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#any character is fine though
thehamletdiaries · 8 months
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Taken from @not-wholly-unheroic; ask me any of these about any of the Hamlet characters (if you want to, obviously!).
50 Random Character Asks:
1. Canon I outright reject
2. A canon or headcanon hill I will die on
3. Obscure headcanon
4. Favorite line
5. Best personality trait
6. Worst personality trait
7. Age/height/weight headcanon
8. Unpopular opinion about them
9. Scene that first made me love (or hate) the character
10. Best moment on screen (or in the book)
11. Faceclaim for the role
12. Crack headcanon
13. Dumbest thing they’ve ever done
14. Most heroic moment
15. Worst thing they’ve ever done
16. Deepest darkest secret they won’t even admit to themselves
17. Quotes, songs, poems, etc. that I associate with them
18. What they’d go to see a therapist about
19. Vices/bad habits
20. Scars
21. Drink of choice (not just alcoholic)
22. Best physical feature
23. If they were a scented candle, what would they smell like?
24. Most annoying habit
25. 3 things they’d want to take with them if they were dropped off in the middle of nowhere
26. What they would do if stuck in an elevator with [insert character of your choice from the same fandom]
27. Their guilty pleasure
28. How they feel about [insert character of your choice from the same fandom]
29. Eating habits
30. Sleeping habits
31. If the had a tumblr what would it look like?
32. Something guaranteed to make them smile/laugh
33. Something guaranteed to make them cry
34. How they react when they are feeling X emotion (sad, angry, excited, scared, etc.—can specify as many as you like)
35. Their idea of a perfect day
36. Their favorite season
37. What they really think about themselves
38. Favorite holiday
39. Favorite game
40. Favorite book
41. If they could have lunch with anyone in the world (living or dead, from any fictional universe or the real world), who would it be?
42. 3 comfort items
43. 3 favorite foods and 3 they despise
44. Their happiest memory
45. Their favorite celebrity
46. The person they most admire
47. Their dream job
48. Scariest moment of their life
49. Favorite toy as a child
50. A memory they’ve blocked out
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butchfalin · 5 months
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the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again
#yeehaw#1k#5k#10k#posts that got cursed. blasted. im making these tag updates after... 19 hours?#also i have been told it should say speech loss bc nonverbal specifically refers to the permanent state. did not know that!#unfortunately i fear it is so far past containment that even if i edited it now it would do very little. but noted for future reference#edit 2: nvm enough ppl have come to rb it from me directly that i changed the wording a bit. hopefully this makes sense#also. in case anyone is curious. though i doubt anyone who is commenting these things will check the original tags#1) my friend did not do this on purpose in any way. it was not intended to distract me or to hit on me. im a lesbian hes a gay man. cmon now#he felt very bad about it afterwards. i thought it was hilarious but it was very embarrassed and apologetic#2) “why didn't he use 🫵🏼?” didn't exist yet. “why didn't he use 🆗?” dunno! we'd been using a lot of hand emojis. 👌🏼 is an ok sign#like it makes sense. it was just a silly mixup. also No i did not invent 👉🏼👌🏼 as a gesture meaning sex. do you live under a rock#3) nonspeaking episodes are a recurring thing in my life and have been since i was born. this is not a quirky one-time thing#it is a pervasive issue that is very frustrating to both myself and the people i am trying to communicate with. in which trying to speak is#extremely distressing and causes very genuine anguish. this post is not me making light of it it's just a funny thing that happened once#it's no different than if i post about a funny thing that happened in conjunction w a physical disability. it's just me talking abt my life#i don't mind character tags tho. those can be entertaining. i don't know what any of you are talking about#Except the ppl who have said this is pego/ryu or wang/xian. those people i understand and respect#if you use it as a writing prompt that's fine but send it to me. i want to see it#aaaand i think that's it. everyday im tempted to turn off rbs on it. it hasn't even been a week
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sonknuxadow · 6 months
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its kinda funny that the chaotix are like the only characters who mention having to pay rent or buy food or whatever and theyll take any job that pays because theyre desperate for money but none of the other characters are struggling in this department at all even though most of them dont seem to have jobs. its like the concept of needing money to live exists for no one in the sonic universe EXCEPT for vector espio and charmy
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artharakka · 3 months
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Beautiful, But Broken
#bg3#tiefling#tw blood#c: Viivi#so I redid my bg3 character because I wasn't feeling durge that much. So now my sibling does durge and I regular tav Viivi#(changed her to tiefling for funs)#at least I meant to do regular tav but uhhhhh things have gone very unfortunately very fast#anyway. Viivi is an artist; she does painting sculpting poetry and some prose. Experimenting with this and that#unfortunately she is deaf which made making connections a bit hard in the fine arts world#fortunately she has a patreon with one very generous patron (she's fey warlock)✨ who has bestowed some gifts of charms for her#which have opened doors of many art galleries#She's not a fighter so although she is confident in her own lane she is also very aware of her mortality#so she avoided any fights she could#which might have saved her but also got her into the mess of her lifetime#you see she couldn't fight the entire goblin camp and their leaders. She would've just not survived that. So she convinced them#that she is a True Soul. She is good at convincing people. It worked. They thought she is on their side. Good#Halsin also though Viivi was on their side. Halsin attacked Viivi's party. Now Halsin is dead.#So Viivi and her group were still alone deep within enemy fort. Viivi made new plans. She frees the prisoner who says he will warn the grov#Good thinks Viivi now they know to flee. I will go to Minthara and tell we got the information from prisoner of the grove location#she will trust us and we walk off#when we get back to grove they have not fled and Minthara is at the gates#Minthara wants Viivi to sound the horn. Zevlor wants Viivi to sound the horn. Viivi asks Zevlor to please tell this plan in detail.#Zevlor says just blow the horn already. Viivi does that. Minthara thanks Viivi for leaving the gate open as planned#Zevlor does not thank Viivi for that. Viivi is confused as she did not leave the gate open. (for real the damn gate was left open)#So I did a Massacre.#now Karlach is gone Wyll is dead. Lae'zel is also dead#but apparently Minthara is ready to be very loving and sincere with Viivi. The most helpful person she has met in very long time.#Viivi might love her#so that is how she's doing.
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kaladinkholins · 2 months
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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
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And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
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Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
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And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
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Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
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Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
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And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
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But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
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On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
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Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
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And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
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But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
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So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
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This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
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spoiledskullz · 9 months
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movie dates 💕🩸🎯
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astrobiologyy · 19 days
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homielander · 2 years
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who's going to tell the stranger things writers that steve can have a personality outside of wanting a girlfriend
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jahiera · 6 months
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speaking strictly from a plot & writing perspective here, not a commentary on characters or who or who is not my favorite blorbo (they all are). it's gale time and I wanted to get down everything I thought about this go around with his romance & the writing before it escapes me.
so I once again had a ton of fun of course, the game is still a blast, and several arcs were way more satisfying this time around simply because I ... did not skip the creche, unlike my very first run (I was an idiot) (I didnt think it would be that important) (it really really was). love it 10/10. I cannot WAIT to do my gith run & really focus in on that because the lore there is just, so cool, and that subplot was really rich & rewarding this time around since I had someone who was not orpheus become a mindflayer instead.
as for Gale, Thank Fuck I started before they bugged him up again too much. but let's deep dive into The Material.
shoutout to Tim first of all, he's a legend, dreamboat, superstar. there are so many lines delivered so effortlessly when they would sound ridiculous in anyone else's mouth. he gives gale so much soulful intensity and subtle, nuanced gravitas befitting someone like gale; with enough of Gale's own moments of silliness, cheekiness, wry wit & understated sarcasm, to outright flabbergasted at times, I was Giggling every conversation fr. I'm not usually prone to the "I LOVE YOU" Romances that come earlier rather than later, but ohhhhhhh tim gives each line with all the weight & agony that you can feel inside Gale when it comes (the looming death; not knowing what the end may bring; not wanting to leave any regrets behind) so like. MWAH to him. MWAH MWAH. all the kisses in the world.
okay mandatory compliments to the actor aside. I came out of the whole thing with breadth of new appreciation for Gale as a character in terms of the... concepts, threads, that make him up, and act 2 is where he REALLY shines overall.
I didn't necessarily come away from it with the same... weepy...... done-no-wrong? interpretation of Gale that I've seen floating about. he's lovely. he's intense. he's got soul-crushing devotion on his mind, no doubt. but for every fracture of tenderness, raw sincerity, & off the cuff soliloquy, he's got a lot of interesting flaws/characteristics I'd love to unpick with a fine-toothed comb on some replays or rewatches. Still trying to turn over in my brain exactly what that is, but it's there, and I love it. will say I'm really glad I played it mostly in a vacuum rather than getting too into others' thoughts on him, because What I Had Seen on the Webbed Site had near put me off entire (seeing someone say he's not prideful or pompous at all... when he self-describes as pompous?) -- maybe it's my tendency to focus in on what makes a character tick, when are they sharper, or harder, or meaner, and I enjoy watching that play out a lot, but? yeah. I didn't come away thinking him a super soft mushy mwahmwah -- ROMANTIC, yes, but overall as a character not nearly so lovesick and in desperate need of some protector. in fact when you tell him you don't want to be his crutch, he says as much too -- you've helped him, but you're not the sole focus of his person or the only thing keeping him alive.
there's enough of the humanity in his cheekier moments (stop licking the damn thing!!) and plenty of tear-jerking aside all of that. gale my canon-depressive-episode, mildly suicidal, chronic pained up, still-kind-of-full-of-yourself king. I adore you I love you I cradle you softly in my arms. he charmed me entire! I think that the themes hey were trying to tackle are really interesting and nuanced and I do have some thoughts on the success of the game in actually tackling those, what is there is really wonderful. some gorgeous writing in act 2, especially, and it was sold so well by the voice acting & sincerity in the writing I was just like. PERFECT. 10/10. NEED TO WRITE 98 FLUFF PIECES RN. which does not happen often, to me, as a person.
with. some exceptions, going back to critiquing act 3 as a whole.
act 1 & 2 are both strong, really nice. however this romance definitely needed at least one or two more scenes in act 2 to pad out the space between awkward flirting at the party to "I like it when you're sweaty and bloody-- sorry who said that" to "I LOVE YOU. I LOVE YOU." -- these scenes should've elaborated on Gale's personal feelings; of mystra, of what's been asked of him, of Tav. they should've set in threads of Gale's anger earlier, rather than the jarring shift from late act 2 "yeah I'll kill myself" to "actually... mystra fucking sucks! lol!" in act 3 at sorcerer sundries. yeah babygirl, mystra DOES fucking suck, wish I could've listened to you as you arrived to these conclusions rather than connecting empty character lines between act 2 and 3. and act 3 desperately needed more space to talk gale in or out of the crown. because by the time we get to the end, if he's really into the crown, he's into it beyond the focus of all else. but in the scenes where you talk him off that particular ledge, it doesn't even take very long to do so, and leaves kind of a weird... gap of intention.
I feel like they wrote themselves into a bit of a corner, honestly. because Gale's personal quest literally cannot be resolved until 5 minutes before the end, any climax wouldn't have much space afterward to pad the aftermath. so the solution to that would've been more character focus scenes, more flavor text depending on how you've influenced gale, something that actually makes the choices feel rewarding -- some hurdles to cross too, checks of some kind. but there really isn't any of that, and so the conflict is almost nonexistent. you squirt gale with a water bottle and he gives up the crown with no real additional dialogue. or you tell him "ma...maybe???" and he's suddenly a power obsessed little freak (complimentary) with no recourse, and in either case, we never got much dialogue to get some insight into his personal thoughts on it. this doesn't make Gale a bad character, but it does leave the narrative to be lacking in some regard.
like, for example. Astarion gets dialogue changes depending on the quest outside of character-specific moments (such as a spawn Astarion changing his dialogue after you help Aylin with Lorroakan), post-quest conversations, PRE-quest conversations with his siblings, moments where he reveals more of what he thinks (such as "You're... you. no one is like that.") etc., Gale gets None of that. the only other characters who really do are Lae'zel and Shadowheart; everyone else is either shafted or resolved in the last few minutes too. I came out of this most satisfied as a player overall with LAE'ZEL'S conclusion (also at the end of the game!!) because we had gotten a few more moments where her focus is obvious and her motivations are clear.
anyways, those are just general writing issues. Act 3 overall is the weakest, most agree, and that's still true here. Sadly it kind of takes some of Gale down with it in this case, because his personal quest is both so removed from the overall plot (despite him being a literal fixture as the only character who knows anything about the crown & was decreed by a literal god to take out the absolute).
however none of this is related to Gale as a guy. as a guy I'm Fucking Obsessed With Him. taking him with me everywhere was so rewarding especially in act 1 / 2. his commentary & insights, when they were there, ranged from funny as fuck to genuinely insightful & interesting for the overall plot. the ideas behind him, the glimpses we get of the life he led before, and the life he wants to lead after with Tav -- or what he alludes to wanting to lead with Tav, thinking that he'll still probably die at the end of this -- are lovely, interesting, TOUCHED MY SPIRIT. he's such a neat version of how to do a character that is as endearing as he can be foot-in-mouth, and as intelligent as he can be a little belligerent. I looooved every moment I could talk with him about magic in act 1, see his passions (beyond mystra), argue with him about how to do something (I'M the magical wonder here actually and I get to make the shadowlantern), all of that really MADE the romance for me in the lulls where his Silence or the gaps in his writing were more clear. 10/10 would kiss that fucking wizard again and cry a little bit thinking about exploding with him aboard a giant alien brain while one of those "ITS YOUUU I LIE WITH" songs plays in the bg
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voidedjuice · 6 months
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Siege alter who, instead of going for the king of victoria stuff, is simply Vina, leader of the glasgow gang
The sighs of kings keeps just being a cold slab of metal with a long backstory. The Victorian state is corrupt and oppressive. Instead of becoming King, what matters to her are the perfectly ordinary people she cares for and wants to protect, so that's what she sets out to do
6* brawler guard who gives abyssal hunter style bonuses to the other glasgow members, that make them actually good and viable :)
personal copium time: she and reed meet up and decide that the whole system needs 2 go yesterday. glasgow and reeds dublinn join to lead a revolution ^v^ tarans are granted proper rights & their language and culture are protected :) everybody happy
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aptericia · 4 months
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"There's no platonic explanation for this" blah blah blah "there's no heterosexual explanation for this" blah blah blah--
Ok then, there is no romantic explanation for TemenosxCrick, CasttixMalaya, OlbericxErhardt, etc--
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sonknuxadow · 7 months
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something about how when a guy sonic character has nothing going for him in canon or is from a game people dont like people will flesh him out and write 500 page fanfictions about him detailing their au backstory for him anyway. if he does something really really bad whether it was a mistake or fully intentional people are willing to think about and understand why he did what he did. or theyll just ignore it entirely or blame it on bad writing. but when a girl sonic character does any of those same things shes treated like the spawn of satan
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sweetandglovelyart · 5 months
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I’ve been seeing a lot of really cool Kirby gijinka designs so I thought I would try my hand at making some of my own. Here’s my take on gijinkas of Taranza and Susie.
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wowbright · 4 months
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Love the assumption that if you are wlw then obviously you have to vote for Brittana as your favorite canon couple. As if sexual orientation determines which fictional characters' stories speak to you.
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wizardnuke · 6 months
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i love dnd..i love playing heavy utility/support/backfield and i love having three to six attacks in a turn and an insane ac. at heart im a support player ill get my hands on whatever we're missing in a group
#looks at a druid a fighter and a bard fighter. okay cleric time.#i LOVE playing cleric turns out.#though abjuration wizard is still super super fun its a different flavor of support#it's not buffs it's 'i am going to transfer literally all that damage to myself and war caster style succeed my witchbolt concentration'#doing insane amounts of damage while taking damage (+ with temp hp and then just a lot of hp. im taking the tough feat as soon as possible)#aabria iyengar was right these abjuration wizards are craaaazy. but war domain clerics also fuck hard#my abj wiz is very much an experiment in 'what if someone who is not at all suited to this life tries to adapt as well as she can'#the point is that she isn't a cleric. do u understand. she's not a cleric and that's the point it's the. hbbbgbfhb. she's out here#functioning as a combat medic on some aasimar features + healing kits/potions + arcane ward. Look At Me#i also really enjoy playing nonreligious characters in these worlds where deities 100% exist not in a 'fuck the gods' way but in#a way somewhere between 'i'm all i need' and 'i called and no one answered' and 'may or may not go on an insane power hungry spiral and#try to get a touch of godhood' which is in part very due to my own agnostic and people-loving heart and 'haha what if i icarused this girl'#a resentful caution towards gods an immense respect towards religious companions and 'when your god isn't here to help. i will be'#anyway REACTION arcane ward you don't take damage im fine. next turn reaction shield ward's back up. the thing is.#she will drive her hp down. the ward isn't much like it goes past that temp hp. it's 14hp that shit goes down and carries to her hp#but it never drops. any leveled spell puts hp back into the ward. a 1st lvl shield puts it at 2hp and she can use it again#she is not suited for these conditions but my god it is fun to watch. i care her.#i explained that subclass feature to a player that's not in that campaign and said. like. yeah she can take damage. when her ward drops to#0 it carries to her. any leveled abj spell puts it back up. and she can use it and drive her hp down again.#do u understand what i am explaining to u! do you get it! she is and has always been a punching bag!#she was a very valuable asset to the army and the group she was drafted! into. because when she's there. people just don't fucking go down#aside from her. aside from her. AAAAH. she's so cool. she is very smart i am still riding the high of critting every turn w witchbolt and#reacting to ward a party member against a crit that would have dropped him by taking the hit herself. and she didn't break concentration#badass
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