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#best of 2014
1mm4d13 · 5 months
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Mothra better survive this movie for once
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gael-garcia · 5 months
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“My journey has been very free. I’ve been able to work in different parts of the world and on projects that don’t necessarily obey a typical journey of a person that wants to be famous or work in film. I want young actors to know you don’t have to follow a set line to have a career. Sometimes the line is drawn for actors from the English language. But in my case I can reinvent myself all the time.” — Gael García Bernal (Total Film, 07/2021)
Also: Uruguay (El ojo en la nuca, 2001), Sweden & Thailand (Mammoth 2010), Canada (Blindness 2008, Zoom 2015), Brazil (El pasado 2007, Zoom 2015), Serbia (Zalet), Germany (Herzog's Salt&Fire 2016), Cuba (Wasp Network, 2019), Dominican Republic (Old, 2021)
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yesloulou · 1 month
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Daniel does a little dance to entertain himself and Simon was Not Impressed™️ FP2, 2014 German Grand Prix 🇩🇪 | link via @annebd
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livwritesstuff · 5 months
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i hit 100 followers while i was asleep (absolutely bananas imo but i’m so thrilled y’all are enjoying my steddie dads verse bc i’ve literally never had so much fun writing before) so here's a sneak peek of a wip featuring the Harrington fam
Eddie does not understand sports. 
He may be approaching fifty years old and way past his old ways of rejecting every notion that doesn’t perfectly align with his own interests, but even after all these years, the wires in his brain simply cannot wrap themselves around sports no matter how hard he tries.
And he does try because, naturally, he has three daughters, Moe, Robbie, and Hazel, all of whom play sports.
To be clear – his kids can do literally anything they want, bar none.
He’s still in goddamn awe with the whole arrangement that is the life he lives every day – kids and a house and a job he loves and all that with Steve Harrington of all people. There’s no way Eddie would start fucking all that up by projecting his own weird quirks onto his children. He refuses to be the kind of parent that prevents their kids from doing anything just because they don't get it. If the girls want to play sports, they’re gonna play sports. Nothing wrong with that.
Still, sports are one of those things he takes the back seat and lets Steve hold the reins for, especially now that thirteen-year-old Moe is pretty deep into the whole basketball thing. 
Steve understands the politics of the game, both on the court — like knowing which refs are gonna be biased towards which team and noting Moe’s play-time each game — and off. He schmoozes the coach, he’s friends with all the parents, all the things Moe, at thirteen, doesn’t even notice and Eddie, while aware of it, doesn’t understand. He still can barely follow the games themselves (and he goes to as many as he can, though he and Steve are outnumbered by one and with the prospect of the girls carting themselves around still a distant fantasy their schedule is insane so he can’t make them all). He does his best to follow his husband’s lead but Steve doesn’t always react to things the way Eddie thinks he will. He doesn’t bat an eye when a kid gets smacked in the face with a ball, nor at the impossibly loud thud when someone hits the deck (look — he gets the floor is hollow, but it is loud). He’s completely unbothered by the fit Moe throws every game whenever she’s inevitably benched for having an attitude with her opponents or her teammates or the coach or the ref or just about anybody who tries to get in her way.
As is what happened at Moe’s game yesterday.
Eddie hadn’t seen it — well, he’d seen it, but seeing something and understanding what he’s actually looking at are two totally different things. From what he gathers, Moe had missed an easy shot and gotten pissed off in her own little way about it, so she’d launched herself at whoever on the opposing team had gotten their hands on the ball after it ricocheted off the backboard. Unfortunately for Moe, the team they were playing had a reputation for being a little too aggressive for a middle school league, so when she’d hit the ground, she hit it hard. Moe had been pulled off the court by her coach (carded, maybe? Eddie still isn’t sure how that works in basketball) and scowled on the bench for the rest of the game.
Steve had tried to reason with her on the drive home (an interesting choice, in Eddie’s opinion).
“Darling,” he’d said, “I totally understand being upset about missing a layup, but I don’t know how to get it through your head that intentionally fouling someone isn’t the way to go about resolving that emotion. I love you and I support you, but I’m getting tired of watching you play for three minutes and then sit on the bench for the rest of the game.”
“Talk to the coach then,” Moe had grumbled.
“About what?” Steve exclaimed, “Moe — you do it on purpose!”
The conversation had ended not long later because Moe decided to give them both the silent treatment (a clear sign that she knew she was in the wrong even if she didn’t want to admit it) and Eddie thought that was the end of it (for that game, at least). Then, Moe threw them a curveball by spending most of that evening in the bathroom throwing up, at which point she admitted that her head had caught more of that fall during her basketball game than she’d originally let on.
Steve doesn’t mess around with head injuries (for obvious reasons), so the next morning he calls Moe out of school and brings her to their pediatrician to get checked out.
A couple hours after Robbie and Hazel boarded the school bus bound for their elementary school, Steve and Moe return home.
“So what's the verdict?” Ed asks as they enter the kitchen.
“She's concussed,” Steve announces.
“Like father, like daughter.”
“No sports, no bright lights, no reading, no school, no phone,” Steve says pointedly, and Moe only scowls harder. She’d been using the incident as a leveraging tactic in her crusade to get a phone. Not being able to play sports was a no-brainer; they’d all seen that one coming, so even as recently as this morning, she’d been claiming that she’ll “die of boredom without a phone,” while she recovers.
Even as recently as this morning, she’d been largely unsuccessful.
“Thirteen-year-old children do not need phones,” Steve had told her, “If someone wants to talk to you, they can call the house, and if it's urgent enough that it needs to be right now, you can get walkie talkies.”
“No one uses walkie talkies.”
“Your dad and I used walkie talkies all the time.”
“Uh, pretty sure it was just the one time, Steve,” Eddie pointed out.
“Yeah! And it worked out great!”
CONTINUE ON AO3
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antiadvil · 28 days
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PHAN PROOF omg everyone I have a photo of them holding hands I can't believe phan is real
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sunfortune · 2 months
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everyone take off april 4th to celebrate the 10 year anniversary of catws. it’s mandatory
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parislftv · 11 months
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drink slow to feed the nose, you know he likes to get blown
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bestoftweets · 1 year
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trvmanblvck75 · 4 months
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george i love u
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batsplat · 13 days
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February 2014 (text from Mat Oxley's The Valentino Rossi Files: Everything I've ever written about VR: From 2008 to now):
During the winter the nine-time champ spent more time than usual thrashing round his dirt track ranch, keeping himself mentally and physically sharp and getting used to a motorcycle moving around beneath him. He knows that Marc Marquez’s ability to ride on the ragged edge with a more muscular, more sideways style is changing MotoGP, so he needs to change with it. Rossi may never look as spectacular as Marquez on a dirt bike or a MotoGP bike, but both his former and current crew chiefs believe he can do better than he did last year, when Marquez made him look rather second rate.
Rossi on inviting Marquez to the ranch:
"Yeah, for sure, a lot of time. But I think that Emilio [Alzamora, Marquez's manager] is not very happy that Marc come because he said that after we make a race and maybe it's dangerous." (x)
A Sideways Glance at Misano 2014, including pre-event karting on Wednesday night where Marquez reportedly struggled:
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Misano 2014 (text from Mat Oxley's Valentino Rossi: All His Races):
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^ Márquez won the first ten races of 2014 and this was the first time all year he was beaten in a straight duel. He couldn't handle Rossi's pace at Misano, so he ended up losing the front and falling.
Valentino was fast throughout practice and secured his first front-row start of 2014. [Rossi was asked after qualifying about the threat posed by Marquez and Lorenzo, identifying Lorenzo as the favourite before adding, "But you never know with Marc. He's a bastard."] In the race he rode better than in years, hanging his upper body inside the motorcycle more than ever before to increase turning. He snatched the lead from Lorenzo and then fended off Márquez, who struggled to find enough grip to match Vale. At one-third distance the world champion pushed it too far and slid off, so Vale cruised home 1.6 second ahead of Lorenzo. His crew had done a great job of creating maximum grip via adjustment to chassis balance and electronics set-up. His 107th GP victory showed he was once again as fast as anyone, because when he won at Assen 2013 he didn't have to beat Márquez, Lorenzo or Pedrosa, who were all injured. "It's fantastic to come back to victory again," he beamed after his first win with [new crew chief Silvano] Galbusera. "I knew we could fight and I pushed from the start. I always work hard and never give up and trust that days like this can happen."
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^ The breakthrough win at Misano. For the first time since his return to Yamaha he had gone head-to-head with Jorge Lorenzo and Marc Márquez and beaten them both. From this moment another world title was a possibility.
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(x for more details)
Aragon 2014 press conference:
Rossi: Revenge at the ranch! No, first of all, we enjoy a lot, because have a lot of riders and also from superbike and a lot of bike on the track and was a good day, yeah. Marc was very fast, already fast like me at the first time, as always, and I think he did the best lap time but I won the race so is 1-1, so is... come si dice, pareggio pareggio [tied]. Marquez: Yeah, yeah, was really nice, you know, I was really [impressed] to see his circuit, his home, because in the future I would like to have, because was impressive and riding there was all the riders was really nice and... like Valentino says, we were there fighting together like in Misano race more or less, but yeah... the important thing is that we enjoy it and was really nice to ride there with him and also with the other riders.
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Valentino Rossi, Marc Marquez and the Ranch
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be-a-riot404 · 1 year
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Soft sound
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yuwigqi · 1 month
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Dick's so extra every single one of his kicks looks like this
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velvettvomit · 1 month
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finding GOOD gore is actually starting 2 become so hard
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zzthekaiju · 3 days
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Best of the Reptiles in Media - 01 - Godzilla (Monsterverse)
I figure that while I'm using this blog, I might as well post my ramblings on a subject dear to my heart: That being the representation of reptiles as characters in media. And not just villainous or vile ones like we're so used to. I'm talking about ones that inspire me. The ones that are legitimately compelling to me. And these posts are an excuse to espouse why.
Plus, it's just fun. You can thank the likes of @tyrantisterror and @bogleech for inspiring me to do these.
So who better to start with than with the lizard who's been an inspiration to me for almost my entire life. That being the one known as Gojira. AKA...Godzilla.
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This is the one character in these posts who probably needs no introduction. Ever since his debut in 1954, the walking embodiment of the horrors of nuclear war, among other things, has been nothing less than an icon. This is the beast people think about when they hear "giant monster" or "kaiju". This is truly the King of the Monsters.
My introduction to Godzilla was a children's book called "Godzilla on Monster Island". It was a fun read full of neat monsters living together and teaming up to stop an evil plan. And it left me wanting more. I wanted more stories of these fantastic yet friendly beasts being friends and living together while having fun adventures. Little me was a bit disappointed to find that Godzilla spent more time fighting his fellow kaiju and trashing cities instead.
The truth, as I would find out, was that Godzilla is never just one thing. He is a fun defender of the Earth. He's the terrifying consequences of our tampering with both nature and science. And in recent memory, he's been a lot of other things. But most of the time, he's either hero or mankind's hubris on two legs. To me, he was a giant dinosaur that could fire thermonuclear breath, and that was all that mattered. It was after hearing about the historical significance of him that my respect doubled.
Back then, I would tell you that my favorite Godzilla from a design standpoint was the 2002 version. Personality wise, almost every Showa appearance post-1964.
But in 2014, everything changed. In came a Goji that seemed to have everything I could ask for. So, we're going to look at the one that resonates with me the most. The Monsterverse version.
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That right there is perhaps one of the most awe-inspiring entrances I've ever seen in a cinema.
Before the release of Godzilla (2014), the franchise had entered something of a slump period. The last film was all the way back in 2004, and sadly, the kaiju genre was still something of a niche thing growing up. Here in America, you either liked superheroes or real-life celebrities as a kid. If you liked monsters, let alone giant monsters, you were one of the weird kids. That, or one of the kids who never lost their passion for dinosaurs. But those were rare.
Then Gareth Edwards unleashed this film, and while one could argue that Pacific Rim (2013) got the ball rolling, THIS ultimately resurrected the entire franchise of the Big G, and got him a degree of general respect from most film-goers (so long as you ignore the irritating internet drama regarding screen-time back then).
But let's get to the meat of this post. Why is this Godzilla so much better to me than the rest? A few things, really.
First off, there's Godzilla's role in the Monsterverse's narrative. For the most part, he is a guardian of the natural order, a means of bringing balance to imbalance. He is a metaphor for how nature is capable of righting itself, and how we either have to deal with it, or live with the consequences. In practice, Godzilla ends up going up against almost every monster, most of which are only a threat because we awakened them/created them. Yet despite this, he doesn't go out of his way to destroy us. He's not mindlessly destructive or particularly vengeful either. He knows we're a part of the world too. We just tend to grate a bit more on his nerves because of how much we screw up. If there's one thing this series isn't afraid to show, it's that...well, "the arrogance of man is thinking nature is within our control, and not the other way around."
Design-wise, this is one of the best Godzilla's around. He's bulky, has a killer stare, and there's something oddly endearing about how...well, meaty he is. He's like if my aforementioned previous favorite design, the 2002 one, put on both a lot of muscle and weight. It also ties into his fighting style, said to have been inspired particularly by bears. Even the sounds associated with him are amazing. From that hype-inducing charge of his thermonuclear breath to what might be the best rendition of the classic roar.
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Then there is the body language. This Godzilla's usual gait is slow, almost plodding at times. He shows clear signs of exhaustion in some scenes. What he goes through is hard, and his job is even harder, but he still does it. It really helps sell his personality most of the time.
Part of why I like the Monsterverse so much is that, for the most part, the kaiju are treated as characters in their own right (that's not to say they weren't in previous iterations, far from it, but it's a bit more pronounced here than most of the post-Showa stuff). Sure, some films in this verse are better about it than others (more on that later...), but I like how you can glean what Godzilla is thinking of just by looking at his eyes. Of particular note is how they widen in "Godzilla: King of the Monsters" when Ghidorah gains the upper hand during the final battle, his absolute sneer of anger in the first movie when the male MUTO approaches him, or...this.
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This scene. This one right here encapsulates so much of what I love about this iteration. Where Godzilla, dazed and thoroughly battered by both the fight with the MUTOS and having a building fall right on him, locks eyes with a tiny little soldier. You see a sense of tiredness, of pain, of acknowledgement, and maybe even a little wonder. This is not just some mindless beast fighting for its turf. It's a thinking being. And he's hurt. The most powerful creature on the planet isn't invincible, neither on the outside and definitely not on the inside.
And you know what? I've been there. There are times where I feel like I'm carrying the weight of the world, that there are things too heavy to bear, and its suffocating. Godzilla constantly shows throughout the Monsterverse that his job as a living balancing act is wearing on him. He gets put through so. Much. Crap. From getting buildings dropped on him to being personally dropped from a distance above the clouds to watching his symbiotic partner/mate die, it's almost unfair how we're expected to not really sympathize with him as much as...I'll get to that later.
But he never gives up. Despite all the pain and fatigue, he gets back up, and he fights. And he fights. And he continues until the deed is done. Someone has to rise to the occasion, and it might as well be him. If not him, then who?
That is the biggest reason I resonate with this Godzilla. His awe-inspiring design is one thing, but he gave me the strength to persevere. I don't give up, because he never did. Never before had the Big G been such a hero to me. Such that in 2014 I found myself silently sobbing to myself when it seemed like he was dead near the end even though that was clearly not the case. It's hardly a surprise that I based my personal Godzilla AU on him, albeit with the more sympathetic traits dialed up. Stuff like this made G14 and KOTM some of my favorite kaiju flicks...
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...which made it more than a little disappointing when Wingard took the helm and basically said "screw that, this is about the monke now!" Yeah, GvK is the weakest entry in the series for me for a reason. Godzilla's more redeeming qualities are buried under a narrative that clearly is not interested in giving him the time of day or even the benefit of a doubt. Both it and it's successor, GxK, are Kong movies through and through, and that means poor Big G is put out of focus.
I cannot tell you how much I HATE this idea that the only way a monster can be relatable is if it either looks almost just like us or is really cute. Yes, I understand the universal appeal, but they had such a good thing going for Godzilla! And they throw almost all of it away just so that they can make Kong look better by comparison.
Credit where it's due, these issues are slightly improved in GxK. It's not only firmly established that Godzilla is an overall benefit to the world for keeping the other Titans in check, but we get some interesting bits with him like how he instantly responds and prepares to answer the call of the Iwi and help them. It shows that despite his tenuous relationship with humans, there are ones he clearly gives a lot of thought to. And there's also how he makes the Roman Coliseum his own personal bed. Not only is it kind of hilariously adorable, but if you remember how in KOTM he had his own man-made temple, you get the impression that he has a bit of homesickness. That's the kind of thing I like to see! More of that and less "he's only ever angry and he only ever fights, character is for primates only".
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Also, while the Evolved design has nice details, I WANT THAT GUT BACK! it just looks weird otherwise with that disproportionately skinny waist.
But thankfully, our prayers might be answered:
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With GxK's roaring success (ha!), it's more than likely that the next Monsterverse entry will finally give Godzilla an overdue character arc that doesn't begin and end with "destroy everyone and act big and scary and nothing else". Just please make sure that he doesn't have to die to get that. There are plenty of ways you can make us invest in the guy's story without having to kill him. I WANT to see more of that emotional vulnerability teased across the movies. I want to see him come to terms with how he's been going about his job. And more importantly...I want to see a more explicit Mothzilla scene. A nuzzle and everything. But that's just me.
Whatever the quality of his current status, nothing is taking away how much I love this version of Godzilla. He's taken me out of some very dark places, and for that, I say long live the king.
Also, he brought Mothzilla into the public sphere and every Mothzilla pic made since is the cutest thing ever, so I just love him even more.
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she-does-the-woods · 2 months
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Yes I can go to more concerts.
But never again will I be 17 in a 1975 pit holding my best friends hand during it’s not living (if it’s not with you).
And never again will I be sobbing with her and a stranger in a huddle during I always wanna die.
I could be wrong, but this is what I think the singers and the poets are on about when they reminisce about what it is to be 17.
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tate and violet (2011) // ariana and evan (2024) ୨୧
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