21 Grams
directed by Alejandro González Iñárritu, 2003
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the way that assassin’s creed has gone from
“i have lived my life as best i could, not knowing its purpose, but drawn forward like a moth to a distant moon. and here at last i discover a strange truth: that i am only a conduit for a message that eludes my understanding. who are we, who have been so blessed to share our stories like this? to speak across centuries? maybe you will answer all the questions i have asked. maybe you will be the one to make all this suffering worth something in the end.”
and
“i realize now that it will take time, that the road ahead is long and shrouded in darkness. it is a road that will not always take me where i wish to go, and i doubt i will live to see its end, but i will travel down it nonetheless. for at my side walks hope.”
to...... whatever the fuck we are meant to believe went on in eivor’s head during the final chapter because we saw so little of it on screen and had approximately zero emotional/narrative buildup (and no darby’s tweets do not count, if he wanted people to pick up on certain things then he should have written them into the last chapter instead of chatting in the access the animus discord or whatever. it’s giving i marlene king clearing up pretty little liars plotholes via post-show interviews lmao)
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The Four Horsemen of the Apocalypse: The Rider on the Pale Horse - George Frederic Watts // Pale White Horse - The Oh Hellos
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Reminding me a lot of Evanescence for some reason? Early 00s Hot Topic chic.
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Ella Richards wearing Charlotte Watts’ cat ears (2016/Theodora Richards)
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21 Gramm (2003)
Das Psychodrama thematisiert den Leidensweg seiner verschiedenen Protagonisten, deren Leben allesamt durch absurde Zufälle zusammenhängen.
Alles fängt mit einem Autounfall an, dessen Verursacher flüchtet und wissentlich einen Mann und dessen beiden Töchter tot zurücklässt. Der Verstorbene hinterlässt einem Todkranken sein Herz, woraufhin er unwissentlich ein Verhältnis mit seiner Witwe eingeht.
(6/10)
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