While I've seen plenty of criticisms of Outlast for ableism/stigmatizing mental illness (because your enemies are murder-happy asylum inmates), I honestly beg to differ—at least for the most part. For one thing, only a handful of inmates actually attack you. Most of the other patients there are either in shock or just trying to lay low and stay alive through all the chaos going on around them. Even the more proactive of the non-combatant characters, such as the pyro you encounter in the kitchen, are just trying to get out—and their desperation is made to be pretty relatable. Even the boss characters like Chris Walker and Eddie Gluskin were victims of the asylum. For crying out loud, the Whistleblower DLC opens with Eddie getting dragged into the morphogenic engine kicking and screaming and begging for help—it's what solidifies Waylon Park's determination to take down Murkoff. Even when you find Eddie's files later on and see that, yes, he was already a murderer before he wound up in Mount Massive, that also comes with notes about the sexual abuse he experienced as a child and his denial of it. It doesn't excuse his actions—of course it doesn't—but it shows that he didn't become the way he is from nothing. Furthermore, the entire Mount Massive arc focuses so heavily on the theme of abuse of power. The patients are enduring horrific experimentation at the hands of people like Blair and Trager, and that is what sets up the rest of the story. The people running the show are the catalysts for all hell breaking loose—not the patients, who are instead victims of a system that is exploiting them by pushing them past their mental and physical limits, and has no qualms about treating them as replaceable test subjects. They are already sick people thrust into terrifying circumstances. Some of them were already dangerous to begin with, but most of them were not. They were all in a place that was supposed to help them cope with their conditions and rehabilitate, but instead were exploited and had their issues exacerbated by being traumatized further, and that's part of what makes Outlast terrifying.  So yeah, the portrayal of mentally ill people in Outlast isn't phenomenal, sure, but it goes beyond making all the patients out to be horrible monsters. Most of them are just trying to stay out of all the awful shit going on and stay alive without completely breaking down. The games still makes you feel for those people after you see how desperate and terrified a lot of them are, due mainly because of the abuses they have suffered from the people who were supposed to help them.

Anon this is so fascinating cause I agree with you sm. I think all of this stuff is true. From the way I see it Outlast is an attempt to subvert all the other mental asylum horror stories. Which I think adds all this complexity you're talking about. But while I do think it's more nuanced and better written than contemporaries, I don't think they did a good enough job. The "evil asylum" trope is inherently ableist, and stigmatizing. And I do agree the main source of long term horror in the series is from the incredible abuse the patients suffer- it cannot be ignored that the majority of scary moments aren't from the abuse, but from the patients acting violent and "crazy". And yeah it makes sense why they're violent and "crazy" that doesn't change the fact that the average joe schmoe is gonna go through the game and take away the message that mentally ill people are violent, and scary, and mental health facilities are bad and scary. Which- as someone who's been to a psych ward- I find to be a very bad message. They have their issues but stigmatizing them makes it worse. I think Red Barrels realized this, and for the Whistleblower made more of an effort to emphasize the abuse as a front line horror. Jeremy Blaire, the Walrider, The Morphogenic Engine, etc etc. Although the complaints I have still stand. Overall I agree with you that Outlast is a nuanced portrayal of this trope. That point about how not all of the patients are violent, is one of my favorite parts of Outlast. How they're still humans. And that creates some really great moments, like Someones Playing Piano. But as I've said before I still think it's inadequate I really want people to realize that Outlast being a story about systemic abuse where innocent people are victimized, and Outlast relies on ableism to get it's scares- are two statements that can coexist. I think at this point I should just write a paper about outlast

In a movie I watched yesterday, I really appreciated how they portrayed a true friendship/family relationship between a young boy of like 15 and a 17 year-old girl, friend of the big sister of the boy.

There was one scene when I was mentally preparing myself to hate the entire movie if they made things go a certain way, but it was so good to see a young boy having a real, normal relationship with an older girl that he could have found attractive. He really likes her like a sister and they had a great conversation together, it was really refreshing to see that.

I wish they stopped writing teen boys as being "slaves to their hormones" and assholes in the making because "boys will be boys". And this scene really made the difference.

passages that make you whisper "oh my god"

my dead goth son and his friendly neighborhood personified concept of insanity

I'm getting so sick of major female characters in historical media being incredibly feisty, outspoken and public defenders of women's rights with little to no realistic repercussions. Yes it feels like pandering, yes it's unrealistic and takes me out of the story, yes the dialogue almost always rings false - but beyond all that I think it does such a disservice to the women who lived during those periods. I'm not embarrassed of the women in history who didn't use every chance they had to Stick It To The Man. I'm not ashamed of women who were resigned to or enjoyed their lot in life. They weren't letting the side down by not having and representing modern gender ideals. It says a lot about how you view average ordinary women if the idea of one of your main characters behaving like one makes them seem lame and uninteresting to you.

"content creator" is a corporate word.

we are artists.

frank: let me get this straight. thalia and jason’s domain is the sky, percy’s domain is water, and hazel and nico’s domain is basically the underground?

annabeth: yes

frank: but… can’t percy also create storms? that have clouds and lightning and thunder?

annabeth: yes

frank: and… and can’t percy also create earthquakes and make volcanoes erupt?

annabeth: yes

frank: so… in a way, doesn’t that mean everywhere is percy’s domain?

annabeth: yes.

annabeth: but don’t tell him. he hasn’t had that realization yet

i'm very picky about tv shows, but my pickiness has only an incidental relationship to whether or not a show is "good". it needs to scratch a particular itch in my brain at the right moment. do i know what the right moment is? no. do i know what the itch is? also no. i can be relied upon to get instantly bored of 85% of tv shows and then turn the remaining 15% into a central facet of my personality for 3-5 business months and even i am incapable of predicting which one it'll be ahead of time.

she lets me hit because i use his pronouns interchangeably

The squad of all time has arrived on scene.

Sex positivity is also about not calling Ace people prude and using virgin as an insult 👍 hope that helps

Behold! Shapes and Colours <3

day 15: haunting ♡

(femslashfeb prompt list)