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juicydangler · 5 months
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b3aches · 8 months
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Companies That Union-Bust Must Now Automatically Recognize Union, NLRB Rules
The National Labor Relations Board issued a ruling on Friday that changes the framework for unionizations, making it easier for workers to organize and harder for companies to fight back against them. The new process comes as part of a decision in the case between Cemex Construction Materials Pacific, LLC and the International Brotherhood of Teamsters, where the Board found that the employer had committed over 20 “instances of objectionable or unlawful misconduct” between the filing of the union election petition and the election itself, intending to dissuade workers from organizing.
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lunarhobbits · 26 days
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i feel like it's important that everyone know that quinton reviews did NOT make a 38 hour video on The Beverly Hillbillies.
quinton reviews's DAD made a 38 hour video on The Beverly Hillbillies seasons 1-3 (out of 9), Petticoat Junction seasons 1 and 2 (out of 7), related episodes of Mr. Ed, and the radio program Granby's Green Acres.
he hasn't even touched the henningverse media that's in color yet.
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deep-space-lines · 4 months
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look, I love Garrus but his ME1 characterization makes me wanna do this to him
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lovesickeros · 13 days
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☆ you sow; & thus you shall reap what you are owed
{☆} characters tsaritsa {☆} notes cult au, imposter au, drabble, gender neutral reader {☆} warnings blood, violence {☆} word count 0.8k
You are dying.
Gold melts into the dirt, bleeds into the very earth that you'd molded by your own hands – a familiarity you do not understand the source of – you know it to be true, yet you do not remember it as Teyvat does. It weeps, in turn, for the way you bleed upon it, the way your lungs strain for breath.
It is fury and sorrow and fear and hatred so raw that your mind buckles.
You will die.
"A dying godling and its judge, it's jury – it's executioners," The voice is hollow and cold, sweeps across your broken body like the first chill of winter, "Archons who saw themselves Gods, now brought to heel by their own hubris."
A cold hand upon your cheek, the brush of a thumb across your lip, the gentle caress of cold across your skin. You know her – you don't remember, you shouldn't recognize her but you do – and she knows you. The cold beckons and you follow, let her kindness settle in the hollow space of your chest. You want to speak, to cry and scream and rage, let the world burn around you in a fit of flames so hot even she cannot contain it – but she silences you, quiets the anger seeping into your blood, quiets Teyvat itself.
"Do not speak, little godling. Guide my hand," She is cold; her hands are not gentle, yet it is bliss compared to the callous, cruel hands that have shattered you. She is cruel and cold and brutal but she is love in the way she kisses the crown of your head. She is love in the way she is the bulwark between you and the world that has scorned you – she is fury in the way she brings them to their knees. "And I shall enact judgement most divine."
They will pray for forgiveness, and they shall find themselves wanting.
"It wasn't our fault!" They cry, but you cannot recognize the voice – it breaks and cracks like glass. "They were too human. How were we meant to know? We– we thought they were.."
Silence.
You watch your judge – the executioner, the blade that shall carve their sins into the very marrow of Teyvat, stand above you like death. As cold as winter and just as brutal. Your temple has been painted in the gold of your divine blood, and she shall complete the masterpiece with their own. The Archons shall become the grandest art in the world – this temple the canvas, their blood the paint and their bodies the palette. The cold that cuts sinew cradles you – it sings to you, whispers sweetly in your ear and carves bone from body in the same breath. The cold presses it's lips to your wrist and it cradles a heart within it's palm – judges them and finds them guilty.
It is her spear that rests between their ribs, her sword that dissects and her dagger that carves – the cold devours.
In the breadth of this divine sanctuary, the Archons dwindle. They become the pieces of a divine work of art, they bleed and bend and break upon her hands. She shakes the heavens and carves mortality into the bones of the divine – your word is Law, and you weave their deaths into the roots of Teyvat itself.
They shall know of their grand folly in every moment henceforth and longer still and they shall weep.
And as the curtain falls, as the world crumbles beneath fist and blade, she cradles your face between hands too cold – as gentle as a shard of ice between your ribs, as brutal as the kiss of gentle snowfall. The world buckles at the loss of six, but she alone does not allow it to break – you will have to mend the wounds of the world when you are well, but today you weep and Teyvat weeps with you.
And alone, the cold remains.
Stone has eroded, the wind has ceased, the flames have been extinguished, the storm has been silenced, the forests have gone quiet and the seas go still.
But the cold remains, bathed in gold.
It wraps you in thick furs, cradles you against the winter storm that brews beneath a veneer of composure. It brings you home – lets the world settle into a stillness and silence that inspires only dread and still she presses a kiss to your brow.
It is cold, but there has never been something so warm.
Where hands have broken you, she drapes you in furs, wipes away the thick gold that clings to your skin. She pieces you back together where you have been shattered, reshapes you where you have been bent – makes of you something new. Not a god and not a mortal but something wedged between them.
But you are yourself.
And you are where you belong.
They shall put you back together and you shall know only the worship worthy of the divine. They shall carve this world into your image, tear out and burn away the rot that festers.
All you need to do is say the word and they shall be your tools to make this world your own.
One word and those who wronged you shall burn, too.
Just one word. That's all it takes, and they shall take away your pain.
#sagau#genshin sagau#self aware genshin#genshin impact sagau#self aware genshin impact#fic tag#genshin cult au#genshin impact cult au#tsaritsa#“eros you left for a month again” yeah.................#anyway. posts tsaritsa fic and leaves#i kept it kinda vague but the fatui are all on your side. whether or not your actually the creator or not though..#now thats up for debate.#did they tamper w teyvat to kill the archons? to break the world to be remade in whatever image they see fit?#using you as the means of their end?#maybe you are the creator and they just saw an opportunity. maybe they are just devoted to you.#i just think lowkey villain au but specifically imposter au where the only ones who side w u r the fatui like OUGH#i love the fatui. them being the only ones 2 side w u is so tasty#prime material for angst bc the self doubt if the only ppl who believe u r the “villains”#a lot of this is just like. tsaritsa posting again though#the tsaritsa who loves so deeply yet cannot love#contradictions all the way down#she loves you but she cannot love you.#she loves you but she will put a dagger between your ribs. she loves you but she is incapable of love#tsaritsa the woman that u r ough#harbingers and their complex relations 2 love my beloved#smth smth tsaritsa seeing an opportunity to install a puppet “creator” which creates a separate imposter!au when the actual creator pops in#did i write this just 2 write tsaritsa being vague and Weird and horrifying and a horror and a lover and just a woman and#yeah :]#please talk 2 me abt the tsaritsa pleas epleas pleas eplease please please please p[lease please pleas
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zytes · 2 months
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confusion, community, choices, and crossroads.
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zephyrus-gremlin · 1 month
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Thank you @levishika for the lovely headcanon of Warriors being related to Wind, i now present:
Chaos ✨
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Bonus:
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atsushi transforms into a tiger to regrow his limbs and akutagawa snaps out of his vampire-ness becuz he wants to pet the kitty
im thinking about this
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ufolliegy · 3 months
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The bugs r back. Now with fresh redesigns and brand new names.
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estherax · 1 year
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Generating plasm and stacking matchboxes: how to build a better future through collective consciousness.
Alternatively - Steban and Ulixes were building Tatlin's Tower so I have to talk about the symbolism or I will explode!!
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While completing the communist vision quest you get an opportunity to build a model of "The Tower of History", depicted on the last page of "A Brief Look at Infra-Materialism": a leaning tower wrapped in a dramatic helix. The scale model you make is a mirror image of Tatlin's Tower - a design for a grand monumental building to the Third International: the government organization advocating for world communism.
The main idea of the monument was to produce a new type of structure, uniting a purely creative form with a utilitarian form. Meaning it would function as an office building while also serving as a symbol of cultural significance. And let me tell you, this bad boy can fit so much symbolism in it.
Tatlin was commissioned to develop a design in 1919, after the 1917 February Revolution - a parallel to Disco Elysium's Insulinde we're witnessing post-Antecentennial Revolution.
Tatlin's work was inspired by high revolutionary goals, which are evident in the visual direction of the tower as well, expressing the ideological strive for achieving something that has never been done before, overcoming the odds. The structure "oscillates like a steel snake, constrained and organized by the one general movement of all the parts, to raise itself above the earth. The form wants to overcome the material and the force of gravity..."
The tower has meaning packed even in the materials. For example, the glass structures (marked A, B, C on the architectural rendering) were meant to serve legislative, executive and informative initiatives while rotating around their axes at different speeds. The material signified the purity of initiatives, their liberation from material constraints and their ideal qualities.
But here's the best part. The spirals.
"The spiral is the movement of liberated humanity. The spiral is the ideal expression of liberation: with its base set in the earth, it flees from the ground and becomes a symbol of the suspension of all (...) earthy interests." They are "the most elastic and rapid lines which the world knows" that represent movement and aspiration, continuing the themes of progress and freedom, but they also refer to something else.
In the process of building the matchbox model Rhetoric points out: "It's almost exactly as Nilsen's sketch imagined, a physical manifestation of the dialectical spiral of history."
The shape of the tower is a representation of dialectical development of history, first visualized as a spiral by G. W. F. Hegel. He pictured transformational change as "both linear and circular in order to be short-term responsive, i.e. possibly negating itself, and long-term strategic, i.e. a process of development."
Hegel's dialectics would later be reinterpreted through the prism of materialism by Marx and Engels to create dialectical materialism - the basis for historical materialism.
"Still, this idea, as formulated by Marx and Engels on the basis of Hegels’ philosophy, is far more comprehensive and far richer in content than the current idea of evolution is. A development that repeats, as it were, stages that have already been passed, but repeats them in a different way, on a higher basis, (...) a development, so to speak, that proceeds in spirals, not in a straight line; a development by leaps, catastrophes, and revolutions; (...) the interdependence and the closest and indissoluble connection between all aspects of any phenomenon (history constantly revealing ever new aspects), a connection that provides a uniform, and universal process of motion, one that follows definite laws - these are some of the features of dialectics as a doctrine of development that is richer than the conventional one."
The tower embodies progress in materialist understanding of history while also indicating the connection to ideological plasm, a manifestation of "the proletariat's embrace of historical materialism", necessary to create a better future.
According to Nilsen, the proletariat of a revolutionary state can generate enough plasm to create extra-physical architecture that "disregards the laws of 'bourgeois physics' and instead relies on the revolutionary faith of the people for structural integrity."
This function of plasm implies that The Tower of History can be created only under revolutionary circumstances - without a sufficient amount of plasm even the matchbox model didn't stay up. The exact same sentiment is expressed about Tatlin's Tower: "We maintain that only the full power of the multimillion strong proletarian consciousness could bring into the world the idea of this monument and its forms. The monument must be realized by the muscles of this power, because we have an ideal, living and classical expression the pure and creative form of the international union of the workers of the whole world."
Nilsen called it "the highest expression of Communist principles, a society whose literal foundation is the faith of its people."
Tatlin's Tower was a symbol of faith in the revolutionary future, the global triumph of Marxist socialism. A monument "made of iron, glass and revolution."
It was never built in real life, and neither was The Tower of History in the world of Elysium.
But you can try to see if there's enough plasm between the three of you. And the matchbox tower stays up for a long moment, quivering with an improbable energy. You believe it can say up - and it does.
So you have to believe; whether it's for collective action or generating ideological plasm. Then, together, maybe you'll be able to build as much as 0.0002% of communism.
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furbygone · 19 days
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Fighting the Brain Demons/Affirmations Against "FOMO" in Collecting
I am grateful for everything in my collection and love every individual object
I am happy to see that other people share a similar passion for my interest
I feel proud for others when they get lucky or otherwise obtain something I also cherish
Most of the fun in collecting is sharing in joy with others and forming community
I am fine to pass up a "good deal" because it means someone else can have that joy. I've had plenty of luck and am happy to share.
There is plenty of time to get everything I still want. I don't need it all right away.
I don't need an object in my possession in order to admire it. I can make art and share excitement with others.
It's important to save spending money up so that when the opportunity arises, I can buy something expensive that I've been wanting for a long time.
I love spending time with the objects I already have and photographing, arranging, or cleaning them, as well as taking them places with me.
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juicydangler · 5 months
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the devil works hard but tumblr posted crab rave before even the wikipedia editors got the was out
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j-ellyfish · 2 months
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People who engage in the Hetalia fandom while openly disliking the source material and even Himaruya himself sound kinda like hypocrites to me. Everyone's entitled to their own opinion, but please stay away from me, this kind of mindset truly annoys me and makes me uncomfortable. Am I gatekeeping? No, not really, I just believe that being a fan of something should mean, you know, being a fan and liking the source material at the very least. It should be like, the lowest the bar can get. Below that, there's not being a fan.
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lunathewafflelord · 2 months
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she/her they/them cool hat but it’s all the same character
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nerves-nebula · 10 days
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text taken from wayy later on in the script for loose stitches. dunno if it'll remain unchanged or if it'll make it into the final comic but it's a vibe rn and thats all that matters for my drawing class.
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nando161mando · 30 days
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Who ya gonna call?
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