“Just rewatched season two. I have to say it was one crazy season. Lots of dirty relationship sh*t went on. Season two might have been the best season and it set the stage for the longevity of the show. I don’t think the forgotten young actors like Jessica, Cindy, Greta, Tatiana, Kerry, Jake along with Amber and Graham get the credit they deserve. Back then who ever thought Heartland would would be still going thirteen seasons later?“

🚢Boat Song Lineup & Links🚢

*links are on the boat emojis. most of the artists listed are specific to the linked versions, and many are folk songs with no single or known author. all the links are youtube links.*

🚢 32 Down on the Robert MacKenzie (Due South), Paul Gross

🚢 A Pirate Looks at 40, Jimmy Buffett

🚢 A Sailboat in the Moonlight, Billie Holliday

🚢 The Ballad of Gilligan's Isle (theme song)

🚢 The Ballad of Harbo and Samuelson, Shanghaied on the Willamette

🚢 The Bonnie Ship the Diamond, The Corries

🚢 Bluenose, Stan Rogers

🚢 Boat on the River, Styx

🚢 Canadee-i-o, Nic Jones

🚢 Come Sail Away, Styx

🚢 Day-O (Banana Boat Song), Harry Belafonte

🚢 Friggin in the Riggin, The Sex Pistols

🚢 Ghosts of Cape Horn, Gordon Lightfoot

🚢 Go to Sea No More, The Dubliners

🚢 The Good Ship Kangaroo, Planxty

🚢 Hard on the Beach Oar, Johnny Collins

🚢 Haul Away Joe, The Eskies

🚢 Highwayman, The Highwaymen

🚢 I'm on a Boat, The Lonely Island

🚢 I'm Shipping up to Boston, The Dropkick Murphys

🚢 James Craig, The Maritime Crew

🚢 The Last Bristolian Pirate, The Longest Johns

🚢 Leave Her, Johnny, Leave Her, Coda

🚢 The Leaving of Liverpool, The Dubliners

🚢 The Little Boat, The Wiggles

🚢 Lord Franklin, Pentangle

🚢 Lowlands Away, The Corries

🚢 Lukey, Great Big Sea

🚢 The Mariner's Revenge, The Decemberists

🚢 Marie Christine, Gordon Lightfoot

🚢 The Mary Ellen Carter, Stan Rogers

🚢 Mingulay Boat Song, The Corries

🚢 Mr. Andrews' Vision ("Titanic: A New Musical"), Maury Yeston

🚢 The Mistress, Dramtreeo

🚢 My Sails Are Set (One Piece live action)

🚢 Orinoco Flow, Enya

🚢 Overture/Prologue/The Launching ("Titanic: A New Musical"), Maury Yeston

🚢 The Pacific, Dave Malloy

🚢 The Pirates Who Don't Do Anything (Veggie Tales)

🚢 Proud Mary, Ike and Tina Turner

🚢 Race to be King, Seth Lakeman

🚢 Rolling Down to Old Maui, Stan Rogers

🚢 Roll the Old Chariot (sea shanty)

🚢 Round the Cape, The Longest Johns

🚢 Row, Row, Row your Boat (nursery rhyme)

🚢 Running Down to Cuba, Colm McGuinness

🚢 Sailing, Christopher Cross

🚢 Sailor's Farewell (sea shanty)

🚢 Santiana, The Longest Johns

🚢 Santiano, Hugues Aufray

🚢 Saturday, Jonathan Eng and Stephanie Hladowski

🚢 Save the Whales!, Country Joe McDonald

🚢 Ship in a Bottle, Fin Argus

🚢 Ship of Fools, The Grateful Dead

🚢 Song for the Bowdoin, Larry Kaplan

🚢 Song of the Volga Boatmen, Soviet Army Chorus & Band

🚢 Son of a Son of a Sailor, Jimmy Buffett

🚢 South Australia, Johnny Collins

🚢 Tow Rope Girls, Daniel Kelly

🚢 The Wellerman (sea shanty), Nathan Evans

🚢 The Wild Cape Horn, Friends Of The Shipyard and Fisherman's Fayre

🚢 The Wreck of the Edmund Fitzgerald, Gordon Lightfoot

🚢 Warlike Seamen, Jerry Bryant and Starboard Mess

Starpower, in Pittsburgh (April 9th - 10th, 2005):

9-12 Solo:

Miranda Maleski - "Hernando's Hideaway" (Acrobatic) - 9th Place / Platinum

Nina Linhart - "Lila Tremaine" (Musical Theater) - Did Not Place / Elite Gold

Erika Maruca “The Raven” (Contemporary) - Did Not Place / Elite Gold

Mackenzie Meixner “Superstitious” (Jazz) - Did Not Place / Gold

Brianne Smail “Secondhand Rose” (Contemporary) - Did Not Place / Gold

9-12 Line:

“Steppin’ To The Bad Side” (Jazz) [Mackenzie Meixner, Brianne Smail, Alexandra Salerno, Alexandra McGee, Kelly Monteleone, Erika Maruca, Alivia Shoop, Miranda Maleski, Hannah Opalko, Jessica Ice & Nina Linhart] - Did Not Place / Platinum

13-15 Solo:

Gianna Martello - "Look At Me" (Lyrical) - 1st Place / Platinum

Kaitlyn Reiser - "Once Upon A Time" (Lyrical) - 3rd Place / Platinum

Leah Pivirotto - "Too Darn Hot" (Jazz) - 4th Place / Platinum

Corrie Wyse - "Conversation" (Jazz) - 5th Place / Platinum

Crystal Jennings - "A Straw In The Wind" (Jazz) - 5th / Platinum

Hannah Opalko - "Kiss Me In The Rain" (Acro/Gym) - Did Not Place / Platinum

Kristina Pendleton - “Mercy” (Contemporary) - Did Not Place / Platinum

Alivia Shoop “Oh Susannah” (Jazz) - Did Not Place / Platinum

Romana Henson - “Wild” (Contemporary) - Did Not Place / Platinum

Mia Pivorotto - “Swing” (Tap) - Did Not Place / Elite Gold

Cydney Miller ”No Good Deed” (Acrobatic) - Did Not Place / Elite Gold

13-15 Small Group:

"Cherries" (Jazz) [Amanda Stelluto, Crystal Jennings, Emily Shoop, Gianna Martello, Jennine Wedge, Kaitlyn Reiser] - 1st for '13 & Over Choreography' Award, 3rd for '13 & Over Jazz Excellence' Award / Platinum

“Hot Chocolate” (Tap) [Alexandra Salerno, Hannah Opalko, Kelly Monteleone, Brianne Smail, Jessica Manza, Melinda Jennings & Jessica Ice] - 1st for '13 & Over Choreography' Award / Platinum

“Sharp Dressed Men” (Tap) [Jennine Wedge, Amanda Stelluto, Gianna Martello, Crystal Jennings, Alisha Boranoti, Leah Pivorotto & Nina Pivorotto] - Did Not Place / Platinum

13-15 Line:

“Ladders” (Contemporary) [Theresa Moio, Alisha Boranoti, Marissa Mechling, Loren DeMarco, Nina Pivorotto, Miranda Maleski, Hannah Opalko, Alexandra Opalko, Jessica Ice, Kelly Monteleone, Kaitlyn Reiser, Jennine Wedge, Emily Shoop, Gianna Martello, Amanda Stelluto, Leah Pivorotto, Alivia Shoop, Romana Henson, Kristina Pendleton, Cydney Miller, Bethany Flora & Crystal Jennings] - 2nd / Platinum

“Giggles” (Jazz) [Gianna Martello, Jennine Wedge, Crystal Jennings, Kaitlyn Reiser, Miranda Maleski, Alivia Shoop, Theresa Moio, Emily Shoop, Leah Pivorotto, Nina Pivorotto, Amanda Stelluto, Romana Henson, Kristina Pendleton, Alexandra Opalko, Bethany Flora, Marissa Mechling, Alisha Boranoti, Kelly Monteleone, Cydney Miller, Cheri Davis, Loren DeMarco] - Did Not Place / Elite Gold

16 & Over Solo:

Amanda Stelluto - "Don't Let Me Be Lonely Tonight" (Lyrical) - 2nd Place / Platinum

Jennine Wedge - "Gotta Move" (Jazz) - 7th Place / Platinum

Emily Shoop - "It's A New Day" (Lyrical) - 9th Place / Platinum

Alisha Bonaroti - "Like Ya Used To" (Tap) - Did Not Place / Platinum

Nina Pivorotto “?” (Musical Theater) - Did Not Place / Elite Gold

16 & Over Duet/Trio:

Crystal Jennings & Jennine Wedge - "In Her Shadow" (Contemporary) - 2nd / Platinum

Alexandra Salerno & Emily Shoop - "Broken" (Contemporary) - 3rd / Platinum

Alisha Bonaroti & Nina Pivorotto - “Your Friend” (Jazz) - Did Not Place / Platinum

Regional Teen Miss:

Corrie Wyse - "Conversation" (Jazz) - 3rd Place

Madeleine Madden as Corrie in ‘Tomorrow When the War Began’

Fresh air. Light. Real weather. The things that you don’t even notice normally. The things you realise are the essence of life when you lose them.

The Tomorrow kids as MBTI types.

Is it too soon for me to start shipping Cole and Jerry? I don’t care imma do it anyway!!

https://www.klausfluggeprize.co.uk/longlist-2022/

Longlist announced for the 2022 Klaus Flugge Prize--Celebrating outstanding newcomers to picture book illustration

@KlausFluggePr #KlausFluggePrize

The longlist for the 2022 Klaus Flugge Prize is announced today (Thursday 17 February 2022). Established in 2016, the Klaus Flugge Prize is awarded to the most promising and exciting newcomer to children’s picture book illustration. It honours Klaus Flugge, founder of publisher Andersen Press and a supremely influential figure in picture books.

Previous Klaus Flugge Prize winners include 

Jessica Love in 2019 for Julian is a Mermaid, 

Francesca Sanna in 2017 for The Journey, 

Kate Milner for My Name is Not Refugee in 2018 and 

Eva Eland for When Sadness Comes to Call in 2020.

Flavia Z Drago was the 2021 winner with Gustavo the Shy Ghost, 

JUDGES

Flavia Z Drago

acclaimed illustrator Emily Gravett; 

Martin Salisbury, Professor of Illustration at Cambridge School of Art in Anglia Ruskin University; and 

Nikki Bi Co-Founder and the Beyond Books Lead at Civic Square in Birmingham. 

The panel will be chaired by Julia Eccleshare, director of the children’s programme of the Hay Festival.

For the second consecutive year, over fifty books were submitted and from 34 different publishing houses, proof of publishers’ commitment to commissioning and developing new illustrators. 24 have made it onto the longlist.

Julia Eccleshare says: “Providing their first experience of books and reading, picture books are vital to children’s development, opening up the world and providing all-important early encounters with art and story. It is always exhilarating therefore to consider the books submitted for the Klaus Flugge Prize and we are delighted to have received so many entries this year and to be celebrating these exciting, talented newcomers. The prize is international in scope, with illustrators from many different countries represented here, and publishers large, small and tiny. Our thanks as always to Klaus Flugge for his generous sponsorship and ongoing support for new picture book talent.”

The 2022 Klaus Flugge Prize longlist in full:

We Want Our Books, Jake Alexander, editor Helen Weir, designer Jo Spooner, (Two Hoots)

Mammoth, Adam Beer, written by Anna Kemp, editor Helen Mackenzie Smith, art director Jane Buckley (Simon and Schuster)

Drawn Across Borders, George Butler, editors Alice Primmer & Denise Johnstone-Burt, art directors Nghiem Ta and Ben Norland (Walker Studio)

Kolobok: A Russian Bun on the Run, Dovilé Čiapaité, adapted by Sian Valvis, editor Mark Sutcliffe, designer Jacob Valvis (Fontanka)

Magnificent, Ria Dastidar, written by Laura Dockrill, editor Emily Ball, designer Lilly Gottwald (Pop Up Projects)

Rescuing Titanic, Flora Delargy, editor Lucy Brownridge, art director Karissa Santos (Wide Eyed Editions)

Sunflower Sisters, Michaela Dias-Hayes, written  by Monika Singh Gangotra, art director/designer Sam Langley-Swain (Owlet Press)

Big Dance, Aoife Greenham, art director Sue Baker (Child’s Play)

Oh Monty!, Nici Gregory, written by Susannah Lloyd, editor Martha Owen, designer Sarah Crookes (Pavilion)

No! Said Rabbit, Marjoke Henrichs, editor Alice Corrie, designer Ness Wood (Scallywag Press)

Nature’s Toy Box, Harriet Hobday, editor Ali Halliday, art director Rachel Lawrence (Storyhouse Publishing)

Pierre's New Hair, Joseph Hollis, editor Emilia Will, designer Jade Wheaton (Tate)

The Perfect Fit, James Jones, editor Jen Long, designer Kate Adams (Oxford University Press)

The Beasts Beneath our Feet, Alisa Kosareva, written by James Carter, editor Isabel Otter, designer Alice Luffman (Little Tiger)

Ten Silly Children, Jon Lander, editor Neil Dunicliffe, designer Sarah Crookes (Pavilion)

If You Miss Me, Jocelyn Li Langrand, art director Patti Ann Harris, designer Doan Buu (Scholastic)

The Library Book, Ian Morris, written by Gabby Dawnay, editor Anna Ridley, art director Avni Patel, design director Johanna Neurath (Thames & Hudson)

The Song for Everyone, Lucy Morris, editor Pari Thomson, art director Donna Mark (Bloomsbury Children’s Books)

As Strong as the River, Sarah Noble, editor Emily Ball, designer Lilly Gottwald (Flying Eye Books)

The Tale of the Whale, Padmacandra, written by Karen Swann, editor Janice Thomson, designer Ness Wood (Scallywag Press)

Choices, Roozeboos, designer Sarah Dellow (Child’s Play)

Many Shapes of Clay, Kenesha Sneed, editor Holly La Due, designer Anjali Pala (Prestel)

Alley Cat Rally, Ricky Trickartt, editor Emily Ball, designer Ivanna Khomyak (Flying Eye Books)

The Queen on Our Corner, Nia Tudor, written by Lucy Christopher, editor/art director Holly Tonks (Lantana)

The shortlist will be announced on 18 May 2022  and the winner will be revealed in September.

as we come to the end of what is possibly one of the worst years emmerdale has had in terms of storyline and character, i thought it’d be fun (not to mention cathartic) to do a little wishlist of the things i most want to see in 2021. 

behold:

(ok so OBVIOUSLY my first instinct is bring robert back. however... part of me wants them to keep his return until 2022 for the 50th anniversary. it’s nothing less than our king deserves.)

liv fucks off forever. i don’t really care about the how’s and why’s... but a lengthy prison sentence for death by dangerous driving would be preferable

chaddy split and fulfil the christmas wedding curse in record time. the messier and more painful, the better. aaron brings eve to live with him at the mill for reasons.

paul leaves/dies. vinny can stay as long as he goes back to being part of the sam/lydia/samson family again, and restarts that storyline as the male voice in the village choir

kayak boy begone, mackenzie and meena stay

aaron gets to live his life as an independent 29 year-old and interacts with people other than his family. the only relatives he has scenes with are cain and marlon. he gets a nice dog (and maybe as a bonus custody of seb bc rebecca’s dead, idc how maybe liv hit her with a car). the sanctity of the mill is restored.

jai/laurel are protected at all costs

either the posners leave, or they stay if only so we can finally get cracking with the “luke is lee’s real killer” storyline

MORE FRIENDSHIPS. COMMUNITY. DIFFERENT CHARACTERS INTERACTING. I KNOW COVID’S A THING, BUT IF CORRIE CAN STILL MANAGE IT, SO CAN YOU ED THERE’S NO EXCUSE

victoria grows her hair out and returns to her old self. it’ll take time/hard work to undo the mess they made of her in recent times, but i believe it can be done!

there’s really no need for debbie to stay. we want to be reducing the number of dingles in the village, not adding to it.

GIVE MATTY A STORYLINE PLS EMMERDALE I BEG

andrea and her demon child disappear overnight, never to be seen again. what happened to them? nobody cares.

we finally say a fond (lol) farewell to will and harriet

let v*nity stay dead, don’t bring that shit back into 2021.

DEAR LORD let some families other than the dingles own every business in the village. starting with the woolpack – let’s have some new people take over the pub!

In Focus: Interstellar.

Inspired by Christopher Nolan’s Interstellar placing high across three notable Letterboxd metrics, Dominic Corry reflects on how the film successfully hung its messaging around the concept of love—and what pandemic responses worldwide could learn from its wholehearted embrace of empathetic science.

“Love isn’t something we invented. It’s observable, it’s powerful. It has to mean something.” —Dr. Amelia Brand (Anne Hathaway)

This story contains spoilers for ‘Interstellar’ (2014).

Although it is insultingly reductionist to both filmmakers, there are many reasons Christopher Nolan is often described as a modern-day Stanley Kubrick. The one most people usually settle on is the notion that both men supposedly make exacting, ambitious films that lack emotion.

It is an incorrect assessment of either director, but it’s beyond amazing that anyone could still accuse Nolan of such a thing after he delivered what is unquestionably his masterwork, the emotional rollercoaster that is 2014’s Interstellar.

In the epic sci-fi adventure drama, Nolan managed to pull off something that many filmmakers have attempted and few have achieved. He told a story of boundless sci-fi scope, and had it be all about love in the end. It sounds cheesy to even write it down, but Nolan did it.

That Interstellar is such an overtly cutting-edge genre film that chooses to center itself so brazenly and unapologetically around love, is frankly awesome.

Love informs Interstellar both metaphorically and literally: the expansive scope of the film effectively represents love’s infinite potential, and love itself ends up being the tangible thread that allows far-flung astronaut Cooper (Matthew McConaughey) to communicate with his Earth-bound daughter Murph (played as an adult by Jessica Chastain) from the tesseract (a three-dimensional rendering of a five-dimensional space) after Cooper enters the black hole towards the end of the film.

Matthew McConaughey as Joseph ‘Coop’ Cooper, Mackenzie Foy as Murph, and Timothée Chalamet as Tom.

In transmitting (via morse code) what the robot TARS has observed from inside the black hole, Cooper provides Murph with the data to solve the gravity problem required to uplift Earth’s population from its depleted home planet. Humanity is saved. Love wins again. Hard sci-fi goes soft. Christopher Nolan’s genius is confirmed, and any notions of emotionlessness are emphatically washed away.

This earnest centering of love in Interstellar is key to the film’s universal appeal, and undoubtedly plays a large role in why it features so prominently in three significant Letterboxd lists determined by pronoun: Interstellar is the only film that appears in all three top tens of “most fans on Letterboxd” when considering members who use the pronoun he/him, she/her and xe/ze. (“Most fans” refers to Letterboxd members who have selected the film as one of the four favorites on their profile.)

To get a bit reductionist myself, sci-fi adventure—in cinema, at least—has traditionally been a masculine-leaning genre, but Interstellar’s placement across these three lists points to it having superseded that traditional leaning, hopefully for the better.

Yet the film reliably still provokes reactions like this delightful tweet:

few movies make me as mad as Interstellar. who the fuck makes 3/4 of an excellent hard sci-fi movie backed up by actual science and then abruptly turns it into soft sci-fi about how the power of love and time traveling bookshelves can save us in the final 1/4? damn you, Nolan

— the thicc husband & father (@lukeisamazing)

February 13, 2021

Although this tweet is somewhat indicative of how many men (and women, for that matter) respond to the film, I think it’s pretty clear the writer actually loves Interstellar wholeheartedly, final quarter and all, but perhaps feels inhibited from expressing that love by the expectations of a gendered society that is becoming increasingly outdated. The “damn you, Nolan” is possibly a concession of sorts—he’s damning how Nolan really made him feel the love at the end. It’s okay, @lukeisamazing, you don’t have to say it out loud.

Conversely, it can be put like this:

“The emotion of Interstellar is three-fold: Nolan’s script, co-written with his brother as with all his best stuff, masters not only notions of black holes, wormholes, quantum data and telemetry, but it also makes a case for love as the one thing—feeling, fact, movement, message—that can mean more and do more than anyone in our current time, on our existing planet, can comprehend.”

The writer of this stirring summation, our own Ella Kemp, is paraphrasing a critical section of the film, when Nolan goes full literal on the concept of love and has Cooper and Dr Amelia Brand (Anne Hathaway) debate its very nature, quoted in part at the top of this story. It comes when the pair are trying to decide which potentially humanity-saving planet to use their dwindling fuel reserves to travel to. Brand is advocating for the planet where a man she loves might be waiting for her, instead of the planet that has ostensibly better circumstances for life.

Brand: “Love is the one thing we’re capable of perceiving that transcends dimensions of time and space. Maybe we should trust that even if we can’t understand it.”

“Love has meaning, yes,” responds Cooper, heretofore the film’s most outwardly love-centric character, exhibiting a stoic longing for his dead wife, while also abandoning his ten-year-old daughter on Earth for a space adventure (albeit one designed to save humanity) than has now inadvertently taken decades. “Social utility. Social bonding. Child rearing.” Ouch.

McConaughey with Anne Hathaway as Dr. Amelia Brand.

Brand: “You love people who have died. Where’s the social utility in that? Maybe it means something more. Something we don’t yet understand. Some evidence, some artefact of a higher dimension that we can’t consciously perceive. I’m drawn across the universe to someone I haven’t seen in a decade who I know is probably dead. Love is the one thing we’re capable of perceiving that transcends dimensions of time and space. Maybe we should trust that even if we can’t understand it yet.” Amen.

Cooper remains unconvinced by Brand’s rationale, but this dispassionate display presages him going on to realize the true (literal) power of love (and his poor, science-only decision-making—thanks Matt Damon) when it provides him the aforementioned channel of communication with Murph in the tesseract. Nolan has a female character make the most eloquent vocal argument for love, but it’s the male character who has to learn it through experience.

So while Interstellar does initially conform to some prevailing cultural ideas about love and how it supposedly relates to gender, it ultimately advocates for a greater appreciation of the concept that moves beyond such binary notions. That is reflected in how important the film is to Letterboxd members who self-identify as he/him, she/her and xe/ze. We all love this movie. Emphasis on love.

Brand’s speech—not to mention the film as a whole—also can’t help but inform the current global situation. Interstellar argues for a greater devotion to both science and love, in harmony; such devotion might have mitigated the devastating effects of the coronavirus pandemic where both concepts were drastically undervalued by many of those in charge of the response.

Jessica Chastain and Casey Affleck as the grown-up Cooper siblings.

Despite the reactions cited above, responses to Interstellar aren’t always split down gender lines. We’re all allowed to feel whatever we like about it, and substantial variety comes across in the many, many reviews for the film.

Zaidius says Interstellar is so good that, “after watching [it], you will want to downgrade all of the ratings you have ever given on Letterboxd.”

On the other hand, Singlewhitefemalien takes issue with Dr. Brand’s aforementioned love-based decision-making in her two-star review: “She wants to fuckin’ go to Planet Whatever to chase after a dude she banged ten years ago because women are guided by their emotions and love is all you need.” A perhaps fair assessment of the role Nolan chose his sole female astronaut to play in the film?

Sam offers food for thought when he writes “First, you love Interstellar; then you understand Interstellar.”

Letterboxd stalwart Lucy boils it down effectively in one of her multiple five-star reviews of the film: “I needed a really good cry.” It’s hard to say whether Vince is agreeing or disagreeing with Lucy in his review: “Fuck you Matthew McConaughey for making me cry.” The catharsis this movie provides for dudes becomes clearer the deeper you venture into our Interstellar reviews (and I ventured deep): “How dare this fucking movie make me cry… twice,” writes John. Let it out, John.

Then there’s Rudi’s take: “I sobbed like an animal while watching this but I’m not exactly sure what animal it was like. Like a pig? Like a whale? I don’t know but I do know that I cried a whole fucking lot.”

Emotionless? With all this crying?

Christopher Nolan inspires more debate than any other filmmaker of the modern age (when we’re not getting unnecessarily riled up about something Marty has said, that is) and while Nolan has the passionate devotion of millions of viewers, I’d argue he still doesn’t quite get his due. Especially when it comes to Interstellar.

By so successfully using love as both a metaphorical vessel and a palpable plot point in a sci-fi adventure film, he built on notable antecedents like James Cameron’s The Abyss and Robert Zemeckis’ Contact, two (great) films with similar aspirations that didn’t stick the landing as well as Interstellar does. In Contact, McConaughey engages in a similar debate about love to the one quoted above, but notably takes the opposing side.

Steven Spielberg (who at one point was going to direct an earlier iteration of Interstellar) did a pretty good job of showing love as the most powerful force in the universe with E.T. the Extra-Terrestrial, but there hasn’t been a huge amount of room for such notions in the genre since then.

Kubrick’s 2001: A Space Odyssey, Interstellar’s most obvious forebear, is often accused of being the director’s most brazenly emotionless film. And while that’s perhaps a bit more understandable than some of the brickbats hurled Nolan’s way, there’s more emotion in the character of Hal 9000 than in many major directors’ entire oeuvre. It’s also, in part due to Hal’s place in the examination of queer consciousness in the sci-fi realm, the film currently in the number one spot on the xe/ze list.

Two films that notably exist in Interstellar’s wake are Denis Villeneuve’s Arrival, which expands upon Interstellar’s creative use of time-bending (and like Contact, features a female protagonist) and James Gray’s Ad Astra, which tackles the perils of traditional masculinity with more directness.

Interstellar doesn’t solve the sci-fi genre’s cumbersome relationship with masculinity and gender, but it makes significant strides in breaking down the existing paradigms, if only from all the GIFs of McConaughey crying it has spawned. Its appeal across the gender spectrum is an interesting and encouraging sign of the universality of its themes. And the power of love.

Fans out of touch with their feelings may complain about the role love plays in the film, but that says more about them than it does the film. Love wins. Also: TARS. How could anyone not love TARS?

TARS and Christopher Nolan.

Related content

Men/Boys Crying: a master list

“I Ugly-Cried Like Matthew McConaughey in Interstellar”: Amanda’s list

“I Liked Interstellar”: Sar’s list of what to watch afterwards

Follow Dominic on Letterboxd

#Repost @outlanderuniverse "Ye never saw Dougal MacKenzie call the clan, did you?" I was more than startled at this, but answered cautiously. [...] "[...] Colum was chief, and the men would come when he summoned them, surely. But it was Dougal who led them to war." [...] "[...] to gather the clan for war, all the fighting men-that was a rarer thing. I only saw it the once, myself, but it's no a sight ye would forget." The cross of pinewood had been there when he woke one morning at the castle, surprising him as he crossed the courtyard. The inhabitants of Leoch were up and about their business as usual, but no one glanced at the cross or referred to it in any way. Even so, there were undercurrents of excitement running through the castle.  The men stood here and there in knots, talking in undertones, but when he joined a group, the talk shifted at once to desultory conversation. [...] "I couldna tell what was afoot, but something was; the hair on my arms prickled whenever I caught someone's eye." At last, he had made his way to the stable, and found Old Alec, Colum's Master of Horse. [...] "'Tis the fiery cross, lad," he'd d told Jamie, tossing him a currycomb and jerking his head toward the stalls. "Ye'll not ha' seen it before?" It was auld, he'd said, one of the ways that had been followed for hundreds of years, no one quite knowing where it had started, who had done it first or why. "When a Hielan' chief will call his men to war," the old man had said, [...] "he has a cross made, and sets it afire. It's put out at once, ken, wi' blood or wi' water-but still it's called the fiery cross, and it will be carried through the glens and corries, a sign to the men of the clan to fetch their weapons and come to the gathering place, prepared for battle." [...] "Ye follow where your chieftain leads ye, lad. [...]" [...] "[...] When darkness came, Dougal lit the cross and called the clan. He doused the burnin' wood wi' sheep's blood and two men rode out of the courtyard wi' the fiery cross, to take it through the mountains. Four days later, there were three hundred men in that courtyard, armed wi' swords, pistols and dirks [...]." ~ The Fiery Cross, (at Richland Center, Wisconsin) https://www.instagram.com/p/CDA4IYsB79t/?igshid=1jr5vvbec5x8v

Corrie Mackenzie (Tomorrow When the War Began 2016) 1. Is she an Indigenous / Aboriginal woman who is a main character… YES 2. Who DOES NOT fall in love with a white man… NO (dates a white man) 3. And DOES NOT end up raped or murdered at any point in the story. NO (dies). Corrie does not pass the alia test.

Madeleine Madden as Corrie in ‘Tomorrow When the War Began’

“What's the future? It's a blank sheet of paper, and we draw lines on it, but sometimes our hand is held, and the lines we draw aren't the lines we wanted.”

Late last night we gathered all of the new books that we carry that contain lists of

radical/difficult/legendary/badass/bold/brave/bad

girls/women/ladies/leaders/rebels/princesses/goddesses/feminists/heroines 

and created a word cloud of all the names that occur in these books. Here it is in long form:

A'isha bint abi Bakr Abbi Jacobson and Ilana Glazer Abigail Adams Ada Blackjack Ada Lovelace (appears 4 times) Adina De Zavala Aditi Aelfthryth Aethelflaed Agatha Christie Agnodice (appears 3 times) Agontime and the Dahomey Amazons Aine Aisholpan Nurgaiv Ala Alek Wek Alexandra Kollontai Alexis Smith Alfhild (appears 2 times) Alfonsina Strada Alia Muhammad Baker Alice Ball (appears 3 times) Alice Clement Alice Guy-Blache Alice Paul Alicia Alonso Alma Woodsey Thomas Althea Gibson Amal Clooney Amalia Eriksson Amanda Stenberg Amaterasu Amba/Sikhandi Ameenah Gurib-Fakim Amelia Earhart (appears 4 times) Amna Al Haddad Amy Poehler (appears 2 times) Amy Winehouse Ana Lezama de Urinza Ana Nzinga Anais Nin Andamana Andree Peel Angela Davis (appears 3 times) Angela Merkel (appears 2 times) Angela Morley Angela Zhang Angelina Jolie Anita Garibaldi (appears 3 times) Anita Roddick Ann Hamilton Ann Makosinski Anna Atkins Anna May Wong Anna Nicole Smith Anna of Saxony Anna Olga Albertina Brown Anna Politkovskaya Anna Wintour Anna-Marie McLemore Anne Bonny Anne Hutchinson Anne Lister Annette Kellerman (appears 3 times) Annie "Londonderry" Cohen Kopchovsky Annie Edson Taylor Annie Edson Taylor Annie Jump Cannon (appears 3 times) Annie Oakley (appears 2 times) Annie Smith Peck Aphra Behn Aphrodite Arawelo Aretha Franklin Artemis Artemisia Gentileschi (appears 4 times) Artemisis I of Caria Ashley Fiolek Astrid Lindgren Athena Aud the Deep-Minded Audre Lorde Audrey Hepburn Augusta Savage Aung San Suu Kyi (appears 2 times) Azucena Villaflor Babe Zaharias Barbara Bloom Barbara Hillary Barbara Walters Bast Bastardilla Beatrice Ayettey Beatrice Potter Webb Beatrice Vio Beatrix Potter Beatrix Potter Belle Boyd Belva Lockwood Benten Bessie Coleman (appears 2 times) Bessie Stringfield Bettie Page Betty Davis Betty Friedan Beyonce (appears 3 times) Billie Holiday Billie Jean King (appears 3 times) Birute Mary Galdikis Black Mambas Blakissa Chaibou Bonnie Parker Boudicca (appears 3 times) Brenda Chapman Brenda Milner Bridget Riley Brie Larson Brigid of Kildare Brigit Britney Spears Bronte Sisters Buffalo Calf Road Woman (appears 2 times) Buffy Sainte-Marie Calafia Caraboo Carly Rae Jepsen Carmen Amaya Carmen Miranda Carol Burnett Caroline of Brunswick-Wolfenbuttel Carrie Bradshaw Carrie Fisher (appears 2 times) Caterina Sforza Catherine Radziwill Catherine the Great (appears 3 times) Cecilia Payne-Gaposchkin Celia Cruz Chalchiuhtlicue Chang-o Charlotte E Ray Charlotte of Belgium Charlotte of Prussia Cher Cheryl Bridges Chien-Shiung Wu Chimamanda Ngozi Adichie (appears 3 times) Chiyome Mochizuki Cholita Climbers Chrissy Teigen Christina   Christina of Sweden Christine de Pizan Christine Jorgensen (appears 2 times) Clara Rockmore Clara Schumann Clara Ward Claudia Ruggerini Clelia Duel Mosher Clemantine Wamariya Clementine Delait Cleopatra (appears 3 times) Coccinelle Coco Chanel (appears 2 times) Constance Markievicz Cora Coralina Coretta Scott King Corrie Ten Boom Courtney Love Coy Mathis Creiddylad Daenerys Targaryen Dahlia Adler Daisy Kadibill Dame Katerina Te Heikoko Mataira Delia Akeley Demeter Dhat al-Himma Dhonielle Clayton Diana Nyad Diana Ross Diana Vreeland (appears 2 times) Dixie Chicks Dolly Parton (appears 2 times) Dolores Huerta Dominique Dawes Dona Ana Lezama de Urinza and Dona Eustaquia de Sonza Dorothy Arzner Dorothy Dandridge Dorothy Thompson Dorothy Vaughan Dr. Eugenie Clark Dr. Jane Goodall (appears 3 times) Durga Edie Sedgwick Edith Garrud Edith Head Edith Wharton Edmonia Lewis Eleanor of Aquitaine Eleanor Roosevelt (appears 3 times) Elena Cornaro Piscopia Elena Piscopia Elinor Smith Elisabeth Bathory Elisabeth of Austria Elizabeth Bisland Elizabeth Blackwell Elizabeth Cady Stanton Elizabeth Hart Elizabeth I (appears 3 times) Elizabeth Murray Elizabeth Peyton Elizabeth Taylor Elizabeth Warren Elizabeth Zimmermann Elizsabeth Vigee-Lebrun Ella Baker Ella Fitzgerald Ella Hattan Elle Fanning Ellen Degeneres Elsa Schiaparelli Elvira de la Fuente Chaudoir Emily Warren Roebling Emma "Grandma" Gatewood Emma Goldman (appears 2 times) Emma Watson (appears 2 times) Emmeline Pankhurst (appears 3 times) Emmy Noether (appears 3 times) Empress Myeongseong Empress Theodora (appears 2 times) Empress Wu Zetian (appears 2 times) Empress Xi Ling Shi Enheduanna Eniac Programmers Eos Erin Bowman Estanatlehi Ethel Payne Eufrosina Cruz Eustaquia de Souza Eva Peron (appears 3 times) Fadumo Dayib Faith Bandler Fannie Farmer (appears 2 times) Fanny Blankers-Koen Fanny Bullock Workman Fanny Cochrane Smith Fanny Mendelssohn Fatima al-Fihri (appears 3 times) Fe Del Mundo Ferminia Sarras Fiona Banner Fiona Rae Florence Chadwick (appears 2 times) Florence Griffith-Joyner (appears 2 times) Florence Nightingale (appears 4 times) Frances E. W. Harper Frances Glessner Lee Frances Moore Lappe Franziska Freya Frida Kahlo (appears 7 times) Friederike Mandelbaum Funmilayo Ransome Kuti (appears 2 times) Gabriela Brimmer Gabriela Mistral Gae Aulenti Gaia George Sand Georgia "Tiny" Broadwick Georgia O'Keefe (appears 3 times) Gertrude Bell Gerty Cori Gilda Radner Girogina Reid Giusi Nicolini Gladys Bentley Gloria Steinem (appears 3 times) Gloria von Thurn Grace "Granuaile" O'Malley Grace Hopper Grace Jones Grace O'Malley (appears 3 times) Gracia Mendes Nasi Gracie Fields Grimke Sisters Guerrilla Girls Gurinder Chadha Gwen Ifill Gwendolyn Brooks (appears 2 times) Gypsy Rose Lee Hannah Arendt Harriet Beecher Stowe Harriet Tubman (appears 6 times) Hathor Hatshepsut (appears 7 times) Hazel Scott Hecate Hedy Lamarr (appears 5 times) Heidi Montag and Spencer Pratt Hel Helen Gibson Helen Gurley Brown (appears 2 times) Helen Keller (appears 2 times) Hildegard von Bingen Hillary Rodham Clinton (appears 2 times) Hina Hortense Mancini Hortensia Hsi Wang Mu Huma Abedin Hung Liu Hypatia (appears 4 times) Iara Ida B. Wells (appears 3 times) Ida Lewis Imogen Cunningham Irena Sendler (appears 3 times) Irena Sendlerowa Irene Joliot-Curie Isabel Allende Isabella of France Isabella Stewart Gardner Isadora Duncan (appears 2 times) Isis Iva Toguri D'Aquino Ixchel J.K. Rowling (appears 3 times) Jackie Mitchell Jacqueline and Eileen Nearne Jacquotte Delahaye Jane Austen (appears 2 times) Jane Dieulafoy Jane Mecom Jang-geum Janis Joplin Jayaben Desai Jean Batten Jean Macnamara Jeanne Baret (appears 3 times) Jeanne De Belleville Jennifer Aniston Jennifer Steinkamp Jenny Lewis Jesselyn Radack Jessica Spotswood Jessica Watson Jezebel Jill Tarter Jind Kaur Jingu Joan Bamford Fletcher Joan Beauchamp Procter Joan Jett (appears 2 times) Joan Mitchell Joan of Arc (appears 3 times) Jodie Foster Johanna July Johanna Nordblad Josefina "Joey" Guerrero Josephina van Gorkum Josephine Baker (appears 7 times) Jovita Idar (appears 2 times) Juana Azurduy Judit Polgar Judy Blume Julia Child (appears 2 times) Julia de Burgos Julie "La Maupin" d'Abigny (appears 3 times) Julie Dash Juliette Gordon Low Junko Tabei (appears 4 times) Justa Grata Honoria Ka'ahumanu Kali Kalpana Chawla Karen Carson Kasha Jacqueline Nabagesera Kat Von D Kate Bornstein Kate Sheppard Kate Warne Katherine Hepburn Katherine Johnson (appears 2 times) Kathrine Switzer Katia Krafft (appears 2 times) Katie Sandwina Kay Thompson Keiko Fukuda Keumalahayati Kharboucha Khawlah bint al-Azwar Khayzuran Khoudia Diop Khutulun (appears 5 times) Kim Kardashian King Christina of Sweden Kosem Sultan Kristen Stewart Kristin Wig Kuan Yin Kumander Liwayway Kurmanjan Dtaka Lady Godiva Lady Margaret Cavendish Laka Lakshmibai, Rani of Jhansi (appears 5 times) Lana Del Rey Las Mariposas Laskarina Bouboulina (appears 2 times) Laura Redden Searing Lauren Potter Laverne Cox (appears 2 times) Lee Miller Lella Lombardi Lena Dunham Leo Salonga Leymah Gbowee (appears 2 times) Libby Riddles Lieu Hanh Lil Kim Lili'uokalani Lilian Bland (appears 3 times) Lilith Lillian Boyer Lillian Leitzel Lillian Ngoyi Lillian Riggs Lindsay Lohan Liv Arensen and Ann Bancroft Lorde Lorena Ochoa Lorna Simpson Lorraine Hansberry Lotfia El Nadi Louisa Atkinson Louise Mack Lowri Morgan Lozen (appears 3 times) Lucille Ball Lucrezia Lucy Hicks Anderson Lucy Parsons Luisa Moreno Luo Dengping Lyda Conley Lynda Benglis Ma'at Mackenzi Lee Madam C.J. Walker (appears 3 times) Madame Saqui Madia Comaneci Madonna (appears 3 times) Madres de Plaza de Mayo Mae C. Jemison Mae Emmeline Wirth Mae Jemison (appears 3 times) Mae West Mahalia Jackson Mai Bhago Malala Yousafzai (appears 7 times) Malinche (appears 2 times) Mamie Phipps Clark Manal al-Sharif Marcelite Harris Margaret Margaret "Molly" Tobin Brown Margaret Bourke-White Margaret Cho Margaret Hamilton (appears 2 times) Margaret Hardenbroeck Philipse Margaret Sanger Margaret Thatcher (appears 2 times) Margery Kempe Margherita Hack Marguerite de la Rocque Maria Callas Maria Mitchell Maria Montessori (appears 2 times) Maria Reiche Maria Sibylla Merian Maria Tallchief Maria Vieira da Silva Mariah Carey Marian Anderson Marie Antoinette Marie Chauvet Marie Curie (appears 5 times) Marie Duval Marie Mancini Marie Marvingt Marie Tharp Marieke Nijkamp Marina Abramovic Mariya Oktyabrskaya (appears 2 times) Marjana Marlene Sanders Marta Marta Vieira da Silva Martha Gelhorn Martha Graham Mary Anning (appears 5 times) Mary Blair Mary Bowser (appears 3 times) Mary Edwards Walker (appears 2 times) Mary Eliza Mahoney Mary Fields (appears 2 times) Mary Heilmann Mary Jackson (appears 2 times) Mary Kate and Ashley Olsen Mary Kingsley Mary Kom Mary Lacy Mary Lillian Ellison Mary Pickford Mary Quant Mary Seacole (appears 3 times) Mary Shelley Mary Wollstonecraft (appears 2 times) Maryam Mirzakhani Mata Hari (appears 3 times) Matilda of Canossa Matilda of Tuscany Matilde Montoya Maud Stevens Wagner Maya Angelou (appears 4 times) Maya Gabeira Maya Lin (appears 2 times) Mazu Meg Medina Megan Shepherd Melba Liston Mercedes de Acosta Merritt Moore Meryl Streep Micaela Bastidas Michaela Deprince Michelle Fierro Michelle Obama (appears 3 times) Mildred Burke Miley Cyrus Millo Castro Zaldarriaga Mina Hubbard Minnie Spotted Wolf Mirabal Sisters (appear 2 times) Miriam Makeba (appears 3 times) Missy Elliot Misty Copeland Mochizuki Chiyome Moll Cutpurse Molly Kelly Molly Williams Moremi Ajasoro Murasaki Shikibu (appears 3 times) Nadia Murad Nadine Gordimer Nakano Takeko Nana Asma'u (appears 2 times) Nancy Rubins Nancy Wake (appears 2 times) Naomi Campbell Naziq al-Abid Neerja Bhanot Nefertiti Nell Gwyn Nellie Bly (appears 8 times) Nettie Stevens (appears 2 times) Nichelle Nichols Nicki Minaj Nicole Richie Nina Simone (appears 2 times) Njinga of Angola Njinga of Ndongo Noor Inayat Khan (appears 3 times) Nora Ephron (appears 3 times) Norma Shearer North West Nuwa Nwanyeruwa (appears 2 times) Nyai Loro Kidul Nzinga Nzinga Mbande Octavia E Butler Odetta Olga of Kiev (appears 2 times) Olivia Benson Olympe de Gouges Oprah Winfrey (appears 5 times) Osh-Tisch Oshun Oya Pancho Barnes Paris Hilton Parvati Patti Smith (appears 2 times) Pauline Bonaparte Pauline Leon Peggy Guggenheim (appears 2 times) Pele Petra "Pedro" Herrera Phillis Wheatley Phoolan Devi Phyllis Diller Phyllis Wheatley Pia Fries Pingyang Policarpa "La Pola" Salavarrieta Policarpa Salavarrieta (appears 2 times) Poly Styrene Poorna Malavath Pope Joan Portia De Rossi and Ellen Degeneres Princess Caraboo Princess Diana Princess Sophia Duleep Singh Psyche Pura Belpre Qiu Jin (appears 3 times) Queen Arawelo Queen Bessie Coleman Queen Lili'uokalani (appears 2 times) Queen Nanny of the Maroons (appears 4 times) Quintreman Sisters Rachel Carson (appears 4 times) Rachel Maddow Raden Ajeng Kartini Ran Rani Chennamma Rani Lakshmibai Rani of Jhansi Raven Wilkinson Rebecca Lee Crumpler Rhiannon Rigoberta Menchu Tum Rihanna Rita Levi Montalcini (appears 2 times) Robina Muqimyar Roni Horn Rosa Luxemburg Rosa Parks (appears 4 times) Rosalind Franklin Rosaly Lopes Rose Fortune Rowan Blanchard Roxolana Ruby Nell Bridges (appears 3 times) Rukmini Devi Arundale Rupaul Ruth Bader Ginsburg (appears 3 times) Ruth Harkness Ruth Westheimer Rywka Lipszyc Sadako Sasaki Sally Ride Samantha Christoforetti Sappho (appears 3 times) Sara Farizan Sara Seager Sarah Breedlove Sarah Charlesworth Sarah Winnemucca Saraswati Sarinya Srisakul Sarojini Naidu Sarvenaz Tash Sayyida al-Hurra (appears 2 times) Sekhmet Selda Bagcan Selena Seondeok of Silla (appears 2 times) Serafina Battaglia Serena Williams (appears 4 times) Shajar al-Durr Shamsia Hassani Sharon Ellis Sheryl Crow Sheryl Sandberg Shirely Chisolm (appears 2 times) Shirley Muldowney Shonda Rhimes (appears 2 times) Simone Biles (appears 2 times) Simone de Beauvoir Simone Veil Sister Corita Kent Sita Sky Brown Sofia Ionescu Sofia Perovskaya Sofka Dolgorouky Sojourner Truth (appears 5 times) Solange Sonia Sotomayor (appears 2 times) Sonita Alizadeh (appears 2 times) Sophia Dorothea Sophia Loren Sophie Blanchard Sophie Scholl (appears 3 times) Sor Juana Ines de la Cruz (appears 2 times) Sorghaghtani Beki Spider Woman Stacey Lee Stagecoach Mary Fields (appears 2 times) Steffi Graf Stephanie Kwolek Stephanie von Hohenlohe Stevie Nicks Subh Susa La Flesche Picotte Susan B. Anthony Susan La Flesche Picotte Sybil Ludington (appears 3 times) Sybilla Masters Sylvia Earle (appears 3 times) Tallulah Bankhead Tamara de Lempicka Tara Tarabai Shinde Tatterhood Taylor Swift Te Puea Herangi (appears 2 times) Temple Grandin (appears 3 times) Teresita Fernandez Mirabal Sisters Muses Night Witches Shaggs Stateless Thea Foss Therese Clerc Tin Hinan Tina Fey (appears 2 times) TLC Tomoe Gozen (appears 2 times) Tomyris (appears 2 times) Tonya Harding Tove Jansson (appears 2 times) Troop 6000 Trung Sisters Trung Trac and Trung Nhi (appear 2 times together) Tyche Tyler Moore Tyra Banks Ulayya bint al-Mahdi Umm Kulthum Ursula K. LeGuin Ursula Nordstrom Valentina Tereshkova (appears 5 times) Valerie Thomas Vanessa Beecroft Venus Williams (appears 2 times) Victoria Beckham Vija Celmins Viola Davis Viola Desmond Violeta Parra Virginia Apgar Virginia Hall Virginia Woolf (appears 3 times) Vita Sackville-West Vivian Maier Wallada bint al-Mustakfi (appears 2 times) Wang Zhenyi (appears 2 times) Wangari Maathai (appears 3 times) Washington State Suffragists Whina Cooper Willow Smith Wilma Mankiller Wilma Rudolph (appears 3 times) Winona Ryder Wislawa Szymborska Wu Mei Wu Zetian (appears 3 times) Xian Zhang Xochiquetzal Xtabay Yaa Asantewaa (appears 3 times) Yael Yani Tseng Yayoi Kusama Yemoja Yennenga Yeonmi Park Ynes Mexia Yoko Ono Yoshiko Kawashima Yuri Kochiyama Yusra Mardini Zabel Yesayan Zaha Hadid (appears 2 times) Zenobia Zoe Kravitz Zora Neale Hurston (appears 2 times)

‘VIEWS FROM THE EDGE’ - w/c 8th February 2021

Betty Davis 'Nasty Gal'

Betty Davis 'Talkin' Trash'

David Bowie 'Space Oddity'

The Beatles 'I Saw Her Standing There'

Healthy Junkies 'Cat Story'

Spat 'Robot' Mackenzie Sol 'Taken' The Corries  'The Massacre Of Glencoe'

X Factor Finalists 2009 'You Are Not Alone'   India.Arie 'Video' Betty Davis 'Dedicated To The Press'

Betty Davis 'You And I'

The Actions 'Leap'

The Actions 'Flourish'

Betty Davis 'Feelins'

Rike 'This Town'

Betty Davis 'F.U.N.K.'

Betty Davis 'Getting Kicked Off, Having Fun'

Jesse Rae & Strange Parcels 'Life's A Killer Dog'

The Fabulous Red Diesel 'Butterfly Mind'

​The Fabulous Red Diesel 'Doing Something'

Ravi Shankar 'An Introduction To Indian Music'

Betty Davis 'Shut Off The Light'

Betty Davis 'This Is It!'

Betty Davis 'The Lone Ranger'

Nina Simone 'Funkier Than A Mosquito's Tweeter!'

Ruth Copeland 'Here You Come Again'