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#be deluxe version
taylornation · 10 months
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You took a polaroid of us, then discovered it nine years later. 📸 For 89 HOURS, pre-order 1989 (Taylor’s Version) Special Edition Deluxe CDs at store.taylorswift.com and unlock photos from the vault! 🔓 Available until 7PM EDT on Sunday or while supplies last.
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lazy-b1rdy · 2 months
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a helpful hand
first comic i actually meant as a comic? no wayy :0
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close up of the lil doodle at the end
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GHAHAHAHAHAHSGJHKHDgdsdFQ
(srry for any misspellings)
This is how Stan met the Narrator physically for the first time >:3
dialogue bc i don't think my hand writing is understandable
Narrator: "Finally had enough of that broom closet? Good. Now just fix up your tie and then we can continue the story"
Stanley: [Nope]
Narrator: "Stanley."
"Stanleyy."
"Just fix the damn tie" >:(
Stanley: [Why do you care so much?]
Narrator: "It looks tacky and unprofessional" ]:(
[Ouch! Too bad that i don't care.] >:P
Narrator: "Fine! But i won't let you walk around like that."
Stanley: [Well good luck with that because i'm not doing it myse-]
Narrator: *His hand appears*
*Stanley gets pulled by the tie by the Narrator's detached hand*
Stanley: [Wha-]
last panel is of the Narrator fixing Stanley's tie while the other watches the hands sweating a bit
Narrator: *fixing the tie*
Stanley: *using all his willpower not to touch the him*
Narrator: "See? You look so much better with it neatly made!"
The arow pointing at the hands: 'clueless'
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blackkatdraws2 · 5 months
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Early concept ideas for my Narrator (Black) visualized.
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Black was supposed to have a final form, but I scrapped that idea and stayed with his humanoid form. (Inspired by Ramiel from Evangelion.)
I'm still keeping many ideas in the dark. I might keep some ideas from these concepts, they're too cool to remove.
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iphigeniacomplex · 8 months
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breaking my silence on chess the musical to say that i would literally not give a fuck about this show if i thought it was good or fully successful at what it is saying. SORRY! i love how messy she is. i love how since 1984 and continuing to this very day people with entirely different perceptions of and opinions on the musical have attempted in their own ways to "make it good" by creating all these different versions with like notably different plots, characterization, and song order, and i love how fucking bad the vast majority of these are despite it all. i hope people keep trying to fix chess the musical forever and until the end of time. i hope no one ever figures it out. i want every currently living theatre director in existence to make their own version and for all these versions to come out on broadway at the same time, making that year's musical season entirely comprised of various different versions of the cold war chess musical by tim rice and half of abba. i want not only our greatest minds but also our middlest-of-the-road and worst minds to come up with their own conclusions as to why chess does not entirely work in its original form or any subsequent forms like to really think about it and yes i do want someone to dedicate their entire life to perfecting chess by releasing version after version after version until they die peacefully but still, as always, in the grips of obsession. i want marriages to be broken up. i want mental states to be shattered. i dream of this world
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blackkatdraws · 1 year
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My YouTube Narrator (Gray) meeting my Tumblr Narrator (Black)!
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Animations where Gray is featured.
We were free
Domestic Narrator
Narrator comforts Stanley
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victorie552 · 5 months
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Ok, so Noldolantë, "The Fall of the Noldor" is a lament composed by Maglor about what happened before, during and after First Kinslaying at Alqualondë. It's such a good song that it's played regularly in Aman and Valar listen to it often (I swear, I swear it was in the Silmarillion I just can't find it now).
It's also a more or less common fanon that Maglor continues writing Noldolante through the whole First Age. Makes sense - it's about fall of the Noldor, and Noldor did a lot of falling back then.
Headcannon time: So my first thought was that Noldolante must a long, long, long epic of a song. So it probably has many parts, right? Iliad has 24 books/parts, somehow I think Noldolante would be at least just as long, and there are longer epics. And again, just like Iliad, unless you're a scholar, in the daily life you don't really listen to/read the whole thing, just reread and repeat the most dramatic fragments. What I'm trying to impress upon you all is that the story would have different segments, or chapters, if you will.
And if Maglor continues to write the story during the FA, there would absolutely be a moment in the lament where the OG Noldolante becomes Noldolante 2, and even Noldolante 3. There may be the same musical motif or something, I decided that Maglor IS that good of a bard to keep it all consistent enough so you know it's all the same story, but the style changes a lot - it's been 400 years in the making, let The Music Elf have fun!
So, Point 1: Many, Many Parts, basically Maglor's FA WIP
My second thought was that, while Feanor invented his alphabet, elves learned their history mostly through oral tradition aka songs and spoken stories. Noldolante is definitely a historical record, where a historical event was archived for future generations.
(It was a also a way to deal with grief, guilt and blame Maglor and all Noldor have faced regarding First Kinslaying - free therapy! But that's not what this post is about)
Archived.
My 2.5 thought was that Noldolante isn't just recallings of how pretty and horrified the beach looked during the murdering or how mad and sorrowful the sea was at everyone during the voyage or even how awesome and charismatic Feanor looked during his speeches that every single Noldo was ready to fight Morgoth barehanded in his name - no, this is a record of who killed who, who got killed by whom, and how.
Noldor and Teleri knew each other (were friends, even!) before the First Kinslaying, so I'm confident that after a lot of interviews, detective work, and cross-referencing, Maglor could and would create a very good... name list. Practically every Noldo and Teler present during First Kinslaying would get a stanza in a song, more if he killed someone, most if he killed many people. Killers and killed would show up twice, first in a fragment listing the killers and their victims, then in a part listing the victims and their murderers. Basically it's the same thing twice, but from different POVs. With when, where and how included.
(It was seen to be in bad taste to compare kills during Maglor's Regency, when most of his interview-part work happened. People did it anyway. There were a Saddest Kill, Funniest Kill, and Weirdest Kill discusions. There was a Tier List. These were weird times to be a Feanorian Noldo.)
(It WAS in Bad Taste, but at least people talked about it. I cannot stress enough how much free therapy this lament provided)
(Little did they know, when Teleri started getting reembodied in Aman, they had very similar discussions, but more in a "I can't believe he killed me like THAT" way. Long, long, long after the First Age. Noldolante is a gift that keeps giving)
So, Maglor had all the historical grith and no common shame to create a "We Killed All These People And We Feel Bad About It" banger of a song, and every Noldo had a very personal reason to at least remember the fragments they are in. It's a hit on a scale never seen before.
(I'm not sure how to tackle the issue of Nolofinweans and Arafinweans learning about Noldolante after crossing the Ice. But there were discussions. There was anger, there was "????", there was controversy. Basically, the song got bigger and bigger rep no matter what your opinion on it was. By the time of Mereth Aderthad it was an important cultural and political piece and at least Fingon's forces were included in the main song. It had parodies.)
Point 2: Archive Function/Kill count storage. Cultural phenomen, every Noldo included
This is where my personal nonsense begins: Main Noldolante was done, there was nothing more to say about First Kinslaying, all killings and deaths were well documented.
But the Siege started. And the Noldor kept dying.
It was less dramatic than it sounded - between the big battles the siege was maintained, but orc raids also happened and sometimes one to few Noldor died in skirmishes. The legal procedure was to document the death of a fellow elf and send a word to king Fingolfin. The cultural procedure, technically started by Feranorians but adapted by many more, was to send the name, common characteristics and cause of death to Maglor's Gap. After few months, King Fingolfin would send reinforcements, short condolences and financial compensation if they had family. After few months, family of an elf would also receive a personal lament for them and a place for them in a Noldolante.
Yes, every lament Maglor created in that time was technically part of the Noldolante. Noldolante 1.5, if you will. Laments make in that time were very customized, and simpler than Noldolante Main, but were still considered a part of the same song. Of course, nobody was expected to know and remember laments for every single Noldo, younger Noldor born in Beleriand could even only know fragments about their family members. Only Maglor would ever know Noldolante in full, but it was understood that everyone had their place in The Song.
The results of Great Battles were harder to document, but Maglor did that. Of course, Dagor Bragollach was hard on him personally, but he worked his way through.
(High King Fingon forbade creating laments for his father. There were no songs for Fingolfin. Apart from in Noldolante, of course. Of course. Maglor did not share the lament with anyone, but he sat long hours and many nights with a blank paper before him, looking at the candle flame and thinking of the past and the future. The song unsung, but there)
Nirnaeth was... Maglor was never more hated and more approached at the same time than then. Still, Noldolante grew and grew, as if people knew the end was near.
It was Second Kinslaying that destroyed the myth of Maglor's song. Feanorians didn't know the Sindar they killed, but surely, they couldn't just left their names unmentioned like they did with orcs? So, Noldor talked, but the battle happened in caves - it wasn't uncommon to find dead bodies in empty rooms, with no witnesses to what happened. Surviving Sindar didn't want to share any names, even when Maglor strong-armed some into talking with him, and good for them. Maglor made a big lament anyway. Maglor, wild, with no shame and dead brothers, with legacy crumbling around him. Noldolante, with holes.
After Third Kinslaying, Noldor didn't want to talk. Lament for Sirion didn't have any names. Clearly, songs weren't a way to go anymore, it was always about live witnesses. And so Maglor raised the twins.
Lament for Maedhros was sung repeatedly. There was no one to hear it.
Point 3: Only Maglor knows Noldolante in full. But that doesn't matter, because everyone knows the important part: the Noldolante is finished. The Star of Hope rises in the West and the story goes on. The Fall has ended.
#silm#silmarillion#noldolante#maglor#yet another post that went in different direction than I planned#started with meta went into headcannon and ended with fanfic angst#I wanted to end it with crack!!!#I mean. I mean#it all makes kind of some sense if we're talking about elves here#but guys Noldor had Men and Dwarves as allies#Maglor would want them in his Historical Record song#I think with Dwarves they would mainly refuse when he asked them if they wanted a part in Noldolante#so maybe he would only get some allies and personal friends of Maedhros in#but Men#guys Men. they would agree and they would make lists and it would become Clown City so fast#but Sons of Feanor aren't known for their ability of knowing when to quit#so Maglor has a Noldolante 3.0 Standard Version with 254 Parts that has Elves and an Occasional Dwarf Only#and Special Version Noldolante Deluxe Extra Edition with 547398134 Parts that includes Men#everyone is included you don't have to die in battle#all common causes of death have a dedicated jingle to them#to the point you know a man's cause of death after 3 notes#these parts of Noldolante well the music bit actually survived into the Fourth Age#the words are gone but the music is played at funerals in some places#The Noldolante Main survived only in parodies though#actually Finished Noldolante is a very good thing huh#as in no more Fall of The Noldor#they can finally catch some break#I believe that during Maglor's Regency Era all Noldor did was Processing. and breeding horses.#Noldolante? more like Maglor Finally Discovers Shame: A Story#I think some personal revelations on legacy and connections between children and life's works would be made
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pastelaeqy · 1 year
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the end.
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braisedhoney · 1 year
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shiny new object!! he looks so proud
also surprise for anyone who missed it, but i’ve got a youtube channel now :P tumblr’s still my main platform, but video’s linked so you can see the silly thumbnail.
youtube
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emails-i-cant-send · 1 year
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Speak Now Deluxe (Taylor's Version) out July 9th!
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imgonnagetyoubackk · 22 days
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the story telling of tonight’s piano surprise songs is so special to me.
say don’t go- begging the other person to ask you to stay but you know they won’t
welcome to new york- escaping to new york to start over and find yourself
clean- finally feeling like yourself again and being happy despite all the obstacles you went through
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taylornation · 7 months
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We love to think you’ll never forget "Slut!" (Acoustic Version). Download now on the 1989 (Taylor's Version) (Deluxe +) at store.taylorswift.com 🩵
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guessilleatwormz · 9 months
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Some doodles from school today:3
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daveyjacobss · 8 months
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say don’t go, taylor swift // yoko, maisie peters
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majimasleftasscheek · 8 months
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OHOHOHO looks like chocobo studio's 0jima is coming out 10/25 👌
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jackfromthefairytale · 2 months
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artists featured on bad omens' concrete jungle [the ost] + genres
poppy (v.a.n): post-genre, with elements of art pop, nu metal, industrial, experimental, electronic, metalcore, electro-pop synth-pop, grunge...
health (the drain): industrial, sludge, noise rock, experimental rock
swarm (the drain): edm, industrial edm, edm-metal
bob vylan (terms & conditions): grime, punk rock, hip-hop, rap-rock
wargasm [uk] (hedonist [recharged]): electro-punk, nu metal, post-hardcore
erra (anything > human): technical progressive metal(core), melodic metalcore, jesse cash co-wrote/co-produced artificial suicide, what do you want from me? and more from this upcoming album
iRis.EXE (nervous system): industrial goth rock, electro-pop
thousand below (artificial suicide [unzipped], the grey [unzipped]: post-hardcore, metalcore
we are fury (the death of peace of mind [we are fury patch]): edm, trap, melodic dubstep
so wylie (the death of peace of mind [so wylie patch]: electronic, alt-pop
dahlia (bad decisions [lofi]): machine learning powered femminoid trained on sevdaliza's voice (an iranian-dutch singer), unknown
let's eat grandma (just pretend [credits]): experimental pop, art pop
chief (just pretend [credits]): indie pop, michael taylor co-wrote/co-produced who are you? v.a.n, the drain and more from this upcoming album
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