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#ash does meta
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So I was re-reading Nona. And. Have we talked about this yet? Have we gone through the implications of this section?
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NtN John 5:4. Analysis under the cut.
I always assumed the tower was a part of the Ninth because right after this chapter Nona sees the tower in the River and after that drives the truck everyone is in to the Ninth. But nowhere does it say that the tower is the Ninth.
I mean, looking at the description it certainly sounds like it - all grey and death, which is why I assumed it was. The Ninth is tall even if embedded inside of a planet, one could argue shafts are towers. But why would a tower of the Ninth be in the River?
First things first; the tower in Tarot stands for sudden change, confusion and awakening - I don't feel this needs further explanation on why it's relevant (I might, however, someday do a Tarot Locked Tomb analysis because there is A LOT there). It also refers to the Tower of Babel, which was destroyed by God along with the uniform language of Earth so that people would not come so close to Him again, so that they stayed vincible. Sound familiar?
John did make a uniform language technically, but he also separated the population to different planets, rendering them unable to unite and overcome him not only due to instilled nationalism but also due to the faults in the Houses. We know that the Sixth is struggling to keep up their lineages and population number - we know the Fourth die too young to really leave anything behind - we know the Second is too busy fighting wars.
This leads me to believe that whatever the tower represents will be the end of the world as they know it - maybe through a new God and an end to the Houses, maybe the end of Godhood and Lyctorhood in general. Either way, something is piercing through the River - something that has the power to change it all.
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NtN Chapter 30. Nona's mind knew what it was "above" and "below". Does this refer to Harrow and Alecto?
Now let's go back to that first passage from John 5:4. The parts that stand out to me are 'speared-through and mute', 'a tower that soared, impossible and deadly grey', and 'lurching out of the River as though gasping for air.' All of this sounds like Gideon.
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GtN Chapter 37. Very much speared-through and mute.
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NtN Chapter 16. Ramrod posture? Soaring, impossible and deadly grey.
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NtN Chapter 25. And Gideon knows what's in the River. Chances are that the tower is a construct created by John for whatever purposes. Gideon is also a construct created by John - at least Kiriona is.
I obviously don't know how accurate this connection my brain jumped on is, but it honestly makes a lot of sense to me. There is something below the River, just like how 'reality' is above the river. Especially when considering Nona referred to a thought above and below that knew what the tower was, it appears to me like the below is a plane much like reality and the River where things exist and can continue to exist. I have not yet sat with or developed an opinion on what exactly might be there, but there is something there. I think it might be the cavaliers.
So what if Gideon ended up there? What if, when she ended up in the River at the end of HtN, Gideon ended up in the below once Alecto was forced into Harrow's body? What if John knew all along how to reach there and he finally decided this was the time to bring something - no - someone back?
But you can't really reach the other plane without the River, can you? We have seen it with the Resurrection Beasts - they travel through the River and exist in it while simultaneously being above it. And, if we look at Palamedes, one who has passed and is part of the River needs a container of sorts to be above. Perhaps, then, one can sink while tethered higher in the three layers, but one cannot soar from below without a container to carry them up. An integrated cavalier is forced down, not reaching up - they are buried in the below.
So let's say John brought Gideon back. Her corpse would obviously be the container for her above. The tower, then, could be her container for the River. Ianthe could be using Gideon's aberration in the River as a means to anchor herself as well. That could be why they are the Tower Princes.
Alecto would know the tower was a gateway of sorts. She would understand, like presumably any other Resurrection Beast would understand. But Harrow. Harrow.
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GtN Chapter 36. I cannot let go of this passage in relation to the tower. "Instead, she was Drearburh." "She took the whole putrid, quiet, filth-strewn madness of the place, and she opened her doors to it."
Cavaliers' tethers are shown through the eyes, through altering the look of that which binds them to above - so, maybe through being Gideon the tower became Drearburh. Maybe Harrow saw it, and felt it, and she saw Gideon, and she saw home. So she walked, and she walked, and she knew that it would lead back to her.
The tower - Gideon, then, will be the changer of things in the end. Maybe Gideon and Harrow, but definitely Gideon.
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hualianisms · 5 months
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the way HC grew up thinking he was weak, monstrous, repulsive, was told that he was cursed, and believed that he had to spend 800 years becoming better, stronger, more powerful, for XL, bc he wanted to protect XL -
but then he meets XL again, and shortly after becoming friends, XL tells HC that he doesn't care if HC is hideous, doesn't care if HC is a beggar or royalty, a ghost or human. later on, XL even tells HC that he doesn't care if HC is strong or weak, at his lowest or highest point, in worst or best moments - XL loves HC no matter what state HC may be in, he loves him simply bc he is HC.
and this unconditional love from XL is so important to HC, so healing for HC, and is exactly why it shaped HC so inexorably, both 800 years ago and 800 years later. bc XL truly is the kind of person who loves someone for who they are, not how they appear on the outside.
and HC fully reciprocates this unconditional love by loving XL no matter if XL is the god-pleasing crown prince or the broken husk of a man wearing bwx's mask trying to take revenge. HC returns this unconditional love by repeating XL's words back to him, what matters is you, not the state of you.
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stopthatfool · 4 months
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in top gun meta hell rn. what the fuck am i doing in top gun meta hell. i don't think i'm supposed to be thinking so hard about this movie. it's not designed for this.
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kohakhearts · 5 months
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hey that pokemon 2000 gifset + your jn dub analysis made me think about the pokemon 2000 dub - I've only seen it subbed once (compared to the hundred times I watched it dubbed as a child) so I could be misremembering, but didn't the dub completely change the themes of the movie with the chosen one ash thing?
i actually haven’t watched the sub nearly as many as times as the dub either :p but i have read extensively about this topic bc it’s personally my favourite pokemon movie and yes! the first and second pokemon movies are both victim to this (like mewtwo’s epic speech we all love so much at the end of the first movie…being a complete fabrication by the dub team :p you gotta give those writers credit - they were VERY good at what they did), largely i’m guessing due to cultural values and expectations. since they were trying to sell the anime to an american audience, not a japanese one.
tangentially, i will say i also think that’s the root of this like…subtle distinction some people have between the characters “ash” and “satoshi.” i don’t differentiate them in any big way myself because fundamentally they still are very much the same, but it is true that in japanese, ash has somewhat different mannerisms and responds differently to events at times, especially in the early anime when it was so much easier to get away with making big changes for…a big assortment of reasons haha.
in THIS movie in particular, some of those things are like…well. the prophecy is probably the most obvious change. the dub team rewrote it to include the chosen one reference, which works great because of the word play on ash’s name. in japanese, it just says “an exceptional trainer will appear to help calm the wrath of the gods.” ash’s response to this is more mild trepidation than outright fear. he doesn’t hesitate like he does in the dub. and tbh? both reactions make perfect sense for his character in my opinion.
in japanese, his concern is more "do you really think i can fit that role?" this...tracks pretty well with his character development by this point. like yeah he said he could win the indigo league, but he's also thinking about dropping out after gary loses; it's that little grain of insecurity he has, which he's normally good at covering up with arrogance (a lot of which is also very genuine, don't get me wrong). but he sees the opportunity to help and he takes it. that's just...what ash does.
in english, though, the prophecy is pretty clearly about him. there's no one else it could be. it has to be him. and he...doesn't like that? that scares him. which, fair. anyone would be terrified by being singled out like that. it's also so much...not ash's thing, even at this point in the series. his character development is about embracing having to work hard to do well. to keep trying until you get it right, no matter how many times you get it wrong. the idea of being a "chosen one" completely robs him of his ability to be so single-minded about what he wants his destiny to be that it manifests as pre-determined; it just...pre-determines it for him, if that makes sense. lol.
the thesis of the japanese version of the film is that no one person or pokemon can stand on their own. everyone needs help. it's about harmonizing with each other and with nature. about letting others help you, and helping them in turn. the english version rewrites that into a story about power and destiny. the title alone says it all, right? it's called "the power of one" - no reference to lugia, no reference to the birds. in japan, the title is about the revelation (or "birth") of lugia.
westerners love a good chosen one story, so this was a really good choice by the dub team in that respect. i mean, it's a narrative that's stuck really well. fandom loves chosen one ash! in general, western fanbases are really into this narrative. it's everywhere. and there's a lot that goes into that, culturally, and especially religiously, historically, etc. so at the end of the day, i don't think the change is so much about conflicting ideas about collectivism and individualism. it's more about goals and ideals, on a personal level.
let me say again for the 273456784th time, i love that they resolved ash's story by having him realize that the goal he's really been striving for all this time is to meet and befriend pokemon. to learn from them. to earn their trust. it's like...he did the thing that everyone else thought represented his goal, maybe even himself included, only to realize that his dream was never about the end of it anyway. it was about everything he learnt and everyone he met along the way. (i also suspect nobody writing in 1997 knew that that would be the ultimate resolution, either. but it makes sense in the entire context. it's kind of a nice irony, even. to only figure it out after writing the story :p)
and i think this little distinction is important to that goal! it's his whole character! which is why even though i too love chosen one characters, i don't necessarily think of ash as one. because even if he is, his whole Thing is that he wants to try. a lot of the chosen one narrative is about characters being reluctant to be used for a "greater good," or about them collapsing under that pressure. ash doesn't really have that. he does what he thinks is right because he...thinks it's right. sometimes, sure, others have to push him into it a bit, but usually they're actually pushing the other way - it's too dangerous, you're going to get hurt, etc. and to me, i don't know - thinking of times he's died, or nearly died, and some legendary or mythical pokemon has saved him at the last minute...i don't think that has to mean he's special in a cosmic sort of way. i think it just means he's special to them. that he did something for them, or for someone else they had come to care for (thinking manaphy responding to may's emotions, not just to the fact that ash was drowning, or in mpm ash convincing latios to trust him because of their mutual desire to save latias, etc.), and so they want to help him. which is completely opposite to the typical chosen one narrative, i think? because he doesn't do those things out of obligation...he does them because he thinks he can become a better trainer by doing them, and he wants to do that. and well. he did do that.
anyway my tl;dr here is YES they changed the theme a lot haha, but i find it fun that they also changed the characters’ responses to that theme. funnily that’s…kind of also what fanfiction writers do all the time, lmao, but that’s a whole other conversation.
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jensensitive · 2 years
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5x03
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13x04
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13x06
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(scripts)
Tiptoe Through the Tulips lyrics
Knee deep in flowers we'll stray We'll keep the showers away And if I kiss you in the garden, in the moonlight Will you pardon me And tiptoe through the tulips with me?
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(the Netherlands was the first country to introduce a legal form of gay marriage) (personal space thoughts) (tulips meaning)
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mutxnts · 2 years
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thinking about how phoenix just like. gave trucy a bunch of money to go out and buy all the albums of the guy who caused him to lose his attorney badge lol
i have so many questions. does he have a grudge against the gavinners bc of klavier? does he refuse to listen to their music bc of it? does he feel weird his daughter is obsessed with them? how does he feel about financially supporting them by letting trucy buy their merch and stuff?
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opal-owl-flight · 2 years
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“There can only be room for one King.”
“Sure aint you, shithead.”
HAGH. OKAY OKAY YALL WANNA KNOW WHY I HAVENT BEEN POSTING AWHILE? ITS BC OF THIS (AND THESIS)
Ive been developing this arc for a few days.
Basically, Magolor finds a settlement of his race after decades of thinking that hes the last one. And its not the warm welcome it was hoping to be.
remember how the tech ancients and magic ancients split off from each other? Yeaaah… Mags was born in the tech faction and has been practicing and getting better with magic for an incredibly long time. With Halcandra gone, he grew in Popstar with no one really stopping him.
The Halcandrans (the ones in power anyway) in the Forgotten Land believe that magic is a disease that plagues their race, and a cure must be found. They look to tech to remove and replace that magic from them completely…but it would turn them into mindless husks, instead.
Mags hides a lot of himself while he stayed in this settlement. He missed being surrounded by his people. Hes adored. Hes admired. Captain of the legendary Lor Starcutter, an engineer of great renown. He knows he shouldnt be doing this, for if the truth of his magic practices were to slip, hed immediately be banished or killed…or worse.
Is it worth it to lie just to feel like he belongs with his people again?
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Alright, so... Does anyone besides Jotaro in the SDC crew actually know Kakyoin's first name?
We know Jotaro knows Kak's first name cause
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But Jotaro never calls Kak by his first name, so how would the other crusaders know?
Possibility: Jotaro goes "yeah this is how Kak introduced himself, kinda funny right?" + shows off the kerchief (if he still has it). I mean, it's a pretty bizarre story.
Other possibility: the Crusaders never ask because it doesn't occur to them?? Or maybe they don't wanna cross boundaries by asking if they can be on a first name basis?? (Wild cause everyone calls Jotaro by his first name, but he is the main character)
The Crusaders wouldn't be able to find out Kak's first name via the guest book in Justice b/c
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he's the second last to write it. Unless Joseph + Pol stuck around cause they're nosey? Would be funny
K: why are you hanging over my shoulder??
P: I'm curious! I introduced myself w/my full name, shouldn't I get the same courtesy?
And then we have the whole deal that when written Kakyoin's first name can be interpreted as Tenmei or Noriaki (like shown below)
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So we could have the guys assuming his name is Noriaki (and I mean they're not wrong exactly...?) since they've only seen it written. It makes me wonder if Kak has a preference for one over the other?
It kinda reminds me of people having their "god given names" like Christopher, but being called Chris w/friends.
Anyways I'll do some Eileen + Kak posting after this. I just wanted to speculate + set up the reason why I'm making the next post.
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herethereverywhere · 1 year
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i have a lot of complicated feelings about mark winters
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bronzeagepizzeria · 8 months
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A COMPREHENSIVE DEFENCE OF EVERYTHING TENTOO (PART 1)
Because unfortunately there’s a lot of stuff out there to refute.
so i guess a lot of people are watching doctor who right now because of good omens. and that, for some reason, means the tags are being constantly subjected to Certain tentoo takes so...it's meta time.
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in this meta, i'll be rehashing how, exactly, tentoo is the doctor, and answering some other commonly posed objections to the pairing that is tentoo x rose.
But he's not the Doctor! Rose ended up with a copy!
First things first. The entire show revolves around the philosophical concept of Cartesian Dualism--the idea that the soul/spirit/mind has an entirely separate existence from the physical body. This is the basic principle of regeneration; when the Doctor regenerates, every organ, every cell in his body changes, and yet he remains the same man. What makes the Ninth Doctor the same man as the Tenth Doctor? There's something underlying here---the memories, the mind, the spirit. The body, has absolutely no significance.
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In S6E6, The Almost People, we are introduced to the Ganger!Doctor. This is a man made out of like, slime, but he has the Eleventh Doctor's memories. Thus, he IS the Doctor. The Doctor himself says this.
In S9E11, Heaven Sent, the Twelfth Doctor is reduced to ashes millions and millions of times, and yet each time his body is 'recreated' or 'cloned', he remains the same person. Why? Because the memories persist. The soul lives on.
Here, have it straight from the horse's mouth.
"A man is the sum of his memories. A Time Lord even more so." - The Fifth Doctor, The Five Doctors, 1983
More evidence? What's the first thing the Tenth Doctor tries to do in Born Again to convince Rose that he really is the Doctor she knows?
DOCTOR: Very first word I ever said to you. Trapped in that cellar...Surrounded by shop window dummies. Oh...such a long time ago. I took your hand...I said one word. Just one word...Run.
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Right. He shows her that he has the same memories.
Now cast your minds back to S4E13. What does the Metacrisis Doctor say when he's trying to convince Rose he's the same man?
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Therefore, according to the lore established by the show itself, his missing heart has no significance to who he is. He is the Doctor.
2. But he's a CLONE.
Okay, first of all, he's not. He's a biological metacrisis, the only one of his kind. He has only one heart, i.e, he is not biologically identical to the Time Lord Doctor.
Second, even if he was, he would STILL be the Doctor. As established above.
Third, we see a Martha clone in S4E4, The Sontaran Stratagem, and she is a far cry from what we see of Tentoo.
3. Alright so he's not a copy. He's still only A Doctor! He isn't Ten, he's Half-Donna!
So. We've established that what makes a man is his memories.
If the Doctor had Donna's memories, he wouldn't be the Doctor anymore--which makes him ending up with Rose redundant. Here's the silver lining though.
Tentoo has only ten's memories. His own memories.
'How do we know this?' you may ask. Let's examine the script of S4E13, Journey's End.
(The Daleks spin around on the spot.) DALEK: Help me. Help me! DONNA: And the other way. NEW DOCTOR: What did you do? DONNA: Trip switch circuit-breaker in the psychokinetic threshold manipulator. NEW DOCTOR: But that's brilliant! DOCTOR: Why did we never think of that? DONNA: Because you two were just Time Lords, you dumbos, lacking that little bit of human. That gut instinct that comes hand in hand with planet Earth. I can think of ideas you two couldn't dream of in a million years.
Not very likely if Tentoo had her memories, right? This happens again, in the TARDIS Coral deleted scene:
DONNA: If you shatterfry the plasmic shell....you accelerate the growth power by fifty-nine. DOCTOR & NEW DOCTOR: We never thought of that.
There we go. Canon evidence that Tentoo does not have Donna's mind/memory/thought process. Instead, we see his mind being constantly referred to as that of his Time Lord counterpart.
4. So what exactly happened during the 'metacrisis' then? Why was Donna unable to sustain the change whereas we're meant to assume Tentoo is doing fine?
What happened in JE was a two-way metacrisis.
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Tentoo is a biological metacrisis, i.e his mind remained the same, but the regeneration energy in his hand picked up on Donna's human biology and grew a human body. (His body is PART human, as in the ageing part. He'll grow old, and never regenerate.)
Whereas, Donna's body remained the same; she got the Doctor's mind, becoming the DoctorDonna. She is essentially the Doctor AND Donna, at this point in time.
At one point in JE, there are three Doctors ("There's three of you?") because as proved earlier, anybody that has the Doctor's memories, is the Doctor. There is: the Time Lord Doctor (Ten), the Human Doctor (Tentoo) and the Doctor Donna.
Since Donna was a human, she could not sustain the Doctor's mind alongside her own, which is what led to it burning up. It was simply too much for a human brain to take.
Tentoo, as proven earlier, does not have Donna's mind.
5. But he talks funny.
We are shown the Doctor picking up her mannerisms. The Doctor regularly picks up things from people he travels with. He "imprints" on Rose as a newly regenerated being and is shown to pick up on his companions' accents very often.
On a more analytical level, the "Donna mannerisms" bit is obviously comedic relief in an extremely action packed episode (evidenced by the fact that he literally never sounds like Donna again throughout the episode) and isn't meant to be taken that seriously. In every other scene, he is played by David Tennant, exactly as ten.
Tentoo is the Tenth Doctor, but human. In every way that matters, he is exactly Ten.
6. But he's Season 2 Ten! He doesn't have any of the character development Time-Lord Ten does!
Erm. Yeah. You've got to watch the show again.
7. Alright. Okay. If Tentoo is the exact same man, he would get bored of a life on earth with Rose. They'd never last.
Now we've got to address a key aspect of the Doctor's arc. (Keep in mind, when I refer to the Doctor herein, I only mean the Ninth and Tenth, the ones written by Russell T. Davies.)
The Doctor always wanted to be human.
The Doctor, and the Tenth Doctor in particular, wants to be human. It’s peppered here and there throughout the first four seasons, but if you watch closely, there’s this underlying current of wistfulness in him (“I’ve never had a life like that”; “The one adventure I can never have”), not to mention the entirety of the Human Nature two parter.
I think to some extent Rose made him feel human, and it’s his alienness that’s the big barrier in their relationship. He doesn't allow himself to love her the way he wants to because of the difference in their life spans. Because he's a Time-Lord, and he has a responsibility to the Universe, and he can't be more selfish than he's being already, keeping her with him.
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She makes him want to be human, to be loved and to be free to love her as he wants to. She even helps him forget, sometimes, that he isn't human. Remember his expression in The Stolen Earth when he sees her again? He is so glad to see her. In that moment, it doesn't matter that they can never be together, because Rose loves him so much she came back.
I'm reminded of a quote from Buffy The Vampire Slayer:
I know that I'm a monster. But you treat me like a man.
And then bam. The almost-regeneration. The crushing reminder that he is intrinsically different from her species, from what he aches to be. Constant and selfish and free. Human.
Giving Rose up to his other self was the most selfless, loving thing he could’ve done. His other self, who is uninhibited, unburdened from the responsibilities of a Time Lord—can and will give Rose everything she deserves.
8. Just make Rose immortal then! Happy endings all around.
Now you might say, the earlier problem could be solved simply by making Rose immortal—she’d stay with the Doctor forever and she’d never have to leave him!
Here's the thing. Being immortal is Not Good.
A constant theme throughout seasons 1-4 is that immortality is not desirable. There is a constant motif of “living too long”, whether it be from Jack, the Face of Boe (cough), or the Doctor himself.
Things are only precious and meaningful because they end—the human way of doing things? Fast, and bright, and temporary? It’s the right way.
One of the many reasons the Doctor loves Rose is because she’s human—it’s a big part of why he’s attracted to her in the first place.
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Besides, an immortal Rose would mean having to outlive her family, her friends, everyone she’s ever known—who else has experienced that? Oh, yeah. The Doctor. I can’t imagine him wanting her to go through the same thing under any circumstances.
9. Rose would never accept him. She wanted the adventure too, not just the Doctor.
This is the Rose who instantly felt connected to a parallel version of her parents. Remember, this Pete and Jackie had NO memory of her, and yet, she loved them. Tentoo IS Ten.
She also constantly refers to Tentoo as The Doctor, so I have faith in her figuring it out just fine.
As for the adventure, being human doesn't mean they're suddenly going to become accountants or work in childcare or something. (Looking at you, Jenny Colgan.)
Canon (Big Finish) tells us that they both work with UNIT/Torchwood, so we know that they're out there, defending Pete's World together.
'What about the TARDIS?' you may ask. Well, the writer considers it canon that the previously linked TARDIS coral scene did take place, so we can imagine that they're out there, exploring a new Universe.
But even if they didn’t have a TARDIS, we only need to look to S1E13, The Parting of the Ways, to understand that Rose cares about the Doctor above all else.
ROSE: But what do I do every day, mum? What do I do? Get up, catch the bus, go to work, come back home, eat chips and go to bed? Is that it? MICKEY: It's what the rest of us do. ROSE: But I can't! MICKEY: Why, because you're better than us? ROSE: No, I didn't mean that. But it was. It was a better life. And I don't mean all the travelling and seeing aliens and spaceships and things. That don't matter. The Doctor showed me a better way of living your life. You know he showed you too. That you don't just give up. You don't just let things happen. You make a stand. You say no. You have the guts to do what's right when everyone else just runs away.
Of course Rose loves the TARDIS. She just loves the Doctor more.
More evidence? S2E8, The Impossible Planet:
DOCTOR: ....They were grown, not built. And with my own planet gone, we're kind of stuck. ROSE: Well, it could be worse. This lot said they'd give us a lift. DOCTOR: And then what? ROSE: I don't know. Find a planet, get a job, live a life, same as the rest of the universe.
Clearly, she doesn't mind settling down---not if it means staying with the Doctor.
DOCTOR: I promised Jackie I'd always take you back home. ROSE: Everyone leaves home in the end. DOCTOR: Not to end up stuck here. ROSE: Yeah, but stuck with you, that's not so bad. DOCTOR: Yeah? ROSE: Yes.
Here's another conversation she has with Jackie in S2E12, Army of Ghosts:
JACKIE: No, but really. When I'm dead and buried, you won't have any reason to come back home. What happens then? ROSE: I don't know. JACKIE: Do you think you'll ever settle down? ROSE: The Doctor never will, so I can't. I'll just keep on travelling.
"I can't." Not I don't want to, or I'm not interested---I can't. Rose is in love with the Doctor, and she knows at some level that the feeling is mutual. She also knows, he will never fully act on it.
But that's alright, because she loves him so much she's made her peace with it and with his limitations.
And instead of the typical female protagonist sacrificing things for her love interest trope, we get RTD flipping it on its head and letting Ten deliver the ultimate sacrifice, perform the ultimate act of love---letting Rose go.
By doing this, he's giving her everything he never could. It's beautiful. It's heartbreaking. It's the best love story ever put to television.
Let me conclude with this quote:
“Firstly, Rose is neither shallow nor stupid. She doesn’t settle for second best. She gets the person she fell in love with. And, as a bonus, he’s now able to spend the rest of his life with her, as she with him. Secondly, the very same person who experienced the heartbreak of losing Rose for the first time now experiences joy at the prospect of a lifetime in her company. In this full sense, the Doctor who lost, finally wins.” - Paul Dawson, Doctor Who and Philosophy.
10. But the Doctor and Rose ending up together is disgusting! They were platonic!
…..
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Part 2 coming soon. I have loads more to say, but feel free to send in any other tentoo questions you want answered here. There's no such thing as too much meta!
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In GTN chapter 36, Cytherea says “None of you have learned how to die gracefully. I learned over 10,000 years ago"
Do you know/have a theory as to how Cyth could have learned anything pre-resurrection? She was not one of the original lyctors present for the resurrection and it was only 10,000 years ago. It could be hyperbole but I am suspicious of the “over 10,000 years”.
Thank you so much for the ask! I wanted to take my time with it, I hope you didn't mind the wait.
I actually had been chewing on this with my most recent GtN reread. Bear with me as I cut and paste all the pieces that form my thoughts on this - hopefully it's somewhat coherent to read.
Could "over 10000 years" be a hyperbole? Maybe. A lot of characters tell the 'truth' as far as they believe it to be so even if it's factually incorrect. I don't think, however, that Tamsyn would make Cytherea say it in this specific way if it was a hyperbole. In GtN chapter 35 where Palamedes confronts Cytherea we get the following lines, which are what feed my intuition about this:
"Don't lie to me, please."
Dulcinea said, "I have never lied to any of you."
Cytherea has no reason to lie, especially not after being confronted by Palamedes. She tells him herself - she has been giving pieces of the truth and using those to manipulate the narrative. Because of this and because it's much more fun if it isn't a hyperbole I see no point to dismiss it as an emotional inaccuracy.
So let's say she is over 10,000 years old. How does that work?
First thing I went looking for while trying to figure this out was the question of Cytherea's birth. On the fandom wiki, it states that Cytherea was born into the established Seventh. I have been combing through the books, and I cannot find anything in canon that truly confirms this. What we do know of the timeline and her age is the following from HtN chapter 9:
"When they first brought her to Canaan House, I thought there'd been some mistake. - She was just shy of thirty then, I recall. -
-Was she the first gen, or second?"
"Second," said God. "Early second. We were still experimenting with getting the Sixth installation up and running. Some of the Houses were empty."
Mercymorn spoke up: "No. We had it running by then. Because Valancy was with us, and Anastasia."
-"Yes, you're right. We were all there to meet her. All sixteen of us -
'Some of the houses were empty' is the important line here, because in NtN John 5:4 Harrow describes how the resurrection happened:
-You resurrected some of them. You wake up fewer still. You start out with a few thousand, then, later, some hundred thousand, then millions, but never more than millions. You teach them how to live all over again. You teach yourself. -
The houses are named in order of resurrection. The Seventh, then, comes after the Sixth, which should make it obvious that by the time Cytherea arrived the Sixth was already established - or the Seventh wouldn't have existed. Yet, for some reason, for John this is not as obvious. I have found what could be an explanation in HtN chapter 2:
He said, "No. I haven't truly resurrected anyone in ten thousand years. But at that time... I set many aside, for safety... and I've often felt bad about just keeping them as insurance. They've been asleep all this myriad, Harrow, -
The difference wouldn't be as obvious to John, because he didn't resurrect the houses one by one. He resurrected a chunk of the earth's population, kept them dormant, and piece by piece woke them up to populate the houses. Beyond the fact that Cytherea is never said to have been born on the Seventh in canon (again, to my knowledge - please correct me if I missed it), the following from HtN chapter 2 really seals the deal in my eyes that she was not born on the Seventh but rather woken up for the Seventh.
The emperor said gently, "She needs to go home, Harrow."
"That was never her home," he said.
You did not look. "And will the Seventh House accept her?"
I also considered John might feel Cytherea belongs at home with the other Lyctors and therefore denies that the Seventh is her home, but then remembered the following from the same chapter:
He said, "No Lyctor has ever returned home, once we understood the reprecussions... no Lyctor except one, who knew I would come to intercept her for that very reason."
He is talking about how Harrow cannot go home to the Ninth, and referring to Cytherea going home by returning to Canaan house located on earth. John also talks about the kind of people he resurrected in NtN John 5:4:
-We'll get them all back... some of them, anyway... or at least, the ones I want to bring back. Anyone I feel didn't do it. Anyone I feel had no part in it. Anyone I can look at the face of and forgive. -
Part of the same chapter I included above in combination with this one make me itchy almost. Harrow says 'You teach them how to live all over again.' That almost feels like it should be people who recently learned how to live. Like John only resurrected kids.
Think about it. He resurrects his loved ones and ones he can forgive. People who did not take part in the destruction of earth in his eyes. Who other than children could he really be talking about? Children, babies, who have no power to decide or influence to exert, who - even if they did have the power - do not have the capacity to understand the consequences of their actions. Whose memories will be easiest to erase because there is so little to begin with.
It then also makes sense why there were two generations of Lyctors. The population he woke up had to grow up into adults first. Why else would he have half a band of Lyctors trying to settle all of the Houses? If he was able to pick adults worthy of resurrection, he would have been able to pick adults capable of establishing his houses and becoming his hands and gestures.
One final point that drives this home is the following from the very beginning of GtN in chapter 7 when Teacher tells the Ninth about Dulcinea's condition:
"Dulcinea Septimus was not meant to live to twenty-five,"-
Dulcinea's hereditary disease is the same as Cytherea's. John did not know she was sick when she first was brought to Canaan house, which means that when he resurrected her, she must have been young enough to not be actively dying yet. Perhaps a toddler or a child who had been sick for some time - long enough to know what it feels like to slowly be dying.
So, all in all, my answer is that Cytherea was not born on the Seventh. I am not sure where the idea that the second generation was born on their planets of origin came from, but I honestly doubt any of them were born instead of woken. Cytherea claiming to have learned something 10,000 years ago would be a great way for Tamsyn to give us just enough to figure it out - this is, after all, the same author who gave us the big reveal of the second book in the first sentence of the first book of her series.
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insightfulllama · 11 months
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ANYWAY HERE’S A MASSIVE LIST OF OBSERVATIONS AND THOUGHTS FROM REWATCHING THE CABIN VOD AHAHAHAHA
(Spoilers)
The first thing Ranboo clearly says is, “It wasn’t supposed to…be like this…” They are very disoriented and confused, verging on distress.
When the mask turns on, they panic and yell “no” several times, before standing and going, “Where am I?” and “This place sure looks weird!” in the NPC voice. I believe he knew something was wrong and was able to scream, but not anything more before they took full control. 
The NPC behavior isn't as obvious as it is in "Warehouse", but I definitely see it now that I'm looking for it. Pretty unsettling. 
Ranboo checks locations they had already looked at before the mask turned on. (The door, the bookshelf, the ashes, etc)
Ranboo can see us, but with the masks influence we appear as a “weird painting”. 
When he is flipping through the magazines and waiting for chat to decide where they go, he says, “These are just old pajamas.” I think that’s what they say, I have no idea what it means. 
When Ranboo first goes to look at the window, he bends out of frame and messes with something (I think the VHS’s) and says, “Those don’t seem too important.” Pretty interesting considering he later uses a VHS to communicate with the one trying to get him out. (Showfalls influence?)
He’s complained about his head hurting twice now, I think this may become a pattern
They find a set of teeth in the drawer
The red key is IN the red bat- mirroring how the key is in Slimecicle later? Did he have to dig into a dead animal to get it here as well and we just didn’t see it because of the mask? 
Ranboo’s spacial awareness seems impaired. He doesn’t know where Slime went because he can’t directly see him. This happens again later with Sneeg, Ranboo looking the entirely wrong way when Sneeg calls out. Both Slime and Sneeg call attention to this- “It’s a house, there’s door frames! How did you get inside if you do not know what a door is?” and “How do you not hear me?...How did you look over there, man?”
JUST realized the key colors match the “characters” we’ve been introduced to. (The Savior, The Taken, The Villain)  I don’t know if there’s further symbolism connected to where the keys are found and stuff but it’s pretty neat. 
When Slime does the pinkie swear promising that Ranboo can leave after he does the cooking challenge, they have their fingers crossed behind their back. 
Slimy Guts is one of the available ingredients, bit sus considering our new knowledge. Also chinese leftovers got 0% of the votes LOL
The random cutaways are kinda strange. Don’t know what to make of them. 
Ranboo uses a pretty big knife to open a little package of slime, is instructed to “beat up” the food and call it names, and later he offers to cut Slime off the floor when he gets stuck. I think there’s a good chance ranboo stabbed someone and made a meal with their guts. Or something in that vein. (Several times Ranboo points out that these aren’t REAL ingredients and he doesn’t know how someone could eat it. What’s happening is probably so horrifying that he can’t imagine it as something normal like chicken, so his brain is substituting with stuff that’s weird but TECHNICALLY not morally reprehensible.)
Fridge says “BEHIND YOU” on it
Gummy worm was in the freezer, body parts can be kept in freezers, idk
Someone really likes mayo, cause they stopped it when it was on the turntable and gave the camera a thumbs up
Slime tries the meal but he’s really reluctant and needs specific circumstances to do it. If the theory of the meal being human guts it true, the hesitation probably didn’t have anything to do with airplane noises…
What is in the backgrounds of these cutaways? It’s so blurry idk, I can’t tell. It’s sort of purply. 
The dish in the end turns to slime with all the possible ingredients mixed in, even the ones we didn’t pick. In universe it reinforces that our choices don’t really matter, from a meta perspective it’s probably so they only had to make one slime prop. 
The timing of the marshmallow string stretching as slime tries to feed ranboo is HYSTERICAL, golden comedic timing
The mask starts blinking when ranboo gets the tape message. 
The person on tape instructs Ranboo “not to resist”. I believe this is said in the second message as well. Perhaps they don’t want Ranboo drawing attention to themself
Like in the room they woke up in, Ranboo checks areas multiple times, seemingly with no memory of the first time he checks. He does the exact same “flashlight in the eyes” gag each time he picks it up. It really enforces that in this moment he is a puppet, not making his own choices. 
“What’s over here?” NPC!Ranboo back in full swing with this dialogue. 
Ranboo did the cooking game, Sneeg didn’t. Sneeg refused to kill? Maybe cause he didn’t have a mask? Hmmm idk
The baby skull on a background shelf has a MASSIVE forehead
Light starts flickering when slime appears
What does the fight between evil sneeg and ranboo mean? Maybe they were both trapped and had a fight?? What does it mean without the obscuring mask? 
Ranboo is able to get sneeg out of slimes influence, and sneeg says a few times afterward that he’s immune now. Ranboo can help people get out of Showfalls influence? (The gooey hat does bring Sneeg out of the influence later, extension of that Ranboo effect?)
When Sneeg looks to see if Slime is in the box, there is a “shhhh” sound effect
Sneeg says Frank is his eyes and ears- was Frank a whistleblower, feeding information about Showfall to the outside? Unsure
Goo chest- possibly full of human bits? Corpse in a trunk is a pretty common trope
Jello on the shelves of Slime’s room
Same picture that was on the fridge is in a frame on the table
Ranboo looks at the mirror the same way twice, reinforcing the NPC vibes
Another false choice- the story only progresses if you go to sleep. Talking to Sneeg only gets some more NPC dialogue. Most of sneeg’s other dialogue sounds genuine, so this is strange.
Sneeg seems unable to move or act while ranboo is asleep
Could the eight hours that passed be literal? If things are obstructed by the mask it very well could be
“You would have known had you been awake!” Before the reveal of the mask making things look different I thought the streams were going to be revealed to be a dream. Clearly it’s not entirely a dream, but this dialogue is still fun. 
SHARK PICKLE LOBSTER TIME!! What would this be in real life? An actual human experiment? Security dogs? Full on hallucination?
This is a pretty funny way to promote the merch honestly lol (referring to ranboo using his merch to trick the thing into cage)
Ranboo seems baffled by his idle fighting animation for a second. He says, “Why am I just standing here? What’s going…” and when the camera pulls back the mask is flickering. 
When Slime sends his ghouls to grab Ranboo I believe he tries to move out of the way. They kind of jerk a bit, like they're trying to move their feet, before saying, “Why can’t I just- get out of here? I just need to get out of here-” The mask is once again flickering during this
After the fight the mask starts flickering a LOT, plus the other lights in the cabin. Tv comes back on. 
The TV man is named Hetch? He says, “My name is-” I think he says Hetch? Unsure
Mans gets drugged up at the end, rip
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waitmyturtles · 6 months
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This post was making its way around last night, about how viewers could/should recognize when female characters in dramas are written by men, and how we as viewers can rejigger our minds around how we then see and interpret these female characters. I'm thinking of Cheum in Only Friends, and how she's been written by an all-male and all-queer team of writers.
Somewhat separately, I'm noting a reblog from my OF Sunday meta by @fromthedepthsandbeyond about how Thai audiences vs. international audiences are receiving Cheum. Holding myself accountable: in my original post that I just linked, I chunked up the deuces on Cheum (and I do still hope April dumps Cheum's ass).
But I gotta ponder what it means that an all-male team wrote Cheum. And as well, I gotta think about what it means for me to interpret a female character in a drama, generally speaking.
What are my implicit biases towards a female character to hold people around her accountable? To hold her brother accountable for making false rape claims against Boston? To hold herself accountable for calling Boston a slut and making judgements against his sexual predictions? To hold herself accountable for continuing to suggest to Mew that he date Top, because Top is top-tier?
What are my implicit biases that a female character in a drama would be written to transcend above the bullshit she is witnessing, to be a cipher of macro-level sensibility and to cut through everyone else's bullshit to speak on the truth of their shenanigans?
What are my implicit and/or explicit expectations that the older sister of a younger brother who lied about rape claims would hold that younger sibling accountable for his falsehoods?
I just wrote on a reblog from @ranchthoughts, as we head towards Saturday's finale, about my giving these characters the space and grace to be imperfect twentysomethings, and I think this ties into how I need to possibly adjust what in the heck is going on with Cheum. And I note that especially from @fromthedepthsandbeyond's thoughts on Thai vs. international interpretations of Cheum.
Could I generalize a Thai interpretation on Cheum as: Cheum is doing the best she can in what we assume to be a Thai/Asian society that still holds in expectation certain roles of peacekeeping that a female should uphold?
I might be able to safely make that assumption, with sensitivity to overgeneralization. (I've been thinking a lot about sexism in Asian families vis à vis my re-watch and re-rewatch of Bad Buddy lately -- and how Pat's traditional Thai-Chinese family upholds lingering notions of sexism towards Pat's younger sister, Pa.)
And could I generalize an international interpretation on Cheum as: we have made so much progress on women's equality, that Cheum should feel free to burn all these assholes down to ash for their inconsistencies and/or lies?
I think there's a tension there, in the interpretive lenses, that I'm playing around with, as I think about getting more open and accountable towards my biases of what I might expect out of a character like Cheum that was written by men.
I don't know, I'm feeling unsettled by this, because in a way, I want to know what Cheum, as a fictional storytelling device, was meant to achieve by way of her placement in the Only Friends story and script. She has extreme judgement against Boston, for instance, and.... I don't know where that judgement stems from, what it means.
Does it mean that guys (like Jojo and the OF team) assume that all women judge sex? I can't think that that's it, considering Jojo's past works, but... I don't know.
So, yeah. I'm struggling with this and pondering it. How do I relate to Cheum now that I'm thinking about her as written as a fictional narrative device by guys? Oof. I wonder if I should have recalibrated my expectations all along.
---
P.S. I think this also touches on a thought I had a few weeks ago about implicit biases towards lesbians -- that a lesbian couple like Mew's moms could be wiser, sharper, and more attuned to their son's implicit angst towards Top; when clearly, when they first met Top, they weren't, at all. I thought that was a brilliant spin by the OF team on biases that we may have about lesbian couples, and what that meant for commentary about the general aloofness of Asian parents in fiction.
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isa-ghost · 4 months
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I need the headcanons, Isa. I need them like I need air. (I also have had very little time to watch QSMP overall, so all of my q!Phil info comes from you) -River
OH FUCK I WASN'T EXPECTING TO GET MULTIPLE ASKS ABOUT THEM. /POS
Here's Headcanon Set 1
NOW MORE
He's an expert at playing stupid. I don't have any actual situations from canon off the top of my head to apply this to, but his wits are sharp enough for him to pull it off when shit isn't explosively hitting the fan
He hates not being able to fly, flying is/was the main way he would de-stress. Nothing makes him feel lighter than the breeze in his feathers and a breathtaking view
This man's commitment to The Bit is so underestimated. If The Bit was a person, it'd be part of his polycule. People just overlook his ability to commit to a bit because he has to personally find the bit worth committing to
Obligatory Shiny Good Crow Brain mention. Why do you think his backpacks need sorting like once every few weeks (though he neglects them for longer than that)? And shiny is not always literal. Sometimes it means flowers or pretty types of wood or a neat mob.
Every once in a while someone can get him to laugh in a way that Almost sounds like a squawk. He doesn't know how it happens, it's like an involuntary snort laugh, but with cawing.
Unfortunately for him, playfully raising his blood pressure (stares at the kids, Tubbo, the polycule, some others) is kinda funny. It's the way he gets louder the more exasperated he gets.
He has 100% slept so hard that he snored loud enough to earn a kick in the side from Chayanne
Speaking of sleep, this idiot will pass out in that wooden chair and then wake up in the morning and bitch about his neck aching as if he isn't the reason it's aching. Tallulah especially has roasted him for this
His dedication to Chayanne and Tallulah can go unmentioned bc it's just so obvious but I need everyone to understand it's not just how he'd burn the island to ashes for them. It's also how he'd stop mid-tea party with Tallulah, Pomme & Co, dressed the whole nine yards in a tutu, tiara & obnoxious amounts of pretend jewelry to beat the ever-loving SHIT out of a threat
At first Irish Goodbyes were unintentional (which is what made them so funny) but now it's become one of the biggest bits he's committed to. This man loves embodying that gif of the dude going ✌🏻 and vanishing.
Tallulah totally told him about the Duolingo "It's Spanish or Vanish" meme. It won't leave his head now
Anytime he does the reverb voice or something he is pulling a megaphone out of his backpack and yelling into it
Because I forgot it in the first hc set and it's too funny for me not to include, I must once again tap the sign that says "Phil and Fit fuck nasty behind Fit's gym." Why do you think the shit Fit says like "big boy" gets such a reaction out of Phil? He's heard it elsewhere
He thinks he has too much self-respect to do it but if he didn't, he'd 100% be the dad to dab or whip-nae nae just to make Chayanne and Tallulah faceplant on the ground out of embarrassment
Speaking of faceplanting, Tallulah is so good at timing when she does it, it absolutely kills Phil every time. It's like one of the Top 5 ways to get him to crack up
Calling back to the Bit Commitment hc: "The 4th Wall" is a bit he made up and won't stop referencing. It's not that he's fail rping in meta, he's getting conspiracy-style existential as a joke and that's why Tallulah hates it so much
Stealing this one from my hcs about my angel OC inspired by Phil: If you put him in water, his wings will involuntarily flap like a bird in a bath. It isn't nonstop, it's like a stim he can't help doing every so often.
He loves Rose so much. She instantly makes him feel safe. He regularly has to resist the urge to passionately gush about her to people because he knows they'd be like What The Fuck Are You On About. Rose is blorbo from his brain (little does he know, she isn't entirely)
He likes to pretend he isn't, but he's sentimental as hell. Why do you think he hasn't changed the ugly dirt shack? Why do you think he has so many backpacks of stuff? He's got that crow hoarder brain but he also just attaches to things to easily. Nostalgia and love for history has him in a death grip. Little does he know, it's a trait he's kept from his past
Speaking of his past, until I get canon story explaining otherwise, in my mind he IS hardcore!Phil but the Federation wiped his memory after somehow managing to invite him to the island. The Ender King & Rose's arrivals into qsmp canon are two very different ways of attempting to trigger his memories. What he thinks are dreams are actually those forgotten memories of what he was doing before coming to the island
Okay that's long enough, look out for a third set because I got another ask waiting for more >:)
EDIT: Here's Set 3 :D
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mutxnts · 2 years
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this is a crack theory and i am 99% joking when i say this but yall. the last we ever see of gumshoe is during the same trial that kristoph framed phoenix for presenting forged evidence. what if kristoph killed gumshoe? what if those are what those black psyche-locks were???
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kohakhearts · 2 months
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goh starter trio meta perhaps? i was ensnared by the goh-scorbunny parallel subpoint in the cubone meta bc i'm making myself unwell thinking about how scorbunny latching on to goh and goh latching on to ash.... but also more generally, sobble's whole thing and the absolute tearjerker drizzile evolution episode, and goh's weird ass dream about his rillaboom parents and then waking up to baby grookey clinging to his arm, you get it, i know you're galaxy brained about this
YESSS I AM *SO* GLAD YOU ASKED!!
so my tl;dr here is that all of the galar starters represent something about goh specifically relating to his childhood. their growth and eventual evolution (or lack thereof!) therefore serve to highlight his character development (as an aside, i think this is a very common theme in anipoke. ash's pikachu not evolving speaks to the fact that ash's growth isn't about becoming someone new but about staying true to himself and embracing a battle style that reflects the creative ingenuity that, in the early os, other characters mocked him for. similarly, dawn's piplup chooses not to evolve because it doesn't want to change how things are between them. does this not seem fitting for the partner of someone like dawn, who has always admired her mother so much that she never even considering doing something other than following in her footsteps? i'm sure there are other examples, but these seem to me the most obvious ones!).
let's break down each one, then!
scorbunny
when we meet scorbunny, goh is still determined that mew will be his first pokemon. this is a point of stubbornness that, while impressive and arguably kind of admirable, is frankly kind of stupid. how is he supposed to get to mew without any pokemon to help him? there's an interesting implication in this resolution, which jn004 and jn005 really highlight for us - goh isn't comfortable with having a pokemon. he knows a lot about them, is interested in researching them, but as far as the bond between pokemon and trainer goes, i don't think he feels prepared for that. it's easier to pick a target that is far from reasonably attainable for him at this point, especially since he does have some history with mew - didn't it take an interest in him? didn't it give him a reason to chase after it?
so meeting scorbunny, he's obviously not thinking about catching it. but he lies to the guy at the scone stand, in an interesting parallel to how scorbunny steps in to protect the nickit. he doesn't even seem to know why he does it. but just before that scene, he sees scorbunny wipe some of the dirt off its face. he doesn't get the whole story and connect all the dots until after, but i think he realizes then that scorbunny is trying to hide itself in some way. that it's performing as something it's not. and on some unconscious level, that motivates him to lie for it. after, we get this whole exchange, where the scone seller tells ash and goh the story
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and this note is what makes goh get up and approach scorbunny and the nickit:
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it's very symbolic that he wipes the mud off scorbunny's face. and then later, he even points out when they see it again that it looks better without all the mud covering it up - it looks more like itself. it's not pretending to be something it's not. goh wiping the mud off its face is him saying that he accepts it as it is. that being resigned to living a certain way just to fit in or just because that's how it's always been is pointless.
and i mean...even ash says in this scene that the things goh is saying are things he's only recently learned himself, right? goh denies it (and tbh when he says that he's always thought the world is big and anyone can explore it if they want to or whatever - i don't think that's untrue! i think it's just that, prior to meeting ash, he didn't have it in him to explore it), but ash has a point. and what goh is doing for scorbunny here is the same thing that ash did for him.
relatedly, scorbunny follows him, right? in the same way that goh "accepts" ash as his friend, scorbunny chooses goh as its trainer. goh recognizes that it travelled far for him, that it saw a vision of its future with him, and changes his mind about not catching it. i think the determination he saw in scorbunny to chase after its dreams resounded with him, because he's only just started doing the same thing. and his entire character is built around this idea of like, learning how to adapt and how to let other people help you find the courage to chase your dreams (and even to help you chase them). how could he possibly deny scorbunny the same thing?
but while scorbunny's enthusiasm helps motivate goh to chase his dreams, he is very flippant and dismissive, as we see when it learns ember and he says it doesn't matter, that scorbunny doesn't need to know a fire-type move and this gut-punch of a line, of course:
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goh is someone who needs a lot of convincing to do things he doesn't think he'll be good at (or enjoy). he only joins project mew because gary goads him into it. he spends most of his life refusing to make friends, because he had one bad experience. he's a fairly black-and-white thinker, which makes sense considering his background. he doesn't really believe in change. he especially doesn't believe that people (or pokemon, in this case) can change their circumstances just through hard work and determination. as we see in jn003 with the ivysaur, he also doesn't think that it's anyone else's place to intervene and "help" others. if you can't change something, then don't. and there's no point in hoping it'll change on its own, either.
when scorbunny storms off here, his expression is interesting. this isn't the expression of someone being judgemental. it's the expression of someone who sympathizes.
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he sees scorbunny trying so hard to do something he thinks it can't do and thinks that scorbunny's determination to change things is, if i had to guess, kind of immature. a lesson scorbunny will have to learn, whether it wants to or not. at first it's kind of endearing, but then he actually gets frustrated, because he feels like scorbunny's determination to learn ember is harmful to them both. here, there's a degree of "why won't you just trust that i know what's best for you?" for sure, but on a deeper level, i think that stems from a place of "can't you see that i'm just trying to protect you?"
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...but obviously, all he really does is wind up lashing out and hurting scorbunny's feelings. he tells ash that he was trying to draw out scorbunny's strengths (and he was, by telling it to use moves it was already good at!), but ash points out that their values weren't aligned and that's kind of the opposite of strength when it comes to pokemon battling. so he reassesses the situation and finds a way to bring out scorbunny's strength that also aligns with what scorbunny wants. that compromise is what makes scorbunny evolve. it was the right call! but then raboot starts ignoring him.
and this is like. a running gag with scorbunny - goh gets distracted by other things and doesn't notice that it's trying to show him things. it happens when they meet and it happens again in this episode with its ember. we see something very similar with goh and his parents in jn032 when he's excited at the prospect of their vacation together, but when he tries to ask what they want to do, he turns around and find they're both asleep (and we see the flashback of something similar happening last time, too).
with raboot, in a lot of ways, goh is grappling with...himself. or at least, the person he was before he met ash - cold and distant, more interested in doing whatever he thinks is worth his time than in school, for example. so if goh saw his child self in scorbunny, he sees his more "adolescent" (i mean. he's still ten so still child, technically. but older child lol) self in raboot. and he actually responds to this in a way that's a lot like how we see his parents responding to him. in jn022, we see him
buy a bunch of apples for raboot, even though he thinks it doesn't need them (and is hurt when it doesn't let him have one, despite raboot seeming pleased that he bought them for it). compare to the device he shows horace in jn032, for example, which he says his parents built for him. or his six computer monitors. his parents reach him best through material means!
question why raboot hates him when it's not responsive to his overtures. contrarily, goh's parents don't think he hates them; they just automatically assume the worst case scenario (like in jn015 when he calls and they immediately wonder if he did something and got kicked out of the institute). but while that's their worst case scenario about him, raboot hating him is kind of goh's worst case scenario, right? it took him time to open up and accept scorbunny as his partner. now that it's evolved and is acting differently, he's terrified that he came to care for it only for it to leave him.
which leads to my last point here, which is that he doesn't actually ask what it wants. in this episode, he concludes that raboot would be happier without him. so he leaves it behind, but he never actually considers how it might feel. goh's parents do the same thing! they worry about him, but they don't share their concerns or ask how he feels. they just assume that he must feel a certain way and they adapt to compensate for that. but they never actually ask him what he wants.
this episode ends with him realizing that he hasn't been reacting to raboot's feelings so much as to his own, of course, and we see their relationship smooth out quite a bit. he's acknowledging that he's done things wrong, but also that it's not all his fault - and raboot's change in temperment is just a consequence of it evolving. they accept each other again and move on.
then, it evolves into cinderace and kind of opens up again more (though it's been doing that little-by-little since jn022). i think the fact that raboot and riolu evolve at the same time was a really cool move by the writers to kind of demonstrate how like...the relationship between ash and goh is reflected in the growth of their pokemon. they trained together! in a way they kind of grew up together! riolu, ash's token baby pokemon in jn, evolving at the same time as goh's starter feels like a very deliberate choice to highlight how ash helped goh's pokemon grow, too - through getting the ball rolling with how he helped goh grow as a person and a trainer. if that makes sense?
anyway, i don't have much to say about cinderace, other than that if he saw himself as a child in scorbunny and as an older child in raboot, then cinderace's level of openness and its enthusiasm aren't just reflexive of it getting back more of its scorbunny-esque personality - it also shows how goh has changed and has learned to embrace these parts of himself, now that he's in that "coming of age" age (well, for pokemon. he is still only ten lmao).
i think we see something similar with his other starters, though maybe a little less on the nose.
sobble
the drizzile episode, as you mentioned, is probably Thing here. but i think the theme with sobble is sort of that, where scorbunny maybe reflects more of the way goh thought about growing up and his aspirations (and how hard it was to open up to people), sobble more so mirrors his social experiences at school and with chloe.
VISUALLY, i think it's really telling that when goh catches sobble, he's...literally speaking to it from the other side of the water:
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this whole episode (jn028) is about goh kind of...forcing sobble into positions it's not necessarily comfortable with, and not realizing that it's uncomfortable until it runs away from him. as we saw with raboot, this is a common theme with goh - but it's most obvious with sobble!
he realizes, of course, and says this:
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even in flashbacks, goh never comes across as a shy kid. he doesn't exactly relate to sobble, but i think he's drawing a parallel here between them. he wasn't shy, but he was always on the "outside" - that's why he's so good at researching. he strives to see things as they are without getting involved. eventually, this is something that will make him a pretty thoughtful and strategic battler, though at this point he's still learning how to apply that to more than just research for the sake of research.
and then after sobble meets inteleon, we have these bits too:
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goh's childhood motivations on the surface appear to be like...he doesn't want to bother with friends, because they aren't going to be able to serve a purpose for him. he isn't interested in making friends with anyone who is less into pokemon than he is. but after what happens with horace, it seems to get a little more complex, and then we have to wonder if his motivations really were that surface-level to begin with, or if, maybe, his policy of not making friends has always been a way for him to protect himself from betrayals like he experienced with horace.
we see chloe as early as jn001 trying to convince him to make friends, to no success. she doesn't even refer to herself as his friend - he doesn't seem to be willing to let her. he believes he doesn't need friends and is better off alone. but he doesn't realize until after meeting ash that his solitude is more of a self-imposed exile, in that it's hurting him more than other people. he can't improve as a person and reach his goals if he's too busy trying to protect himself to accept that he needs help from other people to do those things. so, again - i think he sees that side of himself in sobble. so it feels very impactful that he reaches out to help sobble become a better battler, but rather than forcing it to battle in a way that makes sense to him, he comes up with a way to have it train that plays off of its strengths of running and hiding.
and then, of course, there's the episode where sobble evolves, jn062. the writers themselves do most of the work here of drawing the parallel between goh's childhood and how drizzile is feeling, but i think it goes even deeper than that. drizzile is unhappy because it wanted to evolve into inteleon, not into drizzile. it's not comfortable in its own skin. and it doesn't necessarily want others to see it, because it feels like it's still growing and it's not ready yet. it kind of just...needs time to sulk and brood. drizzile runs away again, because it's not ready, and while they're looking for it, it's chloe who makes goh start thinking about when he was a kid, by saying this:
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which prompts him to think about how he was searching for a "reason" for why drizzile was acting how it was, just like how adults used to demand reasons from him even when he didn't have them. and then of course we get this scene:
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but i think he does on some level know why, because he talks immediately after this about how his parents weren't home and often felt lonely. he's more comfortable being alone. he's protecting himself. which is reinforced by the fact that he then tells drizzile this:
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goh has a hard time putting his feelings into words, which is something we see throughout jn. he sees that drizzile is the same and this is a huge moment for him, because he's saying here that it doesn't matter what inspired its feelings; he understands it is experiencing those feelings and that's enough. he'll wait until it's ready to fully process them or whatever else it needs. drizzile kind of returns the favour when he starts crying here and it reaches up to brush away his tears, then disappears again.
overall, this episode does an amazing job of showing us how goh has become someone who actually acknowledges his and his pokemon's feelings - this is the only time we see him as a child where he's not doing something to try to ignore his feelings, or trying to walk away from them. in flashbacks, his back is often to his parents. in jn032, he gets upset, and then tries to cover his disappointment up immediately with anger and avoidance. the writers set this scene up so that we can see the reason behind his feelings clearly (just like we can see the reason behind drizzile's, even though goh and co. can't), but they rightly emphasize that goh's ability to analyze "why" he or his pokemon are feeling a certain way isn't always helpful. emotions are meant to be felt, not intellectualized. it's a good message, and a huge area of growth!
drizzile's evolution into inteleon also shows us how this acceptance translates into it eventually being comfortable enough to be who it wants to be. and the characters are impressed by it - it even earns kecleon's admiration, the same way that other inteleon earned its when it was a sobble. this is a pretty clear mirror with goh's social life, where he went from being this friendless outcast figure to someone with a lot of friends, and a great willingness to make more, as he became more comfortable and confident and willing to reach out to others.
and lastly,
grookey
the only one of the three that doesn't evolve, for reasons that aren't ever really made clear to us. but i think that as random (...and tone deaf) as his dream sequence at the start of grookey's debut episode is, it actually makes a lot of sense. in the original, the dream has camille and walker transformed into rillaboom, and goh is understandably freaked out. but i think the bigger, more symbolic thing is that even if it is a dream, his parents are the ones that foist grookey upon him. this does seem like a really weird choice, until you start thinking about the parallels, right?
in reality, grookey is team rocket's pokemon. the episode title "when a house is not a home" tells us that grookey obviously doesn't feel like it "belongs" there. but the episode doesn't open in team rocket's base. it opens in goh's apartment. and the part i didn't show in the drizzile scene above is when he says this:
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the fact that goh was home alone a lot as a kid gets brought up fairly often. it implies that he kind of had to adopt this lone wolf persona, because there was no one else around to take care of him. he had to learn how to console himself and meet his own needs (hence why he's so combative about ash intervening with the ivysaur in jn003!), which is a lot of responsibility for a kid. grookey is handed to him like it's a responsibility in his dream, but then they bond. and he starts to appreciate having grookey around, to the point that he misses it when it returns to team rocket.
to me, the choice to have grookey not evolve kind of comes down to grookey being kind of...emblematic of goh's childhood. like, in his dream, grookey is this burden that's forced on him. someone he has to take care of, even though he isn't really prepared to do that. in reality, grookey is escaping from an environment that doesn't meet its needs. putting those two things together, i mean...that's just my reading of it, anyway. so grookey not evolving, and goh accepting grookey as it is - without any of the "growing up" analogs we have with cinderace and inteleon - is a way of showing that goh has come to terms with his childhood and that he accepts (and cherishes!) his childhood self. which he can only really do after he's done all the growing we see reflected in the evolutions of his other starter mons. (relatedly, grookey is the only starter of goh's who goh considers leaving with other mons in its evolution line. specifically, with two thwackey and their child, i.e. a family unit not unlike goh's!)
anyway! this is a very long post, so thanks for sticking with me if you did. hope my takes are as galaxy-brained as you hoped hehe
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