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horang-07 · 6 months

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FNAF SPOILERS! SCROLL! TALKING ABOUT THE SPRINGLOCK SCENE!

i’ve seen so many people discussing the springlock scene in both negative and positive ways and i think it brings up really cool points about how matthew played that scene and balanced fan expectations with his own characterisation.

i think the discussions around this movie have rlly exposed the disconnect between fanon and canon in fnaf, especially talking abt the core games in isolation, bc frankly in the game universe (ignoring the books) we get Very Little characterisation for William other than the obvious, but Matthew managed to add so much in the way he talks and his body language.

in the reveal scene, we see afton at arguably his peak. in his first scene, he comes off as somewhat demeaning and judgemental until he recognises mike’s name, at which point he seems to have this nervous energy, rushing to cover it up but stumbling slightly, his reaction to the tables being turned even slightly is massive.

this is a man who committed multiple mrdrs in essentially broad daylight, hid the bodies in the most obvious place, and still got away with it, and then kept the crime scene as a trophy of his actions, and an ongoing prison sentence for his victims. he has been in complete control for decades, and is confident that he can deal with any kind of threat quickly. his confidence in his reveal is palpable

it changes when vanessa shoots him. the whole parallel with vanessa and the animatronics is hugely interesting too- how william refers to the animatronics almost endearingly as “kids” when he wants them to obey, how both vanny and the animatronics have an unearned loyalty to him, almost a pseudo-adoption through what he did to them, taking them from their parents and keeping them under his thumb, forever stuck as naive, forgiving, obedient children. vanessa breaking from that control shakes him, but the mask slips back into place almost immediately.

then, he’s outsmarted by the brother of one of his victims, and the child he planned to end next. his pseudo-children turn on him and he can no longer manipulate his appearance or shed his skin to escape. he explodes on them, and his language is incredibly telling that he is being dishonest.

he calls them small, trying to belittle them into submission, even though they are ten feet tall metal animatronics powered by rage. he is grasping at straws to regain control, and failing miserably.

finally, the springlocks go off. the locks in the movie look more like a ribcage, so the first two likely puncture his lungs. they’re slow, and painful, but he doesn’t scream or beg or sob. he grunts and groans, gritting his teeth and only letting out sounds of pain that sound almost involuntary. there is no way in hell he would visibly let himself show weakness or pain in front of these creatures that he believes he has control over. he isn’t brought to his knees until there are eight metal spikes embedded in his abdomen. he doesn’t let the mask fall for even a second, until he literally PUTS THE ACTUAL MASK ON and finally collapses. even then, he’s fighting for consciousness, twitching and writhing with no control over his body. william afton thrives on control, and his soul will not rest until he gets it back.

it’s why he keeps the pizzeria- he always comes back. he can’t help but return to the scene of the crime, putting on his old costume, continuing his killings. he revels in being a constant threat on the horizon. and now, he knows he is going to die, and he knows the suit will bring him back, and noone will be able to get rid of him then. so he puts the mask back on, and waits.

in terms of the sfx- they’re pretty accurate. with stab wounds, you need to leave the knife in the wound as long as possible for best chance of survival, as it stops the blood from escaping. in terms of the springlocks, there wouldn’t be copious amounts of blood as the locks are keeping the wounds filled- which is good because it means a slower, more painful death.

#fnaf #fnaf movie #eden rambles #william afton #matthew lillard #springtrap #five nights at freddy's #fnaf spoilers #idk i thought it was a great scene #ppl just need to manage their expectations of what fnaf 1 Actually Is in isolation #not the years of other media and fandom and lore and theory #we literally saw him get springlocked one time in 8 bit with no audio and four frames. how is this worse in comparison #wanna make another post talking abt how the film explores images vs the reality when you look deeper #specifically abby and her drawings/the drawings at freddys vs mike’s motivation being based on the images he sees in his dreams #and how it’s so perfect for fnaf 1 being a game almost entirely made of just scary images without actually exploring the reality #that these robots are Children and Scared and Lost #tldr the fort scene was necessary

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heloflor · 7 months

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Ok so for about a good two-three months now I had a post in my drafts about how I realized I ship Powser, and long story short I started comparing Bowser to what I think to be how most villains in media interact with their damsel in distress if they express “love” for them. Issue is, I don’t have nearly enough knowledge/examples on this topic to know how truthful this comparison is, but said comparison is also the main thing tying this post together. So when thinking of ways to remove this element while still having all the same info in this post, I kind of came up short. Plus, I like the way the post is structured as is.

In other words, here’s the post as I originally wrote it, but be aware that the comparison is probably very flawed. Maybe there’s some truth to it, probably not. In any case, just focus on the Powser side of it, the villain comparison is just there for the structure. Enjoy! (long post ahead, a bit over 3k words)

So I recently realized that I really like Powser which I did NOT expect given I’m usually much more of a “friends to lovers” type of person, and trying to understand why I like it led me to think about how villains tend to be presented in their relationship with the “damsel in distress”, and it’s actually very interesting when you compare it to Bowser.

TL;DR: Unlike most villains who showcase sexual attraction (I think?), Bowser is shown to be romantically attracted to Peach. And while his actions are still very much shitty and should be seen as such, man is he adorable sometimes ! Plus, the way his feelings are shown to be genuine makes him look better than most villains, whose “love” for their victim is portrayed as """creepy lust""" by their medias.

(Obviously there is absolutely nothing inherently wrong with sexual attraction. I’m talking in the context of medias that sometimes tend to vilify it, especially when it comes to the antagonists, hence the language used in this post.)

So the first thing that came in mind while thinking of other villains was Dis//ney’s Alad//din (the 90s/animated one) and how Jaf/ar treats Jasm/ine at the end of the movie, more specifically when he wishes for her to fall in love with him and she ends up pretending to be as a distraction.

Thing is, Jasm/ine doesn’t act like she’s in love with Jaf/ar, she acts like she’s thirsting for him, and the way Jaf/ar reacts shows that this is pretty much what he had in mind when saying he wants her to love him. This isn’t love, it’s lust.

Now, I can’t say I’m someone who watches a lot of movies, especially not live-actions ones, so take what I’m about to say with a huge grain of salt. Basically, I kinda feel like what we see in Alad/din is the norm when it comes to villain/victim relationships? Like you have those antagonists who want the damsel in distress to be horny for them, who don’t see those women as people and don’t give a shit about them, only keeping them to get what they want out of them and having no issue discarding them afterwards if they get bored with those poor girls.

Btw that’s not to say that every single villain who kidnaps someone wants to sleep with them. But when it comes to villains who claim to love their victim, there does seem to be at least some sexual tension here, or at least some uncomfortable touches.

And then there’s Bowser. To give a few examples of what he does:

- In that one 1986 anime movie thing, he gets very soft around Peach, gushing about how he’s in love with her and wants to marry her, trying to cheer her up when she’s sad, and let’s not forget that “it’s more of a bracelet, shows that my love is bigger” line with the ring.

- In the mainline “platformers” games, you have “Mario Sunshine” in which Bowser wants his son to have a mother, and “Mario Odyssey” in which he tries to marry Peach, going around the world gathering all the absolute best things for the wedding. There’s also the New Bros U intro with Bowser gently moving Peach’s chair, making sure she doesn’t get hurt by his attack, showing he doesn’t want to hurt her.

- Not sure exactly if this counts as this could be a form of objectification, but you know that cliché of villains getting that all-powerful thing they wanted and immediately betraying/discarding all the people they worked with and/or claimed to love? Well, in the Galaxy games, Bowser gets the power to create a whole new universe, and yet still takes the time to capture Peach, claiming in the first game that he wants her to rule along with him. Again, this could be a form of objectification, especially when looking at his dialogue in the intro of the second game, but it’s still interesting how Bowser doesn’t really fall on that trope, still having his army and Junior on top of Peach (btw the intro of Galaxy 2 is very funny on that front because Bowser literally has enormous powers and yet still makes a detour for Peach, thus causing Mario to be on his tail. Like, let her go dude, she’s not that into you. You got all the powers of the universe, who cares about that one specific woman when you could have literally anybody else?).

- In the first Paper Mario game, Bowser tells Peach that he would fulfill her wishes if she wants (as long as he likes them) and gushes in his diary about how he hopes Peach likes him. And in Thousand Years Doors, he keeps trying to look for her upon hearing she got kidnapped.

- In Super Paper Mario, he gets overjoyed about the wedding but still immediately shows worry for Peach when Nastasia uses her mind control on her, and in general Bowser spends the game clearly loving being able to call Peach his wife, and joins the team again in 7-2 out of concern for her safety. Same with 8-1 where for all he knows he’s about to die and yet his main concern is her safety, to the point where he's willing to ask Mario to protect her for him. His priority is not being with Peach, instead it's Peach being safe.

- In Color Splash, the first thing he does when first getting back to himself during the fight is ask if Mario brought Peach with him.

- In Origami King, he doesn’t want her to see him as a wet floor sign and later asks Olly if Peach is safe and comfortable, which as I’ve seen pointed out implies that him capturing Peach is mostly a forced vacation/sleepover until Mario arrives and she’s put on the spot for show.

(- In general Paper Bowser is a huge hopeless romantic, at least from what I’ve seen of him.)

- In Superstar Saga he helps Mario and Luigi reach the Bean Kingdom for Peach’s sake. Then in Bowser’s Inside Story his most beloved and protected memories are his memories of Peach + he makes saving her his priority towards the end. And in Dream Team, he hears a rumor that Peach might have gotten kidnaped and immediately flies all the way to Pi’illo Island to find her.

- You cannot convince me that his car in Mario 3D World wasn’t an attempt to impress Peach, given this is one of the only two games (three with Wonder) where you play as her and face against him. /hj

- In that one old comic people kept bringing up after the movie came out, Bowser spends a lot of time gushing about marrying Peach. Also despite Peach being very temperamental in this comic, I don’t think Bowser once tries to hurt her? Obviously you have the Magikoopa brainwashing her at the end which is fucked up but outside of that does Bowser ever get angry or menacing when it comes to her?

- In general, outside of the games where Peach is playable and the intro of Inside Story (which comes off as OOC for Bowser tbh, I get him being pissed off but him trying to burn Peach is just really off), do we ever get to see Bowser raise a hand on her and/or try to physically hurt her? Same for his anger, how often do we get to see him raise his voice on her? And no the sports and party games don’t count since everyone is doing the same thing to everyone else in those, and in the party games it'd be unfair if playing that one character led to Bowser going easy on the player.

Now I might be missing some more moments, especially since I’m far from the most knowledgeable on the sport/party games and some RPGs (slowly making my way through them), but there’s one thing that is very obvious: while most villains express sexual attraction for the damsel in distress, Bowser expresses romantic attraction.

Bowser genuinely cares for Peach. She’s one of his most precious memories. In Super Paper, he snaps out of the joy of getting married when Peach is getting brainwashed, showing how much he values her safety. He absolutely adores her and isn’t afraid to express it, especially Paper Bowser.

Those two instances (Inside story and Super Paper) especially really seem to lean into how much Bowser loves Peach. In Inside Story, the fact that she’s his most well-preserved memory shows just how much he values the little time he spends with her and how important she is to him, not as some pretty face but as a person he genuinely wants to create more memories with. And in Super Paper, Bleck is giving him the one thing he’s always wanted, and yet he still shows some reticence when Nastasia uses her mind control, making it look like Peach being safe and sound is more important to him than them being a couple. Idk, those two moments just really get to me when you think about it this way.

(Btw in Super Paper I adore that Peach hesitates to leave him in 8-1 because, while we know Peach is incredibly kind so of course she’d be worried for a teammate, for once it feels like Bowser actually earned it. He spends the whole game being caring towards Peach, and wouldn’t you know, being nice and respectful to someone actually makes them care for you! I swear the Powser potential from this game is unmatched!)

When most villains say “I want this woman to love me”, they usually mean “I want this woman to obey and submit to my every want”. When Bowser says “I want Peach to love me”, he means “I want to be able to wake up everyday by her side, make her smile and laugh and be happy, see her be a mother to my kid(s), learn more about her and spend as much time with her as I can”. Bowser isn’t trying to marry Peach because he wants to “own” her, he wants to marry her because he quite literally wants to spend the rest of his life by her side.

Now that’s not to say that Bowser doesn’t feel any form of sexual attraction. But since Mario is such a kids-friendly franchise, the focus is much more on his romantic feelings. Also, I'll admit, whether Bowser is in love with Peach or with the idea of Peach is up for debate.

I think that’s the main reason why so many people are quick to call Bowser sweet/adorable when seeing the way he talks about Peach. Because the thing is, Bowser is still being a complete asshole here. He’s constantly kidnapping her, putting her in a cage on several occasions, forced her to marry him like 6 different times, very often disregards her body autonomy by grabbing her (+ the kidnappings), terrorizes and sometimes even tortures/kills her people, and his phone pic in the parental controls video + the picture frames in Nintendo World make him look like a creep. Despite his feelings for her, there’s definitely a level of objectification here that should not be ignored.

Hell, I didn’t mention the 2023 movie on the list because I’d argue he was more obsessed rather than in love. Plus the scene where he proposes to her low-key feels like the very first time they meet, making his previous actions creepier (or at the very least they barely know each other, heck Peach didn’t even know Bowser likes her!). And he’s quick to use blackmail and violence against her, especially in the end. The wedding cake toppers also show he cares more about himself than Peach and sees her as an object rather than a person.

(I actually take back what I said in my movie reaction post about Bowser being like the one from Super Paper. He might be goofy when showing his softer side, which was what I was focused on when comparing the two, but he’s also clearly not as genuine and sweet as Paper Bowser. The way he mistreats his army and especially Kamek in the movie is also different from most games, most notably the RPGs since that’s when we see him interact with his people and he’s a relatively good king to them.)

Compare 2023 Movie Bowser to the 1986 movie in which he tries to get Peach involved in the wedding preparations, tries to cheer her up, never gets angry at her despite how much she’s resisting him and never once raises his hand on her. Even when she outsmarts him by making him shapeshift, he’s amused by her attempt. Literally the worse he does in this movie is grab her against her will on many occasions (and obviously the kidnaping and forced marriage, that goes without saying).

Going back on topic, despite Bowser being very much horrible in the way he approaches Peach, since every other villain out there is lusting after the woman they capture, making them appear creepy/predatory, Bowser comes off as an angel in comparison. He’s one of those rare cases of a villain who is truly sincere about his feelings for the woman he captures, and since we see other occasions of him being a sweetheart (with Junior) and a dumbass (the RPG series), he becomes an incredibly endearing character. So his feelings for Peach come off as adorable despite the bad elements because we’re aware he has a soft side so we know he’s truly sincere. Him being sometimes more of an antihero in the RPGs + his inclusion in sports games and the like probably also help seeing him in that good light.

(Also yes I’m very much aware that there’s a huge issue when it comes to how fandoms perceive female characters, and I will absolutely believe you if you tell me this is one of the reasons why you have people who talk shit about Peach so much all while defending Bowser’s actions, especially since his feelings for Peach are so rooted into his character. Oh and obviously you have the people horny for Bowser who love his softer/romantic side and value the moments where he displays this part of himself, that goes without saying.)

I’m especially surprised by the 1986 movie showing such a characterization of him, considering it came out 1-2 years after the very first Super Mario game (aka Bowser’s first appearance, at least I think?). Like imagine making a movie about those characters and going “hey you know the giant turtle monster we fight in this game? What if he was a huge lovable dork who just wanted some love in his life?”. Tbh I adore that choice.

Overall, it’s just interesting to see how Bowser differs from other villains on that front. It’s very interesting to see a villain who does pretty terrible things to a girl all the while being genuine in his feelings for her, idk it’s a very cool contrast. I also like how “true love” tends to be a motivation for the heroes, seen as something good, so it’s fun to see stories where villains have that very same motivation without it being “““twisted””” with lust. And yes I know that last point applies to many more antagonists than just Bowser, and not just for feelings like love.

And a bit off-topic but I also really like how you can easily explain Bowser’s behavior here (not justifying it tho!!!). In the Yoshi Island games, we see he was raised as a spoiled brat who was always given what he wanted, made worse by him being a monarch. We even still see some of that behavior in his adult self, for example when he gets angry and starts stomping his foot like a kid throwing a tantrum.

As a result of his upbringing, Bowser likely just doesn’t know how to take a no. He’s used to always get what he wants, and take it by force if necessary. So when Peach refuses him, he does just that, incapable of understanding why she doesn’t want him.

The 86 movie is actually an excellent example of this. In two scenes (the one with Peach outsmarting him and the ring dialogue) we see Bowser getting worked up when Peach is upset, showing he genuinely wants her to be happy. But at the same time he’s incapable of realizing that he’s the reason why she’s so upset and the one thing he should do is let her go. The ring scene especially shows it very well. When Peach throws the ring and starts crying because she doesn’t want to get married, Bowser thinks she’s upset due to the ring being too big and immediately tries to soothe her by promising to get a better ring. Again, it’s kinda crazy how this movie was made when Bowser only existed for a single year and yet they already made him genuinely in love with Peach.

I’d also add that Bowser seems to have a pretty high opinion of himself, thinking he’s awesome and shit (or maybe he’s overcompensating, that seems like a possibility). As a result, it’s possible that his mentality on the situation is “Well I’m in love with her so surely she must love me! How could she not?”, making it even harder for him to comprehend why she doesn’t love him.

Again, it doesn’t justify his actions in the slightest but it’s still interesting how you can somewhat understand why he’s like this.

And as to why I ship Powser, honestly I still have no idea ¯\_(ツ)_/¯ I think it has to do with the storytelling potential of a unrequited love/it’s complicated/they have history situation in regards to their roles as monarchs, especially in the case of Peach whose character is brimming with untapped potential. I actually like to describe their relationship as “I hate the effect you have on my life but I couldn’t imagine a life without you in it” or “Our kingdoms are enemies for a good reason but if anything happened to you I’d rush in to save you without hesitation”. It's just that idea of them being ex-lovers who had a bad falling out and how Peach still cares about him to an extent and how their lives constantly intertwine with villains trying to take over their kingdoms + Bowser's kidnappings.

And since we’re talking Powser and since wondering whether they know each other or not in the movie got me to question how we can tell they know each other in the games: the best way I could describe their relationship in the games is familiar/”comfortable”, like you have the way Peach tries to convince Bowser to join the group in Super Paper, the way she talks about him in general in the Mario and Luigi games, or stuff like most cutscenes in Odyssey where she never seems afraid of Bowser.

I’ve also seen that Switch Tennis game with the evil racket and how Peach is the one who tries to get through to Bowser when he steals it, straight up saying “listen to me” which makes it seem like she knows she’s the one person who could get him to stop, or you have the first Rabbids game where she comments on how “Junior is sometimes even worse than his father”, plus the way she looks like a mother about to reprimand her child in the cutscene where Jr learns Bowser is coming home (which I find hilarious; lady that’s not your kid, I thought we’d been through this already in Sunshine!). Oh and CAN WE TALK ABOUT THE WAY SHE’S LOOKING AT HIM IN (spoilers in link) THAT CUTSCENE FROM THE NEW RABBIDS 2 DLC!!!

I don’t know how to fully explain but, looking at these kinds of interactions, you can tell that the two of them know each other, and to an extent Peach knows that Bowser won’t hurt her, hence why she’s not afraid to oppose him. It’s pretty funny actually how in the games Peach tends to be exasperated by Bowser more than anything else. Like he’s not a menace, just a weekly annoyance. And again, when you compare it to the movie where there’s only hostility and awkwardness between them, you do get the impression that they’re two complete strangers meeting for the first time. The fact Movie Peach had no idea about his feelings for her doesn’t help either. Then again, about the hostility, Peach in the games is much sweeter so maybe she shows a nicer side to Bowser because that’s just who she is.

#Powser #Bowser X Peach #Princess Peach #Bowser #Super Mario #Flor talks #long post #looking at the ending of that post you can tell this was written shortly after the Rabbids DLC 2 came out #But yeah; as said in the intro I'm really not sure if the comparison to other villains #and what it entails in how Bowser is seen by the general public is actually a good take; I don't think it is #but also I like how this post is overall written #all in all; that post is just an excuse to gush about Powser; so please don't take the 'analysis' part of it too seriously #btw yes I saw the Wonder animation and love it; pretty funny how powser will never be canon yet Nintendo keeps giving us content #(not that I'm complaining; quite the opposite)#also it feeds my hc that Bowser would LOVE a chubby Peach bc big=healthy in Koopa's eyes since turtles have thick limbs #also also it's pretty funny how I'm worried that Peach being less kidnapped=Bowser's crush slowly disappearing #but then Nintendo keeps proving me wrong by showing that; kidnapped or not; his crush isn't going anywhere; and I'm very happy about it #in other news I'm going to star putting the number of words in my longer posts so people know what they're getting into #also might put the read more earlier to make sure the whole post isn't opened when trying to see the rest of the intro

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