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#deacons of the deep
aenreth · 2 years
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DarkSouls3 - bosses splash  + Bloodborne Bosses by uger
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damien-v-grimm · 9 months
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I'd love to see more of your interpretation of Aldrich before he became sludge. I like the one of him being fed by the deacons you drew!
I made a redraw of that old piece too!
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prizmadiik · 7 months
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🎉🐈🎉
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midorishinobi5 · 6 months
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Art backlog: Dark Souls 3 OC Inquisitor Millicent, an unkindled working under Pontiff Sulyvahn and the cathedral of the deep to bring about the age of the deep sea
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ladygwyndolin · 1 year
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RACHEL RANKS: DARK SOULS TRILOGY BOSSES FROM WORST TO BEST
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#41: Deacons of the Deep (Dark Souls 3)
“In the Cathedral slumber things most terrible...”
Another boss that I enjoy purely for the aesthetic, the Deacons offer all the joy of beating the shit out of Catholic priests without any of the associated jail time! The music and visuals carry this otherwise traditional enemy mob fight that ranges from an easy steamroll to a curse-ridden exercise in frustration. It isn't necessarily one I look forward to playing, but it's not one I particularly mind either. And man, that phase 2 transition kicks ass. Let's fuck up the Pope!
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minespatch1 · 9 months
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stoat-party · 5 months
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simbelmyne20niniel · 9 months
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CLASSIC ROCK BOOKMARKERS PART 16: BASSISTS
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ALL THE PARTS
PART 17 is going to be about the second most voted category:
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infactilovetea · 22 days
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This interview I’m agjssgsyisakusag
Ft. Almost 30 full seconds of Brian looking absolutely ethereal
youtube
Does anyone have a link to the full interview?
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bijouxcarys · 1 month
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Queen's Hot Space Era: A Deep Dive
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I’ve been thinking over this album and era more than usual lately, and decided that I’d write this up. Perhaps as a way to extricate all the Queen knowledge from my head, and the era in question takes up quite a lot of RAM.
The Hot Space album, and era, is very controversial and to this day garners a polarising set of opinions amongst fans and critics alike. So I just thought what the hell, let’s let everyone know what the hell was going on with Queen in the early 80s.
The Hot Space album was the 10th studio album by Queen and was released on the 21st May 1982. It had elements of disco, funk, R&B, dance, and pop, which was very different to what Queen had been doing throughout previous albums. The dance elements of this album was supposedly inspired by the success of Another One Bites The Dust, released in 1980.
Another One Bites The Dust was extremely successful in the US and the UK, the two largest marketing countries in the Western world, at least at the time—and Queen aimed to prolong that success.
The band started recording for Hot Space in June of 1981, and spent a gruelling 10 months on the project before wrapping up the production element in March of 1982. Upon its release, fans and critics found it disappointing. Stephen Thomas Erlewine of Allmusic said “the band that once proudly proclaimed not to use synthesisers on their albums now dramatically reversed course, dedicating the entire first side of the album to robotic, new wave dance pop, all driven by drum machines and coloured by keyboards with Brian May’s guitar coming in as flavour only on occasion.”
The fourth track on Hot Space, Body Language, has been dubbed the worst song in Queen’s discography by fans, and the whole album received no more than a 3-star rating overall.
Rolling Stone gave them a 3-star, whilst the Encyclopedia of Popular Music gave a 1-star… Yikes.
Hot Space is one of the more obscure Queen albums to those who are not currently, or have ever been, active within the fandom. So we’re going to break it down a little bit, and let’s just talk about the background and context of what the hell was going on with them.
So in 1981, Queen recorded Under Pressure with David Bowie, and it’s still considered one of Queen’s staple and most popular songs. It was recorded in Montreux, and was a completely separate project to Hot Space. The band had met up with Bowie and jammed together for a while, just to see if they could come up with something to lay down and master. Of course, as most people know, bassist John Deacon came up with the iconic Under Pressure bass riff, just before they all went out to get some pizza. And by the time they’d returned to the studio, he’d forgotten it! But luckily drummer Roger Taylor remembered it.
Now, this was the first time Queen weren’t working alone; they were used to working only with their producers, never having had anyone else’s input. The two artists merged as one for the song and it pointed in the direction of a potential new road for Queen—it was looking like an exciting one.
But what went wrong during the recording of Hot Space?
Brian May recalls that there was a total change of life for all of them. They travelled to Munich and according to Brian, that’s when things started to go downhill.
Let’s talk a little bit about the studio in which they recorded the album in Munich. It was situated in the basement of a hotel, and it was called Musicland Studios. It closed in the 90s due to some road issues, so it’s no longer open. But Brian remembers this place being grim and depressing.
The band’s mental health started to deteriorate after learning some unsettling details about the place. In Brian’s words:
“A lot of people used to jump off the top of the building and kill themselves off that particular building. We didn’t know that until we got there.”
The urge to finish recording grew, and they spent months at the hotel.
The aim was to create an album that focused more on the dance elements of music due to the success of Another One Bites The Dust, as I mentioned before. They seemed to be in luck, as Freddie Mercury’s entourage at the time was concentrated with dance influences in the form of Paul Prenter.
Now, who was Paul Prenter, you ask? If you’ve seen the film, you’ll kind of already know, but here’s a bit more of an in-depth look at him.
Paul Prenter was Freddie Mercury’s personal manager from 1977 to 1986. Despite their professional relationship, the two also engaged in intimate relations, and Prenter had a huge influence over Freddie’s life during the time he worked for him. He held partial responsibility for Freddie’s excessive involvement in drugs, alcohol, and his growing promiscuity. 
Freddie was known to have fired Prenter in 1986, and shortly after it was plastered all over the news. It turns out Paul Prenter had sold personal stories to the press about Freddie… What a dick.
After receiving money from multiple press outlets, he moved back to his hometown of Belfast and spent it all—smart. He then asked Freddie for more money! After all that, he went back and asked him for money! But it’s okay, he did succumb to complications from AIDS a few months before Freddie. So… Freddie got the last laugh, it seemed.
You’re probably wondering what Paul Prenter had to do with Hot Space. After all, he wasn’t part of the band, right?
Well, Freddie’s life was ruled by the New York-inspired gay lifestyle of the 80s, particularly engaging in extreme partying and extreme promiscuity. And at the time, Freddie had suggested to the band that the music on their new album should sound like that of which they’d play in a gay bar, but those words had initially come from Paul Prenter.
It’s said that Prenter despised guitars and relentlessly referred to Brian May as old-fashioned. Roger Taylor recalled that Prenter was a “very bad influence” on the band:
“He was a very, very bad influence upon Freddie, and hence on the band. He very much wanted our music to sound like you just walked in a gay club, and I didn’t.”
The strain and tension became inevitable with the four personalities—and we all know that John, Freddie, Brian, and Roger have massive personalities. Whilst they had always experienced bickering, as most bands do, they now with the added tension, the production of the album isn’t going to go as smoothly.
“Arguments would start off as creative, but slowly became personal.”
Brian recalls that less and less time was spent in the studio and more time was spent arguing.
To put it into perspective about what life was like for the 10 months they spent recording Hot Space in Munich…A regular day recording this album went a little bit like the following:
The entourage recall waking up at 3am, working for hours, having dinner, and then roadies would mix up cocktails and other things would pursue. The band got mixed up in cocaine and various other drugs. Random women, and relentless drinking, and as any sane person will tell you, that is not a good thing.
Roger described it as an exhausting cycle day after day. Imagine doing that for 9 whole months.
Brian remembers them getting into “deep trouble emotionally” in Munich, which possibly explains why their mental states deteriorated.
Now, the Hot Space era didn’t just end when the album came out. Obviously, when an album comes out, you have to do interviews to promote your album and after months and months of bad influences and arguments, the band’s relationship had kind of broken down. Things continued in quite a tense fashion. 
In fact, Freddie was left very unhappy and depressed after Hot Space wrapped up—it lasted a while, and he was completely immersed in places and habits that remained detrimental to his fate. Freddie became passive during interviews and defensive on certain questions concerning anything but current projects.
His attitude during the 1982 press conference in Europe was already standoffish and it was extremely obvious that he didn’t want to be there. The body language of the others, especially Brian, speaks volumes. The mood is low and they all seem exhausted.
Another nationwide interview the band gave in promotion for the album presented the group separated; Freddie was notably disinterested as the others spoke. There was even a moment where Freddie responds to the interviewer’s question with “let’s break up tomorrow” as a joke. But, watching it, you can’t help but feel there’s some truth to his words. Nobody laughed, even Roger looked uncomfortable by it!
One of the more well-known interviews from this era was with Brian and Roger, which displayed multiple moments of awkwardness with them both trying to make jokes and seem like they’re happy with what they’d produced, making up amateur excuses as to why they created something with a different sound. In my opinion, they just didn’t seem very happy. Do we even need to mention the “shut up” from Roger, and then the succeeding comment from Brian about Mack having the best drum sound?
Then, we have the iconic 1984 Freddie interview, where he left viewers stunned with his answers:
“I love my job, but I hate talking to people like you,” “I’m not an artist, I’m just a musical prostitute, my dear.”
The long-term effects of what happened behind the scenes of Hot Space were everlasting and turned the group into four completely different people than they were prior to 1982. 
As I’ve already mentioned, Hot Space wasn’t received well upon its release, and there are still very strong opinions about it today. Brian stated in 2014 that it isn’t the band’s worst album, but the timing of its release was just wrong. As time goes on, more people begin to accept the Hot Space album as just another reason why Queen is one of the most versatile groups of all time, with them branching out into very different styles to what they’d done earlier in their career, like Sheer Heart Attack, News Of The World, etc…
80s culture looked down upon disco and funk, so reception for Hot Space was bound to be less than amazing. However, today, all styles of music are simultaneously celebrated, and people enjoy the album more now than they did 40 years ago.
So in conclusion, recording Hot Space was a difficult period for Queen. It’s horrible to think about your idols going through the kind of thing they did in the early-mid 80s, influenced by not very nice people. But focusing on the album itself, it’s truly not a bad album at all. Granted, the timing of the release wasn’t the best for Queen, but it holds up as a fan favourite today.
If you haven’t heard any of the songs from Hot Space, besides Under Pressure, I highly recommend you check it out. It’s very different to what Queen usually did and I think it’s worth a listen.
Anyway, I’ll leave it at that. Let me know if you liked this little… post, whatever the hell it is, and if I should do more posts like this. I enjoy throwing all my useless knowledge onto a page lol.
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Hey hey what's going on- so many important birthdays?
Yesterday:
Ginger Baker, Cream, Blind Faith etc
Ian Gillan, Deep Purple
John Deacon, Queen
Today:
Phil Lynott, Thin Lizzy
Robert Plant, Led Zeppelin
Ralf Hütter, Kraftwerk
Dave Brock, Hawkwind
John Povey, The Pretty Things (rip)
James Pankow, Chicago
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proserpinewrites · 1 year
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Currently thinking about the fact that given Deacon is in his late forties, he probably needs reading glasses by now and is in deeper denial about that than any other aspect of his existence. Perfectly normal to need to hold mission briefs at arm’s length to be able to read the text. Absolutely nothing wrong with his vision, he’s totally just messing with anyone who notices him squinting and using one of Tom’s prototype cybernetic arms to read some runner’s notes. Yup.
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radioroger · 7 months
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I MADE A QUEEN DEEP CUTS PLAYLIST!!!! GO SAVE IT!!!!
if you have suggestions on things to add or take out feel free to lmk!!
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viktoria-sob · 2 years
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Happy Birthday, legends!
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ziracona · 2 years
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We remember how much his ‘look at what they’re doing, what they’re asking you to do,’ monologue slapped, but what Deacon doesn’t get enough credit for is that he’s right about every single faction when he cautions you too.
#I have been thinking about this a lot but his problem with the Minutemen is he doesn’t trust the power structure as not likely to corrupt &#while if you’re a good General the Minutemen stay in corrupted and are /very good/ they can also become used by a bad PC and deeply corrupt#and even convinced to sell out the commonwealth to the institute AND think they’re doing the right thing so he’s actually 4-for-4#he’s a little harsh maybe but he’s /not/ wrong and people don’t talk about that or the monutemen’s potential for corruption either#I adore the Minutemen! they’re great. working hard RN to drag Deacon on their entire quest line so he will like them better. but this does#not change they have the potential for deep corruption as well as becoming a great group. it’s so /easy/ to tell people who to hate and why#when you’re in charge. and the difference between them and the Railroad is the Railroad knows they’re signing on to a death sentence and#everyone is there out of a personal experience and personal conviction to do what they think is right. none of them have heard these people#are heroes and think they can become heroes by signing on. they’re a bunch of traumatized - angry - hurt people desperate to not let#something that happened to them before happen again. you can’t easily corrupt viciously held personal beliefs#now it’s not necessarily bad either that the Minutemen represent hope and justice and good! hope is vital and so is potential. people have#to believe in something right? but it does introduce the easy threat of being corrupted because people are there for the idea of something#and ideas corrupt quicker in reality than action plans do. I think it’s fascinating#Anyway Preston deserves a Minutemen who live up to what he saw them as as a child and the commonwealth needs real good guys and I will /#/always/ see he and they get them. but I don’t think Deacon is given credit foe the validity of his criticism.#it happened when he was young. they sold out and power corrupted and almost all of them and a lot of civilians died. that doesn’t have to#happen again. they /can/ be different: but it’s important to remember how easily it did last time. learn from the past. move forward#fallout 4#god I love the Minutemen though they’re very sweet. the fear in my soul when I see three people in cowboy hats with muskets and no armor#trying to take out a sentry bot in the distance let me tell you even on survival I jump into danger with a panic previously unknown#kind little fools. they’re doing great : ) 💙
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stayatsam · 1 year
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im trying so so so hard to enjoy dark souls 3 but i feel like every area i do im just like "oh god im so glad im done with this area"
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