"Art is about intent, Yumi. A rainbow isn’t art, beautiful though it might be. Art is about creation. Human creation. A machine can lift way more than Tojin can—doesn’t make it less impressive when he lifts more than almost any human being.” He smiled at her. “I don’t care how well a machine piles rocks. The fact that you do it is what matters to me."

— from Yumi and the Nightmare Painter, A Cosmere Novel by Brandon Sanderson

next batch of kofi requests!

requests are still open here starting at $15! might be closing em up soon so get em while you can >_o

breaking the law and outing myself on the internet because i'm showcasing my senior dance thesis on april 28 at 6:30 and 8:30 pm Eastern Standard Time and i want You to see it

we don't have a livestream link yet but we will. in the meantime look at these cool posters and this cool blurb. ok now save the date SEE YOU SOON

MY BOYYYYY:DDDD

Couldn't find what I wanted, so I made my own>:) Put it on a jacket now I feel rly cool:)

I hope this question doesn't make you uncomfortable (extremely sorry if it does) but do you see howdy and wally as a couple? Your art of them is very sweet and I love it a lot

[looks at all my tagged ship art of them and then back at u]

yes HDGDGSH-

man

I'm sure you get loads of these but heck I said I'd give it a shot anyway!

Your artwork is so inspiring and beautiful. I recently graduated from art school with a degree in Animation Production but I've decided I'd love to be an illustrator some day. Your work really motivates me and gets my brain juice buzzin. Keep it up!!!

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take two of yesterdays little doodle, using the ref this time

i also don’t want to portray myself as faultless. my work isn’t ai and it isn’t copied. but nk will say i Had old pieces that were copied and referenced ai. Yet it isn’t good faith when i apologize, state how i took accountability, and explain thats definitely not the case today because i learned my lessons- to respond with well you made these mistakes in the past so how can i believe you, you are lying, and have not changed.

so i quit. how can i prove myself then besides what i mentioned in the last post. my question is will you even ALLOW me to prove myself. each time i must explain, i place a spotlight on something that was resolved agreeably with the artists, resolved by removing the works, and resolved within myself by learning from it. but by not saying something i also allow You to concoct narratives and have to watch people spread them around and come to me demanding apologies. it is a very uncomfortable very distressing process that has worn me down completely.

never mind that other artists who have copied have not nearly been requested to apologize as much as i have been. never mind that they were forgiven when they removed the works or even when they just say sorry and don’t remove the work at all. But you still choose to hound me afterwards for doing just that?

nk has stated that i have not fixed this. and that i must address it. how many times though? for how long also? who on this planet starts the conversation by recounting all their mistakes, especially when they know they are resolved.

i have had to learn my lessons through cruelty like yours. trust me its a trauma i have to bear and they are not lessons you then forget.

my anger and my feelings of defeat come from the fact that even after nk was still talking like i had not even attempted to make progress. just look at your tone here.

tbh its not entirely fair to paint all blatant rep as poor in comparison to queercoding (altho i do love some good queercoding). i think the reason so much blatant rep is Like That, while queercoded stuff feels so much more meaningful and real, is because the blatant rep we often experience is made to Market To The Queers. while it may have queer creatives working on it, the reason its created is to make money off of queers. its trendy. so just write a fairly surface level fluffy movie about white queer teens and get some cash! its blatant, which means it will be treated as a groundbreaking queer media especially by liberals.

while queercoded media on the other hand (intentional or not) cant or wont just slap two conventionally attractive teens on screen and make them kiss and get those rainbow dollars. its an expression of queer silencing, the quiet thats left when you arent allowed to say what you desperately want to. when you cant spoon-feed your audience queerness you have to. yknow. actually think about what it means and how to express that artistically. you have to show and not tell.

thats all to say, there is blatant queer rep that is good. but you probably aren't gonna find it on amazon prime. that kind of rep is being made by queer artists making indie films. i promise you its not either "blatant queerness that feels shallow" or "deep queerness thats not allowed to be blatant". theres a secret third option and its "capitalism will never liberate you and you need to actually support indie queer artists and actively reject queer capitalism to experience the breadth and width of what queer art is capable of being and doing."

Got a very special Vampire Wall Update for y'all!! I'm so excited to have @killer-laurent's brilliant art, based on my fic Out, Damned Spot

My heart is so full of love for all my fandom friends that made this happen— my fellow Louis stan @wicked-felina, who commissioned Laurent, and my love @monstersinthecosmos who gifted me this super shiny metal print that literally pops off the wall.

I feel so honored to have 3 different fan arts from 3 incredible artists on my wall, but this one especially makes me happy dance every time I look at it because I've never had anything made based on my writing so it just feels like such an act of love from all of my favorite people.

ahjsdgbksdahcf okay that's enough sap for now but anyway happy new year and thank you so so so so much to Kacy for this glorious addition to my Vampire Wall :)

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Had to get this off my chest

Tangentially related to some of the discussion i posted earlier but quiet literally the first RW Art Month i participated I did it completely on whim like, one day before it started. And I mostly did it because I hadn't drawn a ton of rain world and wanted to draw more. Fandom presence was a lot smaller than and I was one of a handful of artists who did the entire thing. Fast forward and I still do Art Month and I've gotten to work with VC directly. But it was quite literally something I decided to do completely on whim that set the ball rolling, and for something a lil more niche and certainly with a lot more dev/fandom art involvement than most. It's really random how and why you might get noticed more than usual, especially with the "toss it into the search and hope it pays out' mechanism of Socmed

something so funny about matt saying "its just like shooting a deer!" about grant killing the chimera. and freddies "yeah but no one has had to TELEFRAG a DEER"

sometimes interpreting media through a shipping lens enhances it, on occasion even beyond the author’s original intent, but sometimes, you do have to accept that your ship was not in the heads of anyone making the source material and trying to force it to fit into evidence of your ship will severely hinder your ability to discuss the actual text.