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#david Tennant gifs
villiarty · 2 days
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The Giggle // 73 Yards
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greeneyed-thestral · 2 days
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What's the next clue?
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whywhatswrongwithblue · 24 hours
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I kept hearing that noise, that heartbeat.
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mimisempai · 2 days
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They're… doing things…
Incorrect Good Omens Quotes Masterpost Part 1 : here
Incorrect Good Omens Quotes Masterpost Part 2 : here
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catabasis · 3 days
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Besides Michael’s pure joy and pride at hearing David pronounce the Welsh town properly……..
The last 3 clips are so beautiful with David’s face knowing he just made Michael fall deeper, as well as falling deeper himself. ♥️
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crawley-fell · 19 hours
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rushinintolove · 3 days
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DAVID TENNANT in L.A. Without a Map (1998)
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mizgnomer · 3 days
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Pensive Profiles with David Tennant
from: The Macallan ad Broadchurch Shakespeare Uncovered: David Tennant on Hamlet
...for Tennant Tuesday (or whatever day this post finds you)
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Not to be abnormal about this, but the man really does have lovely eyelids.
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winter-seance · 2 days
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Broadchurch | 2.01
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nkp1981 · 17 hours
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These Two
found on: giphy
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mimisempai · 3 days
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On the road to Season 3 - Day 167
The smile that made an angel fall in love…
Master post : here
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ohmyspacesailor · 2 days
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Oh, jacket-off Crowley, the stunning creature that you are!
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sonkitty · 2 days
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Crowley S2 Hair Post #60
(For reference: The Sideburns Scheme)
Crowley, Good Omens 2, Episode 4, The Hitchhiker, The Bullet Catch
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Sideburns Check
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The sideburns are long. I think the long sideburns are the "human" reading during the minisode as a reversal compared to the present day.
The theater is a human space Crowley and Aziraphale visited earlier. This scene is the one with the most humans around due to the audience, the performers, and Mrs. H.
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Brighter Red Streak Check
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Crowley has his hat off the whole time, so the more saturated red streak of hair is visible.
Here's an angle we don't usually get to see of it, more from the top, with strong enough lighting to show it:
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Hairstyle Changes
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Well, the previous two scenes had Crowley wearing a hat.
Going back to the last time Crowley was not wearing a hat, this style has a stronger curve inward above Crowley's right side of his face. Previously, it also had a little separation above his nose. Now it looks more uniform with that curve inward, I think.
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Earthly Objects
(For reference: Earthly Objects)
The main earthly object that's touched is the rifle. The bullet and pamphlet of instructions are also touched.
Aziraphale touches the turnip and the white handkerchief mentioned the last time he and Crowley were in the theater.
There is another sunglasses touch that's a clue about The Sunglasses Trick for determining that this touch does not count, likely because the sunglasses were not fully removed from Crowley's face.
Additionally, Crowley hid his thumb tip when pushing the sunglasses back up over his eyes. With game mechanics in mind, I would look at the lowering touch as a reserve. It's like opening a door only slightly. The opening is small enough to allow that reserve, so that a point is only earned when the sunglasses go back up, not for both touches.
Another significant earthly object is the camera Furfur uses. He touches the picture too.
"Get on with it," is said 3 times, so a Rule of Three is met.
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For paying attention to the pockets...
The Ladies of Camelot make pockets through their shadows.
Aziraphale is briefly pocketed between two shadows of himself when he takes center stage.
Crowley is pocketed between two empty seats where he sits.
Crowley has a self-made pocket of hair when he lowers his hand and stands up. Instead of one to three overhead lights above his left ear, he actually has one above his right ear, one directly above his head, and one above his left ear. Admittedly, the one above his left ear is the one that is not obscured by anyone's hand when that self-made pocket of hair is visible and Crowley stands.
When Crowley takes out the pamphlet, he reaches into his left front pocket. When he puts it away, he puts it in his right front pocket. For some reason, he switched it.
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(For reference: The Rainbow Connection Part 4: The Door Trick and The Door Catch)
I said this minisode had clues for The Door Catch, so let's look for clues about The Door Catch.
Various characters, including both Aziraphale and Crowley, have their shoes visible during this scene. That's a clue to the importance of The Door Catch's special Ground Zero cut.
It's time revisit the clue for White as we get the clue for Black, regarding the findable poem that's a quatrain about the non-rainbow shades in the Rainbow Connection mechanic.
The below is copy and edited from my Rainbow Connection link above.
For Black, the miracle blocker blocks the turnip from turning into an inkwell. Ink is black. Black blocks. In this case, black is blocked, but I still think that's the clue. There are other colors involved, including a white handkerchief, but, again, I still think that's the clue for the Black.
For White, with the miracles being blocked, the problem keeps happening while Aziraphale uses the white handkerchief over the turnip. White keeps. He used a white handkerchief earlier when offering to help Crowley.
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One of Aziraphale's lines is, "Aim for my mouth, but shoot past my ear."
In the Final Fifteen of episode 6, before The Door Catch happens, Crowley kisses Aziraphale. Afterwards, something shiny appears to be in Aziraphale's mouth. That's Crowley's theoretical aim for the mouth. Aziraphale probably removes this something from his mouth when the Metatron enters the bookshop.
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In the part where I've said Aziraphale is linked into the Pocket Chain, the human in black, linking him in, does visually pass over Aziraphale's right ear. The pocket user she links to visually passes over both of Aziraphale's ears. Still yet another human passes by, while surpassing a human in a hat near them. By that time, Aziraphale has turned. This third human passes over Aziraphale's left ear. All of these passes are also happening over the Metatron's right ear. So, these are shots though Aziraphale changed position for each one. Interesting choice.
Aziraphale probably places the earlier something back in his mouth when the human pocket user in a white fur coat passes him.
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Shadows are notable on this stage.
One of the most important elements in The Door Catch is that somehow, some way, the shadows of the green leaves on the back of Aziraphale's coat are allowed to be the Green of the maintained Rainbow Connection.
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Aziraphale says he will catch that bullet in his teeth with great emphasis on teeth. My current theory goes that in The Final Fifteen, the something that is in Aziraphale's mouth is a shrunken clasp of Crowley's tie because that's a thumb joint to one of the Tied Hands.
When Aziraphale takes a breath before entering the elevator, his bow tie makes contact with the skin on his neck. There is something shiny in the lower middle area of his teeth. That's where I suspect the thumb joint is to allow him a thumb joint for his own Tied Hands (or Tied Hand, if it's just one).
When Aziraphale reveals the bullet during this scene, it's also in the middle of his mouth so touching the middle of the top and bottom areas of his visible teeth.
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The miracle blocker has purple, and in the Rainbow Connection of the Final Fifteen, if my play is on the right track, there is a skip to Purple and back to allow Yellow to be hit a second time. This factor then allows the Connection to not require a double purple to go back up in the Connection during The Door Catch itself.
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Crowley's right index finger is separated from the other digits and used for the trigger. Something similar actually happens for Crowley to give Aziraphale the cue to begin for The Door Catch, as Crowley's Door Trick finishes, but the left index finger is used instead. The trigger is Black though the Black in The Door Trick looks to be allowed to change meaning along the lines of Bag, Between, and Begin.
That's all I have for now. If I find more, I'll update accordingly or make a new post. My play is slightly improving over time, but it's only slightly. I'm mostly at my limits with this game.
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Story Commentary
Crowley did not want to raise that hand for being a gentleman familiar with firearms.
Mrs. H said, "Get on with it, for God's sake," and then nearly got shot!
This scene gets tense, especially with the music.
Mrs. H is censored in saying the "F" word again.
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That's it for this post. Sometimes I edit my posts, FYI.
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Main post:
The Sideburns Scheme
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crawley-fell · 2 days
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Broadchurch | S2EP2 | Alec Hardy’s Wettest Moments (Part 42)
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