She be

the be

be-be

I am here to provide proper monster gals, none of that pretty-faced bs, make her snazzy

haii baii

Fashion concept art for a Batik Friday scene in Lunar Boy. Generally on Fridays instead of wearing school uniform, students and teachers wear batik (a traditional cloth of Indonesia). I didn't actually grow up with this tradition, it was introduced long after I graduated high school!

魔女の解体新書】キャラクターデザイン② ジャンヌ、ルカ、ロダン、エンツォ #1

Corvus Almer design.

Another character design of sibling from the Almer family.

Corvus is the 1st prince and 3rd child in the family. Despite originally being born as a bastard, his mother`s family made sure he was growing up in extreme wealth and comfort, while simultaneously having the best teachers in martial arts. Their efforts paid off and from a young age Corvus was better at sword fighting than most of the boys his age. However, he never had talents for academics or social interactions, unlike his half-siblings. Even as a child he had trouble making friendships or being close to his family members. Also the fact that he was born without magic didn`t help with getting along at all.

Growing up Corvus gained a reputation of exceptional fighter and a person who place the rule of law above everything else.

Small additional facts:

Corvus like spending time with animals more than with humans, especially with dogs.

Corvus hates celebrations and dancing, his coldness to this matters is famous to offend all the ladies who tried to interact with him.

Corvus was taught how to fight magic users from childhood and he even carries a family sword that is made specifically to serve this purpose.

Weidrly enough he is very friendly with his half-brother - Heil, who is considered to be his main opponent to gain the heir position.

About design:

Colors – purple and gold is the colors of the Imperial family, deep blue is the color of his mother`s family (the Morwen family).

Clothes – despite having very rich embroidery, the pattern is very simple and symmetrical, which would not be a peak of someone more fashionable.

Motifs and symbols – the golden bird is a symbol of the Almer family and Empire in general. Geometrical patterns are usually associated with how one of the most important Gods in their religion depicted.

|| HC- Diviner's Fate ||

In reference to the Glimpses into the Beyond manuscript penned by Fuxuan herself, she spares little effort in reminding/warning other diviners that any actions that imply attempts to predict Yaoshi's fate will be treated as an unforgivable felony.

Despite the considerable leniency that is offered to those who attempt to predict the fates of other Aeons (still illegal), the Ten-Lords Commission equates acts of trying to predict Yaoshi's as a crime equal to the Ten Unpardonable Sins. Diviners found guilty of said transgression will be punished strictly- provided they are still alive after committing said crime as those who have tried have all met tragic fates of their own.

Given these factors, there are two possible outcomes that befall Diviners who attempt to predict Yaoshi's fate:

Mental Collapse (Subsequent development of Acute Megalophobia)

Divination is by no means true omniscience. It is a practise of making calculations based on recorded instances of data and the Diviner's ability to map out multiple possibilities based on the movements, logic as well as thought processes from it.

As witnessed in March's story quest, the Matrix of Prescience is used by diviners to draw information from the past to predict the future by literally placing the observing person in said variable scenarios to derive accurate outcomes, albeit heightened by Fuxuan's third eye.

The Matrix actively draws the future it observes from Chaos.

So how does one even begin to calculate and predict the fate of Aeons who fill the skies like celestial bodies? A being that is incomparably huge, move according to their own Path with a transcendent mind? How does one even define chaos of such magnitude?

Both devices as well as the living mind has their limits. To withstand, hold and interpret something of this magnitude is realistically impossible to accomplish without breaking something in the process either by fragmenting of memory or mental collapse in efforts to preserve one's well being ie: amnesia, memory repressing etc.

In such a scenario, it is likely that diviners may experience a similar phenomenon. Their added ability to literally "visualise" observations may also cause the Matrix of Prescience to backfire and create a massive toll mentally. And they could thus develop an accute fear of vastness when bombarded with everything at once (fear of outer space, bodies of water, atmosphere so on so forth). TLDR: A living hellscape they cannot avoid. Resuming divination duties would be impossible with the emotional association, PTSD and trauma. ON TOP of having to be punished for committing what is essentially a crime.

Victim of Parasitism (Eventual Brain Death)

To essentially divine an Aeon's fate is to quite literally observe and visualise oneself walking down their path. While it might seem achievable at first, this places the human psyche in a very tenuous position.

They have to possess a certain level of emotional understanding in order to navigate the accurate steps. When tied with their own cultural complicated feelings towards Yaoshi, it can all form a level of cognitive dissonance and dissociation in order to process things.

With reference to how the "Aeons" in Herta's simulated universe could capture notice of the Trailblazer from his actions, why would this then be a stretch? Especially when the Luofu is a place already filled with Yaoshi's blessings, along with those who actively pay homage to their practises, it is all too easy for the Aeon to take notice of repeated engagement from a certain device.

Diviners who try to place themselves in the mindset of an all too generous Aeon will likely be further poisoning themselves with not only knowledge but also a stronger unfiltered emotional connection with Yaoshi.

With parasitic comparisons of my Yaoshi portrayal, I like to think that the diviners may suffer a similar fate to the ants who have the unfortunate displeasure of crossing the path of the Ophiocordyceps unilateralis.

Once infected by the fungi, ants would often alter their behavioural patterns by searching for areas best suited for fungal growth. They then attach themselves to leaves, remaining there to their deaths from which the fungi spores grow and release from the spores in their head. This is something that has devastated multiple ant colonies.

Similarly for diviners, they will remain unawares to the facts that mara symptoms have begun to develop at an erratic rate within them. In the ensuing days to come, they may experience a radical change in ideology, compelling them to follow down Yaoshi's path or join up with the Disciples of Sanctus Medicus.

Those who fight to retain their own lucidity may experience the soul crushing endeavor of losing their mental faculties periodically, feeling their bodies and mind revolt against them. It is a slow, terrifying and debilitating experience that may cause them to take the only means out rather than give in to Yaoshi. Thus, also succeeding temporarily in accomplishing the Aeon's goal of relieving them from 'suffering'. They cannot escape not even in the end.

I have so very much to catch up on, my sincerest apologies, seriously— there's been mental madness going on behind the scenes, including this weekend. Please, let December be the month where normality starts and stays.

And on a more IC note, I often talk about solitude and isolation (and its origins in a very specific kind of loneliness) that is chosen and accepted, but I don't know if I ever talk about what that looks like exactly, and why, quite frankly, it's a little... for lack of a better word, concerning. Do me a favor, if you're in Genshin, turn your clock to nighttime, then go out into any of the cities, villages, camps, footholds and look up, no matter the nation you're in. How many characters are able to do that, and see a night sky that is nothing but void of any and all bounds and limitations? How many of them see that endless array of stars that illuminate it, and how many feel the cool fresh air that tickles their skin? For many, they can leave the four walls that house them, and experience that sight and sensation, because all of us to an extent, crave that. And honestly, so can Yelan— but she also, if not more often so, chooses to see something else. And the unusual concept of choosing that, is a driving force to my decisions for her and why I deem them so incredibly important: it's about the state of mind, it's about the mental that drives her.

On many days and nights especially, this is what she sees, and this is only if she doesn't descend further into the Chasm (which we know that she does), closer to the Abyss and to the Celestial nail itself that rests at its heart. And yes, it is beautiful in its own way, a pathway illuminated by the light of the moon and the nail, but it's also a cruel reminder of just how far the surface, and humans that live there (that she is by all accounts a part of, of course), are. But then, when she returns her gaze to the ground, her surroundings are void of light and dare I say, void of hope. The Chasm isn't just one of the places where you can get the closest to the Abyss, but it also consists of ruins of more than just one civilization. We see glimpses of Khaenri'ah (which we explore more closely through Dain's quest), but we know there is 'fauna' down there, even deeper, that is referenced as belonging to an even more ancient civilization that predated it. The Chasm is surrounded by reminders of death, ruin, and in that, it feels as if it's the direct foil of the world above it. The Chasm was almost the end of Liyue five-hundred years ago during the fall of Khaenri'ah, just as it had, apparently, once been to a civilization before it (please remember, the impact of the meteorite/fallen star that created the Chasm occurred roughly 6000 years ago), and its creatures wouldn't have stopped at its borders. The Chasm is the engulfing darkness in direct opposition to the light of life overhead, and the hope that humanity holds in the palms of its hands. It's dark, it's grim, and it's cold in more ways than one (See one, two, three, four).

And this place is a choice that Yelan makes to venture to and stay in, yes, yet calling it a choice is where it gets so interesting. Once upon a time, long before she got her vision, she was part of a team that surveyed the surroundings of the Chasm, and like many others before them that have descended into it, all members of this team, excluding her, died. The circumstances aren't clear, but following Yelan's line to Ning, I'm lead to believe that the Chasm's surroundings, which are all rather clearly threats to non-vision holders in specific (which Yelan also was at the time), were directly responsible for their demise. I'll note my hypothesis on what could have happened to them in a different post in the future, as I don't want to go far off-topic, but despite having likely witnessed what occurred to them, seeing the ruins of the Chasm, the threat of the Abyss and barely understanding what the Abyss even is, she continues to venture down there because the possibility of what could happen to the people of Liyue, is more important than her own existence and/or survival. And this bears even more weight following the events of Perilous Trail part 2, where she witnessed just how much the Chasm is capable of. Is this walking engima of a woman also drawn to equal or greater mystery than herself, much like a moth to a flame? I think that's part of it, but I definitely think it's infinitely more multi-layered.

Mostly, I think that this plays into the heart of what Fontaine has shown us that 'hydro' seems to represent: it's not merely a sense of responsibility (and/or justice) or selflessness, but a semblance of self-sacrifice either during the duration of one's life or at its end, either literally or figuratively. But keeping that in mind, what I really want to shine a spotlight on, is what kind of self-sacrifice seems to be the case with Yelan, and the way in which she seems to not just be at peace with it, but has truly accepted it almost as something akin to normality. And more importantly, note how this isn't normal behavior. An acceptance of solitude in such depressing surroundings is incredibly saddening, because it's not something that we ever crave by any means or should ever come to crave. Any regular individual, even most vision-holders surely, would find what she does insane to some extent. And yet, she walks the depths of the Chasm, of all places, with a similar routine as a Millelith guard patrols the outskirts of the harbor. Regardless of her clear reason for it— god, I have difficulty explaining what I'm trying to say; how does someone get to a point where they no longer do something so depressing out of necessity, but because it's... normal? That's her. The Chasm isn't... as eerie to her as it is to others, even if she knows better than most what these surroundings are; the Chasm it isn't as dangerous, even if she knows that it is and it's why she's there in the first place, to her as it is to others. Perhaps it's simply an acceptance that regardless of its dangers, that her fate lies in those depths as it did for her ancestors, that the Chasm's ruins will include her own legacy one day. But again, how does one come to terms with that? How do you come to make the decision that you will sacrifice yourself for others, especially when it means resigning yourself to a place like the Chasm, a place that is home to a pathway to the Abyss, which inherently holds the power to drive mortals to madness and death. Many wouldn't do this, or rather, many couldn't do this, not until they had no other choice and even then, think of Boyang, and even Bosacius, granted the latter had lost his mind by then. And that's where I think she's unique, because she technically has a choice, unlike individuals like Xiao whose... direct 'responsibility' and contract it is to do what he does. She could walk away tomorrow if she willed it, but she doesn't. Yes, responsibility plays into it, but the Chasm really hits differently when you tie it into that.

Now, I do need to note that I firmly stand against any believe that she a death wish or is thoroughly depressed. She isn't going down there over and over because she seeks an end to her life in some way or because she believes her life to be worthless. Quite the contrary, actually, and one could argue that the reasoning for that lies with her survivor's guilt. But all in all, before I get sidetracked again: Yelan embraces solitude to a rather extreme extent, and yet she doesn't seem to harbor a dissociation from the rest of humanity or dislike of it, but she does seem to place a firm line between non-allogenes and herself (and others who hold a vision). But what I mean with embracing solitude, is that while she is social, and she understands the laws and diplomacy of social behavior, she isn't one to always engage in it, simply because many don't seem to quite... share her headspace.

I managed to receive my old account today! Hi! I'm MechaTeh! I'm a digital artist who likes to draw character designs!

The Legend of Zelda but in a wild west setting :v

Challenge Day 181 of Year 9 - Half Way through this year! Effot didn't travel much outside his immediate area. He didn't want to see more of the world or anywhere offworld. He just wanted to have his tea at home.

What I used:  Zebra Pen Light Blue 0.5mm pen, and Muji 0.5mm Light blue pen on Karst Stone Paper Notebook. What this is: Daily Character Design Challenge, 2023-11-23 Year 9 - No181a, by Jeff Stewart

Waning. 🌙

www.instagram.com/bekkabjorke

recent sliceworld concept art and designs

A Paladin that awoke at the bottom of a mountain with no memory of his past. He only knew of the crippling pain in his back and the sensation that something was missing. Anastasius is a fallen angel (home brew race) although from his understanding, he guesses that he’s human. He’s the first player character that I came up with, but has only recently become more solid. In a campaign, he is meant to struggle with a fluctuating alignment as he remembers his past, but gains influence from his present. Due to his lack of memories, he’s very easily manipulated, which can be used in a DM’s favor!

ﾟ+*:ꔫ:* 𝓭𝓶𝓵𝔁𝓬𝓸𝓻𝓮 *:ꔫ:*+ ﾟ

I’ve got a new commission sheet!! New prices and more art examples!!! Go and check it out!

how do i tumblr anyways here is some art i did woo