AND HERE WE ARE! Back with Watson in London and no longer in Utah!
The prisoner, aka Mr Hope, has finished his 3 hours long monologue and well, time to get him to Scotland Yard
HOLMES! I *understand* that you trust him. But some caution? As a treat?
Also, Watson, keep that bisexuality in check for a moment, lol. No, my man, i understand the feeling!
Well, let's get him in a cab before Holmes blushes so hard as to light the room
Lestrade going 'well i drive' is a mood. Love it of him.
Perfect, sir, now what about a statement?
'Oh yes, sure. I'll tell everything'
'... You sure?'
'Oh well, i'll die either way' - shrugs -
I love Watson being a doctor here and diagnosing him via _PLACING HIS HAND ON HIS CHEST_.
I'm not a medical doctor, to be fair, but i've always thought that diagnosing an aneurism was a tad more difficult? Either way, good job Watson 6!
Now, for the statement?
Yesss, great! Mr Hope gives his statement and both Watson and Lestrade take notes. I love that few years later they're close enough to compare them. That's so good!!
On a side note, i can well imagine a young David Burke as Watson taking notes
Even if he lacks a mustache in this photo. Such a pretty Watson.
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what even was the point of ash being an android in alien. it was just kind of a meaningless twist imo… but it does mean we get the setup in aliens where ripley is distrustful of androids and then bishop (♥️♥️♥️♥️) proves her wrong and turns out to be a hero
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Alicia Burke for Veronica Beard, Fall 2022
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Been thinking very hard about Charly's sacrifice and how that relates to Bury Your Gays. I want to preface everything with YMMV and it's completely valid if you're upset. In my opinion, Charly's death worked.
BYG is a set of tropes: when a characters's death is for shock value with little to no long term impact. Usually their death isn't about them and they have no agency in it, it's purpose is to inflict pain on their love interest (a main character) or to motivate another character, often for only a few episodes, often a straight man. There is also the element of creator bias, when they are aware how much that character/that relationship means to the audience and either ignorantly or maliciously choose to inflict the pain of killing them anyway. Arrow, The 100, Person of Interest, ST: Discovery, Supernatural and Killing Eve are the ones I'm most familiar with, but there are hundreds of others. Charly's death fits none of those criteria.
Charly had agency in her sacrifice. It wasn't a stray bullet, it wasn't pointless; she saved the galaxy and prevented genocide. Her decision was a reflection of her devotion to the ideals of the Union, even if she felt conflicted. The belief that all life has value, that even if it's your enemy and you have every reason to hate them, *genocide is always wrong*. That's what Charly decided. That was her story and her choice, no one else's. Consequently her actions have changed the course of the entire central storyline for the show. Her sacrifice *mattered*.
Contrast that with the Orville's Thursday counterpart, Strange New Worlds, which also killed a minority character in episode 9. It was pointless and he had no agency in it. A shock value death after the stakes of the episode had already resolved. It added nothing to the episode or the overall narrative. He wasn't even mentioned in the subsequent finale; he was disposable. In a lackluster and rushed funeral scene he got a short by the numbers speech about how he helped Uhura find herself, because his death wasn't about him.
Or go back a few years to another Trek when Discovery killed Hugh at the height of BYGs. Another pointless, shock value death that accomplished nothing except making Paul miserable.
The Orville has built up to this moment for three seasons. The episode was a culmination of every major storyline for the show, and the paradigm of the story has permanently changed because of Charly's actions. It's a tricky business killing any character in your story. It has to feel both too soon and inevitable, and making sure it matters to the narrative is something the majority of shows fail to do. This counts ten fold for queer characters. The Orville is a rare example that has met that threshold for me. To write off Charly's sacrifice as BYG is to imply that it didn't matter, and it did.
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Could I interest you in a uhh... playlist based on The Last Ronin?
After how well my first few TMNT playlists got shared around, it only made sense to post this here after all the work that went into it.
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