wet thing

you'll never guess which movie i finally watched after 2 years of being lazy

We don't talk enough about the fact that Amelia Pond, s5 Amelia Pond, before the timeline is reset, isn't just a normal orphan. Her parents didn't die, didn't abandon her, and didn't send her away. They never existed in the first place.

And if her parents never existed, then Amelia cannot exist. She is a causal impossibility.

"People fall out of the world sometimes, but they always leave traces." A photograph. A face carved into an apple. Yes. Sure.

A child.

Now that's too big, surely.

But that's what she is. She is exactly the same as these things. A trace. An echo of something that could never be, never was, never could have been.

And the universe should never allow it. A whole person, that's just too much. She could not have continued to exist indefinitely, in normal circumstances, after her parents never existed.

In normal circumstances.

Because the Doctor didn't just save her from things coming out of the crack in her wall. He saved her from going into it. And he didn't just save her from the threat of going into it simply because of its vicinity.

No, by arriving when he did, he interrupted a process that was probably already in motion. And then by arriving again only moments later on a cosmic relative timestream (too quickly for the process to complete) and yet in the local relative timestream, years later --- years of a potential future caught midway through the process of rewriting -- he solidified that existence. Amy is a creature from another timeline, caught in amber. The Doctor prevented her from never existing, but only after she could already never exist.

And so, no one around Amelia thinks about it. Neither does she. There's some kind of consciousness block, because if you thought about it, really thought about it, for two seconds you'd realize she cannot exist. And the human mind can't deal with that. So, to protect itself, everyone's brain simply slides off it before ever noticing. They just assume that her existence makes sense, and don't question it, and don't notice what they don't question, that is staring them in the face.

But of course, to some extent they do notice. They can't think it, but they notice subconsciously that there's something they can't think. They notice there's something wrong with her, something uncanny. And they don't like it, and they alienate her even more because of it.

"Does it ever bother you Pond that your life existence doesn't make any sense?"

Most annoying NMJ or JC take is when someone that dislikes them is like "oh you're a fan of him? *scoff* Well obviously you've only seen cql, where he was super watered down. In the novel he's a dislikable asshole and that's the objectively superior canon I'm working from instead of your woobified fanfic." Meanwhile your main canon is novel canon and you genuinely find novel Jiang Cheng and Nie Mingjue complex sympathetic characters.

*wakes up*

I wonder how Pyrrha feels about her dead lover's dead daughter having the same name as her dead best friend

*goes back to sleep*

steve did not bully eddie in "the past" steve was a grade below him for 3 out of 4 years of his high school career freshman steve heard this weird loudass sophomore talking w his friends at 100 decibels in the hallway about fighting elves in the woods or something (steve did not know what larping was nor care to find out) and then he went to class bc are you insane hes not fucking w a sophomore you dont normally fuck w people ahead of your grade especially if they yell at people and wear chains and get into fights in the woods (with elves?) and you dont even have classes w them. you dont even care much about them in the first place beyond passing gossip like HAVE YOU GUYS EVER BEEN IN HIGH SCHOOL. sorry. anyway.

then steve keeps catching this guy in his periphery over the next two years shouting about board games and controversial food opinions and metal bands that steve likes a few songs from but could not ever imagine giving that much of a shit about. like at all. and by (steve's) year 3 the motherfucker is bouncing off the walls giving speeches about what the hell ever and saying he cant fucking WAIT to get out of this FUCKED UP PLACE!!!! YEP ITS TRUE IN LESS THAN ONE MEASLY YEAR ILL BE SAYING MY SWEET SWEET GOODBYES TO THIS BRAINLESS CONFORMIST PRISON!!!! and hardly anyone reacts beyond rolling their eyes or snickering to their friends about it and this includes steve because who cares literally who cares. this guys been causing a ruckus since the beginning of time and hes weird and unpredictable and not worth trying to shove in a locker he would probably evade the attack anyway like a nimble mouse or squirrel he might even try to bite you. and steve didnt shove anybody in lockers in the first place so who cares and yeah he has pretty eyes and a funny way of talking and moving around but WHO CARES

and then steve goes through the first round of nightmarish shit that would become a yearly ordeal and then wraps up junior year in a perfectly normal not haunted whatsoever fashion. and then hes a senior and in his subtly cringefail era (ongoing) and that freak guy is STILL HERE for some reason and kinda pissed off and possibly a bit devastated about it so okay great now steve has a few classes with this angry weirdo loudguy but. crucially. he has had a lot of OTHER SHIT to deal with lately (MONSTERS ARE REAL) (GIRL DIED IN HIS POOL) (GF RESENTS HIM) (HAS NO FRIENDS) (COLLEGE APPS) so the only effect eddie's constantly loudmouthed & often unwarranted input during class ever has is that it adds a little flavor to the constant metaphorical and literal headache of steves life.

and then he goes through round 2 of shit and finishes his senior year with little hope for a satisfying future ahead of him and never once thinks about that guy again except when his fellow grads whisper about oh my godd did you hear that the freak flunked out again hahaha and yep sure enough eddie's not there at the graduation ceremony. and he thinks huh i wonder what his fucking problem is and then he MOVES ON. the end. thats the extent of """their past""" at least in terms of any actual interactions btwn the two of them i promise okay listen to me. i was there

The fact that Main-verse Ooo is as good and as kind as it is (relative to the other universes shown so far, at least, it's obviously not perfect) all because of the same character that starts off as the OG series' antagonist, the person we were made to see as the bad guy (albeit an often ineffectual one) for several seasons, is making me lose my mind.

Imagine finding out the guy you spent your childhood beating up and saving princesses from is in fact a driving catalyst behind you being able to exist, and not only exist but also live in a world that knows what kindness is. All because that man, the same man who you've witnessed do terrible things, once met a little girl and taught her how to be good.

Simon's story really shows us that even if you lose your way and forget how it is to be good yourself, the world keeps the memory for you. That act of love Simon showed Marcy by protecting her and seeing her as more than the monster she thought herself to be created ripples upon ripples, small at first but eventually enough to help give their wreckage of a world—a world that easily could have been forsaken, its goodness overlooked because of its inhospitable remains—a chance to grow into something beautiful. Because of those very same ripples Simon created, the people of Ooo grew up in a world where they know enough about kindness that they were able and willing to spare the 'bad guy' some, to see beyond the wreckage and allow him to grow too.

In saving Marceline, Simon helped to not only to save the world, but also himself.

People really do everything they can to avoid having children and to bar children from public places and then wonder why the world seems dull and pointless.

People try to hold onto their own youth, but that just means they stagnate in immaturity. The real way to regain that child-like wonder is to see the world through the eyes of an actual child, and you do that by helping new children to experience the world.

i've been wondering about that big board ontop of their mirror for who knows how long now and they finally blessed me with a readable frame, i have the first piece of the puzzle. the big text reads "HOLOGRAMS CAN HAVE HEART ATTACKS TOO!" of course he would put up something like that. i'm assuming the pictures on top are some examples of preventative measures one can take, or maybe they're what to do in the event of an emergency. i'd know if only i'd get a better close-up.

then there are those pink slips Arnie puts up, there are multiple, but the one in his bunk reads, and i'm filling in everything i can't see here "YOU DON'T HAVE TO HAVE A DRY SENSE OF HUMOUR TO LIVE HERE BUT IT CERTANLY HELPS!" Rimmer and his weid positive reminders, they must keep him going on some level.

also the letters, are they from his mother? from someone else? doesn't matter much, because the difference between Lister's bunk having a bunch of colourful photographs of a bunch of people with him and Rimmer's bunk only having two worn letters from an unknown sender really shows well the differences in their characters and their approach to other people (i love that kindof set dressing)

btw they did not change any of Rimmer's stuff for Paraller Universe. all of her certificates and 'achievements' (those newspaper clipping on the wall) still read Arnold for some reason. oh what could be the canon explanation for this? this changes the Arlene lore for sure

bet they didn't count on someone obsessing over the set 30 years after this aired did they!?!? could they own up and tell me why Arlene has the swimming certificate of some rando named Arnold

The ambiguity of the Wittebane storyline is like. The entire point. We only know surface-level details because that’s all Philip lets himself even think about. We aren’t supposed to know exactly how to feel or exactly what Philip feels about it because he does not acknowledge or express his thoughts/feelings about it. Because to do so in an honest way would mean coming to grips that it wasn’t a black and while situation like he wants to believe it was. And if that’s the case then his entire worldview, sense of purpose, and sense of self fall apart.

That’s how rationalization of bigotry happens: if you need yourself to be the hero no matter what you do, there is by necessity a disconnect between your reality and your experience/interpretation of reality. You aren’t a good person because you do good actions; instead, your actions are good no matter what they actually are because you, a Good Person™️ are doing them, and Goodness and Badness of a person are predetermined based on inherent qualities (i.e. being born human). This type of worldview requires no self-reflection, and in fact actively discourages it. (Luz questions/doubts herself consistently; Philip does not).

So of course we don’t know everything about the Wittebane story: the only person who even holds that information is Belos, and even he doesn’t acknowledge it. It doesn’t even really matter if he feels bad about killing Caleb or knows deep down that he might be in the wrong: he doesn’t let that guilt inform his actions, nor does he express it. The protagonists certainly don’t know about it, they only have his actions to go off of. And his *actions* give no hint of remorse nor do they indicate he ever intends to change course. We the audience do know a bit more than even Luz does about his backstory, and that’s because it’s for us—it fleshes out the story and drives fan discussion/interpretation, and that’s a good thing! But in this particular story the protagonists didn’t need to know everything about the antagonist’s backstory/motivations because the antagonist did not make it relevant to them. And yes, Doylist perspective and everything, this was an external writing choice made by real life people and not the character. But like. IMO it was the correct choice to make for this story!

cOMING BACK TO THE "we got married thinking the other is mortal..." KABDVKJBADKVBKABDV

And so their fates were tied by Destiny himself

The only one who still knew Dream

-Wed by the warm sunrays of the arternoon-

I am actually. I am so emotional over the Salazar parents and I need to share this to tumblr too.

A lot of stories where the MC is adopted I feel. Either dismiss the biological parents and the impact they have on the kid's life, or makes them evil and abusive, framing the loss of the bio parents as a good thing, or at least something we shouldn't think about just look at this new family.

But Genrex doesn't do that. From the start, Rex wanted to find out more about his parents - it's one of his primary character motivations, next to helping people. He loves them, even though he doesn't know them.

And the more he finds out about them, the more he realizes they loved him. Rylander is consumed by guilt but as Rex's first connection to his pre-Event life, the first thing he does is hug him. And when he tells Rex about his parents, the two things Rex knows is that 1) they were scientists, and 2) that when he was in danger, they were desperate enough to use their secret, experimental technology to save him. Technology built from their desire to help the world, to save countless lives and end countless suffering.

And then. When he finds out that they were dead, he doesn't stop caring. It'd be so easy, too, to tie it up there - his parents were good people, he got his answer about them, the end. But they don't. He doesn't. Because the show is saying once again that they are his parents. He still calls them mom and dad, even as the show makes it clear Holiday and Six adopted Rex as their son. Even as the show even parallels Six and One with Rex and Six (and I will talk about that more later if I don't forget, trust me), to really drive home how much they're family. Rex even says he considers the two of them family, and later that he considers Noah, Claire and Annie family.

He has new family, the show tells us, but his old family still matters to him. He's upset that he never has the chance to meet his parents, that everything he hears about them, about his time with them, is secondhand knowledge. It tells us clearly that not only does Rex still love them, but that he still wants to know them. And everything we find out about them reinforces the love that they had for each other.

We see Abuela and the family in Mexico, who connect him to his birth family and tell him that he was so loved back then, and still is now. We see their office in Abysus through Rex's eyes. The picture of him and his dad on his desk. The drawing Rex drew, proudly pinned to the wall.

We see it in the familiarity of the drawing. That that robot, that build, was what Rex created when he was lost and scared and alone - that it was made to keep him safe. That it first appeared in his mind in a place he felt safe.

The show says, tenderly and softly, that the love is still there. That the fact these people died was nothing but a tragedy, that their love is a big part of what made Rex who he is today - that every molecule in his body is filled with their final gift to him. That every time he cures someone, every time he uses a build, every time he makes a machine - we see the love that they had for him.

And the way he quietly absorbs his father's face. The way he freezes and whispers "Mamá?" when he finds out Zag-Rs has their mother's voice. The fact that she even has her voice as a testament to Caesar's love, too - that it was meant to bring comfort and safety. The way Rex yells at Caesar when he finds out they have a family property, a connection to their past, the way he fights to protect it.

And, none of this takes away still from Six and Holiday being Rex's family too. None of this removes the work either set of parents did for him, the love either set has - the show says that it was unfair that the Salazar parents were lost. That Six and Holiday are not replacements, that they still love him as parents but play different roles in his life. They can not, and have no desire to, replace the Salazars. But Rex needs parents, he needs protectors, and so they will do what they can for him - at first out of necessity, to keep this kid they barely know safe, but then out of love. They aren't replacing what was lost, but are doing their best to do what Rex's bio parents would do. And they do mess up in it - they mess up in ways Rex's bio parents might not have. Six is clearly bad with showing affection, affection we saw the Salazars give Rex so easily, and Holiday is overworked and stressed constantly, sometimes breaking under the pressure and snapping at Rex and Six, things we never saw the Salazars do.

It's just. It's about how sometimes things will not be the same. They will be different. That doesn't mean the people you lost aren't still with you.

It's so interesting and so exceedingly frustrating how agab is being utilized now within the queer community as a way to isolate and sort nonbinary and genderqueer folks into binary boxes that determine their moral purity levels, and their authority to do and write and exist.

The way nonbinary writers are being put under accusation of fetishizing gay men while their AGAB is continually brought up in a way that feels like queer-space-approved misgendering.

The way feminist circles that are supposedly trans-inclusive will use the word AFAB in a way that implicitly but intentionally isolates nonbinary people who aren't AFAB from joining. It's for women*.

The way the language is already flawed and leaves out intersex folks from the conversations while focusing on a binary of sex that isn't truthful.

The constant obsessing over whether someone is AFAB or AMAB and whether or not that gives them the privilege to join, do, write, or be present in certain spaces really really concerns me. How are we supposed to dismantle a binary system of gender if we can't even move past forcibly assigning and focusing on people's genders assigned at birth?

revisiting a memory

I like to think they would have danced. If you're wondering where I've been the last few days, I got Subnautica and have been glued to my computer hunting for blueprints. Gotta catch up on the prompts, day 10 has like 3-6 options I could draw. Anyways hope you like the art and have a nice day. Also here's the version without the ripple effect: