILL! AN! AD!!! mattel does NOT care about ur asses and the literal BILLION dollars they made off of this movie only proves that.
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clowningaroundmars · 3 months
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hey. hey did yall notice smthn interesting about the kane dogs in the show and the mechanical hounds in fahrenheit 451? :)
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especially the energy boosted kane dog? especially especially bc it grew an extra set of legs?
ya wanna know what else is interesting?
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:)
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maulthots · 2 months
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Whenever star trek invents some dumb shit to facilitate the plot of the week, they never care about the ramifications, and it drives me bonkers. For example, every single starship produces toxic sludge as a result of going to warp. They are generating unusable, irreclaimable garbage for the privilege of fucking around on other planets. This toxic sludge has no use except for building nuclear bombs. Like, you know that Starfleet has designated Garbage Planets and are dumping their toxic sludge into what was once a pristine ecosystem. You know that's happening. But no one cares about that happening. Like, agh.
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clonerightsagenda · 11 months
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Amestris isn't exactly spoiled for choice given most of their neighbors hate their guts but I do think it's funny that a neighboring world leader tried to kill their president on three separate occasions in front of witnesses and two years later they're making trade deals with him like
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redilepsy · 7 months
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my henry danger phase/hyperfixation is back
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yemme · 7 months
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youtube
I do not care where this story takes me, I am strapped in... It could be a damn fairy that glimmers at the end of this rabbit hole for all I care. I am engaged. Intense. Intrigued. Another time travel show got me...
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typically whenever put into a fight or flight situation my brain chooses “fight”. want an example?? ok!!
when i got the notification saying “dan and phil finally tell the truth” i was filled with terror. so instead of not watching it (flight), my fear turned instantly into uncontrollable rage. i started SCREAMING at the video the following: “NO THEY FUCKING DONT!! YOU ARENT TELLING US SHIT!! I DONT WANNA KNOW!! SHUT UP SHUT UP SHIT UP!! FUCK YOU!!” while clicking on the video and sitting through the advert. got through the video a shaking mess. need to do some breathing exercises.
glad to know that the video was what all joint content has been since they came out: oversharing about their shared s*x life without giving specifics of their relationship. like yes kings leave me in the dark. don’t tell me shit. i don’t wanna know <3
so that’s the story of how my psychological response to the video was to throw hands with dan and phil through my phone because i am sane and healthy and normal
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