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sp0o0kylights · 7 months

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Part One

The drive's short one.

Steve gets out of his car, opening the passenger door for Chrissy and escorting her up to the house, quietly envisioning what Jason would look like if a real monster got him.

What would he say, staring down the crazy, five-starred head, filled with teeth and drool? Would he turn back? Or run?

(Steve swears he doesn't take great pleasure in imagining Carver getting eaten, but he'll admit to taking a little.)

"Chrissy do you have any idea--oh." Mrs. Cunningham startles, grasping her robe at the front as she spots Steve standing next to her daughter.

"Hi Miss Cunningham." He says.

"Hello." She says suspiciously. "And who are you?"

"I'm Steve Harrington, ma'am." He watches as her mother straightens immediately at his name, and sinks right into the ol' Harrington charm, knowing instantly it will work. "I know you were expecting Jason, but I'm afraid he wasn't able to drive Chrissy home."

"Oh, Steve! It's so late I almost didn't recognize you." She titters, suspicion gone. "Your mother and I are on the same charity board."

Of course they were.

"I thought you were dating that nice Nancy girl." She says with a squint that mimics Chrissy's, because even in the midst of a crisis he can't escape the gossip that is Hawkins upper echelon.

"Nance is waiting in the car." Steve lies smoothly. "I just wanted to make sure Chrissy got home safe."

"What happened?" Chrissy's father appears, ushering them both in while blatantly peering around them, eyes sweeping the street before closing the door.

Steve recognizes the move. He's checking for nosy neighbors.

"Jason and I broke up." Chrissy admits.

"What?"

"We..." She falters in front of her parents.

"What happened to Jason?" Her father asks, tuning back in once they're safely away from peering eyes.

"I'm afraid Jason and some of his friends brought beer to the party." Steve steps in to explain.

"Oh Chrissy, it's a high school party. That's no reason to break up with him." Her mother fusses, face flushing in embarrassment. Her eyes dart from her daughter to Steve and back, and Steve knows he needs to start damage control.

If he plays it right he can burn Jason while he's at it.

"He was horrible, mom. Just awful." Chrissy says, but Steve can tell she's shrinking under her mothers gaze.

"He drank quite a lot, Miss Cunningham." With a theatrical wince, Steve turns to face Chrissy's dad, lowers his voice and says "I'm going to have to talk to Coach about it."

He gets the intended response, which is a raised eyebrow. "That bad, huh?"

Steve nods once, painting a pained smile on his face. "He made a real fool of himself tonight, Sir. The basketball team has a reputation to uphold."

"Oh." Mrs. Cunningham says, hand fluttering in front of her face. "I never would have thought…"

"He's normally a good guy. I don't know what got into him." Steve has them both eating out of the palm of his hand, attention neatly off Chrissy and onto the story he's feeding them.

Its worth it to see her shoulders relax.

"I couldn't let him take Chrissy home in the state he was in Sir, and he got very…"

Steve pauses.

Fills his voice with tempered disappointment, channeling his dad. "Belligerent. Said some nasty things."

"Really?" Mr. Cunningham says, with a low whistle, and Steve knows by his tone alone that he's bought in.

Hook, line, sinker.

Steve nods once. "I have to get back to my girlfriend, but Chrissy'" He turns earnestly here, to let her know he's not faking this next bit. "Let me know if Jason bothers you at school. I'll set him straight again if I have to."

"Thank you Steve." Mr. Cunningham says, as Chrissy's mom hustles her daughter towards the kitchen.

Steve shakes his hand, then waves at Crissy as she calls her own thank you over her shoulder, before disappearing out the door and back to his car.

The same one where Nancy very much isn't.

That's a problem for tomorrow Steve.

xXx

Tomorrow Steve gets into an argument with Nancy.

She can't recall that Jonathan took her home, or that he's bullshit, their whole relationship, bullshit--

But she also can't tell him she loves him.

So Steve snaps at her. Storms off.

Play’s more basketball.

It takes less than two hours for him to get mopey and another three for him to spiral into deciding he was wrong somehow.

That's what his mom said all the time anyway, wasn't it? The man's always wrong Steven, and he's the man here so…

He gets flowers, chocolates, and fucking waylaid (by Dustin Henderson with his Grow a Monster) and things go sideways from there.

Train tracks and a junkyard and demodogs make time speed up. An encounter with Billy and a dinner plate causes Steve's recollection of the evening to be fuzzy.

He just knows that in the middle of dodging death, he has the realization that Nance wants to break up with him.

That he should let her.

Even if it hurts, even if he doesn't want to.

She wants to be let go.

So Steve does. He respects her, and when he has a moment after its all over, he tells her to go with Jonathan.

(At least he permanently gets the squirts out if this. Or at least everyone but Mike.

Even if most of them are shitheads and one of them's Hargrove's step sister.

It's--something.

But when Dustin keeps pestering him, demanding Steve drive him all over Hawkins and then drags him to the movies, well.

It might be the best something Steve's had in his life so far. )

xXx

"Oh shit. Is that from Caver?" Eddie asks, popping up near Steve's car like the clown in a jack in the box.

"Carver can't hit for shit. This was Hargrove." Steve replies, attempting an eyeroll before remembering that his entire face is a bruise.

One, giant, never ending bruise.

"I guess his step sister gave him the slip to come hang out with these kids I watch sometimes. I didn't know she wasn't supposed to be there." Steve shrugs, because it's the technical truth.

If you turn it sideways and squint anyway.

"Asshole tried to threaten the kid Max is into by slamming him into a wall and screaming shit, so I stepped in, and--" He waves at his face.

The same one he's already getting looks for.

"I was winning." Steve sighs theatrically. "He broke a plate over my head."

The story seemed to freeze Eddie but he recovers with a quick shake of his head.

"You poor thing." He tuts. "Let me guess--you were more worried about the hair than the wound?"

Eddie's hands flutter like he's going to touch Steve's head but he seems to contain himself at the last minute.

The hospital threatened to buzz it for stitches." Steve says darkly, playing into the bit.

(He had not gone to a hospital.

None of them had.)

"What would our King be without his crown of hair?" Eddie laments, in a falsetto that was half insult half oddly sincere. It was jarring in that it was hard to get a read on, but the more Steve was around the guy the less it seemed malicious and the more it came off as just….goofy.

Eddie Munson, Steve decided, was not a freak.

He was a dorky little weirdo, just like all the other kids Steve now hung out with.

Just older, and with slightly better hair.

"Hey Eddie." Another boy calls out, approaching cautiously.

He's got a leather jacket on, and if Steve thinks hard enough he can sort of conjure up a memory of the guy at Eddie's lunch table, throwing a piece of bread at a pale sophomore decked out in plaid. "You good man?"

"Yeah Jeff, just checkin' in on the Hair here." Eddie sticks a thumb towards Steve, who raises his hand and waves.

The falsetto comes back, somehow higher as the older boy swoons over Steves arm. "Soothing his poor soul after that brute Hargrove almost killed him."

"Has anyone ever told you you're a lot like Bugs Bunny?" Steve asks, the thought leaving his mouth the instant he had it.

(He doesn't care, it's a legitimate question.)

It has the effect of making Munson look downright chuffed. "I have actually, but only by my Uncle."

"Why are you checking in?" Jeff interrupts, before seeming to realize he said it out loud. " Ah, I mean--"

"Oh he didn't tell you?" Steve says, as casually as he can muster. "Eddie claimed me and Chrissy at a party last weekend."

See Munson? Two people could play the weird bit game.

They've attracted more of Eddie's friends now, two more boys in leather jackets edging closer like frightened deer.

(One of which is the aforementioned younger man Jeff threw bread at, and Steve vaguely thinks the guy's name starts with a g.)

"Apparently we're his minions now." Steve tells Jeff in a rather put upon manner.

"It was just you, the fair maiden chose otherwise." Eddie counters dismissively, voice dropping down low.

Steve snorts. Hums a sarcastic; "Like you'd let us choose."

Eddie finally abandons whatever voice that was supposed to be (a villain, Steve thinks, and wonders if it hurts Eddies throat to drop from a false high to a deep low that quickly.) to say:

"Mock me all you like, Harrington, but you can't deny the bit worked."

Steve automatically went for another eye roll, and gets a flash of pain for it. "Who said I was mocking you, you dork? Just stating facts."

Yet again, Eddie reacts weird to the comment. He looks almost bashful for a second, before he recovers, tugging his hair in front of his face as he plays with it.

The bell rings once in warning, and Steve makes a face towards the doors.

"I gotta go, Mrs Clicks out to fail me. See you around, Eddie. Jeff." The way his eyes are bruised up he can't quite make out the face Jeff makes at that, but Steve's pretty sure the guys mouth was open.

"She's a nasty one, my minion, best stay on your toes around her." Eddie calls, and Steve waves a hand in the air to show he heard.

"What just happened?" Jeff asks, far too loudly for how close Steve still is.

It makes him chuckle a bit, even as one of the other guys says something in a far quieter voice that has Munson squawking and flapping his arms like a bird.

The winding little feelings in his chest squeeze his heart, and Steve shakes his head, refusing to be fond of Eddie Munson.

xXx

College rejection letters come in, one after the another.

Steve could have made it into a few schools he's certain, except he hadn't really applied to any.

Not that any college other than Penn Hurst mattered. His dad wanted him to be a legacy, come hell or high water.

Steve's punishment was hand picked by his parents, and he gets the sailor outfit his new minimum wage job requires is supposed to be a part of it--that his dad made him apply because it was the most embarrassing thing he could think to subject Steve too-- but honestly?

It's not that bad.

Not even with Robin, the manager he met yesterday, and who positively, completely and totally, hates Steve’s guts.

He figures he has time to win her over.

All the time in the world, now that demons aren't trying to eat his, or any of the kid's, faces. He can focus on the small things. Build himself back up.

Figure out the person he wants to be, now that he's no longer King Steve.

It’s the thought that kept him from attending any graduation parties. To go felt like backsliding into old habits.

‘If the kids--if it comes back again--’

Getting drunk at night in a random house seemed almost irresponsible.

Particularly not with people Steve has history with, without anyone he really cares about being present. Certainly not Nance and Jonathan, who he wishes he didn’t know are at some end-of-year game night one of Nancy’s friends is hosting.

(Steve can’t think about that for a number of reasons.

When he does--because of course he does-- he makes sure to focus on the weirdness that is Jonathan Byers being someone he cares about, instead of the fact he can’t seem to kill his love for Nancy.

Or that he's horrifically jealous of their relationship.

That the best sleep he had ever had was between them, two nights after the lab, when they crammed themselves into Jonathan's bed because they all couldn't quite believe it was over.

That night had been so incredibly weird, but grouping together felt safer. Smarter.

Better.

Not in a way Steve wants to put into words.

Not in a way he wants to confront at all.)

His parents hadn’t been able to make it home to watch him walk at his graduation--his father landing a last minute meeting with some important person or other.

Faked apologies were given, money transferred, and Steve, not wanting to sit in his too-huge house, had meandered to Family Video.

Tried to forget his father’s cold voice in the background of his mother’s call, loudly announcing he’d have made it a priority to see Steve graduate-- if he’d gotten into Penn Hurst.

Steve just shakes his head. Pushes those thoughts into the back of his head, into the same place all his other weird thoughts live.

The glare he gets from the tall, pimple-ridden guy working the rental counter was expected.

Chrissy Cunningham, was not.

"I thought you’d be at one of the parties.” He tells her, when he turns down the romance aisle and finds her staring blankly at a shelf.

She startles, before recognition flits over her face and a warm smile is directed his way.

“I'm honestly not a fan of parties." She confides in him, hand clutching a tape in her hands."Not those kinds, anyway.”

"More slumber parties, less keg stands your speed?" Steve guessed, blatantly turning his head sideways in order to read the title.

She awards him with a wider smile. "Exactly."

"Chrissy Cunningham. Are you renting Jaws?" He teases, leaning in just a touch.

She flushes, but turns and squares up to him. Steve's delighted to see it.

"Why yes I am. I'll do you one better and even admit it's one of my favorite movies."

Steve grins at her, and sees the way she lights up on response, eyes bright.

This is the Chrissy that Carver had tried to kill. The strength and pure fun that radiates off her enhances the beauty she has to something almost otherworldly.

Steve has seen enough beauty in his life to recognize when it will stay. That Chrissy wil one day be 80 years old, with gray hair and knit sweaters, and she'll still be able to light up a room.

"Like sharks killing people that much huh?” He teases. And it’s easy, slipping into this part of himself around her. The part he’s been trying to get back.

The confidence that he walked with, before monsters crawled out of the ground, and Nancy put a hole in his heart.

"I'll let you in on a secret. ." Chrissy leans in, dropping her voice low enough that Steve has to lean in a bit too to hear. "My favorite character is the shark."

Steve playfully gapes at her, and for the first time in a long time, feels like things will be okay.

He’ll be okay.

He won’t be King Steve. He’s not Nancy's Boyfriend Steve either--but someone else. Himself.

A Steve who exists outside of Hawkins High, outside his family name.

He likes it.

"I told you that was his car. Steve!" A too familiar voice calls and Steve can't mask the despair that hits him as he turns to his (now least) favorite shithead, whose storming through Family Video’s doors.

"Dustin." He identifies, with an edge to his voice he can only pray Chrissy doesn't pick up on. "Other brats. What are you doing?"

Mike stands stubbornly at Dustin's right, Lucas nervous at his left.

Will Byers is situated next to Mike but Steve's not as familiar with him, and has no idea how to interpret the kid.

If he had to guess based on the face he’s being sent, Will’s more nervous then the rest--but equally determined.

(This does not make Steve feel better. It in fact, somewhat convinces them they’ve run headfirst back into trouble.)

"Well we were going to go to Lucas’s, but now, we're bumming a ride from you!"

"I'm busy." He says flatly.

"Ste~eeeve!"

"I didn't know you had a brother." Chrissy says, hand covering her mouth.

Looking back at her, Steve's pretty sure she's trying to physically hold back laughter.

If one could shoot lasers with their eyes, Steve would be nailing Dustin for ruining--whatever it was that was happening here.

"He's a rescue" Steve says flatly. "It’s not working out though. We're planning on returning him to the shelter.”

"Wow Steve." Dustin returns, offended. "First of all, if anyone's rescuing anyone I rescued you, or did you suddenly forget that you show up to family dinner every Thursday at my house like a sad orpha--mmpphh!"

‘Mmpphh’ because Steve had taken several long strides across the store to smack his hand over Dustin's mouth.

"Sorry Chrissy, it would appear the asshole children I am paid to babysit escaped whoever is supposed to be watching them." He shakes Dustins head, in lue of strangling him. “Hit me up later we’ll discuss the shark’s best kills.”

“Will do.” Chrissy says, as Steve begins the process of shoving his four smaller friends out the door. “Drive safe!”

“No you don’t, and you’re gonna prove it by swinging through McDonalds for us.” Dustin sing-songs, swinging himself into the passenger side of the Beemer.

“You assholes owe me, big time.” Steve hisses, as Lucas and Mike instantly begin making kissy faces the second they’re out into the parking lot. "I had plans tonight!"

“Do you have McDonalds money?” Steve asks, only to immediately wince at himself because fuck did he just sound like a soccer mom.

“I have money I took out of my mom’s wallet.” Mike says as he settles into the car with his friends.

“Fine.” Steve sighs in defeat, starting the car.

He determinedly does not ask if the idiots walked here, because there is a suspicious lack of bicycles, if only because he hit his mom quota for the day and Steve refuses to say anything else that might edge out his cool persona.

The one he swears he still has.

Supposedly.

("Does my mom really pay you to watch me?" Dustin asks a while later, when the other brats are distracted. His voice is painfully honest, and softer than it normally is.

"In food, yes." Steve says, because he’s not that much of an asshole--and maybe, because Dustin is truly his only friend right now.

Steve honestly looks forward to those Thursday dinners, helping Ma Henderson and having her fuss over him in a way his parents never had.

In a way no one ever had.

Dustin lands a solid kick to his ankle, making Steve curse. "That's not payment you ass!"

"Ow, God Dustin--"

"Just admit you're my actual friend, you dick!"

"Language! I swear your mom stole you from wolves, you animal--" Steve swatted at him.

Maybe, possibly later, he will go on to admit that yes, Dustin is his friend.

He will even agree to making up a stupid handshake for it.

It involves lightsabers and gore at least, which Steve insists is very cool.)

#BB is coming down to the wire #my date to post is Halloween #bc its me lol #so our regularly scheduled programing will be back shortly #steddissy #steve harrington #eddie munson #stranger things #0o0 fanfics #steve/chrissy/eddie #for those weirdies who kept insisting this was platonic in the tags you can read this part too and be happily delusional about the endgame #its a slowburn #my calling card lmao #this fic was meant to weave around the canon plot until s4 wherein we go off the rails #this is an everyone lives fiiiiic #theyre all equally dorky with crushes #Steve has some Im Just Ken issues #angst

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chaos0pikachu · 6 months

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Ray's Alcoholism vs Revenge Porn of Boston

tldr: the show's got a tone problem like whoa, some plots are treated as Serious while others are treated as Devices when they share the same level of fucked up

I wanted to write about this a bit b/c it goes to the root of one of the main issues I have with the show: tonal dissonance

I've seen people talk about tone in shows before, some folks felt like Kinnporsche had a tone issue b/c of the comedy but I always disagreed with that. The comedy added levity, it also enabled the stakes to slowly build. The front half of the show is more comedic than the middle and back half when the tensions are highest. The tone doesn't yo-yo rapidly, it doesn't treat some things as serious and others as not. When Porsche is drugged and sleeps with Kinn it's treated as something serious, represented symbolically by the bruises Porsche is covered in after his punishment, and later Kinn apologizes and asks for forgiveness which is the turning point of their relationship.

This matches up with Pete and Vegas later, even down to the parallels of Pete's bruised body to Porsche's earlier in the series. Later, Vegas, similarly to Kinn, has to ask for Pete's forgiveness; though in a more violent way because that's built into Vegas and Pete's relationship and what sets them apart from Kinn and Porsche (this is a good thing for the narrative imo). Even so, both aspects are treated with the same weight, and seriousness within the narrative. There is no tone issue.

This is where Only Friends falters, only certain plots are treated with a level of seriousness while others aren't.

The biggest example of this is Ray's alcoholism vs the revenge porn of Boston.

Ray's alcholism is treated with weight, with a level of seriousness and respect. The narrative repeatedly makes it clear to the audience Ray's drinking is A Bad Thing, that it's Dangerous to both himself and others. Other characters comment on this, there's an implied history of Ray's friends trying to get him to stop drinking, a huge part of Ray and Sand's relationship is centered around Ray's drinking and how it negatively effects them. Ray goes to rehab, he goes to therapy, there narrative paints a pathway for betterment.

Before anyone jumps me, I'm not saying any of this is a bad thing. The tonal dissonance comes in when compared to other plots that should be treated with the same level of seriousness but isn't.

Gap records Boston during sex without his permission, Mew acknowledges this in text that this is what happened and Gap violated Boston's consent. However, when Boston discusses this he only has a moment where he gets mad, and the person he talks about it with, Nick, brushes it off (once to hide his own deception but put a pin in that) and even teases Boston that he deserves it for sleeping around.

Later, Mew uses this revenge porn as blackmail against Boston specifically as punishment. Mew knows this video was taken without Boston's consent, he says so in the text, and he still uses it and keeps a copy of the video on his phone. We never see a follow-up to this. We see Boston in that singular scene look upset, but that's it. When Cheum and Top are concerned about Mew's reckless behavior the blackmail with revenge porn is never something that is revealed to them, or others, Boston never tells anyone else about it.

It's just dropped. Completely.

The line Mew has about Boston's consent is lip service, because he uses that violation to punish Boston. Combine this with the way Nick's recording of Boston and Top (without either of their consent) is also treated. It's passed around, like candy. Sand apologies to Nick for sharing it with Ray. Top never reacts to this recording as something violating he's just upset they got caught. Boston is the only one upset, and he's upset with Nick, but the narrative frames Nick as the real victim in the following episodes - with Dan saying Nick might have been mistreated after sex previously (as the audience we know this is about Boston), with Boston saying he did awful things to Nick (which were?), with Sand offering empathy to Nick b/c Boston's actually a bad guy.

So when I talk about tonal dissonance in the show, this is what I mean. We have two plots - and there's more this is just the most glaring example - that should hold the same narrative weight: one is centered on addiction the other a literal sex crime, bit only the former is treated with any level of seriousness.

Ray's alcoholism is given empathy by the narrative, Boston's virtual assault is given none.

and this is why I say the narrative is puritanical at times lol

#only friends the series #chaos pikachu speaks #a bitch has got a lot to say apparently lmao #we're down to the wire I gotta get all these thoughts out and about #run free unpopular thoughts run free!!!#chaos pikachu metas

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