Ok actually I'm gonna continue this rant where everybody can see it. (Mostly focusing on the Heralds bc Joseph,,, could be his own post honestly but he's mentioned when its important.)

Another very VERY well-made part of the framing and body language and everything in cutscenes is how they convey who is in power in every single one.

Let's start with John. He has the least amount of cut scenes in the game but also is shown not in power in 2/3 (4 if you count the beginning of his boss as a separate one) of them. The framing of the first cutscene portrays him as in charge and the focus at first, but then the moment Joseph enters the scene hes shown to have much more control and John suddenly looks like when a child is sent to the principals office or is being scolded by their parents. And that feeling doesn't end when Joseph leaves, because despite him still by all counts having some form of power over you, you already have seen cracks in the mask, and hes suddenly much less intimidating. The second scene is of course all John and the control he can possess when left alone but again, I think a big reason he is seen as pathetic by the fan base because he was already shown early to act almost neutered by Joseph and that was most likely on purpose. See, Johns area of the game is overall the easiest, and it's the one that's hinted at to go do first because it's a low-level area. He is the weakest in-game, and they absolutely knew what they were doing making the first guy you're supposed to fight still intimidating by how off the rails he can be and how him being set off causes violent tendencies that are scary when you are vulnerable, as shown in the Bunker scene and the Falls End scene. The final one i talk about above is finally putting him in a place where he is vulnerable, and it frames it as such, and it shows his panic and desperation in the end.

(Side note, the second bunker scene, from what I remember is the only John scene you can really look all around in, and it makes sense because of course you would be looking for a way out in this situation)

Faiths scenes are a little weird and different because Faith's whole thing is making you think that you want this and that she's just a helpful guide. Nope! No control here shes just showing you all this cool stuff. And for that reason her cutscenes generally allow you to look around and the focus is on both her and the environment. The scene where she has you walk the path is obviously very whimsical in nature and its the "we aren't scary! If we were evil would bliss be so beautiful? Would i be so kind?" Of course we the player also feel almost creeped out by this, because we see the fake smile with too many teeth and know what happens if you stay in the bliss too long. Faith is definitely meant to be the 2nd area in the game, mid level fights, her cutscenes can be put off but not entirely avoided like johns, a greater sense of urgency, that sort of thing. And Faith herself is intimidating because you never know when she's going to show up and where. Half way through a quest? K now you're jumping off the statue. Just stepped out of the jail? You're being shown the end by Joseph. It keeps you on your toes. Of course you can put it off for a while which is something i did often in game. Her boss is also probably the most fucking wild just because the mind fuckery that was present in her cutscenes being used against you more aggressively than before. Faiths 3rd act breakdown is fun too because you suddenly hear her giving excuses and trying to garner pity (albeit while chucking magic at you and flying,, did I mention her boss fight is my favorite?? Its my favorite.) Her final cutscene is soft and she dies with a warning. "If you listen to him, he'll be right" its ominous and it leaves you confused. Isn't she on his side? Its a weird sensation that sticks for a while after her fight. Clearly something meant to come to mind at the final fight with Joseph.

(Side note for her: I did the "side effects" or "after effects" quest or whatever its called after I beat her boss and was finishing up the quests in that area and man was it WILD to hear her giggling after death,,, she made more of an impact than y'all give her credit for, this has been my daily "please talk about faith more" psa)

Every cutscene with Jacob, regardless of weather or not hes actually in charge somehow conveys that he is in control of the situation. Its obvious for most of them, him being free and walking around, carefully chosing his words and what the player sees constantly, even when Pratt tries to reveal his plans its too frantic to understand. His presence is always felt in the Whitetail Mountains and his section of the game is obviously the most desperate. Your focus is always on him. What he's doing, where he's going, what he's saying. And he knows. He makes every word matter. And he is always confident. Even to the end. Theres something to be said about how even in the Joseph cutscene of his area, who always fucking steals the show when he's around, we still have a portion of our attention on Jacob because both of them are an equal threat. His death cutscene is probably the best example of my point. Even when he's hacking up blood and bleeding out he still is confident. He adds to Faith's warning "you did everything he said you would" still trying to instill that helplessness he's been giving you as he dies but it feels more genuine. He dies sitting on a rock, Jacob is gone but it never really feels that way.

Ik that most of this is probably stuff everyone already knew but im a bitch for narrative framing and animation so I wanted to ramble

super five/claw stuff i did for practice

assorted psychonauts doodles

a close-up of this one, because i think it might actually be my favorite:

jo bros!

these ads will not leave my mind so i share them with you also

Munson mornings

Friday - March 21st, 1986

It was one of those rare days where Wayne had worked an afternoon shift, meaning that he had had plenty of sleep before he sat down at the kitchen table in their trailer. He knew it would take Eddie about an hour or more before he'd wake up from his slumber, probably grasping at some honey combs before he'd rush out the door, mumbling something along the lines of "Missed first period, what's new." with his mouth still full. Wayne would then look at the crumbs on the doormat and consider that a task for another day.

However, today was a different day for both Munsons, it seemed, as Wayne heard Eddie trashing about in his room, loudly complaining about being unable to find something, much earlier than he was used of him. At one point he let out a happy yell, meaning that he'd probably found what he was looking for, and then possibly stubbed his toe in excitement, judging by all of the swearing that immediately followed after. His door opened, the bathroom door following and not much later Wayne could hear the shower.

Seeing as his nephew would probably have considerable time to get to school, he figured he could make them some eggs on toast, a little treat right before the weekend. It wasn't until Eddie stepped out of the shower that he realized that Wayne was home.

"You're home? Why aren't you asleep?"

"Afternoon shift."

"Oh. Eggs?"

"If you wanna."

"Sure. Can you—"

"Already done it."

Wayne had prepared Eddie's plate just how he liked it, with the eggs cut perfectly to fit on the toast, and the other bits on the side so he could eat those as a "snack". Eddie got dressed first, left the towel around his neck for his dripping curls and added a tiny bit of eyeliner to his eyes. As Eddie sat down, Wayne could immediately tell he was excited about something by the way his features contrasted his usual morning expression drastically. That meant four options.

One: He had a date (unlikely)

Two: Some kind of good drug deal coming up (possible, but Eddie usually didn't really talk about that stuff around his uncle)

Three: He had a gig (it wasn't Tuesday)

Four: Anything related to his D&D campaign (bingo)

"Those little shits have no idea what's coming," Eddie said with a slight evil grin right before taking a bite of his toast, groaning at the taste of it.

"Campaign night?"

"Uh-huh. I've got the dungeon all set up. There are so many traps, but there are two things that could help them out if they know where to look. Dustin will probably try but I bet Mike's gonna rush them into their deaths without blinking. Him and probably Gareth. See, there's this, let's call him "demon guy" for your sake, and he's gonna be waiting right here," Eddie grabbed some dry crackers that he wasn't planning to eat and used them to lay out a part of the dungeon map he'd been working on the past few weeks. Wayne followed his movements, watched how Eddie broke tiny pieces off the crackers to emphasize that one bit had a rounded corner, and stacked some honey combs to show the position of "demon guy" while also popping a few of them into his mouth as he explained further.

Eddie went on and on, eggs on toast almost forgotten until Wayne wordlessly nudged his plate so he'd remember and would take a bite out of it in between. Wayne watched him fondly, cherishing the light he recognized in Eddie's eyes, a light that seemed a rare occurence nowadays. He hoped that graduating would work out this year, so Ed could stop beating himself up about it. Maybe he could get himself a job as a mechanic, he seemed to like working on his van. Or perhaps something backstage, with lights or music, so that he could be involved in that industry even if he hadn't made it big himself just yet. Wayne knew he was meant for big things. He had the drive for it, just needed the confidence.

"Wayne? Are you listening? This part is crucial."

"What did I tell ya about chewing with your mouth open, boy?" Wayne sighed half-heartedly as crumbs landed everywhere on the table. Eddie gave him an apologetic smile (full of food) and tapped impatiently on a piece of honey comb that now represented a summoning circle.

"So this is where..."

Wayne didn't mean to, he really didn't, but he lost track the second Eddie started talking. Maybe being distracted was a Munson trait, who knew. He smiled fondly and took in all his gestures, enjoying the quiet morning with his nephew who was the opposite of quiet. It was nice, having him around. It always had been, even throughout puberty where he hadn't always been easy. He would always be his boy, a young man ahead of his old man in many ways.

As Eddie finished his breakfast and went back into his room to grab his stuff for the campaign that evening, Wayne decided he should ask Eddie about the campaign the next day. He couldn't wait to see hear how his clever nephew made those kids twist and turn. Eddie was a great storyteller, and his own story was only just beginning.

—

This was a vague idea that popped up in my brain, which I shared with @stevesxyellowxsweater, basically thanks to Joseph mentioning a dinner scene (I think it was dinner? I'm forgetful - anyway I turned it into breakfast) between Eddie and Wayne would've been nice.

It's a little painful, in retrospect, but that's the duffelbags' fault not mine :)) Anyway hope you like? I rarely post writings sooo yeah.

I have found my new calling and it’s making text post memes

Text Posts are Unbreakable (1) (2) (3) (4)

Hottest JoJo Character Bracket - Match 3-4

"I am army crawling my way toward a D in Ms. O'Donall's. If I don't blow her final, I'm gonna walk that stage next month. I'm gonna look Principal Higgins dead in the eye, I'm gonna flip him the bird, I'm gonna snatch that diploma, and I'm gonna run like hell outta here!"

EDDIE MUNSON portrayed by Joseph Quinn Stranger Things 4: Volume 01

sbr doodles because cowboys cool

yeehaw am i right gamers *a semi truck collides into my home at high speeds, killing me instantly*

gayest anime i’ve ever watched

The stomach in my brain throws up onto the page.

Does it bother anyone else that someone else has your name?

Joseph would've been tied up if it weren't for my laziness lol

PRISM has entered the material realm!!

plus, Prism being best friends with my friend’s paper doll (his name is Joey Stacy and he’s an everyday American man :) )

I saw a post recently by @onehornedbeast based on this template! I thought it would be a good way to introduce my five boys together :)

Hopefully I can come up with a name for this group/universe/project or whatever soon hehe...also, Daniel's emoji is supposed to be a red panda but there's no emoji for that???

Can we just enjoy people writing fanfiction? Can we enjoy the fanart? Instead of complaining about every little thing? Look, with the way these executives have this set up with these mini writing rooms and the way they treat the writers. . .well, we have it good. They really didn't give us a lot with these characters, so it was up to us to try and fill in some of the blanks, so of course, we feel protective over them. They aren't our characters. It isn't our work. Let's enjoy the fact that we can create works of art on other people's works.

Who cares if people want to write smut? Who cares if people want to feminize Steve? Who cares if they want to carry on the Mom joke? Who cares if people want to write Nancy as aromantic who wants to focus on her career? Who cares if Steve and Eddie enjoy each other's interests? If you don't like it, don't read it. If people want to headcanon Eddie as bisexual they can because as far as we know, Eddie's sexuality doesn't exist. . .it's a blank canvas, and we can paint it however we want to. Joseph Quinn put so much time and effort into that character. It belongs to him, really. If he wants to play the character ambiguously bisexual, it's up to him. And if people want to headcanon him as gay or pansexual, that's fine too. We're all projecting ourselves onto him, anyway. Most of the time, it's our own sexuality. Whatever we do, it's all headcanons, and we should respect the fact. (And I'm not talking about Robin, Will, and Vickie. I know those are canon!) This is why we're allowed to have fanfiction so we can do whatever we want to with it individually. We can change whatever we want to right now. The point is to let go of that anger and support each other.

That can all be taken away. I think some of us, I've included myself in this too, have forgotten that Stranger Things is someone else's work that we're creating stuff off of. They have to right to sue us if they want to, but the fanfiction and the art benefit them. One day, it might stop benefiting them, and then what? It's all small potatoes compared to the writers who weren't getting paid enough to even pay their rent. Let's stop sweating the small stuff and enjoy the fact that we're writing, drawing off other people's works. So, if you don't like someone else's fanfiction, don't bitch about it, just move on and find something else. And don't make up terrible shit to make their headcanon look bad, so yours will look better. It makes you look petty and childish. If you don't have proper constructive criticism for them, move on. It's fiction. They're not real. Let's just enjoy fanfiction, respect the fact that we each have our own different headcanons, and just have fun. Let's try to stop taking it so seriously. I know, I've had trouble letting go, but we all kind of need to. As artists, we need to support each other.