I like talking about bendy characters so it’s time to touch up topic of… Joey Drew himself
Doing it before fade to black release on purpose :)
Here’s my analysis of his behaviour and on the illusion of living philosophy
It’s a huge read and I’ve enjoyed writing it!
(Continuation under the cut)
1. Joey’s family situation was hard on it’s own
Joey doesn’t talk about his parents way too much and mostly focuses on story elements (his father being a shoe maker and how his parents affected his childhood) rather than on his parents as their own people.
They weren’t rich and Joey talks about their family earning a “honest living” but at the same time, he describes how hard it was for his father.
“We weren’t rich. There was an honest living to be earned and Father did that with Mother keeping the books” (TIOL, page 18)
“I definitely saw her (mother) more than I saw Father, who sometimes would only appear briefly at the dinner table, hunched, brow furrowed, silently eating his meal. He’d disappear downstairs right after, and I’d help Mother with the washing up. (TIOL,page 18)
He comments on his father creating fake scenarios (elves helping him to work) to distract from hardship of needing to work a lot to be able to feed their family.
Joey has hard time of understanding ‘why’ he does that and how fantasy can help to work but he wants to believe. He tries to prove to himself that magic can be real.
"I didn’t believe it. I couldn’t believe it” (TIOL, page 19)
“I couldn’t see the elves. They must have been sitting on the table itself, hidden behind Father. I pushed the door open just a little bit and stood taller on my tiptoes.” (TIOL, page 21)
Joey switches between wanting to believe in illusions and not wanting to. He’s scared of not being perceived as normal by others.
He says that it’s not okay to be deep into the fantasy but notes on the fact that he can grasp the concept.
“I knew about make-believe. Played it all the time with my friends. But I didn’t know that adults knew about make-believe too. I nodded. (TIOL, page 23)
After he asks his father directly, he explains his reasoning and says that make-believe helps to feel less lonely (I’ll note on this part, it’ll come in handy later) which changes Joey’s perspective greatly:
"But the make-believe, the little characters, the songs, that changed his reality. What was reality except what we perceive it to be? Elves and magic? Well, why not? (TIOL, page 24)
It’s everything we’ve got to know about his family.
Hard working to earn money for living, using escapism to cope and distant from each other because of their struggles.
This distance likely has continued to grow with years, since for some reason he escaped his home when he was 15 y.o (+ signed up to army); no one seems to actually care and he was left on his own.
1.1 Stage name
Talking about Joey’s distance from his family, he doesn’t use his real family surname or full form of his name.
It’s not something that was explored a lot in Bendy (among all of its content) but we know that he doesn’t like to be referred this way.
'Joey’ was a nickname that he picked up for himself when he was 19 y.o.
"I’m Detective Adam Sinclair. You’re Joseph Drew.” “Joey,” I said. It was a new nickname I was trying out, ever since I moved to the Village. (TIOL, page 88)
Usually he’s referred as 'Joseph’ by his family members or people who are distant to him/don’t know him well.
But "Joey” is not the only one name he gave to himself.
'Drew’ doesn’t look like a real surname. He likely picked it up after getting close with Henry.
Imo Drew is a fun pun name that’s related to Joey owning the studio (and “Joey drew Studios” (literally) in the case of the cycle)
It has never sounded real.
Employees handbook mentions some “Dempsey” person who invests their own costs into the studio:
(Receipts: Investor Deposit, J. Dempsey)
Their initials are “J.D.” which makes it’s obvious who they are.
Joey’s house also doesn’t look rich which would make sense if he put all his earnings into the studio itself.
Bendy devs like to pick names that fit characters & “Dempsey” means “arrogant person” which does fit Joey perfectly.
1.2 Joey is deeply ashamed of the way his family lived.
Everytime someone mentions anything he associates with his past (shoes, for example) he overthinks and creates imaginary conflicts with these people.
His negative thoughts about them take whole paragraphs of text; he tries to make himself believe that he doesn’t care about looking “less” in someone’s eyes. He looks for reasons why they're worse than him constantly.
"Probably trying to figure out my past, and that was none of his business. Then I told myself it didn’t matter because I didn’t care what he thought. I didn’t care much for him in general. He might have been richer than me at the time, but that’s where his superiority ended." ( TIOL, page 26)
He often downplays people because he's deeply insecure and is scared of being outcasted, especially by rich successful guys.
After doing so,he switches toward praising himself and names reasons for why he's better (classic Joey Drew behaviour)
He was a year younger than me, hadn’t fought, hadn’t signed up like I had, hadn’t lied about his age to fight for his country like I had. What could he say to an answer like that?Nothing. Absolutely nothing (TIOL, page 26)
Не believes that they need to feel sorry for this because they have no idea how much he struggled in the past.
2. He's insecure & scared of things he can't control
I could've continues this in previous paragraph but it's a bit different.
You see, while Joey was insecure of his past (things he associated with it acted as "triggers") he still was full of himself.
It was an act but it looked convincing enough; with time it became harder for him to keep it up.
It easily explains his behaviour in batim tapes.
When Joey tries to reassure everyone that he knows what's going on, he actually doesn't. He's as lost as everyone else, he tries to act only when he's forced to do so.
He lies to people and runs away from responsibility because he's scared of abruptness, something out of his control.
Joey shows fear of everything that's unknown to him but he tries to play it off somehow: he tries to be on top and be unpredictable to others.
He treats himself as a human that lives around unpredictable fictional characters that he can't control or read intentions of.
"My father though was a real person. I knew that deep down. But in this moment I saw him not as a son looking at his father but as a viewer looking at a fictional character." (TIOL, page 50)
It's mentioned in the novels that Joey likes theatre and he expresses his thoughts about it to Buddy in dctl.
Theatre operates in "cycles":
Actors play their parts→ the audience applaud→ actors bow→ performance ends→ performance begins and so on.
It's has a pattern and won't introduce anything that will caught you off guard. It's "safe" and as a part of audience,you don't need to perform, you only watch.
Does it remind you of batim's cycle? Outside of holding grudges toward Henry and wanting to run away from everything Joey has performed with GENT, he also searches for control while not being included directly.
HE decides what will happen to the cycle residents. HE writes the story that other people can barely affect. HE blames other people for studio's downfall and makes them suffer for his wrongdoings.
Joey knows that he has failed but he can't process it. He doesn't know what will happen and he's scared of being put into situations he can't predict.
It's really shows how insecure he became with years.
3. Why Henry is important?
Why exactly Joey couldn't replace one man he didn't knew for a really long time? What made Henry so special to him?
We don't get a big insist on their friendship but it can be said that their short-lived bond was strong or at least Joey believed that it was.
Henry seems to be Joey's role model of sort even if Joey doesn't want to acknowledge it.
Joey notes on how Henry changed the course of his life without knowing about this
Henry is a determinated man who went for a career in art because he knew what he wanted & he stayed on this path no matter how hard it was to get any recognition.
Henry's the man who makes decisions and acts when he needs to.
Meanwhile, Joey feels lost his whole life. He searches for answers,purpose or a place with a "soul".
Henry gave him new meaning for life. Creative path with endless possibilities that Joey could build from scratch.
Joey was heartbroken when Henry left, doesn't matter for hard he tries to act like he wasn't.
"His presence was helpful, I can happily admit, but his absence was even more so. Not having him at the studio ended up being one of the best things that could have happened to it" (TIOL, page 138)
For some time his life was revolving around Henry. He knew what to do and what will happen, Henry always pushed him to the right decisions.
He says so directly in batim chapter 5:
"The truth is, you were always so good at pushing, old friend... pushing me to do the right thing"
With loosing Henry, Joey lost his newly gained purpose in life. It wasn't something that he was able to figure out by himself & it made him blind to the road that lies ahead.
He's angry at Henry for being like "other people" that he hates. For leaving him behind when he's scared of being alone.
We don't know about Henry's perspective much but he strikes me as someone who would be supportive of Joey at first.
He made some of Joey's ideas real and left only after a breaking point.
3.1 "Cartoon family"
Joey is deeply attached to main JDS toons that he "mutually" owns with Henry.
Especially, it's noteciable with toon Bendy who was called his child on a couple of occasions:
"Bendy was Joey’s child, and he felt just as strongly about Bendy as I feel about my flesh-and-blood son" © Nathan Arch (TIOL, page 5)
"He was my very first creation—one could even call him my firstborn." (TIOL, page 12)
Joey not only sees Bendy as his child but he also relates to him.
He draws parallels between them both, calls bendy manifestation of "the illusion of living" and shows some of his mannerisms (as he says)
Joey wants to see himself as Bendy.
A character who's loved by kids and adults alike and who always has friends around.
"I tell people that Bendy is the perfect example of my philosophy." (TIOL, page 12)
"To know that I needed a creation so perfect, so accessible to so many people, that it would help me change the way the world saw itself." (TIOL, page 13)
In Joey's apartment the only one picture in frame that he owns is illustration/animation cell of toons drawn by 'Henry Stein':
They're depicted holding hands with Bendy being in the middle of both; it's portrays closeness between them and Bendy's importance in the picture
But was it's actually signed up by Henry or Joey is the one who did it for himself?
We know from batim (and batdr notes) that Joey's signature is "your best pal" which makes this case...a bit complicated
Joey could've wanted to pretend that Henry is still close to him and decided to sign up drawing with his name
Or possibly it was signed up by Henry somewhere in the past. In this case, Joey could've adopted Henry's signature as his own.
Both speculations have place to be real and we can't prove any of them.
Joey's known for pretending (which would fit with the 1st possibility) but he's also stuck in the past and stole a lot of ideas that belong to other people.
Imo it can be interpreted based on the way you see him.
4. Why was Susie fired?
Joey's obsessed with everything that is related to Bendy which can be seen with him being angry about "crooked bendy dolls" or bendy expression sheet in batim ch 2.
We can speculate that Susie Campbell wasn't fired from the role of Alice's voice actress for any valid reason BUT because Joey felt personally offended.
As Norman says in dctl, Alice Angel was really popular for a bit, which possibly could have been unacceptable for Joey.
Bendy is the main character Joey relates to and he wouldn't have wanted to be overshadowed in any way.
Susie being fired and humiliated (for not knowing that she was in fact fired) is the consequence of Joey's insecurity.
Susie claims that "she was absolutely perfect for the role" at first so at some point Joey completely changed his perspective.
Any character getting attention would be good for the studio. Firing a voice actress that helps to get this attention lacks logical reasoning.
After Joey "calms down" he has a conversation with Susie about 'an opportunity' he has for her. This opportunity is Susie being the first (speculated to) human sacrifice. He believed that she'd have been a perfect Alice.
Joey puts Bendy above Boris and Alice (like he does with himself & other people) so him acting pitiful about any other character getting popular does makes sense.
But he still cares about them...to some degree.
"Boris was special, Alice was complicated." (TIOL, page 154)
Joey having complicated feelings with Alice as character is really interesting and it's perfectly reflects what he was thinking about Susie.
She was a perfect voice actress to others but wasn't to him. He thought that she'll be a perfect Alice (after the ink machine was created) but she failed to be.
"She was beautiful. And loved by all. She was perfect...No matter what Joey says." (batim chapter 3, Susie talking about herself in 3rd person)
In dctl he claims that he relates failed experiments to "people not being real enough" or says that they weren't pure.
At the end, Joey basically has decided to pretend that she never was real
Susie is never mentioned in his memoir and she's almost fully erased from studio's history.
In Batdr's studio tour (music department part) "Susie Campbell" was replaced with "Allison Pendle"; meaning that Allison is officially the only one Alice Angel voice actress according to him.
5. The ink demon
It's one of the most interesting parts here and I'm sure that a lot of people have talked about him better that I'll.
The ink demon is a "product" of mistreatment, Joey's unhealthy projecting and capitalism (duh)
Joey saw Bendy as his son
He wanted to be like Bendy, someone who's loved and can always escape from troubles
One of reasons to bring Bendy to life is his marketability. Joey wanted "alive attractions" he can get money from.
The ink demon wasn't able to fullfil any expectations that Joey had.
He was passive and harmless (at first) but to Joey, he's not a cheerful toon that he has always dreamed about.
One of main issues that Joey has with him is that he's off-model:
"Listen Tommy, i know you boys over at Gent are doing your best but I'm paying for living attractions,not walking abominations. Whatever that grinning thing was i saw walking around your office,you better keep it up locked tight! Might scare off investors!..." (batim chapter 5)
"Grinning thing" and "walking abomination." The ink demon is completely dehumanised because he's not marketable.
As it was mentioned earlier, Joey sees Bendy as a perfect being and relates to him
He doesn't want to relate to the ink demon; for this reason, he separates them both.
Joey has hard time with accepting "failures". They either get forgotten, dumped or he tries to change them somehow.
The ink demon is a mistake that Joey and GENT have tried to "fix" for years. "A monster" that has shattered Joey's dreams.
5.1 The ink demon's sense of self
It's Joey character analysis so this point won't be too big.
The ink demon was treated like a mistake for being different:
Closed off, isolated, put in the cycle,tortured.
He was in the place where no one would care because he's not "a perfect bendy". Most of it comes from Joey or is related to him in some way.
Everyone saw him as a monster and he has accepted this role.
We know how it went in batim/batdr.
Worth to mention that unlike Joey, he has never lied in batdr. It's either harsh truth or projecting.
6. Ink Children
Allison was close to Joey and had a good impact on him,as he claims.
Indirectly, she made him want to have a family with the help of the ink machine.
I doubt that this decision has come from the place of jealousy toward Henry (who has a family) unless future content will somehow prove that I'm wrong. Joey can have one good intention while failing everywhere else.
Joey could've wanted to have a family to prove that there's still something good in him.
He was scared of dying alone and being forgotten.
"I hadn’t known that at the time. It gave me chills. The thought of success only after death, now that terrified me. That was not the plan and would never be the plan" (TIOL, page 122)
We don't know how many children have perished until the final, perfect one. And we can't claim what exactly has happened to them.
We don't get much details about the creation process of artificial "almost humans".
The only one we heard (outside of Audrey) is "AD" (name of the file) from batim chapter 5
"Tell me another one,uncle Joey..." ("AD" in batim post credits)
And sadly,you can't say much based on this.
They could've been physically unstable and die on their own terms
(milk packages from Joey's kitchen table in batim chapter 5. All of them were stained with ink)
If they stained object with ink by interacting with them, it could've become worse with time.
Again,with lack of context,it's almost impossible to debate for or against this idea. Was that's a thing for other ink creatures?
Susie does brings up in batim that she was "a shapeless slug" at first.
Joey didn't changed much and dumped imperfect ones
Honestly this part depends on how much you believe that he could grow as a character.
(memo from batdr, GENT building)
The way Joey talks about "other versions" sounds... indifferent.
Which is weird, because he did spend time with "AD" from batim by entertaining her with stories when she has asked him to
Does he tries to justify them being dumped OR he's distracting from the fact that they didn't had a chance to properly exist?
It feels like it was left for interpretation on purpose.
6.1 Audrey Drew
Second and last artificial child after "AD" that we canonically know about.
For Joey, creating something perfect that will outlive him could've been a key to his definition of immortality. He wanted to leave something after his death that people could know about. A piece of "perfect art"
"...Of course, I intend to live forever, so that will never happen! Ha, a joke indeed, but in a way not a joke, for what is art but a doorway into immortality? The greatest Illusion of Living then, living on after we are no longer alive. What is more of an illusion than that?" (TIOL, page 219)
Joey makes jokes about living eternally even before the ink machine's existence.
After it's creation, it's wasn't something that he has planned but he was ready for this fate (for one reason or another)
At the end of his life, Audrey has became a thing he'll live through eternally. And Memory!Joey is here ig
Memory!Joey basically calls Audrey his magnum opus:
"...My Greatest creation" (batdr, final Memory!Joey custscene)
Which further established that Joey is more proud of Audrey than he ever was on the Bendy franshise (it's hard to be proud of the stolen ideas, peoples deaths or the cycle,eh?)
Audrey seems to share adventurous spirit of young Joey (in his early 20s) & determination
They both got dragged into events they didn't asked for:
Joey (when he was 19 y.o) by detective Sinclair who has blamed him for a murder.
Audrey by Wilson Arch who has wanted to murder her.
6.2 Audrey and the ink demon
Similar trauma, different outcomes and treatment.
How present Joey was in Audrey's life? Why did they got separated at one point even before he has died?
Is there's something Memory!Joey hides from Audrey on purpose?
Batdr archives mention that Audrey has repressed her memories but what and why exactly?
In batdr the ink demon interacts a lot with Audrey which holds huge significance on the story.
In his first interaction with her he says "ink speaks to me and whispers your secrets" so the ink machine (who seems to hold some sense of identity) does know too.
The ink demon heavily relates to Audrey through the game. They were both left alone (in different ways) and they share one creator.
"You are without the purpose. Your very existence.. was a terrible lie...you're a mistake. A monster. Just like me." (batdr, the ink demon, last playable segment)
He heavily projects on her through this last interaction. Audrey does has a purpose,she was created to be a daughter Joey did wanted and loved. As much as Joey Drew could love at least, if you see this part as debatable.
But there's one thing he's right about, her existence is a lie.
Joey put burden of "protecting the cycle" on her while she thought that she's an orphan.
Batdr archives also question how much agency she has, which i find interesting.
7. "The illusion of living" (or TL;DR for this analysis)
The art of lying masterfully and manual on how to justice God complex.
Joey describes his life from early childhood (when he was 5 y.o.) and to the point of him being 42-43 y.o., a bit before the ink machine was created.
This book is about a man who couldn't find his purpose in life even with the help of other people and decided to blame everyone for this.
Lies, accusations, insults, distorted information, searching for "a soul" (literally and figuratively) and never ending hidden sadness after he lost Henry.
He tries to replace this empty gap with letting their creations become his whole life but it doesn't end well... (the ink demon,dead employees and the cycle)
He tries to separate himself from this and focused on creating a family.
Artificial daughters are electric boogalo №2 (unexpected direct sequel) which has ended working somehow.
But still,i wouldn't trust this man even a pet rock and the ink demon & Audrey are a proof on 'why.'
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Trivial facts (bendy employees handbook/the illusion of living):
>He loves mac n cheese
>Joey meet Sammy at a theatre when they were teens
>Joey loves throwing peanuts at theatre actors
>In Joey Drew studios you can celebrate only main toons birthday or Joey's birthday. Other birthdays are prohibited.
>Joey stole award that Sammy has earned
> Joey officially is an employee of the month eternally...
> Joey stoles ideas for cartoons from employees and they don't get even a couple of cents for this (woah! How surprising /j)
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Special thanks to everyone who interacted with my Audrey analysis earlier!
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