#charlys cesspool of interests | Explore Tumblr Posts and Blogs

hisui555 · 2 months

Text

Hazbin Hotel thoughts : Foils 4

(Foils 1 here)

(Foils 2 here)

(Foils 3 here)

Masterpost here.

(Or the one where I'm starting to think I'm not really creative with title names.)

Anyway, I'm on a roll (seriously, what's happening. Motivation is perking up from its deep slumber. Didn't happened since last October. Is it a full blue moon tonight or...?) and I did say I was gonna talk about Lucifer and Sera, so here goes.

Lucifer VS Sera, and for good measure Charlie VS Emily. Both Lucifer and Sera come from Heaven (revelation of the century, wow, I know - oh lookit dat, my sarcasm is awake early today), happen to both be Seraphim (with Lucifer as one of the most powerful and Sera having been involved in the creation of Earth apparently, if Ep 1's intro is to be believed) and a parental figure to their younger charge : Lucifer is Charlie's literal dad and Sera is a mentor motherly figure to Emily. They also both want to protect the ones they love, but go about it in different ways : Lucifer made a deal that no hellborn demons are hurt during the yearly Exterminations, while Sera enforces Heaven's flawed system to keep the heaven-bound souls and Emily joyful and safe. However, hurt Charlie and Lucifer will come down on you like a meteor, despite having spent time estranged from his own daughter, while Sera keeps Emily out of the loop despite always being with her (they are no on-screen scenes of Emily alone up to now, even if at one point Sera did separate to talk to Adam, which means that Emily was showing Vaggie and Charlie around on her own, off-screen).

This is fairly interesting to see that while Lucifer - due to depression, growing cynism (10 000 years at least of waking up each morning and being met first thing looking out of the window by Hell's cesspool of sin and violence - the reminder of his broken dreams and awful unforeseen consequences of his well-meaning gift of free will) and plain just life going sideways with his wife missing for 7 years and his daughter going down the same road as him, also unintentionally hurting Charlie by not supporting her dreams (at first) - is not much involved in Charlie's life but still wanting to reconnect with her and is ecstatic when he has the chance to ("My daughter wants to see meeee !"), Sera is always present in Emily's life, working together with her ("It's my position as the Head Seraphim to protect our people at all costs ! And it's your position to keep them happy and joyful") in tandem : one takes care of the technical side, the other of the emotional side of things. Bread and circuses (funnily enough, Lucifer and the other Sins have a circus theme going on) - yet she's more distant and disconnected from Emily, keeping her (and the majority of Heaven) in the dark and using her position to uphold the status quo over what Emily wants or feels. Lucifer, while reluctant at first, actually agrees to help Charlie the way Charlie would like it to go, and is there to pick her up when things go south, fully supporting her once he comes around (More Than Anything and Finale).

Sera and Lucifer are also kind of two sides of the same coin : the latter is a known dreamer, extremely creative and open-minded, which blew up in his face when he changed things, unintentionally made shit hit the fan and got casted down to Hell for it. Sera on her side upholds the rules, doesn't dare to question the system, strives to not change a thing even if she seems to deeply regret how it's done, and lives in constant fear of her or her loved ones suffering Lucifer's fate. At the point of the first season, both are motivated by the same thing : fear, especially of losing or seeing their loved ones hurt, and especially this exact thing happening to their daughter figure - a very relatable thing. Yet Lucifer, after some prodding, chooses to fully stand by his daughter's side (and what's more, she (unknowingly) succeeds !) while Sera feels forced to squash Emily's hopes with the intention to spare her anguish and pain. At the end of Ep 6, both have disappointed their daughter figure at least once, but Lucifer did it in the past and strives to get better, while Sera is currently doing it and worsening things (in Ep 8, she's probably keeping Emily from intervening in any form about the Extermination). Lucifer, the fallen angel, dares to go where Sera, the high seraphim, would not, overcoming a fear Sera still can't shake off.

Quick aside, they make a nice foils triangle with Carmilla : Sera on one side as an angel not changing the status quo even if it's flawed and even if it brings her anguish and she has to put her daughter figure's feelings down for it, Carmilla on the other side as a demon who broke the rules by defeating the undefeatable to protect her daughters no matter what and helping out indirectly, and Lucifer in the middle as a fallen angel that has tried but given up, ending up doing a pendulum swing from one side to another, both with his own daughter in mind too - first not supporting her dream to avoid her getting crushed, then saying 'screw it let's do it' and standing by her side no matter what. Probably not intentional, but the fact that he starts with his more angelic form (ep 5) like Sera and ends up in his more demonic form (ep 8) like Carmilla when at peak protectiveness is smile-inducing to observe.

Charlie, Emily, Odette and Clara really should organize a tea party sometime.

Which brings us to Charlie VS Emily. Not gonna lie, they're a lot alike (the sun also rose today, also, breaking news : water is wet), idealistic, optimists, two piles of sugar sweetness in the shape of a young woman (chronological age notwithstanding) with a certain naïveté to them - basically, they're each other's counterpart in their respective realms of Heaven and Hell, as high-ranked figures in charge of seemingly less important stuff that actually have their weight : Charlie is the Princess of Hell and founder of the Hotel, wanting to repent Sinners, while Emily is a seraphim in charge of making citizens in Heaven happy. Both strive to bring joy and kindness to their own people and fully believe in their cause, so it's no wonder that they immediately click very well together. In Welcome To Heaven (both the song and episode), Emily is absolutely gleeful in meeting both Charlie and Vaggie, can't wait to show them around, and openly welcoming no strings attached (which contrasts Sera's tempering : "You're gifted to be here", and "of course it's just temporary, I'm sorry you can't stay" - she's quick to remind everyone that it's not where the two demons belong).

However Emily looks like a Charlie that's still sheltered. To be fair, while Charlie is, in some measure, still naive about her own world (though not naive enough to think every Sinner wants redemption), with not-really-thought-through plans (Puppy dog kisses and puffy-wuffy clouds, anyone ?), has grown up under the protection and love of her parents, and is ready to Fluttershit the shy (yes, you read that right) out of everyone who comes knocking, she's still out there working for it (even during Exterminations, as seen when she found Vaggie), knowing it'll be a hard road and that she's going to get rebuked a lot. She's also more or less on her own, at least since 7 years, estranged from her parents and managing the Hotel alone (later with the help of her girlfriend since 3 years). Emily on her side, from her own point of view, lives in a world where nothing is wrong (as far as she knows), has been kept away from what's really going on (though no fault of her own) and is always around her mentor, having the task of keeping people happy. The moment the truth is out, her world shatters ("What are you saying, let me get this straight - you go down there and kill those poor souls ?!") and the pedestal her mentor figure was on, in her eyes, completely falls apart. However, just like Charlie, she shows inner strength and maturity, immediately calling out and condemning said actions, showing that she's not a child to coddle - just like Charlie who is capable of showing a more competent and dangerous side. They also have both less human forms (Charlie's demon form, Emily's seraphim form) that partially pop up when they become emotional or agitated (the horns and eyes for Charlie, the halo and torso eyes for Emily).

Where Charlie rekindles her bond with her father, realizing how much alike they are and at one point having believed in the same dream before also rekindling said belief, Emily on her side ends her episode realizing how different she is from Sera, who fed her beliefs and morals she herself doesn't hold - and rightfully calls her out on the hypocrisy, because just like Charlie, who's out during Exterminations to help her own people, she's willing to risk herself (falling) for what she believes is right, fair and just. Is it any wonder why the joined duet of Charlie and Emily is such a cathartic banger ? Everyone together now !

If Hell is forever then Heaven must be a lie !

If angels can do whatever and remain in the sky !

The rules are shades of gray, when you don't do as you say,

When you make the wretched suffer just to kill them again !

As a side note, I also wanted to talk about the representation of Heaven itself : I was awaiting the classic "everyone looks like humans with wings, back to how they looked like on Earth for the Winners, with some form of uniformization", just like St-Peter basically. But the show did me one better : Heaven is just as diverse as Hell - there are animals, anthros, monster-like people, some have still object-heads and item-like bodies, just with a vaguely gold-and-white aesthetic and some angel wings. There are things that crawl, fly, twist, people with multiple eyes and limbs, fangs, gills, scales and fur, just like Hell. The only ones uniformized (and looking like flat-out classic demons) are the Exorcists - and those are the fanatics hellbent on carnage and suffering. When Sir Pentious ascends, he's still a snake, just with a more angelic-like design. Take Molly's wings out and put her in Hell, or stick them to Angel Dust and put him in Heaven, and you won't see the difference. Heaven dips just as much on the "monster, abomination, humanly incomprehensible" side as Hell, and just like Hell, not everyone is a jerk (even if not everyone is nice either. Right, Adam ?) : Emily is genuinely kind and open-minded, St-Peter is accomodating, and despite agreeing to actions that bring the misery to thousands of people, Sera is sincerely compassionate and regretful of her decisions (even if she believes them necessary - funny, since she was the one to call Charlie "misguided" earlier).

Again, it's a spectrum. There's no real box to fit people in, simply because here, Heaven and Hell are just like us humans : flawed. They have the big lines down, but the edges are blurry, and a lot of people fall through the cracks. They're like two districts of the same city, each on the opposite side of the road. Once more, people being people.

Again, Masterpost here.

#hazbin hotel #hazbin hotel thoughts #hazbin charlie #hazbin hotel charlie #hazbin lucifer #hazbin hotel lucifer #hazbin sera #hazbin hotel sera #hazbin emily #hazbin hotel emily

7 notes · View notes

bootlegmozart · 5 months

Text

sorry i've been gone for a bit! i'm alive and doing quite a bit better. Was discharged from the hospital. Personal shit below.

soooo i got hospitalized for trying to die on everyone. the psych ward was pretty nice even though it was boring as fuck. literally all there was to do was watch TV or draw, so yeah. I did learn that i hate commercials with a passion and the BK commercial was sung flat on PURPOSE because they're trying to be more #relatable. Makes me not wanna get BK. Forgot how fucking horrible cable TV was. Glad I don't have it. It's like 55% commercials 45% shows. A real cesspool of garbage if you ask me.

This ward would have you ask for anything though, but I figured out the purpose is to get you used to asking for help. Yeah, it takes away autonomy because you had to ask for towels and for them to unlock the shower, ask for snacks, ask for personal hygiene items, etc, but at the very least it helped me get used to asking for things instead of just silently suffering. The staff was really nice to me and I made a couple friends.

Charlie, I know you don't use tumblr, but you're a wonderful human being and I hope you stick to your discharge plan because you deserve to be happy. You were the brightest light I saw in the ward, and people love you because you're just so easy and fun to be around. Naynay I hope your mom doesn't make your schizophrenia worse. You were fun to talk to about anime and cats. I wish you the best, and hope you can live your bisexual life to the fullest. Beth, you have a beautiful family and I hope you're feeling well enough to get through school despite the language barrier. You're brilliant. You got this. Josh, I'm sorry I called you buddy and I hope you start trusting the staff enough to take your meds. Evelynn, I hope you also start taking your meds. You were very kind to me and deserve to not be plagued by shit. I hope you're able to start trusting people again soon. It's not easy, but you're a strong, confident woman who can do anything you set your mind to.

But enough mushy stuff.

I found out just how badly I was being treated by my family. I didn't quite realize it until my beloved Jaspie also had to deal with them. They treated him very poorly, but also were incredibly tone deaf about the entire situation. My parents, who are divorced, couldn't bury the hatchet to support me. They were competing with each other the entire time, and were very performative. I'm still coming to terms with the trauma inflicted and just how much it affects me today. I'm 27 and still dealing with it. I have trouble asking for help, feeling my emotions, and trusting others to have my best interests in mind. I. Am. Traumatized. I have trauma. It's ok. I'm allowed to have these issues. I have panic attacks. I didn't even realize that's what was going on until I was hospitalized and had the safety of the ward. I didn't have tools needed to deal with those, tools to identify my emotions, or tools to deal with my trauma. While I'm still a work in progress, I'm going to be ok I think. I got medication that works and tools to help my mental health.

It's ok to admit yourself to a psych ward. If you do, you'll be able to check the ward before you go and make sure it's a good, reputable place to go. Pass the burrito test n' stuff. Plus, the staff will give you a bit more freedom with stuff cuz, at least, you were cognizant enough to recognize that you needed help.

The staff set up appointments with my psychiatrist and therapist for me. All I have to do is get online and click on the email to go to my appointment. It was really helpful that I didn't have to worry about that.

Speaking of things I didn't have to worry about, Jaspie, if you're reading this far down, I can't thank you enough for everything you've done for me this past week. You helped me realize that it's not my fault that I'm like this. It was definitely my parents that fucked me up. You had to deal with them for a short while, but you immediately could tell that they weren't good for me. I was a child and got beaten for it. I was a child and got screamed at for it. I was a child and was abused and all this stuff finally came boiling over. I'm sorry that this was something that I had to go through. You were an unstoppable force of love throughout my week there. An indomitable, shining light that phased through space, time and reality just to support and love me unconditionally. I'll love you forever and always.

Chase, thank you for being here for me when I got out. We're going to make luhzaga tonight. You helped me get my computer back to a working order through a friend, and support me when my dad had me visit one day after I was discharged. Your hilarity, actions, and love for me mean more than I can express.

And lastly, Molly, my god dude. You were more supportive than my family too. Thank you for loving me. Thank you for caring about me. Thank you for calling me without being asked.

I digress, but TLDR;

GET THERAPY. GO TO THE FUCKING PSYCH WARD IF YOU WANT TO KILL YOURSELF.

Bitch.

#personal post #journal5

2 notes · View notes

jmreyes9 · 1 year

Photo

Images from the Internet

TIME: THE WORLD’S GREATEST PLACES

BORACAY, THE PHILIPPINES: PARADISE REBORN

By Jesse Reyes

The July 21/Aug. 1 issue of TIME magazine has listed the world’s greatest places, the different places compiled by the international network of correspondents and contributors of Time Magazine, “with an eye toward those offering new and exciting experiences. The result: 50 far-flung and familiar spots that are charting a path to economic recovery; investing in sustainability; and thriving, growing, and changing.” I wish to share these with you.

“As persistent as the challenges of life in 2022 is the hope that understanding and human connection can be found through travel. So, with much of the global population now vaccinated against COVID-19, world travelers are again hitting the road—and the skies. The hospitality industry is reopening and excited to safely welcome them and revitalize local communities.” from TIME magazine.

One of the 50 greatest places in the world listed by Time Magazine (and interesting to us Filipinos) is Boracay, located in Aklan province in the northwestern portion of Panay island in the Philippines.

“It had become known as ‘Paradise Lost’ or a ‘cesspool,’ as former Philippine President Rodrigo Duterte described it, after it was tainted by sewage. The once brilliant white sand and clear waters of Boracay island were choking on the trash and traffic that comes from 2 million annual visitors. It reached a nadir in 2018, when Duterte closed down all tourism on the island for six months—an emergency Band-Aid for decades of ecological abuse…

Then the pandemic struck, and the Philippines closed its borders, halting even domestic tourism in Boracay. It took a severe toll on the local economy, but the silver lining was that this 4 sq.-mi. speck in the Visayas island chain had proper time to truly recover. As of February 2022, international visitors can finally revel in this revamped, recuperated, natural playground after what was effectively a three-year convalescence. Locals report the return of flora and fauna, like sea turtles, and hospitality has come back just as spectacularly. The luxurious Crimson Resort and Spa, originally opened in March 2018, offers 192 rooms including suites and villas, plus cascading infinity pools, and a private beach.” Charlie Campbell.

Written on 2/19/23 in Chicago, IL. and posted in FB and in my blog on the same day. Other writings and poems of Jesse Reyes can be found in his blog: anadventurecalledlife.com

0 notes

charlyoddsox27 · 6 years

Text

its 6am, i havent slept, im bored, so im posting a list of the mercs in order of whom i like the most and reasons why, because thats something i should do i guess?

here goes

(spoilers for the comics down below but either way i think im the only person on earth who has never read them before now)

~~~

~~1. Medic~~

reasons for being my favourite:

• fucking. look. at. him. 👌

• 'mad german doctor' is one of my favourite tropes and he is a pretty bang-on satirical depiction of it

• cute-ass german accent

• he has pet pidgeons hE LOVES HIS PIDGEON PALS THEY KEEP HIM COMPANY

• healers are the most respectable class imo and since Medic pretty much started it he's automatically the best, thats how it works right?

• he sold some random persons soul to satan in exchange for a ***ballpoint pen*** and can i just say, fucking mood??? (he is literally the "i'd sell you to satan for one cornchip" meme)

• "yes, Archimedes...I couldn't agree more." *shudders* b oi .. .

• so many more reasons to love this gross old doctor so little room in Tumblrs posts.

~~2. Spy~~

reasons for being my second favourite:

• cranky, done with everyones shit, just wants to be left alone, fucking mood

• he's a spy i mean c'mon. look at the swanky-ass suit, look at the class radiating from this asshole.

• he may be a dick but he has a soft side he's just too jaded to show it most of the time (see: Scouts death in the comics?? real tears. honestly wish they'd panned that out more.)

• masks are hot tbFH--

• he enjoys a nice glass of whisky by the fireplace and so do i (fun fact: france is the biggest importer of scottish whisky in the world so its a nice touch)

• shapeshifting is fucking cool are you serious like he can just. do that. what a legend

• "i have a cyanide pill in one of my molars, if i break it then spit some in your mouth before i die, we can avoid being tortured." *'heavy' bursts in to save them* "PFFTHBTHF--"

• "SEDUCE ME."

• arrogant frenchman is one of my other favourite tropes and this is the most arrogant frenchman ive ever seen

• he's the only fully sane Merc, maybe apart from Engie.

• people love to hate him bc he's an asshole but...come on. after working with all those other weirdos for years, you'd be pretty jaded too.

• as a gross shipper, he's the easiest and the most fun (imo) to ship with Medic (rip me)

~~3. Pyro~~

reasons for being my third favourite:

• would have tied with Soldier if it werent for that one picture of them in the comics holding a puppy over their head with the most adoring expression on their mask??? good Pyro. goodest Pyro.

• doesn't do much in the comics but makes up for it in pure charm. look at that soulless face and tell me you dont love it.

• ambiguous gender ambiguous gender amBIGUOUS GENDER AMBIGUOUS GENDER. she/he/they? trans? nb? whatever you headcanon, it'll never be confirmed so its literally up to your own imagination. fucking ace, Valve 👌👌👌

• likes to burn things. god damnit. they like to burn things, guys. but they enjoy it so much, you just cant hate them, you can only feel a sympathetic joy that this precious lunatic is having fun in their own little world.

• canonically mentally ill (schizoprenia? it could be hallucinogenic drugs but i like to think its schizophrenia.)

• pretty sure they burned a pair of pedophiles in the comics. at least i think thats what those panels were insinuating. "lets open an orphanage and have an endless supply of kids to--" sounds pretty red-flaggy to me tbh. plus they were the villains so, eh?

• bludgeoned a bear to death until its skull was pulp because it insulted their special interest. you go, Pyro.

• for a few bits in the comics they have a really cute family dynamic going on with other Mercs, Soldier for example."Miss Pauling, Pyros on my side of the car." "Miss Pauling, Pyro cut off my hand." fuckin' cuties.

• when they start putting on like 50 shirts to keep warm in the Russian mountains. chubby.

• a gas mask that can function as both badass, and completely adorable.

• just. everything about them. how could you not love them. they're not in the wrong, you are. stay away from my misunderstood child and let them burn things god damnit.

~~4. Soldier~~

look I'm sorry, I love Soldier and he was gonna be tied with Pyro but that fucking puppy drawing sold me.

• absolute gold every second he speaks. he could sneeze and i'll laugh.

• such a dumbass you cant get annoyed at him for it. like. just agree with him and move on. no point reasoning with a boulder. "haha! silly Miss Pauling, thinking theres different types of blood." Medic: "haha yes! indeed, silly."

• HUTTAH *NECK SNAP*

• i'm not American and even i can see how blatantly his character mocks stereotypical Patriotic Americans™. but its so dumb and laughable, its adorable.

• EVERYTHING ABOUT HIS RELATIONSHIP WITH ZHANNA IS A BLESSING. EVERYTHING.

• the first "meet the Mercs" video i ever saw was "meet the Soldier" so he holds a special place in my heart

• (preaches about experiencing the horrors of war; has never actually been to war. shh dont tell anyone though--) *neck gets snapped*

~~5. Demoman~~

• I'm Scottish. even though his accent is absolute garbage (no offense to the VA), any representation is very nice.

• Black AND Scottish?? i mean has a character like that even existed before TF2??? amazing example of representation right there. there are barely even any black people in Scotland, how did this happen. I love it. more of this, please.

• he's a drunk guy who blows shit up for shits and giggles and god I wish I could too, sounds like a miracle stress-reliever.

• his sassy black scottish mother. combining the stereotypical black mother with the stereotypical scottish mother is literally the best thing that ever happened.

• the bit in the comic where Medic explains that Demo can't remember what happened to his eye bc he scooped out part of his brain, and the look on Demo's face. just. the look.

• again, he's scottish, he's stereotypical, and he's awesome.

~~6. Sniper~~

• underrated

• piss jars. piss jars everywhere.

• "no dad, im not a crazed murdering lunatic, I'm an assassin. ...well one's a job and the other's mental sickness!!"

• "meet the Sniper" has kickass music

• ruffled gross old man who isn't actually old, he's just seen some SHIT

• actually given development in the comics + some really good scenes with Spy.

• so suave...so...handsome. handsome ruffled bushman. me like.

• he dies first in the comics but gets brought back and gets a cool-ass scar. and then he's just walking around naked everywhere for the rest of the comic. Medic, where the fuck did you put his clothes.

• isn't actually Australian. thats like one of the biggest twists in the comic. "no wonder i was never inhumanly strong and my chest hair didn't grow into the shape of Australia!!" Classic.

• says "bugger" a lot and i love that word

• he needs a hug, let me hug him. and give him a bath.

~~7. Heavy~~

I'm gonna be crucified for putting the big lad so low but i promise i dont dislike any of the Mercs. he'd be higher up but...ive never really liked big huge tank-men tbh :/

• loveable as fuck

• will murder you if you bully his puny little Medic

• i looove Russian accents omfg

• he like big gun. i can respect that.

• when Medic was killed and he went APESHIT on Classic!Heavy and I lost my fuckin' mind over that shit

• he probably has a soft spot for small cute animals. i love imagining him being swarmed by Medics flock of doves and petting them like "good bird...so many good bird..."

• actually smarter than people give him credit for???

• i really really wish his character was a lil more fleshed out but. that's just me. i love him but he doesn't have the same appeal to me as Medic or Spy.

• his entire relationship with Medic...ugh. yes. best friends and/or boyfriends. all good to me 👌

• he named his gun Sasha and that's adorable

~~8. Engineer~~

• gOD, FUCK, I REALLY WISH HE DID MORE IN THE COMICS. i barely know anything about his character. i like him a lot but...god, he...he doesn't...do.....anything.......

• he built a cool robot arm for himself and AI turrets and teleporter machines and guns that fire magic healing powers and immortality machines, in the 1960s. what. some kind of wizard fuckery is this.

• smoothest voice in the west

• "y'all"

~~9. Scout~~

oh god i really am gonna be crucified. i dont hate him i just. like him the least.

• shitboy

• reminds me of a shitty ex but also kinda relateable in a way

• some genuinely funny bits in the shorts.

• gross horny hetero teen boy with a god complex and serious daddy issues. also, he can't read. the "sex bom" tattoo on his chest will be an eternal testament to that. nice job, Spy. you raised him good.

~~~

hoo boy there we go theres all the boys, all the beautiful boys (and Scout) in order of how much i love them. if i made any errors in my info about the canon, feel free to send me death threats 💙 (no seriously tell me though, being a newbie is embarrassing)

so uh. yeah. that took two hours to write. its now 8am. im still bored lol. bye i guess.

#long post #charlyspeaks #charlys cesspool of interests #team fortress 2 #team fortress #medic #pyro #heavy #engineer #scout #spy #demoman #sniper #soldier #zhenna #tf2 #drabble #my opinions #ooooo

29 notes · View notes

shy-marker-pliers · 3 years

Text

finally doing The Writing again, boys

dfkjgksjgf

tattoo/florist AU made by my pal @lamiasluck check her blog out if u haven't already :3

Warnings: dangerous amounts of wholesome

The day began like any other, with Host snorting and jolting awake, startled by his alarm. he stretched with a hum before tossing his covers off of himself and feeling around his nightstand for his glasses. once he had them on and could actually see, he trudged out of bed and over to his dresser to grab his clothes for the day. after a quick shower and hair brushing, host donned his floral collared shirt and cardigan. and then he began the walk to work.

the walk in question was just a quick trip down the stairs. his apartment was right above his plant shop, after all. before opening, he made sure all of the potted plants were adequately watered and misted, trimmed the tiny bonsai trees by the door, and snipped off any dead leaves. it was feeding day for the venus flytraps too, so he gave them their dried mealworms. then he walked over to the door, switched on the light-up 'open' sign, and waited.

host's little shop definitely wasn't the most popular in the city, but it made more than enough to keep him and his plants comfortable. what more could a man ask for, honestly? the day started out normally, with a few customers stopping by for bouquets to bring to early morning coffee shop dates. occasionally, a parent would come in with their child to look around for a while and maybe buy some seeds. third shift workers on their way home stopped buy for something here and there.

it was at noon, however, that the day began to get interesting. host became aware of the two large vans across the street when he heard the telltale 'thunk' of a ramp and the dragging of several heavy objects. with no one in the store, host figured he could watch for a bit.

he couldn't quite tell what the new business was yet, as most of the objects were on boxes. occasionally a couple of movers would carry an upholstered chair, stool, or a small table into the building. two men, not in moving company uniforms, darted around like hummingbirds making sure everything was going alright. host was too far away to make out too much, what with his eyesight and all, but he did see someone rolling in what looked to be an adjustable reclining chair. he tilted his head, ever more intrigued.

he sighed and turned back to the shop, deciding that he should get back to the front desk. he'd spy on the neighbors more later.

after helping a frazzled teenager try and find flowers for their mother's birthday and assisting a sweet and polite older lady in selecting some nice lilac bushes for her garden, it was almost closing time. so, host locked the register and began the rounds to check his inventory. florist shops are just cesspools of theft, after all. once he had everything accounted for, he went to turn off his sign.

as he emerged from the isles to do just that, the little bell over his door rang. glancing up, he saw two figures enter his shop. from what he could tell, they were the same men from across the street that he'd been watching so intently earlier that day.

the first, standing in front of the other wore a pastel yellow sweater and ripped jeans. he had what appeared to be a tattoo of a pixelized heart on his wrist. the wore a happy and curious expression on his face.

the second looked much more timid. he was shorter in stature and had a yellow scarf tied around his neck, along with a simple black hoodie with the sleeves rolled up. like host, he wore big round glasses. his hair was a mess, and host couldn't help but notice the tiny freckles on his cheeks and nose.

uh. what was he doing again..? right, right. they're customers, gotta greet the customers.

"Er- Hello. welcome to the hidden garden plant shop. is there anything in particular you're looking for today?"

yellow spoke up. "Hi! um, not really, no. we really just came over to say hi. we saw your shop from across the street, so we thought we'd pop in. it's good to meet neighbors. oh goodness, where are my manners- My name's oliver, and this-“ he tilted his head backwards in the direction of the other man, “-is my boyfriend, eric.”

not a peep from eric. just a small wave as he kept his eyes glued to the floor.

“we just moved here to start our own tattoo and piercing place. we were with a bigger brand before, but we wanted to make our own hours, be able to decorate and do business how we want, that kind of stuff.”

this...was not what the host imagined the owners of a tattoo parlor to look like. not that he was complaining. better these two than some big scary guys who would drive away his customers.

“well, i’m the host. it’s nice to meet you both. my story isn’t quite as interesting as yours, i’m afraid. i started this business about five years ago because of my love for plants, and that’s pretty much all there is to it.” he shrugged.

Eric tugged at oliver’s sleeve and gestured to the piece of paper advertising the store’s hours. he had apparently noticed that it was about five minutes past closing time.

“oh! sorry, i didn’t mean to keep you for so long. but we’re closed on sundays, so maybe we’ll see you then?” oliver said with an adorably crooked smile.

“Uh..y-yeah, alright. but first...” host spun on his heel and quickly grabbed two small succulent plants off of a shelf, holding them out. “here. consider it a housewarming present. they don’t need to be waters much and look great on little tables or desks.

oliver beamed as he took the two small pots and handed one to eric, who now had a tiny smile as well as he looked at the plant like he had just been handed a puppy.

“Wow- um, thanks..!” he said with a quick glance up.

a couple of polite goodbyes and the two were headed out. but just before the door closed, host heard eric speak.

“I’m gonna name mine charlie. how ‘bout you, ollie?”

host had decided. he liked these two.

(ok thx for reading i literally cranked this out in an hour so if it’s bad no it isn’t.)

#markiplier #markiplier egos #eric derekson #google yellow #google oliver #the host #hostiplier #long post #fic #my writing

16 notes · View notes

orionsangel86 · 4 years

Text

Hey Everyone,

As you have probably noticed, I have neglected this blog for a long time now. I haven’t been on any fandom related social media at all actually. But I figured since I am currently in a good mindset, I want to write a post just outlining some things which basically boils down to a goodbye letter to Supernatural fandom.

Long rambling post below the cut...

This year (and the last) has just taken it out of me in terms of general negativity online both in fandom and in the real world. At first I got tired of fandom (mostly because Twitter is a cesspool of policing and bullying) and then I got tired of everything else (the world sucks right now, and my mental health basically stopped me from being able to participate in any form of online activism – just because I’m not blogging about something, doesn’t mean I don’t support the cause ya know?). Earlier this year, right around the time of the UK lockdowns, I had surgery and a recovery period in which I spent a lot of time with family, and just reacquainted myself with the real world. I think perhaps the coronavirus pandemic made me realise that long before lockdown began I had already been isolating myself from my real life and diving further and further into an online black hole.

It was years in the making. Supernatural fandom preoccupied my thoughts for such a long period of time it got to the point where every moment of my non working time seemed to be spent either online scrolling my tumblr dash or twitter feed, or reading fanfic or doing something fandom related. I invested so much of myself into this show and fandom that I think I forgot who I was before I was a Supernatural fan completely.

After my wake up call in late 2019, which lead me to break free from an extremely nasty clique, I have tried to re-enter fandom on my own terms, as well as attempt to enjoy the source material and the fandom creations to ignite some new spark of love and interest in the show. Yet as much as I have tried, I have failed to do so.

I was thinking recently about someone I used to follow years ago before I ever created a blog. When I was still just lurking in the tumblr shadows and followed the likes of Mittens, Lizbob, and other meta writers of the period, there was a blogger whose name I can’t remember but she was the funniest blogger I had come across. But when the show killed off Charlie Bradbury, she quit. I had never even interacted with her, as I was barely getting my blog started at the time, but I’ll never forget a post she wrote about her feelings on the show. She had recently started watching something else (I think it was Sense8 but can’t recall entirely), and that this new show had given her everything she had never thought she could have from her fave before. She wrote about how her relationship with Supernatural had become abusive. That for years the writers of Supernatural continued to throw punches at fans like her – women, LGBTQ+ people, people of colour, and yet she continued to give it all her time and attention, brushing off the punches because she was so damn devoted to the characters. Then this new show had come along, and it was like she had seen the light. The killing of Charlie Bradbury was the last straw, and she dumped Supernatural’s ass and fled into the arms of her new love.

I hope she is doing fantastically today.

What she wrote has resonated with me for years. I was a fairly new Supernatural fan at the time, and therefore didn’t really understand what she meant. A TV show can’t be abusive. Can it?

Of course, we are speaking in metaphor here, and in no way are these metaphors meant to reduce or limit the truly serious situation of actual abusive relationships, but every now and then, when a new episode of Supernatural has left me feeling upset, disappointed, frustrated and grossly let down, in some cases affecting my mood for days at a time, and therefore my mental health. I have thought back to those words she wrote and quietly agreed with them in my head. Yes. This is a metaphorically abusive relationship.

When I discovered earlier this year that Castiel was most likely going to be killed off in some sort of bullshit self sacrifice before the end of the show, I was extremely distressed. When I found out that my favourite person of all time Misha Collins, supported this ending for Castiel, and may have even been the one who pushed for it, I was more than distressed, I felt betrayed by the person I cared about most. I’ll admit to you all now that in my weakest moments I have fantasized about standing in front of Misha and screaming at him exactly just what kind of affect his “ideal ending” for Castiel will have on his fanbase, on their mental health, and potentially their own safety. This fantasy has me guilt tripping him and doing everything in my power to make him feel utterly shit about the decision. I know what you are thinking – don’t blame Misha, the guy has his own problems and we all know he projects his own self esteem issues onto Cas – and yes, I know this, like I said its only a fantasy to get me through my darkest moments. I don’t hate Misha at all. But perhaps I do love him a little less nowadays than I did back at the height of my fandom life. That’s at least still a little bit more than my feelings for Jensen and Jared which now I can only describe as complete indifference.

I am admitting all of this now knowing full well it will ignite shock and anger among the more die hard fans of J2M, to explain why I need to just leave this fandom completely, or more accurately, why I have already left fandom.

Over the past 10 months of 2020, I have watched a lot of TV (there isn’t much else to do during a lockdown when you are on crutches with your foot in a cast!) and the one thought that occurred to me over and over again was “this show is so much better than Supernatural”.

I kept comparing everything I watched, from the quality of the scripts, the actors, the special effects, to the inclusiveness of the shows. Just so many beautiful and interesting stories that seem to understand their audience, and understand how to entertain and impress without resorting to cringe humour, outdated jokes, and prejudice, not to mention misogyny and queerbaiting – yup, I said it.

The thing is, I think these thoughts have been creeping over me slowly for longer than just this year, but I have been desperately batting them away the way Dean Winchester bats away his own gay thoughts. Unlike Dean though, eventually I couldn’t ignore them anymore. I cannot continue to carve out space in my own soul for this show, which incessantly beats me down regardless of my devotion. The creators, the network, the writers, and sometimes even the cast, have all shown that they don’t care about me as a fan. I’m not some gun toting dudebro living in middle America, so why should they give a damn about me? I’m clearly not their target audience, nor have I ever been.

I know many of you will vehemently deny my personal opinion of Supernatural now. That is absolutely fine. I am sorry to be admitting it, but I had to. I feel like once I finally write out these words, I have got it off my chest and can close and lock the door on Supernatural for good.

Without Supernatural, I am able to focus on my real life, I am able to find pleasure in other things, new things, interesting things, that bring me joy and joy alone – not disappointment and frustration. I found a new job this year, which has been a huge accomplishment as I was stagnating in my old one, and several new hobbies under my belt. I moved to a new flat, I have a lovely flatmate who has been a godsend throughout lockdown, and I have rekindled friendships that I was neglecting due to my Supernatural obsession.

All in all, I am finding post-Supernatural life far more rewarding and content than my life in fandom. It has taken me a while, but I am over the show. And whilst I will always hold a special place in my heart for Castiel, it will be as I know him in my own mind; as the wonderful, strong, powerful and determined angel with a soul, who loves so strongly, and who is worth so much more than his own creators give him credit for. He is up there with Aziraphale and Crowley, with The Doctor, and Buffy, as one of the greatest characters of all time.

So the Supernatural writers and creators can take whatever ending they have decided upon, and shove it up their asses. I am sorry to say that Sam and Dean Winchester are also lost to me. Any love I had for them was destroyed by their later season depictions. Castiel alone is the only character worthy of that space in my heart now. If in time he longs for a companion, I will find one for him, but it won’t be the Dean Winchester of the canon show. Canon Dean hasn’t been deserving of Cas for a long time now.

Perhaps I am still a little bitter about the ending. Perhaps the finale won’t be the disaster I expect it to be, perhaps Dabb will somehow turn it all around last minute following whatever travesty Bucklemming have given us in 15x19. Either way, I won’t be watching.

So this is me saying goodbye to this blog, at least until I have decided what else to do with it. It certainly won’t be a Supernatural fandom blog anymore. It wasn’t all wasted though. I did get a wonderful friendship group out of this fandom, and I have certainly expanded my knowledge of film and television analysis, as well as having enjoyed a great many memes.

I guess in the end, my internal war with my inner bitter Cas girl finished with her winning, and writing this post. Once it is posted however, I will put her to sleep with thoughts of a happy Castiel, who has swapped his wings for a beating human heart, and is living on a beach somewhere beautiful, refurbishing an old Victorian house, and greeting his kindly elderly neighbours. There’s a gay bar on the main strip, and the bartender is quite a dish. Green eyes and light brown hair with a killer smile. Castiel thinks he looks familiar, like a memory from a past life, but they’ve definitely never met, because this man is kind.

Now that she is asleep, there is nothing left for me here. Goodbye everyone. Whether you manage to enjoy the finale or not, I truly hope you too, find your peace.

#personal #a goodbye message to fandom

45 notes · View notes

tortoisesshells · 3 years

Note

wait ok just saw your post about rewatching Downton so I'm sending two more mashup prompts lol. Sybil x Tom, mutual pining + arranged marriage (just to flip canon on its head). AND Thomas x happiness (could include whoever he ends up with in the movie, which I didn't watch), detective AU + noir AU. (noir was not one of the prompts but it should have been!)

It is a truth universally accepted that a single man in possession of a good fortune must be in want of a wife –

Miss Austen was right about a lot of things, but a still truer statement could have started Pride and Prejudice: a single man without a fortune was even more in need of a wife. That’s why he’s here in Newport, isn’t it? Tom Branson, second son of an impoverished, eccentric Anglo-Irish baronet (and a good Catholic mother, thank you very much) was perfectly happy with piecing together his living as a writer and reporter in Dublin, reporting on Lady Gregory and the theater and, when he was lucky, the Irish Republican Brotherhood – until a series of unfortunate events (his father’s passing, his irritatingly Anglo brother taking the title, and kicking the wrong political hornet’s nest several times (and whacking it with a stick to boot)) got him packed off to America with Grandmother Boyle to find a rich American heiress – or just stay out of Sir John Branson’s thinning hair.

He’s pretty determined to do neither, but the United States provides distractions in spades: on the one hand, it’s a land of social unrest and economic upheaval; on the other hand, there’s Sybil Crawley – third daughter of a shipping-turned-railroad family (presumably– her poor cousin, Matthew, helpfully remarks – they own what the Vanderbilts and the Wideners and the Garretts don’t) who’s got ideas of her own – and whose parents would probably account it a blessing if the only unconventional thing she does is either take a degree at a women’s college or run off and work at a settlement house.

As luck would have it, Grandmother Boyle and Sybil’s grandmother, Mrs. Levinson, get along like the proverbial house fire. As luck would further have it, so do he and Sybil, swapping pamphlets and confidences in the interminable afternoons, between outings to Bailey’s Beach, endless rounds of croquet and tennis, and marveling at the fine-hulled Herreschoff yachts bobbing off Station Number 6 of the New York Yacht Club. But Sybil doesn’t want marriage, not right away – she wants her education, she wants to be of use, she doesn’t just want to help pass her Papa’s money from one generation to the next –

Not that her parents listen. After knowing Sybil for only a month, Tom is surprised to be approached by her mother, who wants her settled and is willing to overlook Tom’s empty pockets and Catholicism for his good pedigree; when he puts the question to Sybil, she defers – until the Crawleys lose everything nearly overnight, in the scandal of the decade. The money’s gone. Of course, she must marry; and, unlike others, Tom never cared about the inheritance in the first place. But the hasty marriage sets Sybil’s teeth on edge, and neither of them ever felt so alone as they did leaving the church as man and wife. Can they move past a marriage that both hoped for, but neither wanted in this particular way?

[Thomas AU under the cut]

Under such circumstances, I naturally gravitated to London, that great cesspool into which all the loungers and idlers of the Empire are irresistibly drained.

Corporal Thomas Barrow wakes up hungover in a handsome stranger’s bed on VE Day, + 1, and takes stock: his hand’s not getting any better, his hair’s not getting any less gray, and – given that he’s not truly interested in staying in the Army any longer than he has to, and given that he’s not too keen on going back up to Yorkshire to play footman to the irritatingly unsinkable Crawleys – he’s definitely in the market for a new life. Why not London? Sure, half of it’s a smoking ruin, and sure, a lot of people in London are like people everywhere else, but London’s going to have to rebuild somehow, and there’ll be money in that, maybe even a life, too, if he’s clever – and Thomas Barrow’s always been clever before he was anything else.

Eventually he gets mustered out. Eventually, he makes his way back to London, and finds a place to rest his head at night. It’s pretty easy to find a way around postwar rationing, when you’re used to finding a way to hide more than half your life; and pretty soon, Thomas feels almost comfortable with his black-market trade and his tidy little flat and the discrete pubs and clubs – it’s much more space, much more safety than he’s ever had before.

So he really should have seen it coming, when a metaphorical doodlebug lands smack in the middle of his new life: Dr. Sybil Branson, black-sheep daughter of his one-time employer, standing red-eyed and silent on the landing outside his little flat: Gwen Dawson, maid turned secretary, now Sybil & Tom’s partner & flatmate, has gone missing after receiving a troubling letter about her cousin, Ethel, who was supposed to have been killed during the Blitz. Sybil promises she’d never have troubled him with this, only – only it’s got something to do with the black market and war-time malfeasance, and she and Tom have gone as far as they can go under their own power. He was always the cleverest soul in Downton - she’ll pay him for his trouble, of course – can he help?

Well, why not? How different is tracking down a person from a sack of sugar?

Pretty goddamn different, that’s for sure. For one: it’s not the black market in goods but an entirely different kind of back alley dealings that Ethel, an unmarried secretary who’d been suspiciously sick before the fateful raid, was involved in. For two: she’d made a complaint of assault in 1940, but the records seem to have vanished. For three: Ethel’s friend and long-ago neighbor, the one-time Sergeant Charlie Metcalf, is only too happy to help – something Thomas doesn’t mind so much, as he’s a Leyendecker illustration come to life, not to mention the sharpest barman at his favorite pub, but he’s quickly beginning to feel like this is all more than he – or Sybil and Tom, or Gwen – ever bargained for. Can Thomas find Gwen? Who sent the letter in the first place? Was it Ethel’s work as a government secretary that put her in danger, or the as-yet unnamed man who assaulted her? When the dust of all this settles, will Charlie still look at Thomas like he’s something fine and wonderful?

#ask meme #polkaknox talks #fic #my fic #whaddya know it's newport AGAIN #god friend you are so right noir AU should have been on the list!

5 notes · View notes

anewbeginningagain · 3 years

Note

I have to agree with you on H/B. Depending on how strong CPom come out of the gates this fall, I worry that H/B could even lose ground to them nationally and risk not making it to the Olympics. I’d still bet on H/B, but if we see CPom close to them in scores early in the season, it’s not a good sign.

On the Tessa vs. Scott discourse re: their respective roles with current teams, Tessa is more mentoring the Fear sisters while Scott is a full time coach/choreographer to some IAM teams, so I agree that the roles are the same. What I meant was that IAM seems to be pretty savvy about the politics, and I wonder if Tessa’s role with F/G is under the radar by design or not.

Tessa’s role is clearly more limited than full on coaching, but what she describes is pretty significant. Skaters sometimes will drop names of respected skaters or choreographers they work with to help boost their own work with the goodwill towards their collaborators (I think teams hiring Chris Dean do this, Meryl and Charlie did this by using Derek Hough for their Sochi SD choreo), and despite Tessa mentioning being part of the F/G team and communicating with them regularly in her interviews, it’s been relatively under the radar from Tessa and F/G online compared to their prior coaching sessions. People name drop collaborators who are less involved than Tessa appears to be.

It’s possible they have other reasons for keeping Tessa’s involvement low key than the fact that Scott is at IAM. But I think having Scott as a coach is a big selling point for both H/D and obviously CPom, and that comes from the VM reputation. If F/G were to play up the role Tessa has on their team, it might have a similar effect and maybe cancel out the reputational push IAM teams competing directly with F/G (here: CPom) get from being with Scott. (And then the toxic cesspool that is the VM fandom would turn it into an online Tessa vs Scott thing too, but that’s secondary).

I don't think H/B will lose to C/P this season mostly because either way C/P won't be Olympic eligible so for the US to send their #4 team won't do much good to anyone. I do think however it will be close between the two teams on a national level like it was last season (2020, in 2021 C/P didn't attend), if C/P wouldn't have gotten their character step sequence invalidated both teams would have ended 1-2 points apart at best. However following the 2021/22 season with H/D and C/B likely gone and H/B being a question mark it will be interesting to see how things develop.

I agree with you that skaters either name-drop or hire notable names in order to increase their exposure, I think about 95% of the teams using Chris Dean do it for the optics, P/C did it in the Olympic season SD, and as you mentioned many have done it before. With Scott it is different because Scott is gadbois now, he works with the teams that seem to want to work with him (H/D, L/L, Candanes, S/D judging by their lifts) and now he is the full-time head coach of two prominent teams aiming for 2026 while still having a role for teams aiming for 2022. At the same time, I'm not sure Tessa's work is a part of gadbios but as you said it's less talked about (because while she is working with the Fear sisters I don't think we heard about her work with the respective partners). Still, it's no coincidence that she is working with gadbois related skaters considering the close connection she has to the place. I think for the most part disco Brits are not a high enough profile team so there's no real need to do what H/D need to do. But let's see how the political plots of this season turn out and judge by that, I think this season will be super telling in many ways.

2 notes · View notes

charliesradiodemon · 4 years

Text

Charlastor Week Day 6: Hurt/Comfort

(This is a bit different from my usual charlastor-centered works. I’ve recently been interested in Heaven and the angels and what they think about the yearly exterminations and I got an idea for this fic because of it!

I hope you enjoy!)

Hurt/Comfort

The spear raised slowly above the angel’s head. It looked a little worse for wear, but it hadn’t succumbed to it’s injuries just yet.

Despite their best efforts, Charlie and Alastor could only injure the heavenly being. It had bested them both and now they lay on the rooftop of the Happy Hotel, battered and bruised, defeated by a single angel.

It stumbled over to Charlie first, limping slightly. It didn’t seem too concerned with its injuries nor did it make any noise that hinted it felt any serious pain.

Once it made it to its destination, the bloodied being stood above Charlie, who could barely move an inch.

She couldn’t give up now. She had to move, she still needed to save the hotel and Alastor. Everyone was depending on her to keep them safe, and Charlie couldn’t bear the thought of losing her friends.

With a groan, she lifted herself up from her prone position slightly, coughing weakly. Despite the slow pace the angel limped at, It was far too late for her to get away. When she looked up, she found that the angel was already there and ready to strike her down. She needed to get up. Even if she didn’t make it out of this extermination, she could at least slow the angel down until the bell tolled.

But then she collapsed before she could push herself up all the way. The angel loomed, holding the spear at the ready while watching its prey helplessly exert itself on the ground.

It was truly a pitiful sight that was too much to bear, even for the angel. It was time to put the demon out of her misery and bring her salvation.

The spear fell quickly and Charlie couldn’t do a single thing to get out of the way. Tears pricked her eyes as she shut her eyes and waited for the blow to come.

‘Alastor I’m so sorry...’

But it never came.

A spray of blood mixed with a low grunt caught her attention. When her eyes shot open, a new surge of adrenaline rushed through her, giving her enough strength to twist her expression into anguish. With an audibly panicked gasp, Charlie found Alastor knelt before her with a long thin spear sticking straight out of his back.

He was still smiling at her even as the angel removed the weapon with a sickeningly slick sound. Once he looked up to her when he found her unharmed, his smile weakened. “Charlie, go.” He breathed as he fell forward.

Charlie shrieked. “A-Alastor!” Using the rest of her strength, she reached forward and caught the love of her life in her arms. Though she faltered, she quickly recovered when adjusting to his weight.

The angel couldn’t move seeing the demoness uncontrollably sob over the fallen mortal soul. Tears flowed freely as her desperate hands clung to him. “No! No no no no, Al, please!”

But no response came.

The angel stood above them, spear in hand but not at the ready. Instead the heavenly being stared down at them, confused and curious all at once. The damned mortal soul risked his life for another. His selfless reaction was a clear act of love for the bawling demoness that held him. What was most surprising was the fact that she’d seemingly forgotten about the angel that loomed over them, its job still unfinished. Even with the threat still present, she still paid the angel no mind. She could easily be struck down with the demon in her hands, but it didn’t seem to matter to her.

‘This is ridiculous...’ He thought with a shake of his head. He raised his spear, ready to finish the job. But once he took a good look at the female demon’s face, he froze once more.

“You’re not my brother! Not anymore!”

With a cough, the defeated angel before Michael laughed with a pained wheeze. “You sound like father,” he coughed once more and closed his eyes, accepting his fate. “I know I’m a fool Michael. And I know you’ll never understand why I did what I did, but it doesn’t matter anymore,” Lucifer opened his eyes and looked to the side, keeping his gaze fixed on something. Michael didn’t have to look to see what exactly he was staring at, he knew the first woman was watching from afar.

“Get on with it then, Michael. Just don’t hurt her please. This was my doing,” He smiled, even when he knew he was going to die. “Promise me you’ll let her live. It’s the last thing I’ll ever ask of you.” Michael watched his blood brother in horror, completely baffled how even when he laid battered and beaten, he could still smile at the reason he was in this mess. How could he worry about the first woman when he was about to die by his own brother’s hand?

Being a being of love and goodness, Michael instantly recognized the unconditional love his brother had for Lilith. It was the purest love one could feel, something he’d never seen in Hell. That is, until today. Somehow, in the cesspool that is Hell, he’d found it.

And he found it in a demon that looked so much like his brother.

‘No. It couldn’t-‘

The booming toll of a bell caught the angel’s attention. He needed to get back before the portal closed and stranded him in the pit of suffering.

With one last look at the pair, Michael flew away feeling too many things all at once. He had never enjoyed these cleanses, but he had never once felt remorse for participating in them either. He was an angel of mercy and he was so sure that he was granting these sinners mercy by putting them out of their misery. It was just his job as an archangel: to bring mercy to the wicked.

But never had he seen anything as beautiful or pure like love in Hell. Not like this.

‘Lucifer and the first woman... And now his own offspring with a sinner... and that sinner sacrificed himself for her...’ It was mind boggling. No, it was damn near maddening. This challenged everything he believed in.

He crossed the barrier and his wounds instantly healed, causing him to sigh in relief. His foes this year were far stronger than he anticipated.

“Michael? What’s wrong?” A familiar voice broke Michael out of his thoughts. It was his sister and underling Azrael, and she was covered in blood. It was a normal sight for the returning angels to be covered in blood, but it looked as if Azrael bathed in blood of the cleansed.

Michael removed his bloodied mask. “Oh nothing! Just... thinking.”

“Oh? What about?”

“About... Do you think these creatures are capable of love?”

His angelic companion burst into hysterics at the suggestion. “The damned souls? Love? Oh don’t be silly brother,” she sighed, attempting to calm herself a bit. “If they were then we wouldn’t be putting them out of their misery now would be? Father told us that, ‘ if they truly knew love, they wouldn’t suffer.’ We’re just helping them move on from their horrid lives.” She explained as she admired the bloodied tip of her angelic spear with a smirk. It was clear that their job was just a game to her. Michael would have scolded her for her being so callous, but he couldn't help his distracting thoughts from taking over. Then a thought hit him.

If that sinner hadn’t surprise him so suddenly, Michael would have fully impaled him. He wondered if he was still alive. Part of him hoped that he was strangely enough.

And the girl- the girl who looked too much like his fallen brother. She mourned for the sinner, she held him close and shed tears for him. She was too alike Lucifer to be a coincidence. Just like his brother, she cared too much about others to consider her own safety. Had he not hesitated, she would have perished alongside the mortal she seemed to care about. She was certainly Lucifer’s child: a dramatic, hopeless romantic.

For the first time in his existence, Michael quietly prayed for the sinner’s recovery.

Alastor was not yet dead, but he was losing blood so fast that it was almost inevitable.

The extermination may have been over, but all the hope that remained in Charlie’s heart flowed out of her like the blood of her lover. Alastor’s warm blood oozed out of his back in full force and stained her hand. Guilt, anguish and helplessness hit her harder than the angel ever had. Her tears flowed freely, dripping from her cheek and onto her love’s face. Yet, he wasn’t reacting to it in the slightest.

Again, she was a failure. She couldn’t protect Alastor and instead had to be protected and put him in immediate danger. Now he lay in her arms, beaten and broken. “I’m so sorry Al,” she sobbed, bringing his body as close as she possibly could. “I couldn’t protect you.”

An unbloodied hand suddenly rested on Charlie’s tear-streaked cheek and began wiping the tears away. “Shhh stop crying my love. Crying doesn’t suit you in the slightest.” It was Alastor’s voice, but his voice was warped, making his words came out like static, yet he still sounded so sure in his tone- as if he was sure he wasn’t going anywhere.

“A-Alastor?” She whispered with a sniff. Her eyes widened down at him, her expression unreadable aside from the shock.

He chuckled and nodded slightly. “Yes, I’m still here,” he said calm and cooly. “You can’t get rid of me that easily I’m afraid.” The static died down a bit, clearing his tone ever so slightly.

Charlie’s tears burst from the floodgates with renewed strength. Her heart pounded in her chest, feeling everything from euphoria to relief. “I-I-I th-thought you were dead! I d-d-d-didn’t think you were gonna make it!” Charlie hiccuped, wiping the flooding tears from her cheeks before they overwhelmed Alastor. She wanted to look at him with unobstructed sight, but the relieved tears continued to replace her anguished ones.

“I was very close to it, don’t mistake me. But-“ he gingerly lifted himself out of Charlie’s arms, but immediately collapsed again. Charlie promptly caught him, pressing a hand on his chest to make sure he stayed.

In the moment he got up, Charlie saw it. From the exposed flesh on his back, she saw the inky tentacles that remained gathered right over where his heart would be. It seemed the majority of the flowing blood had come from Alastor’s projections, rather than his own person. They’d taken the brunt of the blow, but Charlie hadn't seen exactly how far the spear went into him. Thankfully though it didn’t seem to be an emergency just yet.

“No, stay here a little longer and relax.” She said sternly before snaking her hand up to his cheek. “You scared the shit out of me. You idiot.” an airy laugh escaped her lips as she brought her forehead to rest on his.

Alastor chuckled in response, suddenly feeling stronger by the second. In this life Alastor hadn’t sustained many injuries, but he knew that this was not normal, not in the slightest. Something must be healing him, but he couldn’t figure out what or how.

But for now it didn’t matter. Everything that did was still here. “I know I’m a fool, darling. But please forgive me, this fool had too much to lose.”

#charlastorweek #charlastorweek2020 #charlastor #charlastor fic

146 notes · View notes

thespian-wallflower · 4 years

Text

Just One Drink (Hazbin Hotel Fanfic)

(Hi! It’s been literally forever since I’ve posted a fic to my Tumblr account, but I wrote this one just for fun about a week ago. Yay, distancing.

Angel Dust x Husk, one-shot, takes place the same night as the pilot. Angel and Husk share some bonding time at the bar, and they talk about serious subjects. Alastor makes an appearance. Abuse mention. Rated M mostly for language and sexual references, normal for Hazbin. Threw a couple of personal headcanons in here, but I tried my best to be accurate to the characters. Enjoy!)

“Oh, bartender!” a familiar voice sang in a thick New York accent. Don’t look at him.

“Huskie?” No acknowledgement, and he’ll go away. “HUSK!” Silence.

“Ay, I’m talkin’ to you, pussycat!” Husk whirled around, slamming his paws on the bar counter and baring his teeth aggressively at the spider demon who taunted him. “What?? What the fuck do you want?” Angel Dust blinked in surprise at the cat demon’s outburst, but his shocked expression was quickly replaced by a coy smile. “Um, a drink, obviously. This is a bar, remember.” It wasn’t a question. He hoisted himself up on the counter, sprawling out into a relaxed position before speaking up again. “You’re gonna need a test subject for your first drink, right?” Husk rolled his eyes. “Look, I just got here. And I’m really not in the mood for your shit. Now get your ass off the counter.” Angel shrugged, ignoring the request. “It’s been a few hours. You had dinner with us and everything. Can’t you settle in, for me?” Angel batted his eyelashes in a flirtatious manner, which made Husk snort in disgust. “Why should I? I’m already being forced to work here against my fuckin’ will.” He glared across the room at Alastor, who was wandering around, sizing the place up. The Radio Demon caught Husk’s eye and grinned wider before wiggling his fingers in a condescending wave. Husk replied by flipping the bird.

Angel sighed. “Look, let me finish one drink, and I’m outta your hair for the night. Demon’s honor.” He raised two sets of right hands. With a bitter laugh, Husk stated plainly, “Demons have no honor.” “Hey, I’m tryin’ to reform here. Give a guy the benefit of the doubt, babe.”

Husk glared at Angel Dust for a moment, arms folded, then asked, “What’ll it be?”

“Sex on the Beach, thank ya much. I’m feelin’ something fruity tonight.”

Husk gathered the ingredients and started to make the drink. “Yeah, well, that’s fitting, because you look fruity, too.”

Angel chuckled lightly. “Clever. But if that was meant to insult me, you’re gonna have to try harder. I’ve heard ‘em all, doll.” He folded his arms and smirked at the bartender. Nodding in acknowledgement, Husk replied, “Yeah, I know. You’re a sex worker. Biggest porn star in all of hell.”

Angel pushed up his chest fluff and grinned, his gold fang gleaming in the bar’s lighting. “Ah, a man of taste. Familiar with my work?”

“No comment.” Husk poured the drink into a glass, and garnished it with a maraschino cherry. “Order up.” He held the drink out to Angel, and grabbed a bottle of cheap booze for himself.

“Thanks!” Angel swung his legs around to Husk’s side of the counter and took the drink from his paw. “Hey, you can be honest with me. I don’t judge. I mean, my early work was a little rough, but if that’s how you li-”

“Enough sex jokes!” Husk snarled. “I made your drink! Now fuck off!”

Angel blew air out of the side of his mouth and rolled his eyes, not intimidated in the slightest. “Ya can’t get rid of me that easily. I said I’d leave after I finished my drink, remember? A deal’s a deal.” He took a sip and winked at Husk over the rim of the glass. Husk just shook his head in defeat. “I’m not in the mood to argue with you, so stay if you want to. I don’t really give two shits anymore.” He sighed and sipped more of his booze. “Why do you wanna talk to me, anyway?” “Aside from the fact that you’re hot as fuck, you fascinate me, Huskie.” Angel paused to sip his cocktail, then threw Husk a curveball. “You’ve been through a lot, haven’t you?”

Husk hopped up on the counter beside Angel, keeping a safe distance away. “Today? Yeah, I’ll say. I love being fucked with by that antlered asshole.”

“Nah, not with Alastor. I mean, like, entirely. When you get around like I do, ya get pretty good at reading other demons. You’re a drinker. And when you’re a drinker, there’s usually a reason behind it.”

Husk didn’t reply.

“Listen, I didn’t have the best life, and my afterlife ain’t so hot, either. I mean, look at me. I came from an abusive family, died, and I’m still gettin’ abused.” He paused again to take a sip of his drink. “It gets exhausting, never being good enough. Y’know?” Angel inched just the tiniest bit closer to Husk, who couldn’t tell whether or not it was intentional.

“Sure.” Husk scooted away and took another swig of his drink. God, when is this asshole going to leave me alone for the night?

Angel smoothed back his fluffy white hair. “Anyway, that’s partly why I’m here. I’ve been through a lotta shit, like you, and I feel like helpin’ Charlie is a step in the right direction. Just cuz my afterlife sucks doesn’t mean hers should, too. Guess I’m a people-pleaser.”

“With a job like yours, you have to be.”

“No shit.” He plucked a cherry from his glass and started munching on it. “I’m doing a crappy job of it, though. Got into a huge turf war today with my best friend. It was a blast. Literally! I blasted so many of those little egg fuckers!” He chuckled, then popped the cherry stem into his mouth, rolling it around with his tongue.

“Yeah, I saw it on the news. That whole thing was a fiasco. At least Pentious got fucked sideways today, thanks to Alastor.” He cringed as soon as the words came out of his mouth. “Never thought I’d thank him for anything.”

Angel halted his stem-tying to state loudly, “I wanna thank him for being a sexy motherfucker!” He raised his glass in a make-believe toast to the Radio Demon, who was currently nowhere to be found.

“Speak for yourself!”

“Mmmmhm!” Angel hummed in agreement, then stuck his tongue out, the expertly-tied cherry stem resting near the tip. “Ta-Da! A perfectly tied thhhtem! Imprethhhhed yet, Huthhhhker?” Spit flew with every “S” he attempted to enunciate. Husk wiped the spit from his face and growled at the spider demon. “I’ll be more impressed if you stop spitting all over me, slut!”

“Okay, buthhhhkill.” Angel carefully removed the stem from his tongue, chuckling at the fact that he’d gotten one final word in. “Just think! With a tongue like this, imagine what I can do to your dick, old timer!” He held the stem out to Husk, as if presenting a valuable gift. “For you!”

Husk smacked it out of his hands. “Get that shit away from me! And wipe your mouth, you’ve got drool all over your lips.”

“You’re zero fun!” Angel grabbed a cocktail napkin and wiped his mouth, then took another sip of his drink.

The pair shared another silent moment before Angel asked, “So what do you think of this place? And rehabilitation and all?”

Husk shrugged. “Too early to say.”

“Eh, fair enough. Who knows, though? This hotel just may be our ticket outta this shithole!” Angel flopped on his back and tipped his head backwards over the side of the counter, giving him an upside-down view of the lobby. He was closer to Husk than ever, but the cat demon didn’t bother to scoot away from him this time. “And wouldn’t that be somethin’?”

“Don’t push your luck.” Husk placed his empty bottle on the counter.

“Hey, you’re a gamblin’ man! You know all about luck-pushing!” Angel looked up at him and smiled. “Don’t ya?”

“I have my moments.” The hint of tenderness between the two demons came to an abrupt end when Husk snapped, “Finish your fucking drink so I can close this place up.”

“With pleasure!” Angel responded, sitting in an upright position, picking up his glass, and downing the rest of the cocktail in one swift gulp. “Ahhh. Not bad. Ever bartend before?”

“None of your concern!”

“Yeesh, so aggressive. And mysterious. Sexy, if you ask me,” Angel purred seductively, walking two fingers toward the cat demon’s crotch. Without a moment’s hesitation, Husk grabbed Angel’s hand and twisted his arm around, causing him to nearly fall off the counter.

“OW! OW! OW! Alright, alright!” Husk let go, and Angel’s arm throbbed painfully. “Damn, who pissed in your cereal?” he asked with a smirk. Aggressive or not, he was still intrigued by the new bartender.

“You, currently. Now get lost, will ya?”

“Fine!” Angel pouted for a moment, then hopped off the counter and glanced over his shoulder cheekily. “So, same time tomorrow?” He blew Husk a kiss, reminiscent of the one he had blown him earlier after Pentious’s defeat.

Husk growled playfully, hopped off the counter, grabbed his empty bottle, and chased after Angel with his arm raised, threatening to throw it at him.

Angel yelped and ran back to his room, laughing. “G’night, hot stuff!”

“Yeah, get fucked!” Husk yelled after him, then chuckled lightly to himself. He had to admit, if Angel hadn’t stopped by for a drink, the night wouldn’t have been nearly as interesting. He turned to walk back to the bar, only to see Alastor standing there, grinning at him. Husk’s faint smile quickly turned into a scowl. “And what the hell do you want?”

Alastor’s voice crackled to life in its usual static, showy and flamboyant. “My little Husker is already making friends, on his first evening on the job!” Al mocked, faux tears pooling in his eyes, his trademark smile staying put. “Ohh, they grow up so fast!” He whipped out a red pinstriped handkerchief and blew his nose with a trumpet-esque blare.

Husk wrinkled his nose in disgust. “For your information, I’m not making friends. And even if I were, why the fuck do you care?” “Forgive me for expressing interest in the well-being of one of my favorite demons in this godforsaken cesspool,” Alastor replied snarkily, tucking away the handkerchief and wrapping up the act.

Husk scoffed, not buying it in the slightest, and went back behind the bar to work. He bent to pick up Angel’s abandoned cherry stem, staring at it for a moment before making the decision to throw it in the trash.

The Radio Demon manifested his cane and casually leaned against it for support, looking Husk up and down as the cat demon made the bar area look more presentable. “So, my friend, you seem to be adjusting well, despite your initial refusal to help.” Husk mopped the counter off with a rag, not making eye contact. “Not that it’s your business.” Alastor’s ever-present smile widened and he replied with, “I suppose not. But as an official employee, your business is now the business of the business! Ahahaha!”

“Ah, shove it up your ass.”

Al chuckled, unfazed. “I’d rather not! Ah, I missed that charming, friendly voice. It’s wonderful that you decided to join the Princess’s little passion project. The more the merrier, I always say.” He reached a hand over the counter and teasingly pinched one of Husk’s fuzzy, white cheeks. Husk swatted Al’s hand away and raised one of his long eyebrows. “That reminds me… why the hell are YOU here? You never-”

A long finger was delicately placed against the cat’s lips, interrupting him mid-sentence. “Ah-ah-ah, Husker,” Al replied, his voice dropping to a charming-yet-threatening lower pitch. “You know better than to question my motives.” He turned to walk away, hands behind his back, his cheerful tone returning. “Besides, you know that I would never turn down an opportunity to be entertained.” Husk flicked his tail in annoyance. “I have better things to do than run a bar for a bunch of namby-pamby demons who would rather be up in heaven, sucking up.” Alastor was silent for a moment, then he glanced over his shoulder and asked in an eerie voice, “Do you, though?”

Husk found himself pondering this unexpected question as Alastor said brightly, “Well, sleep well, treasured bartender!” and snapped himself away for the night.

Suddenly finding himself alone at the hotel bar, Husk decided it was bedtime for him, too. Working at the Happy Hotel would be a change, for better or worse. And one thing was certain: Angel Dust was here to stay. (Thanks for reading! ^_^ Okay to reblog or comment)

#hazbin hotel #angel dust #husk #alastor #huskerdust #drunk dust #angel x husk #fanfic #fanfiction #hazbin hotel fanfic

96 notes · View notes

leverage-commentary · 4 years

Text

Leverage Season 2, Episode 3, The Order 23 Job, Audio Commentary Transcript

Dean: Hi, I'm Dean Devlin, Executive Producer.

John: John Rodgers, Executive Producer.

Chris: Chris Downey, Executive Producer and Writer, and this is: The Order 23 Job.

John: Writer of this episode.

Chris: Yes.

John: That's right, this is number two written, number two aired.

Chris: Yes. Now- yeah this is- we meet our bad guy here, in this scene. His name is Eddie Maranjian, he's played by an actor Melik Malkasian, and Dean, you discovered him.

Dean: Well when we got to Portland, we wanted to see some of the local talent, so we went to an improv group and he was really one of the outstanding performers in the improv group. So when you wrote the part, I saw that it was Armenian; I remembered that I'd seen an Armenian actor and he came in and he just knocked it out of the park.

John: Now this is about affinity crimes this episode. And this- and by the way, this happens- takes place in the fictional town of Bellbridge, Massachusetts, which we chose for episode two. Bellbridge, Mass has become our fictional city in Leverage where just bad things happen. In the season finale it’s actually-

Chris: It's a cesspool of evil.

John: It's a cesspool of evil and corruption and remember we like- we're gonna do an episode where an entire town is corrupt. Well, we've already slandered Bellbridge; might as well get our money's worth. Tell me why you chose an Armenian villain here other than your hatred of all things Armenian.

Chris: Well, you know, we were very influenced by the Bernie Madoff scandal, and one of the things that came out of that was people asking the question: how were these people duped into investing all their money and losing it in a Ponzi scheme? And the original Ponzi scheme was named after Charles Ponzi who was an Italian immigrant in 1920 who preyed on fellow Italian immigrants in a scheme- in a Ponzi scheme; subsequent investors of the scheme pay off the previous investors. And so we wanted to kind of explore - how could people be duped like that? And we kind of decided, well let's do an Armenian bad guy, kind of arbitrary, just to sort of, take a little bit of that-

John: Well it’s the same close knit community, a lot of financial- many people don't know, but a lot of America- a lot of big developments in the Midwest are actually developed by Armenians.

Chris: Yes. Yes.

Dean: Well this episode was directed by Rod Hardy, who in season one directed the terrific episode The 12 Step Job, and he, again, knocked it out. He's an Australian director, friend of our DP Dave Connell who introduced us to him, and he's really become a great friend of the show and part of the extended Leverage family.

John: Now this show, interestingly, really shows off the glory that is Portland. Because we had a court house episode last year, the Juror Number 6 Job, where we built the courtroom on our soundstage in an old aluminium milling plant in the valley in LA. Where they’re probably shooting porn now.

[Laughter]

John: Meanwhile, the lovely city of Portland gave us access to all these government buildings, so we can do long walk and talks down massive government corridors.

Dean: And real courtrooms.

Chris: Many cities have the old federal courthouse- there are great stately federal courthouses built in the early 20th century, the 1920s, and then the new federal courthouse. And the old federal courthouses just kind of sit there, and we saw this when we did a location scout before the season started, and it was in the back of my head when conceiving this episode.

John: This episode was also born of one of the first ideas we put up on the wall of cards. If you listen to first season commentary, you know Chris and I - before we hired the writers - started throwing around- just throwing up cards on a wall of just stuff we always wanted to do on heist shows. And one of the things we were talking about was a great old Mission Impossible episode where they convince a guy that the end of the world has come.

Chris: Yes.

John: They do so through a periscope and some cunningly developed models.

[Laughter]

John: We realized that, probably, modern audiences were too sophisticated for the telescope, but we took the idea of convincing a guy that the apocalypse had come and kinda ran with it a very cool post-modern way.

Chris: I mean, if you look at, sort of, the headlines that were running at the time this was conceived, it was Bernie Madoff and swine flu. And that basically, this episode is the marriage of those two things.

John: So as you can tell, it takes really no training to be a television writer. Just pick two random things from the newspaper and combine them and then you have an episode.

[Laughter]

John: They're talking about the cupcake, nice, soft federal prison he's going to. Interestingly, right after this, they stopped sending these guys to the prisons. Just because I think the idea that these guys had brought the entire world to the brink of financial ruin meant that they can no longer skate away- Bernie Madoff actually got into his first prison fight a little ago.

Chris: Oh, really?

Dean: In an argument over Wall Street.

John: Yeah, as happens. And how did we pick the Order 23? Where'd Order 23, the title, come from?

Chris: I don't know. I think it was, you know, just kind of a spooky number, I think it was, and we knew this- the con for this one was supposed to be built around sound.

Dean: And as I was saying earlier, about this episode being directed by Rod Hardy, we are now being joined by-

John: Rod Hardy

Chris: Rod Hardy! Yay!

Rod: My apologies, Hollywood traffic is always tricky.

[Laughter]

John: And he's driving on the wrong side of the road; it's just bad.

Rod: You people drive on the wrong side of the road.

John: I know, you wanna- I'm having my traditional Guinness. Do you want one?

Rod: I'd love one.

John: We will see what we can do. So the gentleman- we've just met our feds and our gentleman- the gentleman playing the two security guards - who are they?

Chris: Yeah, it's Victor Morris playing Deputy Marshal Robert Corville, and Joshua Sawtell is playing Charlie Merrill. Little fact about this show - this show is cast entirely in the city of Portland; these are all Portland actors.

John: Yeah, that's right; we didn't fly anyone up from LA for this one.

Rod: The cast really stood up to the line of anything. I mean Melik in particular- we were very, in one way, keen to find someone locally for a whole bunch of reasons, but he showed a true, sort of, level of performance that I thought worked really well in this episode.

Dean: Absolutely.

John: There's two things in this sequence that are interesting from a writing standpoint - other than the fun of seeing Beth Riesgraf in a ventilation shaft. One: poison in the water is, of course, an homage to You Only Live Twice, the Bond film, and the wire, by the way, is digital.

Chris: Yeah. Well this part is real, but that part is digital.

John: This is digital and the whole drop down. But two: where did the villain speech come from? Who was explaining that?

Chris: Oh, this is kind of the psychology of hedge funds, and it was- I believe it was from a column my dad sent me from the Wall Street Journal. You know how your dad sends you articles and things? And, you know-

John: ‘This would be a good movie.’ Yeah, I get that all the time.

Chris: ‘This would be good.’ I was going through it, and this is be all about why people invest in hedge funds; about the fear that other people make more than them. And fear was kinda the theme of this episode, so it kind of, sort of set it up here.

Rod: And I'm sure you mentioned before, but to me the wonderful thing about this story that brought it into today was that it was the Bernie Madoff story. In a way you want him to be Bernie Madoff.

John: Well the first season was really the Madoff variation.

[All Laugh]

John: First half of the season- because, you know, the show got picked up and were like, ‘Oh, second season - what are we gonna do? We hadn't really thought about it.’ And then the world economic system collapsed and, you know, ready made villains began to fall out of the newspapers.

Rod: Yes. The thing about Malik’s performance that I always found appealing was, when you first did the audition, was the fear in his eyes. You know, underneath all the sort of men with great bravado, there's a wonderful sense of fear. Which I think our bad guys always come to the floor with, which is terrific. Here it is; look at those eyes.

Chris: I love this shot here, too. I love- I just love the way you composed this.

John: Did you digitally fog that or-?

Rod: No, just put it out of focus. It’s easier; the DP is very good at that sort of stuff.

[All Laugh]

John: Oh, he's gonna be filled with rage. And then we take him- now this is interesting - this is one of the few locations. It really only happens in 2 locations: the courthouse and the hospital. And then we go back to the hospital.

Chris: The whole episode takes place- that was another thing I wanted to do, was do an episode that takes place entirely - not just in one day - but really in about 6 hours.

John: Now it was interesting - this was really the first episode where we started to hammer in on the second season theme, which we realize was the more you are constrained in time and space- because our team at this point is very, very good. People watched the first season; they know how incredibly talented they are. How do you challenge a super team? You have to keep throwing obstacles in their way. And rather than just complications, you kept making the situation more and more constrained. And this is also a great one. Tim really dug in on the whole ‘Oh, so I like hurting people this year.’ He really dug in on it.

Rod: I gotta tell you, I look at the show now, and I look at the difference between the LA versions and the Portland version - and I love the Portland version. It just feels different, and has a different sense to it, which is great.

John: It feels bigger.

Dean: And we have such access to such a varying architecture, varying designs. And we can shoot in places we would never be allowed to shoot in Los Angeles, and I think it adds to it.

John: Because of little things like safety regulations and employment laws. Meanwhile in Portland, we’re basically running a giant child labor camp and, yeah, starring the entire city of Portland.

Dean: I love your use of the bullet time here, and going down the hall, and through-

Rod: Well, so, it was your invention. And I just think it’s, unfortunately I do - when I go to work on other productions - never do I enjoy working on other productions better than this one, but I do try to steal that idea occasionally, because it is so clever and so wonderful.

[Laughter]

John: It just keeps the pace up and moving, because to a great- one of the things you do find in a show - it's a lot of people sitting around looking at computers. And in order to stop it- Now where- how did we wind up using sound so much in this? It was the-

Chris: Well the idea of this was, again, we mention it - great Mission Impossible where they convince somebody they were in a submarine or a bomb shelter. And the great thing about that is using sound. This was a con that was built around sound; about the noise in the hallway that was gonna slowly drive this guy insane, and-

Dean: You know, what's interesting about that, is when I saw the rough cut and we only had the temp sounds on it, I liked the episode, but it wasn't, for me, like, a super great episode. Once the sounds came in, it was suddenly, ‘Oh wow, this thing just took a big leap,’ because- well Rod, you had so well directed the actors to the sounds, that without the sounds there, it was like we were missing a character. And when the sounds came in, it was like the other character was in the room.

Rod: I say these days, sound to me brings in at least 70% of a movie. It's quite extraordinary. Where 20 years ago it was less than 50, now it's up above cause it creates the whole sense of where you are.

John: By the way, the speech that nurses don't wear the tight little white uniforms anymore, is actually a speech Beth gave up that we just wound up putting in the show.

[All Laugh]

Dean: Yeah.

John: Nice try guys. And this is one of the perfect examples of the bickering brother relationship. This really is the proto episode for that.

Rod: It’s that Lethal Weapon stuff which is great.

Chris: In my mind, they share an apartment with bunk beds and NFL [unintelligible.]

[All Laugh]

Chris: That's how I write it.

John: In your head, that's how they- they've been adopted by Mr. Drummond. Are they like the Different Strokes kids? Is that your theory?

Dean: I love this bit.

John: I also love the weirdly, and if we can talk about the actors for a moment, I love the weirdly disaffected face Beth always puts on when she's about to do physical harm to someone. Yeah, it really- if you ever notice in the ventilation shaft, she has poisoned someone and she is giggling; she is giggly. And in here, she's just kind of got these dead eyes when she's, ‘Oh, time to go give a man a skin rash to convince him he's dying.’ It’s another Thursday afternoon for Parker.

Dean: And these guys you got to play the cops are terrific.

Rod: They worked out really well, didn't they? I did notice the priest in the background there. I really wanted to work on- the first episode, I wanted to have a priest or a nun in everything, and unfortunately, I couldn't find the right place, but in the hospital it was great.

Chris: There’s another great bullet time.

Dean: Yeah, that was a really great one.

John: This also was another thing we did a lot first season, where we really became part of the pattern this year, which is to split them up in twos and threes. Is to- you know, last year, if you look, a lot of times they kind of fold over and cross in each other’s stories a lot. Well this year, in order to give each character a little room to breathe, we really started building- not really B stories, but physically- simultaneously, but physically separated.

Dean: But this part right here is a very interesting deviation from what we normally do, and it worked really well, which- normally the heart and soul of our show is the victim and their story, but here it switches to a new victim that we’re introducing here. It was quite the surprise, I thought, and became a very emotional part of the story.

John: Well that's cause the victim was in Act 0 in this episode. I mean, you start in the courtroom, which is very difficult to get the emotional hit of a lot of our other episodes.

Chris: Well, one of the things I think that- it kinda-

John: Wait a minute, Rod’s afraid to pop a beer.

Rod: It's never a good time for this. Is it now? [Opens beer.]

John: It is- it is traditional on all of our commentaries to usually hear me opening that, so it's good to hear you taking that over for me.

Chris: I was gonna say that one of the things we have typically in the con, is that one of the members of the team gets, sort of, over invested in the con. That's- we've done that as a sort of a source of comedy, but in this case it's kinda like Eliot sorta becomes- he becomes a cop in a sense. You know?

John: Yeah.

Chris: So I mean, like, it's when they wear the costume - sometimes one of them actually, sort of, becomes that costume.

John: And it's also interesting to see how fans react to any sort of storyline like this, where they just assume you're trying to reveal something about the character’s past or some sort of subtle hints that we’re laying in. It’s like no, Eliot doesn't like guys who beat up kids. It's not- I mean there's plainly other stuff going on that Christian chose in order to base his acting around...

Dean: This was the episode, though, where we all suddenly watched the dailies and said, ‘Christian’s really taking it up a whole other level this year’. And then he did. Because it was this episode, and then Tap Out, he took the character that he had built in season 1 that we had liked and were familiar with, and he added these real interesting layers to it that just, I thought, really elevated it.

John: Ah, the [in a Boston accent] Revere Claw there you go. That is Gina doing the great Route 1. I’ll tell you exactly from where Route 1 she’s up on - she's just past Mike Clarke’s Comedy Club up on Route 1, with the dealerships. That hair right there, is the [in a Boston accent] Revere Claw named after Revere, Massachusetts, to establish a certain socioeconomic and strata one might say, except it's actually in Revere. At least when I was growing up, it’s teased out so finely it’s only 5 or 6 hairs; it's really insane - it's like a fish’s krill mask.

Rod: I would love to see- I'd like to see a reel at some stage of all these characters cut together from each of the characters. Put on one of these DVDs, cause it would be such fun to see the journey you take them on; it’s fabulous.

John: Well the fans do that. That's part of the fun of watching the YouTube fan videos.

Rod: Well done fans.

John: It’s watching like, ‘Oh, I'd forgotten how cool that moment was.’ Yeah, because we're gonna make any of these by hopefully the end of the run. Even at this point, we’re 20 hours in and it’s- there’s gonna be moments you forget.

Rod: You know, the tricky thing about this episode also was, and I know it happens a lot in the series, but for me, you'd shoot a scene like such we’re watching now, but at the same time you have to get that security, sort of, version of it. so it was always- Dean’s always makes what he shows - it was always that much more difficult; there's so much to be done, which is just interesting.

Chris: There’s a lot of layers. Well an interesting thing that made me think, looking at Melik here was, and I - and this I gotta say to Rod - we, in day one of this shoot, I think, Dave went on day one and day 2, Melik had to go from arrogant to literally- I mean, on the verge of insanity. And I mean, maybe Rod, talk about how you had to get him there over the course of the first two days of this shoot. I mean, that’s a lot.

Rod: I used an old director’s tool, which was basically, ‘you'll never work again if this doesn't work.’

[All Laugh]

John: Ah. [In an Australian accent/mimicking Rod] ‘Now the way I want you to have fear here, is to be actually afraid of the fact that we're gonna fire you.’ That’s really- use the sense memory of unemployment.

Rod: That’s right. That's all true. My god, I have the same fears every time I work. You know, what's interesting here was, Day 1 he had to go from the beginning to the very end of the thing, so for an actor to- by the way, who has done the terrific things in his time, but nothing as quickly as we make this show. So I might say all power to him for being able to keep it going right to the end of the day. But it made that first day of our shoot really a tricky one, and one of the hardest of the whole shoot in a way, because he had- you know, you can shoot this stuff very quickly, but it's not just about shoots, it's about keeping the performances alive and real on the same level, and he was able to do that. But you know what? The way I was able to talk to him about it, a good thing was, he listened.

Chris: Yeah.

Rod: He just listened, and that was really helpful. We do this together. I mean, that's what the journey is - you do it together.

John: Now there's- we breeze past the speech where Tim is explaining to Beth Riesgraf- or, pardon me, Nate is explaining to Parker how they're gonna do this. How they're gonna basically hypnotize this guy. How they're gonna drive him to the edge. And we’d- you know, you'd done a fair bit of research and we'd just started reading Jonah Lehrer which is a lot of neuroscience, and we got a really nice email, actually, from a neuroscientist which was like, ‘Hey, you know what? Usually I call bullshit on television, but pretty good theory; that would actually work.’

Chris: Yeah. I felt pretty good about that. We got really interested in neuroscience in this beginning of season 2.

John: Well especially Apollo Robbins, who was our consultant who had actually lectured at the big neuroscience convention, you know, as they were starting to understand that magicians and illusionists have a very basic understanding of how the mind and eye track objects and understand things and perceive things, that neuroscientists can only do through experimentation. So there's this weird, cool melding now of the two fields. And yeah, we got totally sucked into it, but that's the great thing about writing.

Chris: Yeah.

John: Anything you think is cool, you can use. Yeah, you're right - Chris has an awful lot to do here because he's got to also sell this ‘don't call anyone,’ and he really does. He really digs in on it.

Dean: Yeah, I'll tell you, when I started watching this on the dailies I was saying to myself, ‘Chris is digging deeper this year’. And speaking of that, we also just went through Gina's scene - Gina, who showed up this season 2 pregnant; had to deal with going through pregnancy-

John: None of us knew that, by the way, none of us had anything to do with that. Just put that out there.

[Laughter]

Dean: But, you know, going through-

Rod: DNA test results are coming, by the way.

Dean: But going through that for the first time, and yet she then also stepped up and brought her characters to a whole other level, and all the characters she created this year were phenomenal. And this one, we'd never seen her do anything like this, maybe a little hint of this in the season finale last year- no I'm sorry in Homecoming, the airport scene.

Chris: It's the first time we've had her do, what I would call a ‘low status’ character. Generally she plays very high status professionals and, you know, it was just interesting. Oh yeah, here-

Dean: This is a great scene.

Chris: This is our ER scene.

John: This is actually- I actually- yes, you'll notice no one's running, which is a big complaint all ER nurses have; which is people always run in the scenes. I actually got food poisoning in college and this happened next to me. I remember us talking about this, yeah, the whole flatlining and shadows, it's a very-

Rod: You know what Chris? This is one of the hardest scenes I've done for a very long time, because it's all about perception. You know, the audience has to know one thing, but the character - who we have to really feel his fears is there thinking something else, and it was-

Chris: And then I love the way you frame this shot, just- You know, just him peeking out a little bit of the gauze and, kind of, now getting his POV.

John: It's very- this is a hard episode, very few spend this much time with the bad guy.

Rod: But you know what? I know I picked this episode up, and read it, and I could hear people saying, ‘this is the easy one; there's only two locations.’

[All Laugh]

John: This is one of the- that look she just gave is great. This is one of the times you have to remind Beth that Parker’s not as good of an actress as she is. It’s like, ‘that was perfect and Parker wouldn't be that good, but good!’ Now he's losing his mind. This- and by the way, this is- we've established in thief 101, each one has skills, and this was two fold: one, we love the fact there is a grabber claw-

Chris: Well that was- I have to give Apollo credit for that. I mean, we kinda ran this one by him and he literally sent me a picture of the grabber claw; there was a link on where you could buy it - he really supplied the whole thing.

John: Oh, well that's a lot of the tech people figure is unbelievable on the show. I remember they called last year about the credit card scanner on Beth’s thigh, and they said it was unbelievable. I said, ‘I have two on my desk. You want me to send you one?’ But the other one we needed to establish is - Hardison, can’t pick pockets. You know, each one has very specific uses, and even through the rest of the season, if you watch the DVDs, you can always see Gina or Beth does the lift - always. And it's always a handoff to Hardison or Kane. You know, it's- pardon me to Aldis and Kane. I'm only one Guiness in. I can’t -

[All Laugh]

John: I'm a lightweight. I have to go back to last year doing the commentaries. Get my levels back up. See last year we did these while we were shooting them and I drink while we shoot; that's my policy.

Rod: Now this is- What about this policeman with a ponytail? For god's sake. Truly, what is this?

[Laughter & Cross Talk]

Chris: The fun train is roaring down the tracks!

Rod: Now this kid was just terrific.

John: Yeah, this kid was great.

Rod: We will see something of this boy again. No lines. Watch his eyes; he's got such an awareness.

Chris: Now what was it like casting? I mean, did you just-? Because I wasn't there when you cast him. Did you just immediately see this and-?

Rod: I think John was there.

John: Yeah, the kid just stood out. Very, very good.

Rod: He just came out. He was just there were people that just do or don't, and this kid had a real sense of it, which was just great.

Chris: And here we have all the sounds.

Dean: I love how you moved into that super close up where it’s almost fisheye; that's just great.

Rod: The good thing about our cast is you can get to those close ups and things are going on in their minds. All the time, there's something going on in their minds.

John: Well that's the tricky bit, where you have to see the performances up, because it’s a con or heist show, so at no point have they gone and talked to the suspect, and they're hanging out for coffee. The tension is always there in every scene. The con has started - particularly in this one, we’re up and running from moment one.

Chris: Tim, here, really loved a lot of the neuroscience stuff and he improved the almond tonsils. Which I guess is the term for the amygdala - the fear center of the brain.

John: And that's also where we get into Sophie's bizarre relationship with cruelty. I don't even want to start- I don't even want to go into what that started on the web.

Dean: But it did set in motion an arc for Tim, which is that he's going into a strange darker place now that he's sober, and we played that out for the whole rest of the season.

John: The whole idea is that he can never not be addicted to something, and if it's not gonna be booze- Well, and that's the idea, the first half of the season, he's really replaced booze with control and that feeling of superiority, that feeling of righteousness. So when he then starts drinking again, he actually has a factor that wasn't in the first season. And as a result, he's a thousand times worse in the second half of the season than he was all last season. Yeah, because now he’s not just a drunk, he’s a righteous prick who's a drunk.

Dean: By the way, we also breezed by the setup of using Star Trek as a warning device. That is absolutely- what was the origin of that idea?

Chris: That came out in the room. I can’t- did you pitch that?

John: No, it was a room pitch that somebody came up with it.

Chris: I wish I could remember. This is Steve Coker, who is more of a comedic actor, and I think this was, you know, one of his first, kind of, real dramatic roles as the abusive dad.

Dean: Terrific in the part.

John: Yeah, good job. And also the way- I liked the way this ends. Yeah, you fully believe he’s gonna throw him off. I like the way that this ends, which is you have to leave town. That was another thing we kinda hit this year a couple times, which is, you know, each one of these people is beginning to realize that the way they live their life - they've left wreckage, and they've blown out of towns, and they've gone on their lives.

Dean: That's a great shot.

Chris: Look at his feet off the ground.

Rod: Hitchcock! It’s Hitchcock.

John: Don't tell them where you steal from! And also, this is another thing which is - we call up a mini speech of evil here, which is each time the villain explains why he's not a bad guy in his own head. Because nobody's a bad guy in their own head. So this guy smacks his kid around, he probably got smacked around by his dad. He turned out ok; what's the big deal? And like he says eventually, you know, Eliot's gonna blow town.

Chris: And the other thing here was, he talked about how he would get out of jail in 5 minutes. It sets up, kinda, the power. You know, even a small story like this, there are power dynamics that you don't expect.

Dean: Right there - just that little reaction that Christian does, it showed a vulnerability that he never showed last year. That was really interesting. That- I'm not sure how you got that out of him, but it started a very good trend.

John: And also, the sort of realizing he has to choose a different resolution path here. Like he can’t- he would just kill that dude. Like 5 years ago? He would just break that dude’s leg. I joked later that-

Dean: Well it's almost as though his heart started working again.

John: Yeah, and it's bothering him.

Rod: That's a good line; I like it.

Chris: That's another great shot. I mean, now he's really-

John: Okay, this guy.

Dean: Where did you find this guy?

Chris: Talk about this guy. Talk about this casting session.

John: When we were auditioning- When you become a Hollywood producer and it’s like then there's gonna be a casting couch and a casting room where you get to get people naked, and I'm sitting there with Rod and the skinny guys were coming in and Rod goes, ‘I'm very sorry could you take your shirt off?’ And I was like, ‘this is not the people taking their shirt off I thought it would be.’

Rod: You were gonna have to have-

John: And he had these poor bastards like shitless and scrubbing themselves in terror in the middle of the-

Dean: This guy was awesome.

John: By the way, that is a- I am going to claim, because it was so eerily similar, that that was a visual reference to the great George Romero movie The Crazies. Because if it isn't an homage to The Crazies? It should be.

[Laughter]

John: That- the whole hazmat suit and-

Chris: That’s real rain folks. We got a- we don't have to pay for atmosphere in Portland; that's real rain.

Dean: Now those hardcore Electric Entertainment fans out there, if you remember the show we did, Blank Slate, this was one of the first times we stole music from Blank Slate and put it into an episode.

[Laughter]

John: Use all the parts of a buffalo in cable television.

Dean: We believe in recycling.

Chris: Now this was-

Dean: I love this scene.

Chris: I love this too. I love the way you composed this shot, Rod. Talk about that.

Rod: And let me tell you, we’re in the kitchen of a disused hospital that was suddenly becoming a mortuary. So it was a real challenge all around, and the art department did a nice job of putting that together. And we’re turning the supposedly the simple good cop into, now, the bad guy, which was a lot of fun.

John: I also love- I believe it was in the room- well what would be in a murderer's trunk? and I whipped out the five things, and you were like, ‘that was way too fast.’ That-

[All Laugh]

John: ‘We’re gonna go out and look in your trunk right now.’ No and the- this is one of the times- cause again, we have to play with the conventions of the show in the second season, he doesn't have the earpiece in. And who’s in communication, who’s not in communication often begins to be the things they hinge around. This is- a lot of stuff happens in this one.

Chris: It sure does.

John: We drive the guy crazy, we kidnap a security guard.

Dean: And there's an assassin that he has to deal with.

John: Turns out this is an assassin, there's an abused kid. The hell's going on?

Chris: For how many minutes? 40?

John: 42:30?

Dean: That's a nice act out?

Rod: But it's a simple little show to do in seven days.

[Laughter]

Dean: By the way, great fight scene.

John: Lemme ask, if this is a kitchen-

Dean: Where do those come from?

Rod: We built those. Everything was put in; we kept sort of two or three of the walls and put in those.

Dean: The drawers.

Rod: The drawers. Yeah, only two of the drawers would open, but that’s okay;

John: That’s all you need.

Rod: That’s all you need for this show.

John: This is a particularly brutal fight scene. I love the fact that he's like, ‘wrong day’. Yeah, slamming people’s hands in drawers, I think I took that from Queen & Country script.

Dean: But it's just so great. He's in such a bad mood over this kid. He couldn't kill the other guy; this guy he can take out.

John: And then the spinning the bowl thing.

Dean: I love the Jackie Chan reference.

John: It’s very Jackie Chan. I'm fairly sure it’s from the one where he's a cook, I can’t remember the- Who Am I?- no it’s not Who Am I?, it’s a different one.

Chris: Rod, I think you said we need to put a body on this gurney here to throw him on. I think originally mine said empty gurney and you said let’s put a body on there.

Rod: If there's a fight in a mortuary, there's gotta be a dead body somewhere.

[Laughter]

Dean: And then throwing him on top of the body is just awesome.

Chris: Here it is on top of the body.

John: You know this like, nice person, has passed away after years of peacefully dedicated-

Chris: Oh, they were a terrible person.

John: We only dump our guys on terrible people.

Rod: Come back to the man screaming.

John: This one really ramps up.

Dean: Look at that. He went for it, he really went for it.

John: Is that the 10 millimeter that gives you the-?

Rod: Yeah it is, and a lot of actors, who were much more experienced than him, wouldn't have gone as far as he did, which is one of the reasons I knew he'd be right.

Chris: But I'm saying that credit to you, because I remember you getting there and you were like ‘man there’s- there's spiders on you!’ I mean, you really just brought him to the brink.

John: And then he threw the spiders on him.

Rod: Exactly the way I felt waking up in my hotel room you guys put me in. I understood his fear.

[Laughter]

John: His fear of dirt.

Dean: I love the whole fact that his nose is bleeding just off the suggestion-

John: Yeah, I've seen in hypnosis, boils have been raised, blisters. That's absolutely possible.

Dean: Tim was terrific in this part, too.

John: Tim loves- all actors love a death scene. Even if it's a fake death scene.

Rod: That's a good fall.

John: That's a good fall. Yeah, he's absolutely out of his mind at that point.

[Laughter]

John: Handcuffed, people dying around him.

Dean: Look at the feet! The feet are what makes that shot so good.

John: Wait, was that a dummy or did we actually have a stuntie?

Rod: No, they were actual rubber feet.

John: And then getting yelled at.

Dean: Wrath of Khan.

John: Wrath of Khan, yeah. We actually went through on the day. It’s like, ‘now is the rule that the good ones are the alarm or the bad ones?’ We went back and forth for a while. I know it's the- it’s one of the little geek cred things you have to watch. Once you establish a character like Hardison is a geek - you can never let it go. Because I hate, as an actual geek, watching television and they've got some 1988 version of what a computer nerd looks like. You know, and that's so- he has to know his Doctor Who and he has to know his Star Trek pretty well.

Chris: This was like a change from the first draft to the second draft, I think. In the first draft- because I just had Nate die, it was like well, we’ve already seen Sophie die, so what's worse?

John: That’s a repeated beat.

Chris: What's worse is that he's just being locked-

Dean: To die.

Chris: To die with this guy.

John: We've also built up - the army's coming. This is The Crazies, we’re doing The Crazies.

Rod: What other show do you get this kind of madness? For god's sake, it’s just-

Dean: In our writers room.

John: It's a very tiny writers room, with a lot of booze and heat, and it really creates this. Yeah, I just realized that this is The Crazies; this is now the army is coming to destroy- now actually, by the time you're hearing this, The Crazies the remake is already out, so you probably know exactly what I’m talking about. But there's a great, horrifying- an old George Romero movie from the 70s-

Dean: I love Tim’s switch right there. And done.

John: ‘And, I’m up.’

Dean: And this guy was great.

John: It’s kinda parallax feel, too. It's a very 1970s paranoid vibe to the whole thing. And look, there's that walk again; that look when the emotions she's supposed to have as a human are gone. And what the hell? The hell’s going on?

Dean: And another great bullet time. And the head coming out.

Chris: The great thing is it gives you a sense of geography. You know, like, where he's coming.

John: Well, we actually talk about something in the show called the heist head. The hardest thing about writing cons in a heist is the geography; you have to understand the geography. It's like writing bedroom farce; it's all based on going in and out certain doors at certain times.

Rod: By the way, shows with two locations like we had, make it more difficult to shoot in a way; you gotta keep the audience aware of where they are, but at the same time make it more interesting.

John: Absolutely. And that's the big challenge is resetting the geography so the audience doesn't have to stop and think, ‘wait, where are they?’ Because at that point, whatever emotional response is gone.

Chris: Now here- this is the scene I talked about; how this scene affected the shooting-

John: Yeah.

Chris: Afterwards.

John: By the way, these cops, I believe, he beats up in the season finale.

[All Laugh]

Dean: Christian really dug in for this scene, you know, and -

Rod: But it's what makes this show worth it. That these guys can go through all the Robin Hood stuff, but they get into that emotional line and that's what makes it really, to me, a fun thing to watch.

John: It's also fun, because if you know Chris Kane and you see kids around him, Chris basically- kids basically treat Chris like Batman. So seeing him interact with a kid in this way, is very much the way Chris actually talks to kids in real life. You know, he's very honest with them, he's very direct, and it's a very real scene; it's a better scene than I've seen in shows that this for real-

Chris: Yeah.

Dean: But there's a turn he makes here, which is really interesting. He starts off, like, really confident that he's just gonna solve this and talk to the kid, and when he realizes his impotence in this scene, it, again, his heart comes to the surface, which is something we hadn't really seen before with this character.

Chris: It's true. And his impotence comes out when Hardison touches him, I mean, you see his reaction then.

Dean: He's not used to not being able to handle something.

John: But this is a better version of this scene than I've seen in shows, like hospital shows, where you're supposed to be with the big orchestral moment. And yeah, this is a believable, great bit of acting by two very good actors. That kid is great. He actually didn’t have braces; we actually screwed those braces on him.

Chris: And right here, and I love this shot, too; him scared in the frame by the two of them.

Rod: He's arm was broken, but we had to break it for the show.

John: Again, the great thing about shooting in Portland. You know, tax credits, but Oregon really looks the other way, I find.

Chris: Now, and just in terms of the ending, there was another that was written that was more a traditional ending, where the team’s together and pays the victim the money. And after we saw the scene shot, I remember I talked with Rod the next day. You know what? That's the emotional high point of the show. Let's just- let's end it on closing that story and that's the end of the episode.

John: Yeah, I mean, that's to a great degree; a tough one on this, is that the B story kind of takes over most of it. But you never know that. You never know that until you see the performances; til you see the cut.

Chris: This is a great turn back for him, back to evil.

John: Back to- and he's evil again. He’s- you know, you can't keep a good evil man down.

Chris: Now Rod, please tell us- this is an amazing shot.

[Laughter]

Rod: This all came out of nowhere, with 20 minutes to shoot it and, I might say, the genius of our DP David Connell, added with my genius, and a long lens. Because you can create many things.

Chris: It's a movie shot; that is a movie shot right there.

John: Also, this is the- I think this it’s referenced later, but it's unclear, this is the bad guy. This is the assassin’s car; that’s why there’s actually keys there, because they have set this up for him in order to- And did we shoot that with the suction cup mount while driving?

Rod: Yes.

Dean: And I love the jump cutting in there that just puts you on edge with him. This is a beautiful shot right there.

Chris: Oh and he really fell.

Rod: This guy threw himself into it so much .

John: Now there was also- and again this is super, super intimate. So he has hidden the money back from his trial back in this courthouse, right? And we make a point of the fact that there's, and she's learned to fight this year, too, which I love. And there's another episode where you show that Eliot has actually been teaching her how to fight. The fact that this place has not been refurbished is because this is a very low budget town, which is in a lot of financial trouble. And that's actually- in the-, although the scene that was cut, explained how he got the gun into the courtroom, because they had not refurbished the metal detectors. That's actually a plot point in the season finale that all the security that was supposed to go to the town was stolen.

Chris: Oh that's right, you’re right.

John: Yeah no, no I totally did that intentionally.

Dean: It's explained at the end of the things.

John: If you watch the season finale and this episode they actually- Bellbridge has a continuity.

Rod: This bit I love. When they let him go, I think is just so terrific.

Chris: And this is an iconic shot in the show, Rod. I mean, they- we used this shot of them-

Dean: A lot in trailers.

Rod: Is that right? Good.

John: And they know he's screwed. Look at the face like, ‘yes, yes your infinite raging, yes; and do exactly what we predicted.’

Rod: Fell and slipped again.

Dean: That shot right there.

John: And they all make a nice choice; each one of them looks at Nate in a different way. This is- and I love, by the way, that who on earth would think would work? ‘I'm in my underwear; I'm running around in the street; I've escaped from the police; who will believe me?’ Yeah, this is a very Twilight Zone, this a very William Shatner look out the window: ‘he's right there!’

Dean: It is, yeah.

John: It's all local actors for the cops.

Rod: Everybody in this show.

John: Yeah there was no one from LA, holy smokes.

Dean: It just goes to show what talent depth there is in Portland. We had no idea. Originally we thought we were gonna be bringing up 4 to 5 people per episode and we really averaged one.

John: And they bounced him hard off that.

Rod: This show would be the only one you didn’t bring anybody into.

Chris: Yes.

John: But the other ones we only did really one role an episode.

Chris: I like the way you did this, too; how you came off his back and around tells the whole story. And then-

Dean: And then transition; terrific.

John: It’s like you thought about this. Like you spent hours preparing.

Rod: It’s like it was planned.

[Laughter]

John: Ahh gimmick security footage. Where would we be without gimmick security footage? Leverage relies on the fact that this is a surveillance society. And this is- we use this a couple times - the guy looking out the cop car window. It’s sort of that William Shatner looking at the thing in the window, that's exactly what it is

Dean: Well it's the rule we have in the show; it’s not enough-

John: This is Dean’s big rule.

Dean: Yeah, my big rule is the villain can't just lose, he must suffer.

Rod: Right. Yeah, yeah.

Dean: He must suffer, otherwise it's not good enough.

John: He’s humiliated.

Chris: And also the gloat; you want the gloat.

Dean: The gloat, you want the gloat. Now where is this-? This scene seems very you, the lawyer-

John: Oh, he totally wrote this. Every now and then on the law stuff, he digs in.

Chris: Well I was trying to marry the notions of the law and neuroscience, and I'm not sure it was entirely successful here.

Rod: Well can I just make a comment? I’m not sure if I understood what it meant.

[All Laugh]

John: He still directed the hell out of it.

Chris: It was about the nature of intent, really, in a crime and that’s-

Rod: I think we may have shot this about midnight or one am and I said to you, ‘what does this actually mean?’

John: It’s Latin, just keep moving.

Chris: It’s Latin, yeah, exactly.

John: And Parker has the money. This is actually- this is a character that Chris does on a regular basis when he plays roles. When he has Eliot doing the role, it's always an ‘aw shucks I'm just here to help you’ guy. He very rarely intentionally frightens people. You know it's a very interesting choice that is, ‘yeah I'm just your pal; this is all good news; we’re all- we just all wanna go home’. So this is- only two drawers worked, this one and which one?

Rod: That's it, the other side.

John: The other side.

Dean: I love this. I love that he smacks him.

John: Yeah.

[All Laugh]

John: ‘We all saw that.’

Dean: I love their relationship.

John: Yeah, because, you know, he’s gotta make sure that as annoying as Hardison is, he's not gonna get hurt.

Chris: And the other thing that's not important here is another kinda late addition in the script, was we wanted to- you know they manipulate the US Marshals here, but we wanted them to have a win. We wanted to give them something, so that it’s not- they're not just chumps.

John: It's very tricky, in the room we talk about, when we manipulate innocent people, they should be rewarded.

Chris: Especially law enforcement.

John: Especially law enforcement. Because you know he's not- he didn't do a bad thing, you know. And in the end, he's a good Marshal and he's gonna bring the guy in. So, you know, we always wanna make sure they always fall on the side of angels. And it's not always easy. They leave wreckage behind, yeah, and this was also nice - the moment he gets the favor out of him.

Chris: Yeah, he owes him.

Dean: And what's nice is that he comes up with it as it's happening, as opposed to having this planned out. You see it really, like, you see the idea just enter his brain.

John: And there.

Chris: That's a great acting moment.

John: Now originally, by the way, Chris, you had the- I would like to note, the drivers license of the evil father found with the assassins car so that the-

Chris: I think I did.

John: The evil father not only lost custody of the kid, but went down as an accessory for assassination and murder.

Chris: I think I did have that, that might've been- I think that was too far.

John: Your original payoff was a bit more ruthless. But he's great, by the way, that's Victor. He's great in that scene. Cause look, he’s warm with the kid and then he basically puts on the cop eyes, and it's like ‘do not even try. Do not even try’. Yeah, it's a great performance.

Chris: And then here this last bit was the- was what we added as the- as the new ending. Which was, we wanna make sure that the audience knows this kid is gonna be safe.

Dean: And I think the first time we ever ended on the show on Christian.

John: Yeah. I would like to know the first time we saw this, the lights came up and I said, ‘oh he's going in there to kill that dad.’

[All Laugh]

John: It's just like, ‘oh man he's going in there, he's gonna choke him into unconsciousness, shove a pretzel down his trachea, and make it look like an accident and let him choke to death on the floor. Ahhh, kid’s out of the way.’

Rod: This stuff happens at the end because you allow the story to unfold. And we talked about it as we were shooting, but you guys allow it to unfold, so it has a natural sort of tempo. I really liked it.

Dean: Well thank you, again, for being on the show season 1, 12 Step, my favorite episode. You killed it again with this. And thank you so much for being here.

Rod: I'm gonna be there for seasons 3, 4, 5, 6, 7, 8, 9, 10, and 11.

John: God bless - that’s 6 more than I'll be there for.

Dean: From your mouth to our accountants’ ears.

Rod: It was fun.

Dean: Thank you.

Chris: Thanks a lot.

John: Thanks a lot.

#Leverage #Leverage TNT #Leverage Audio Commentary Transcripts #Audio Commentary #Transcripts #Parker #Alec Hardison #Elliot Spencer #Nate Ford #Sophie Deveraux #Season 2 #Episode 3 #Season 2 Episode 3 #The Order 23 Job

42 notes · View notes