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luuurien · 9 months

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George Clanton - Ooh Rap I Ya

(Synthpop, Chillwave, Hypnagogic Pop)

Loosening the screws and letting his throwback synthpop melt into itself, George Clanton’s brilliant new album exists halfway between his dreamy hypnagogic pop and his early vaporwave work. Ooh Rap I Ya’s surreal, liquid production centers itself on powerful choruses and the most gorgeous soundscaping in his discography thus far, a powerful and one-of-a-kind pop experience.

☆☆☆☆☆

George Clanton’s music is at once 80’s stadium pop and nostalgic vaporwave, his position as an innovator within the independent electronic space coexisting with his music’s innate desire to call back to the music of his youth. There are times he sways heavily towards one direction - his work as ESPRIT 空想 and Mirror Kisses are fully submerged in chillwave, while his 2020 collaboration with 311 frontman Nick Hexum lives in the more traditional synthpop and trip hop realm - but Clanton knows what he wants his music to sounds like and how to achieve that sound, his masterful 2018 release Slide delivering the best pop songs he’d ever written alongside production that split the difference between ‘90s breakbeat and futuristic electronica. After five years of relative silence for his solo output, his latest album Ooh Rap I Ya works with all the same parts that made Slide such a success, but melts them into one big pool of neon, smeary synths and bouncy alt-dance grooves to soundtrack Clanton’s darker frame of mind, dramatic pop anthems colored in vibrant blue and orange hues. The saturation is heavy and the beats are slow, and it works to Clanton’s advantage in every moment: at just 38 minutes of runtime, Ooh Rap I Ya is an album you could float in for hours, hypnotic chillwave beats where Clanton’s voice is used more as an instrumental texture à la dream pop more than ever before. Somewhere between his dreamy hypnagogic pop and early vaporwave work, Ooh Rap I Ya seeks to consume your entire world.

Of its three singles, only one truly shows off how the album’s thick and fluid production bolsters its sound. Not to say I Been Young and Justify Your Life aren’t fantastic songs in their own right, the former’s hands-in-the-air chorus and the latter’s grungy atmosphere making for catchy and atmospheric synthpop, but it’s the split piece Vapor King / Subreal that most expertly brings his vision to the forefront. The first half pulls from ‘90s trip hop, but lends it a warmer hue, a slow and sturdy breakbeat rhythm situation around Clanton’s vocal embellishments and sloshing synth pads to settle you into his new psychedelic realm before Subreal kicks into gear with pure progressive breaks magic, utilizing a relatively untouched Funky Drummer sample to open up the atmosphere and play some other clever production tricks - echoing synth pulses and spacious pads a breath of fresh air in one of the densest albums this year. The rest of the album isn’t all so different from these singles and Clanton may not stray far from Slide’s anthemic chillwave, but it’s the subtleties working to his advantage here: the lurching trip hot centerpiece You Hold the Key and I Found It is a blurry and slow five minutes, but functions as both a necessary comedown from the opening four tracks and an introduction to the more directly psychedelic second half; a rework of his 2021 single Fucking Up My Life adds extra layers of ethereal synths and lightens up on the distortion for a sweeter but still intense listen. Ooh Rap I Ya is the same George Clanton experience at its core, and by liquidating his many influences into one big pool of dreamy synthpop he continually strikes at the core of what makes his sound so distinctive and addicting.

Clanton’s debt to the past here is fused to his pop songcraft more than ever - while 2015’s 100% Electronica brought a direct mix of vaporwave and blended pop songcraft into it, Ooh Rap I Ya does the inverse, expertly crafted pop where all the colors splashed atop it serve to enhance Clanton’s gorgeous pop. Punching Down’s angst-riddled songwriting gets a shot of thumping synths and rich, heavy chord swells, taking his signature sound and dialing it to 11, and the shoegaze/vapor fusion For You, I Will builds and builds and builds with pitched-down voice samples and detuned synths and a slow ambient burn to finish, Clanton not straying from his roots but weaving them into music that carries more weight in its center.. It’s a perfect balance where he doesn’t have to sacrifice the heft of his production or the hooks he pulls you in with, Ooh Rap I Ya as fun to listen to for its sticky melodies and groovy beats as it is for the detail he puts into every little corner of the mix. Clanton anchors his sound in familiar places, but lets all the colors bleed until those same sticky melodies are merely another wonderful texture in a song filled with hundreds of others.

The magic of Ooh Rap I Ya is one of a kind, Clanton’s curated mix of vaporwave and shoegaze and ‘80s pop and trip hop and virtually anything else he can mine for atmosphere cut up and stitched together into a whole new beast. Functioning dually as a return to his experimental roots and a greater embrace of pop song structuring, Clanton’s music has doubled in its impact, replacing slow builds and big cathartic climaxes with songs that smack you down from the start and only keep on piling. Rarely does Ooh Rap I Ya give your ears a moment to rest, and not a moment goes by where you’d ever want it to. It may be harder to pin down, but floating on Ooh Rap I Ya’s dreamy beats is a wonder to behold no matter how deep you’ve sunken in.

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audiofuzz · 1 year

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HEAR: Atmospheric Indie Rock | Jadu Heart - ‘Derealised’

Derealised is the second full-length album by the British duo Jadu Heart, released in 2020. The album consists of ten tracks and features a blend of genres, including electronica, R&B, and pop. One of the strengths of the album is the duo's ability to create a dreamy and ethereal atmosphere that is both captivating and immersive. The production is also impressive, with intricate layers of synths, guitars, and percussion creating a complex and textured sound. The lyrics on "Derealised" are often introspective and introspective, exploring themes of identity, self-discovery, and relationships. The vocals are also a standout feature, with the duo's distinctive harmonies adding an otherworldly quality to the tracks. However, some listeners may find the album's experimental and unconventional nature challenging, and the lack of clear hooks or catchy melodies may make it less accessible to a mainstream audience. Additionally, the album's pacing can feel slow at times, with some tracks feeling overly drawn-out. Overall, "Derealised" is a unique and ambitious album that showcases Jadu Heart's creativity and talent. While it may not be for everyone, fans of experimental electronic music will likely find a lot to appreciate in this immersive and atmospheric work. Read the full article

#alternativerock #audiofuzz #derealised #indierock #Jaduheart #rockmusic

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newmusickarl · 2 years

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Top 50 Albums of 2022: #40-31

40. Present Tense by Yumi Zouma

As ever the Music Twitter community have handed me some incredible recommendations over the last 12 months, and one strong favourite came earlier this year from Twitter pal Kiley Larsen (@kilarzleesen) and his Check This Out! blog. 2022 was flush with great dream pop records with the likes of Cannons and Beach House narrowly missing out on a spot in this list, but my pick of the bunch was the mesmerising fourth album from New Zealand’s Yumi Zouma.

The sound of a band hitting their stride, this is gorgeous, string-tinged dream-pop that will frequently move you and whisk you away to some place magical. Front-to-back this is just a blissful 34-minute listen, with a special shout out to Haunt, Of Me And You, If I Had A Heart For Chasing, Mona Lisa and Astral Projection, which are probably my five favourites from the sub-genre all year.

Best tracks: Haunt, Of Me and You, Astral Projection

Listen here

39. Sing With Abandon by VLMV

Every year there are multiple albums that fly under the radar and don’t get the attention they deserve. One of the big ones for me this year was this absolutely spellbinding album from London-based ambient post-rock outfit, VLMV.

If you are partial to soaring instrumentals from the likes of Mogwai, Explosions In The Sky and Godspeed You! Black Emperor, then do not sleep on this album. Boasting haunting, beautifully atmospheric, string-drenched soundscapes, it makes for a constantly enchanting and spine-tingling listen. With the album almost a 50/50 split between complete instrumentals and some vocal-led pieces, the moments when the soft ethereal harmonies come in really take the record to another level. On tracks like There Are Mountains Underneath Us, For Empire and The Navigator, it adds just another dimension to the melancholic beauty that seeps out of every pore of this record.

Also perfect winter listening!

Best tracks: For Empire, There Are Mountains Underneath Us, The Navigator

Listen here

38. Radiate Like This by Warpaint

There were more than a few welcome comebacks in 2022, with one of the top ones being the re-emergence of American indie rockers Warpaint, who returned with their first new album in six long years.

Whilst Radiate Like This mostly sticks to Warpaint’s usual winning formula of understated, wonderfully chilled-out guitar grooves, the big difference this time is the emotional heartbeat of the record. It’s the same four women that first captivated the world with their dreamy shoegaze sound over a decade ago, but their perspective has changed as they’ve grown and that shines through in the writing here. Across this collection of songs, they explore motherhood, relationships, and their own lasting friendship with one another, as only they can - in a shimmering haze of desert rock that indeed radiates.

Welcome back Warpaint, please don’t leave it so long next time!

Best tracks: Champion, Melting, Trouble

Listen here

37. Fear Fear by Working Men’s Club

With their first album placing 13th in my final Albums of 2020 list, whilst also being my highest rated debut of that year, Yorkshire industrial synth-pop outfit Working Men’s Club had given themselves a tough act to follow. However just two years on, Fear Fear arrived packed with songs troubled by loss, panic, isolation and trepidation – perfect for the times.

Just like their debut, the album’s dark underbelly is glossily sheened over thanks to the neon-soaked drench of pulsating, nostalgia-laced electronica. Addictive lead single Widow is my personal highlight, carrying shades of New Order and the spirit of the 90s Madchester rave scene, with a wonderfully hypnotic central synth groove.

With a dark, moody aura, lots of fun sonic exploration and plenty of replay ability, Working Men’s Club continue to ride their wave of momentum on this very solid second outing that is just as fun as their brilliant debut.

Best tracks: Widow, Ploys, Cut

Listen here

36. Every Moment, Everything You Need by Deserta

Another album recommended to me earlier this year by Kiley and then duly reminded of its greatness recently by Twitter Shoegaze guru Stevy (@StevyK1973), this majestic second album from Matthew Doty is something quite special to behold.

Bringing together those atmospheric walls of sound synonymous with shoegaze alongside some welcome synth and dream-pop stylings, Matthew’s second Deserta album is an utterly awe-inspiring listen from beginning to end. The fact that Every Moment… was recorded at home during the pandemic while Doty was continuing his day job as a nurse makes it even more impressive.

There’s plenty of highlights here too courtesy of some dreamy melancholic soundscapes, with Far From Over my personal favourite, standing out as the album’s glistening six-minute centrepiece. Elsewhere, I’m So Tired is the record’s most pure pop moment with its scintillating melody, It’s All A Memory hits you like a gentle breeze amidst a siren of synths, and Goodbye Vista is just a gorgeous glide across some towering guitar weaves towards the end.

Overall, this is an incredibly enchanting record and I’m so grateful to have had this one sent my way several times this year, as it’s turned into a really big favourite – so huge thanks to both Kiley and Stevy for the recommendation!

Best tracks: Far From Over, Goodbye Vista, I’m So Tired

Listen here

35. Hugo by Loyle Carner

Hip-hop as a genre has had an absolutely massive 2022 and I think I could’ve easily made a separate list just for all the great rap records this year. Although I couldn’t find space for them all here with heavyweight records from the likes of Vince Staples, Denzel Curry, Nas and Billy Woods all just missing out, there’s still several that have made the final cut. The first to feature in my year-end list is the dazzling third album from young British wordsmith, Loyle Carner.

Hugo finds the rapper back on top form, as he eloquently explores racial identity and fatherhood across the album’s brilliant 10 tracks. Usually friendly, calm and collected, opener Hate finds Carner in an angry and defiant mood, as he puts the world to rights over racial inequality and injustice against an infectious piano-driven beat. Recent single Nobody Knows is then a soulful exploration of his heritage whilst Georgetown is a Madlib produced track that is interspersed with spoken word poetry from Afro-Guyanese playwright, John Agard.

As great as the singles are though its arguably the album tracks that hit the hardest here, as Speed of Plight sees Loyle let loose his frustrations over a brilliant electronic beat, whilst Polyfilla and A Lasting Place show off his softer side with a pair of beautifully written, piano-backed pieces.

As a huge fan of his Mercury Prize-nominated debut Yesterday’s Gone, it’s been great to hear Loyle back to his best in 2022 and producing one of my favourite hip-hop releases of the year.

Best tracks: Hate, A Lasting Place, Speed of Plight

Listen here

34. Stellar Drifting by George Fitzgerald

Speaking of genres that have had an amazing 2022, there has been a real abundance of fantastic electronic records this year. Again whilst I sadly couldn’t include them all, a shout out to the likes of Bonobo, Brothertiger, Daniel Avery, Hot Chip, Lane 8, Kavinsky, Moderat, HAAi and Mall Grab, who are just some of the artists who have helped make this year a hallmark one for synth-soaked, mind-bending sonic whirlpools. However, representing the genre is my personal favourite from this brilliant bunch, the imaginative latest outing from Mr George Fitzgerald.

Titled Stellar Drifting, this third album from George began life with him using pictures of stars and galaxies and turning them into audio wavelengths. From there he would build the sounds out, until they eventually became the 10 tracks found on Stellar Drifting. Cosmonaut Alley takes the listener on a journey across Jupiter whilst The Last Transmission imagines a spaceman’s final message to Earth. Therapeutic and uplifting, this collection of ambient tracks will charm, soothe and relax in equal measure. Amidst all the celestial wonder, there’s some great collaborations to be found too with George teaming up with the likes of Panda Bear (Passed Tense), SOAK (Rainbows and Dreams), Ellie Goulding (Cold) and London Grammar (The Last Transmission).

As a huge fan of George’s last album All That Must Be – which also finished in my Top 20 Albums of the Year back in 2018 - I’m pleased that this latest effort is as equally spellbinding. Magically constructed from cosmic patterns, it’s an interstellar trip that you’ll want to take again and again.

Best tracks: Cold, Passed Tense, Setting Sun

Listen here

33. Cub by Wunderhorse

One of 2022’s biggest surprise packages and another one of the year’s top debuts. Having seen that Wunderhorse (the solo project from Jacob Slater, the former frontman of now-split London outfit The Dead Pretties) were due to support Fontaines D.C. on their UK tour, I dived into this record back in October to get a heads up on what I could expect to hear and see. With no expectation going in, I was quite frankly blown away with what I found.

On this brilliant solo debut, Slater serves up a blistering collection of country-infused rock songs with plenty of replay value. Leader of the Pack draws big shades to Lynyrd Skynyrd’s Sweet Home Alabama but without the cringe, whilst Purple is a heartfelt track reminiscent of some of Idlewild’s more melodic cuts. After Teal’s bluesy guitar slides, Poppy then offers up big Stone Roses vibes with plenty of added haze. All that said, Slater arguably saves the best moment for last as the aptly-titled Epilogue delivers a raw, coming-of-age track, drawing comparisons to Nirvana as the pained acoustic-backed vocals steadily build into a big, grungy finale.

If you are a fan of rock music or any of the bands mentioned above and ended up having this album bypass you during the year, then definitely give Cub a spin. It really is an excellent introduction to Wunderhorse’s chameleonic sound and chances are, like me, you’ll find plenty to enjoy.

Best tracks: Leader of the Pack, Purple, Epilogue

Listen here

32. Where Myth Becomes Memory by Rolo Tomassi

There wasn’t too many metal records that captured my imagination in 2022 (although further recommendations always welcome!), however one early year highlight did leave a lasting impression to make it onto this countdown – this majestic sixth album from Sheffield metalcore outfit, Rolo Tomassi.

The charm of Rolo Tomassi’s music has always been how they manage to seamlessly marry the beautiful with the ugly. This is characterised in their music by effortless switches between frontwoman Eva Korman’s gentle clean vocals to her loud screams, as well as jumps from melodic electronica over to brutal, pummelling metal riffs. This is again what they lead with on Where Myth Becomes Memory, however now with years of songcraft under their belt, it has become second nature to them. The compositions are masterfully constructed and more refined, with various pieces from across their musical spectrum intricately sewn together.

Almost Always is the perfect scene-setter, a glorious six-and-a-half-minute opener of hazy noise, spine-tingling vocals and ambient piano. Mesmeric 2021 single Cloaked is then propelled initially by a mind-melting heavy central riff and Eva’s aggressive vocals, however towards the back end it morphs into a twinkly pop song contrasted against some crushing drums and thrashing guitars.

From there, Tomassi pretty much spend the album swaying between divine beauty and ferocious anger, with gorgeous piano-driven pieces like Closer and Stumbling sandwiched between more high-octane cuts like Labyrinthine, Drip and Prescience. It all plays out like a captivating trapeze act, with not a single dull moment to be found.

The isolation of lockdown has clearly given them the time to fine-tune these songs and their flawless waltz between the angelic and the punishing has never been more enthralling. This album set the bar for other metal albums early on in 2022 and in the end, for me at least, nothing toppled it.

Best tracks: Closer, Prescience, The End of Eternity

Listen here

31. The Family / TM by Brockhampton

It is never fun when a band you love decide to call it a day, however when they go out on such a high and with a sense of finality to their work, it can really help soften the blow. Thankfully that closure is what rap troupe Brockhampton gave to their fans as a parting gift when they finally split up in 2022, delivering not one but two great albums to round off their tumultuous but rewarding decade together.

Taking inspiration from Frank Ocean’s Endless/Blonde release a few years back, the two albums were delivered back-to-back on consecutive days in November, with The Family emerging first and feeling more like the band’s definitive final album. On that record, group leader Kevin Abstract takes centre stage and essentially presents a whirlwind tour of Brockhampton’s entire journey – from their initial meetings on a Kanye West Fan Forum, through to their supersonic rise to stardom, as well as the reasons behind their eventual split. Each chapter is short and snappy, with most of the tracks either well under or just over two minutes long.

As a project to close the book on Brockhampton, they really couldn’t have asked for a better swan song – not only is it one of their finest albums to date but also one of the very best hip-hop records all year. Lyrically it is sharply written, the mix of hard electronic-driven beats and soul samples is dazzling, and the performance from Abstract is also both frequently impressive and heartfelt. There’s a bucketload of highlights and eclectic sonic treats throughout, but the eponymous closer is the one that ends up hitting the hardest. A string-soaked, real gut-punch of a finale, it sees Kevin bidding a touching final farewell to the band and all its members.

Before fans could even fully process The Family, a day later TM arrived featuring a collection of songs that were started by the group during a two-week stint in California last year but were never originally completed during those sessions. Now finally released, this may be more of a full band project compared to The Family but it feels more like just an extra treat for fans than anything else. That said though, there’s some great trap-style thumpers to be found such as ANIMAL, NEW SHOES and MAN ON THE MOON.

If The Family is the emotional goodbye, then TM is the jubilant celebration of everything that made the band so great. Together, it’s a triumphant final send-off for a group that have put their stamp firmly on the hip-hop scene over the last few years and leave behind an impressive legacy. Farewell Brockhampton and really, thanks for everything.

Best tracks The Family: Brockhampton, All That, My American Life

Best tracks TM: MAN ON THE MOON,GOODBYE, ANIMAL

Listen to The Family here

Listen to TM here

The countdown continues on Thursday with #30-21!

#new music #best new music #albums of the year #album recommendation #album of the year #best of 2022 #best albums of 2022 #brockhampton #rolo tomassi #wunderhorse #loyle carner #deserta #working men's club #warpaint #yumi zouma #vlmv #george fitzgerald #aoty #aoty 2022

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singeratlarge · 1 year

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Chris Andrews SONG OF THE WEEK: “Love is All” https://timchrisandrews.bandcamp.com/track/love-is-all —Dreamy synth-pop song-crafting + sublime vocal and keyboard work. On a cosmic jukebox this would play next to Missing Persons, Naked Eyes, and “Take My Breath Away” (Berlin). If this is your introduction to Chris Andrews, he’s a British singer-songwriter and recording artist whose songs have been covered by Roger Daltrey, David Essex, and Davy Jones (Monkees). Under the name Tim Andrews he was a champion of late 60s psychedelic pop scene and part of the seminal freakbeat band Fleur de Lys. In the 80s, under the name Kris Ryder, he released New Wave synthpop sides. Check out what Chris is up to now…

#chrisandrews #synthpop #electronica #europop #britpop #poprock #singersongwriter #love #missingpersons #nakedeyes #berlin #popmusic #fleurdelys #krisryder

#Chris Andrews #synthpop #electronica #europop #britpop #pop rock #singer songwriter #love #Missing Persons #Naked Eyes #Berlin #Fleur de Lys #Kris Ryder #Davy Jones #Monkees #Bandcamp

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thebandcampdiaries · 3 months

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She's Excited! presents: “Moments of Sonder.”

Based in both NYC and Munich, She's Excited! is a songwriter, singer, and producer who combines energetic and uplifting vibes with dark electronica to create a unique and edgy blend of minimal future pop. She has recently released a new album named “Moments Of Wonder,” which feels ambitious and dynamic, with so much energy and a positive flow!

At times edgy and energetic, at others dreamy and hypnotic, this album has a lot to offer. It’s a perfect converges of electronic music, electro-indie, pop, and so much more.

This new release offers 11 studio songs, which showcase an incredibly diverse range. In addition to the inherent variety of the songs, She’s Excited! actually joined forces with many other artists and collaborators, spicing up the album and bringing even more variety to the table. Check this out if you enjoy artists like Chvrches, Portishead, Dead Rituals or David Bowie!

Find out more about She's Excited! and listen to “Moments of Sonder.”

#She's Excited!#Spotify

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nonenglishsongs · 1 year

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Pambikallio - Häntä (Finnish)

#Spotify #dreamy pop electronica #häntä #pambikallio #finnish #suomi #fin #uralic #finland #europe #pop #2020 #2020s

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shrutim12 · 6 months

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A Journey Through Diverse Musical Genres

Music, the universal language that transcends boundaries and speaks to our souls in ways words often fail. As a self-proclaimed music enthusiast with an insatiable appetite for sonic exploration, I've embarked on a captivating journey through diverse musical genres. Join me as we traverse through the rhythmic landscapes that have shaped the tapestry of musical history.

The Rhythmic Odyssey Begins

Kicking off our sonic adventure is the world of Classical music. Think of it as the foundation, the sturdy pillars upon which the edifice of music stands tall. Beethoven, Mozart, and their ilk beckon, offering a symphonic embrace that carries the weight of centuries. The intricate arrangements and timeless melodies serve as a testament to the enduring beauty of classical compositions.

Also Read: Find Your Next Favorite Podcasts With These Apps

Grooving Through Jazz And Blues

Stepping into the smoky realms of Jazz and Blues, we encounter a dynamic interplay of emotions. From the sultry saxophones to the soul-stirring blues guitar, this genre is a celebration of improvisation and raw, unfiltered expression. Miles Davis and B.B. King become our guides, leading us through the winding streets of New Orleans, where every note tells a story of love, loss, and the human experience.

Rocking And Rolling In The World Of Rock

Fasten your seatbelts as we shift gears into the electrifying world of Rock. From the iconic riffs of Led Zeppelin to the rebellious anthems of The Rolling Stones, this genre is a rollercoaster of adrenaline and rebellion. The versatility of Rock allows us to explore sub-genres like punk, metal, and alternative, each offering a unique flavor to satiate our musical palate.

Diving Deep Into The Soul Of R&B

Slowing down the tempo, we find ourselves in the smooth and soulful realm of Rhythm and Blues (R&B). The silky vocals of Marvin Gaye and the heartfelt lyrics of Whitney Houston invite us into a world of love, passion, and introspection. It's a genre that tugs at the heartstrings and speaks to the essence of human connection.

Gyrating To The Beats Of Pop

No musical journey is complete without a detour into the vibrant world of Pop. From the infectious hooks of Michael Jackson to the pop extravagance of Lady Gaga, this genre is a kaleidoscope of catchy tunes and dance-worthy beats. Pop is the soundtrack to our everyday lives, offering an escape into a world where melodies reign supreme.

Also Read: Discover Fresh Music Daily With These Apps

Immersing In The Cultural Tapestry Of Folk

As we meander through the musical landscape, we stumble upon the rootsy and authentic charm of Folk music. It's the genre that whispers tales of traditions and cultural narratives. Whether it's the foot-tapping tunes of bluegrass or the soul-stirring ballads of Bob Dylan, Folk music connects us to the heart of communities and the stories embedded in their heritage.

Electronic Beats And Synth Waves

Strapping on our futuristic goggles, we dive into the pulsating beats of Electronic music. From the hypnotic rhythms of techno to the dreamy synth waves of ambient electronica, this genre catapults us into a realm where technology and creativity collide. Artists like Daft Punk and Aphex Twin become our sonic architects, constructing a world of sound that defies conventional boundaries.

Hip-Hop

Our journey wouldn't be complete without a visit to the dynamic streets of Hip-Hop. It's not just a genre; it's a cultural movement that amplifies the voices of the marginalized. The poetic lyricism of Tupac Shakur and the revolutionary rhymes of Kendrick Lamar echo the struggles and triumphs of the streets, making Hip-Hop a powerful force of social commentary.

Bollywood Beats And Desi Swag

Bringing our global exploration closer to home, we immerse ourselves in the vibrant beats of Bollywood music. It's not just a genre; it's an emotion that resonates with millions. From the timeless melodies of Lata Mangeshkar to the contemporary swag of Badshah, Bollywood music is a celebration of life, love, and everything in between.

Also Read: The Impact Of Music On Productivity And Concentration

Conclusion

As our musical journey through diverse genres comes to a close, it's evident that music is a boundless ocean of creativity and emotion. Each genre, like a distinct chapter, contributes to the rich narrative of human expression. So, whether you find solace in the classical symphonies, groove to the beats of hip-hop, or lose yourself in the soulful croons of R&B, remember that the beauty of music lies in its ability to transcend boundaries and unite us all in a harmonious symphony of life.

#GENRES #music #journey #guide

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existentialmagazine · 1 year

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Review: Amen Sioux shares his new dreamy single ‘Drunk in Love’, an easy-going R&B styled release with an aching, introspective look on love

Since making his musical debut in 2021, the upcoming genre-blending talent Amen Sioux has been making strides between an amalgamation of indie electronica, lo-fi dream pop, alt R&B and psychedelia, with his soft and sophisticated releases all reigning in their own individuality. His latest and third release of the year ‘Drunk in Love’ sets the tone for the upcoming summer air with a blissful ease, another sure-to-be hit amongst his already diverse collection of music.

From its dreamy openings, ‘Drunk in Love’ right away entangles you within its soft bedding of sound, setting a hazy blanket of sound to wrap yourself within while Amen Sioux takes you through a mesmerising musical journey. Clasped between a gorgeously fluid electric guitar riff that almost seems to flow like water droplets, the soundscape is one of utter ease and calm, entrancing you inside of its’ delicacy. With soft electronic beats and taps, ‘Drunk in Love’ remains drenched in a minimalist approach you can’t help but be soothed by, whilst caught on every single haunting word that Amen Sioux serenely spews. The chorus maintains the same soaring instrumentals, but a layering of differing vocals creates a moment you can’t take your eyes - or ears - off of, feeling utterly consumed by the sweet concoction. Developing with bright piano chimes and cascading guitar, the song is a constant evolution that’s simple and yet moving all the same, an essence of beauty to be appreciated with every ebb and flow. Amen’s vocals are the final piece that pulls ‘Drunk in Love’ together though, rising from more downbeat verse vocals to gorgeously elegant chorus highs with a sublime dexterity. Despite its’ more passionate lyricism, ‘Drunk in Love’ offers a measured, comforting respite in sound, showing that the best kinds of love are ones you can feel completely at peace within.

Although its sound is safe and secure, ‘Drunk in Love’ tells a more heart-wrenching tale of heartbreak between its lyrical woes, gravitating away from the tranquility once felt with a lover and falling through the cracks yearning for it once again. With the track’s protagonist intoxicated by an ex and unable to move onwards, Amen finds himself comparing the breathtaking high that love can bring about with the devastating withdrawal from alcohol or drugs when it is lost, feeling a collapse in purpose and identity without the means of getting one more hit. Singing ‘loneliness is my disease, but I believe you are my remedy’, it’s clear that the track maintains a hopeful delusion that their partner will come back around, instead of focusing on themselves and their inability to be alone they desire to fix their wounds with the temporary fix of another. As lines like ‘I wanna feel that stream of dopamine’ exhibit an unhealthy reliance on their partner to be the reason they feel joy, the lyrics of ‘Drunk in Love’ seem to display the characteristics of someone deeply struggling with their own identity, finding themselves only when they’re with another. Pining for not just love but happiness too, ‘Drunk in Love’ is a song that perhaps too many will be able to see themselves in, an aching, introspective look on love that not everyone dares to share.

Check out ‘Drunk in Love’ here to experience Amen Sioux’s striking lyrical journey with a sound that’ll whisk you away!

Written by: Tatiana Whybrow

Photo Credits: Unknown

// This coverage was created via Musosoup, #SustainableCurator.

#music #singlereview #amensioux

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cruel-nature-records · 1 month

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NEW TO PRE-ORDER

Hope all is good. We've just dropped 6 new releases, available to pre-order now

1) DANIEL JACK McCLENNAN 'Thou Canst Turn Thy Organ While I Sing Of Woe'

Poignant emotional minimalist advant-garde solo piano from Warren Schoenbright / Why Patterns member.

2) HYPNODRONE 'The Problem Is The Sender - Do Not Tamper With The Receiver'

Propulsive motorik krautrock spaced-out shoegaze pysch from the Aidan Baker / Eric Quach collective, captured as a 60-minute immersive transportive aural experience

3) MICHAL GUTMAN 'Never Coming Home'

Debut solo album from the multi-instrumentalist. A patchwork of harmony and disharmony, flaying between a theatrical, vicious cabaret, a storyline told on an 80’s club dance floor, or a dreamy soundtrack.

RIYL: Kristen Hersh, PJ Harvey

4) TODESKINO 'Black Patina'

Atari and Amiga generated sweet pop ambient; glitchy, beat-collapsing IDM meet quirky, intricate melodies, Blade Runner-esque synth pads, synthesized computer voices and technoid beats. A computational delight.

5) CRUSHTRASH x NICHOLAS LANGLEY 'Prosthetic Self'

Early '80s dark industrial synth pop meets the mesmerising allure of '90s electronica. RIYL: Coil, The Associates, Depeche Mode, Björk, Portishead, David Sylvian.

6) melondruie 'A Storm Is Coming'

Atmospheric synth-heavy ambience, emotionally charged and designed to take the listener on a journey through an inner world of thoughts and feelings swirling around like the wind ahead of a storm.

#cassette #music #cruelnaturerecords #tape #limited edition #new music #bandcamp #experimental #preorder

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chrisryanspeaks · 1 year

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HEAR: Ambitious Psych Rock | Monad - “Light In An Empty Room”

Monad has an ear for ambitious, luscious psych rock and it’s in full bloom on his new single “Light In An Empty Room”. Monad’s previous EP ‘Dissolution’ was a testament to the stellar music he can produce. We’re excited to hear more. Listen to “Light In An Empty Room” below and read more about Monad beyond that. FEELS: like a plush cloud, sailing in the sky SOUNDS: like Tame Impala, Flaming Lips After cementing himself with a wealth of rich and soaring offerings these last few years, including his mesmerising 2020 EP ‘Dissolution’, psychedelic dream-pop artist Monad returns for the new year to deliver his beautifully alluring new single ‘Light In An Empty Room’. Conjuring another heady dose of spellbinding aesthetics and breezy atmospheres throughout, ‘Light In An Empty Room’ sees the artist pursue more of those tantalising ideals he has been cultivating since he first emerged. Heavily inspired by the Edward Hopper painting ‘Sun In An Empty Room’, this new release captures a rich tapestry of sweeping elegance and progressive ideals, synonymous with the Monad sound of late. Adding about the track’s inspiration, he said, “‘Light in an Empty Room’ was born out of a writing exercise I was trying at the time, writing a song inspired by a visual piece - I stumbled upon Hopper’s “‘un in an Empty Room’ and something in it immediately deeply resonated with me, there’s an introspective quality to it; that painting is a direct influence for this song, which like the painting deals with feelings of otherness and isolation (on the inside and on the outside) in it’s own way.” Monad is the dream-pop project of Tel-Aviv based artist & producer Eshchar Nachmany, blending palpitating electronics, otherworldly echoes and shoegazey guitars into his own brand of multicoloured psychedelia. Monad began its musical journey in an isolated house in the countryside, with Esh building his own studio from scratch; remodelling and modifying broken tape machines and synthesisers to construct layers of dreamy soundscapes. From that insular space Monad has released 2 EP’s so far, 2018’s s/t and 2020’s ‘Dissolution’. Monad's music has garnered support online from the likes of The Guardian, Line of Best Fit, EARMILK, okayplayer, CLASH and many others for his lush and complex musical landscapes, with radio support not only from local radio, but also from prominent indie taste-makers across the globe such as KEXP, KCRW, and NTS to name a few. Last spring Monad embarked on his first UK tour which included a Liverpool Sound City performance amongst different dates across the UK, and is expected to return this spring for another visit which’ll include a visit to this year’s Dot to Dot Festival, with a visit to Canada’s NXNE and other EU dates planned for the rest of the year. 2023 sees Monad further explore and shape his own lysergic & retro-futuristic sound and aesthetic, dragging the past into the future; Evoking the sounds of 60’s jangle pop, 90’s shoegaze and 00’s electronica, melted together into a fuzzed-out, melodic pop statement. Read the full article

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