my chemical romance at the 2005 WBRU Dunkin Donuts Turbo Ice Summer Concert Series in Downcity Providence, Rhode Island - September 13, 2005

house of wax concept art, my beloved

one of my favorite things about shth is the whole system of getting to team up with other characters who follow you around and talk to you and stuff and how most of the main and supporting characters that existed at the time get in on it. its so fun getting to see how all of them interact with shadow its so cute how excited sonic is to team up with shadow and how charmy thinks shadow is the coolest guy ever and how sonic tails knuckles rouge and amy are all there to cheer shadow on in the final battle. people will tell you shadow doesnt have friends but this game tells me that he does actually

I love when I see posts like "Share how many crochet WIPs you currently have! I have 5, it's so many!"

Like, girl, I have unfinished projects from over a decade ago that I refuse to frog on the off chance I decide to finish them. I've found years-old projects I forgot I even started and will impulsively just finish it on the spot. I've started three different projects in the last 2 months, including one I started yesterday, that I already know I may or may not finish within the year depending on motivation.

The number of WIPs I have is infinite.

It's very funny being like... a stereotypically (as in, straight masc) masculine queer person. Like it's frustrating because I would love to have cute moments where I share tips with a trans woman or maybe help somebody in that kind of way, but like... why should she or anybody else listen to me when I only got my third pair of jeans recently? 😭

Where are my Elisabeth das Musical stans at :((((((((((

in my head zack was never a gormogon's apprentice. in my head all interns are friends and often hang out together. it's just like the lab au. but daisy have a girlfriend. zack and sweets kiss. vincent and wendell also kiss. everyone is queer. cause I said so.

I've been moving and navigating further departmental nonsense etc (my pseudo-dissertation got approved for defending, though! l o l). But it was interesting to see the Worst P&P Takes poll I reblogged accumulating more results and the general tenor of responses in the notes.

I mean, the results are definitely to be expected if you're familiar with the side of Austen fandom doing a lot of the reblogging etc. But still, interesting!

Many Tumblr polls specify that they're asking about personal preferences that may be irrational—favorite/least favorite, coolest/most annoying, or something like that. This one, though, asked for the worst interpretation of P&P, not the most annoying one—and the current leader is "Darcy is never really proud, he's just shy and probably has anxiety" against some very steep competition on the Bad Takes front.

I was thinking about why that seemed a kind of tediously predictable choice even though I agree that the take is wrong, and realized that while I do disagree with the shy Darcy interpretation and I particularly disagree with the specific formulation where he is never proud at all, it ultimately feels to me like a failure of nuance rather than just completely wrongheaded like some of the others. And this is probably my fundamental difference with a lot of Darcy takes I see!

In my opinion, a character who is introverted and who feels awkward in various social situations and who doesn't like common social activities and who has to work himself up to talking to his crush and who is repeatedly suggested to behave very differently in contexts where he's more comfortable being interpreted as shy and anxious is not that big of a leap.

Yes, it's important that he is actually fundamentally confident and haughty, that he makes his personal feelings of discomfort other people's problem, and that he thinks he's such a unique and special butterfly that he doesn't need to even put in an effort outside his personal social circle. But it's a misreading that is easy to follow (and long predates the 2005 P&P, as I've mentioned before!).

The additional misreading that a shy and anxious Darcy is also never proud at all is a much more drastic leap, and in my experience, condemnations of shy Darcy interpretations rarely differentiate between "Darcy is shy as well as arrogant" and "Darcy is shy rather than arrogant" as interpretations (although their basic arguments are quite different). But even that as the worst possible misreading of P&P when Darcy is not even the main character is ?????????

I mean, for one alternative (not even the one I voted for!), the idea that Elizabeth is an author avatar Mary Sue seems a far worse misreading of P&P than basically anything to do with Darcy at all. The center piece of the entire novel is Elizabeth's epiphany of self-knowledge about her own shortcomings that do not particularly resemble Austen's at all, but were ethically a concern for her, and she's a complex, interesting character in general whom Austen correctly regarded as a major achievement. Inverting that into Elizabeth as an improbably perfect, reality-warping self-insert is deeply wrong and frankly pretty misogynistic as well.

(ngl though, it's a little funny to see such a blatantly terrible reading of Elizabeth rank so far behind the shy Darcy votes. I've gotten "does anyone actually think/say that?" so many times on my posts about Austen fandom's prioritization of Darcy's character development over Elizabeth's and yet...)

And even just going with the Darcy-centric misreadings, the idea of Darcy as a "bad boy" seems easily the most absolutely wrong take on him. His pride is at least complicated and the finer points can be fairly debated and it's a quality that actually changes somewhat throughout the novel, and you can have discussion over what happened when, whose testimonies should be weighted more, etc. But there is no point at which "bad boy" isn't utterly wrong for him. However, there's definitely a tendency in some wings of the fandom to find the idea of Darcy being misread too favorably more objectionable than him being read too unfavorably, regardless of the particulars, so it's not a surprise.

I suppose you could argue about what "worst" means in the context of variously bad interpretations. Like, is an interpretation that is about a fairly trivial aspect of the book but extremely wrong about it "worse" than an interpretation that is pretty bad but at least comprehensibly so about something very important?

Yes; he had done it. She was in the carriage, and felt that he had placed her there, that his will and his hands had done it, that she owed it to his perception of her fatigue, and his resolution to give her rest. She was very much affected by the view of his disposition towards her, which all these things made apparent. This little circumstance seemed the completion of all that had gone before. She understood him. He could not forgive her, but he could not be unfeeling. Though condemning her for the past, and considering it with high and unjust resentment, though perfectly careless of her, and though becoming attached to another, still he could not see her suffer, without the desire of giving her relief. It was a remainder of former sentiment; it was an impulse of pure, though unacknowledged friendship; it was a proof of his own warm and amiable heart, which she could not contemplate without emotions so compounded of pleasure and pain, that she knew not which prevailed.

- Chapter 10, Persuasion (Jane Austen)

- Persuasion (1995, Roger Michell)

some little warmup bos (ft. jonesy)

Slipknot - Before I Forget

i wonder how many demigods it took to figure out that cellphones attract monsters.

like imagine trying to watch the first YouTube video ever and it leads to your death goodbye

you know sometimes people say that terry mcginnis is just a poor man’s jason todd, due to vague design and personality similarities between terry and red hood era jason, but terry was created before jason todd was brought back to life. random jason stans in pinterest comment sections leave terry tf alone (ง'̀-'́)ง.

“don’t go there! … yet” remains the funniest fucking line in all of sonic. haha don’t kill yourself, shadow….where i can see it, anyway.

Pride & Prejudice | 2005 Napola - Elite für den Führer | 2004