#and now you have to deal with my insane ramblings | Explore Tumblr Posts and Blogs

twistedapple · 9 months

Text

Miguel O'Hara: What's his deal

Ok so ever since the theatre realease of Across the Spiderverse back on May 31st (yes in France we get our new releases on Wednesday, this is why the early videos on YT had French subtitles btw in case you were wondering), I have been deep in it. Like. DEEP. The main offender for that being Miguel O'Hara, who immediately started living rent free in my head and he is clearly not leaving any time soon. Anyway, this is completely out of topic for my blog but I do what I want so let me rant about the aforementioned Depressed and Overworked DILF because we love men with problems in this house.

WATCH OUT FOR THE SPOILERS (and unhinged ramblings that totally sidetrack).

Ever since the release of ATSV, a lot of videos have been available on YT to dissect everything, and of course I have been having an intense focus on character analysis, because that movie is absolutely brilliant at establishing character arcs and presenting new Spiderverse characters in one of the most efficient, thrilling and engaging way I've ever had the pleasure to witness. We've been blessed with Gwen's heartwrenching character arc (and she deserves none of the hate she's been receiving, but don't get me started on that), Hobie more like Homie in the span of 5 minutes on screen... And Miguel, who blesses us with his ego, anger issues and massive trauma while also dropping bits of a gentler side - but only bits of it. And I have been extremely normal about Miguel, since he absolutely doesn't tick all of the boxes of the Tickle My Fancy list.

I have been ranting about him in many YT comment sections for more than 2 months now (hi Purple Kisseokjin and Schnee lol), but with the digital release of the movie, I finally remembered I have a Tumblr blog where I can yell about Miguel all I want, so here we are now. Now where do I start...

First Part: Miguel's character design

I've overall been highly impressed by the various art styles given to the Spiderverse cast, and how it reflects who they are and where they come from. Miguel in particular hits many soft spots for me for a good reason: his association with architecture and industrial designs, which are topics I'm interested in (especially architecture). As such, I will begin this study by analysing both the character and environmental designs for Miguel and Nueva York, and how the depiction of Nueva York 2099 reflects the state of the narration as well as how Miles and Miguel feel and think - following the same logic as what we get to see with the use of watercolours on Earth-65B, during Gwen's sequences, to express emotional states. A mandatory tangent will be made in regard to Miguel's themes as well, because they fall in line with my arguments for the character and background designs.

There are some main points to take into account when it comes to anything related to Miguel's design: straight lines everywhere, light rough sketch lines, gouache tones. Where do we find these elements? In architecture design. Older ones made in a traditional way usually have gouache for the colours (although ink and watercolour are also present), and the light sketch lines and straight lines are present to study the perspective, as shown in the example below:

Feels familiar? Well, will you look at that:

One of the reasons why I am giggling everytime he appears on screen is because of these delightful sketch lines. Looook, it has the same style as architecture concept art! Even better, from the mouth of one of the character designers, Kris Anka: NO CURVES!

Even his face has sharp angles (he truly has the most powerful cheekbone game), look at the sketch lines:

And you know what else has a lot of straight lines and sharp angles? Nueva York.

Look at this. Look at this. It's even in the title card when Miles arrives at the Spider Society.

Allow me to make a slight detour to explain what we are looking at while looking at the architecture of Nueva York 2099. What we are seeing here is a blend of brutalism and eco-brutalism. Brutalism is characterised by its materials, steel and concrete, as well as its intent: in a post-WW2 world, architecture is seen with more pragmatism and values function first. Eco-brutalism is a branch deriving from Brutalism, and aiming to reintegrate nature in the concrete jungle in order to create an harmony - albeit a fully man-made one.

The concept artists took (eco-)brutalism and ran away with it for a massive Solarpunk vibe, which makes the whole setting very interesting considering that in the comics, Nueva York is also very much a futuristic dystopia. Yet, using (eco-)brutalism to have us experience the place for the first time along with Miles is a great way to give a sense of awe by way of what we envision as the future to be now:

The interesting bit about it is how (eco-)brutalism and the adjacent solarpunk aesthetic are associated with a rather hopeful future, one where humanity manages to harmonise its modern way of life with a new development of nature. It feels like a haven mixing the relaxing greens of nature with the sharp lines of brutalism architecture, and that's how Nueva York feels on first sight. Similarly, Miguel O'Hara's first appearance leaves quite the memorable impression: tall, with broad shoulders and everything about him being sharp (it's even exagerated in the comics part), even his web.

(Fun fact time: ball pens have initially been designed for architecture and industrial drawings, they are fantastic tools to draw neat lines and create a nice variety of shading as well based on how you push on the pen and how you hatch/cross-hatch to modulate the intensity of the shading. You know who and what could be drawn solely with a couple of ball pens? Check the answer below.)

He also shines at the Guggenheim by showing how competent he is, with a certain benevolence on top of it: he initially rejects Jessica Drew's suggestion of adding Gwen to the lineup (yes Miguel, you don't want her because she's buddy buddy with Miles), yet saves her from being shot by her own father and ends up getting her on board as she finds herself with nowhere to go. It certainly leaves a similarly good first impression as the bright and harmonious first sight we get of Nueva York.

However, the environmental and character designs both give us a deeper look into Nueva York and Miguel, and it's certainly not as pristine as it seems. Just as Miles is about to discover the truth of the Spider Society, he enters a darker lab and Hobie keeps warning him, until they reach the area where Miguel is pretty much playing Big Brother by watching them through some of his screens:

I'd argue that the darker space is a callback to the comics, in which Miguel becomes sensitive to light after his genetic mutation, But it is the very opposite of what we've been shown when introduced to the Spider Society: soft whites and greens are traded for deep blues and the stark orange of multiple screens as well as the tone on Miguel's own costume - the bright orange light of the screens is even reflected on him. This is not a pleasant place, and everytime we see it (the Go Home Machine area has a similar style, albeit more organic in the creepiest way, as displayed above on the 4th screenshot), we witness Miguel having outbursts of anger as well. There is also something that feels disconnected from humanity in the sense that it's colder and more methodical in the design, either with all the sharp angles and stark contrasts, or the alien design of the Go Home Machine.

It's an impression that can also be found once we discover the underbelly of Nueva York, while Miles is being chased:

Here, we also have dark tones with stark neon lights that create the impression of a colder, less caring place, that points to the dystopic nature of the place. The impression is created with great efficiency not only by intense contrasts, but also by using the classic codes for a dystopic society: the solarpunk tones can be found in other stories such as the video game Mirror's Edge (classic case of solarpunk hiding a dystopia), and of course the darker cyberpunk aspects are a staple of the Dystopic Futuristic Society, that goes as far back as the first Bladerunner movie at least, and that can also be found in movies, series and games such as the Ghost in the Shell movies/series and the Cyberpunk TTRPG/video game (which pretty much gave its name to the genre) - I'd even argue we could go further back in time for the references with classics such as Aldous Huxley's Brave New World. It matches with the atmosphere of the Spiderman 2099 as well, which is set exactly in that type of darker, cyberpunk dystopia.

I argue that there's something coldly methodical in Miguel's design and, by extension, Nueva York 2099's design as well. And it is delightfully balanced through an initial positive introduction of both, before being broken down for a darker turn later on during the movie, as it matches Miles' own amazement-turned-disappointment throughout the sequences in Nueva York when his initial desire to belong somewhere is brutally turned on its head by the very persons who could have given him that sense of belonging he was seeking.

Interestingly, even the soundscape for Miguel, "Spiderman 2099" and "Lab 2099", expresses the underlying coldness of Nueva York 2099 and Miguel's own scientific, methodical approach to problems. As explained by Youtuber Azcona in his Miguel O'Hara Suite playlist:

"I'd argue that it has the same tonal resonance that the Prowler theme in the first movie had, though is less villainous and dreadful as that theme. Miguel's theme is a five note synth line that sounds akin to an alarm or siren. It's blaringly loud, but is also used for more calm dialogue scenes in an effective way. The words that come to mind when describing the musical soundscape of Miguel O'Hara is "methodical", because no matter how loud or abrasive his theme gets it has an underlying feeling of coldness and efficiency. This is further shown through a repetitive synth ostinato that plods and chugs during a lot of his scenes/scenes involving the multiverse at large. It's reminiscent of Blade Runner in tone and it's mechanical nature, and I think it suits someone as jaded and distant as Miguel. Not only is his theme alarming and efficient, but also efficient in it's cold, electronic soundscape and melodies."

And this very methodical, cold tone is itself used during the infamous Train Chase and Miguel's on-screen mental breakdown... But more on that in the next part!

#across the spiderverse #atsv #miguel o'hara #atsv miguel #atsv spoilers #character analysis #spiderman 2099 #not twisted wonderland #THE HOLD MIGUEL HAS ON ME IS SO REAL #He truly lives rent free in my head since May 31st #we love Depressed and Overworked DILFs in this house #and now you have to deal with my latest insane ramblings #I hadn't gone that far since Hell's Paradise lmao that was 4 years ago #but man does it feel GOOD #i live and breath for character analysis AND I get a bonus on architecture this time too

30 notes · View notes

lesbiansanemi · 29 days

Text

And when I thought things were finally fine and had calmed down my roommate starts sending me shelters because he wants me to get rid of my cat 🙃🙃🙃

#‘she’s peeing on my stuff 😡’#listen I get that that sucks #but also…. we had a system in place that got her stop #I get putting cat spikes on the couches was mildly annoying but guess what #she wasn’t pissing on them anymore #and tell your bf to stop leaving your bedroom door open if you don’t want her to piss on your bed #like ?????#I know he’s stopped doing these things because the bf finds them mildly inconveniencing #sorry I’m not getting rid of my cat that I’ve had for almost four years and who got rehomed TWICE before I got her #because you have to put in a tiiiiiny bit of effort #‘she pissed on my shoes 😡’#she has literally never peed on shoes before I guarantee you it’s because I left for a weekend and she’s anxious #fucking calm down #you could also just not leave your shoes by the door #he already rehomed our rats because he found them annoying which I feel bad about #I didn’t fight him much on that one because they were more his than mine so if he wanted to make that decision whatever #but hell no I’m not taking my cat to a fucking SHELTER fuck you #‘she drives me insane tho’#okay well your fucking boyfriend drives me insane and you’re not seeing me demand you take him to a fucking shelter so lol #GOD this is not what I wanna deal with when I get home #and it’s just pissing me off cuz I get it’s annoying #but we’d gotten her to stop mostly and now it’s started again because of things 🙃🙃 the fucking bf is doing 🙃🙃#so like this is your own fault and you’re expecting me to get rid of my baby because your bf can’t be assed to slightly alter #how he likes to live which is apparently being allergic to just keeping the bedroom door closed #jfc #kaz rambles

5 notes · View notes

soulvee-animationz · 2 years

Text

RAWR X3 IM SO UNSTABLE AND MENTAL IM GONNA KILL YOU!!!! XDDDD IM GONNA KILL MYSELF YEAH JUST LIKE REBYXX!!! /LYR!!!!!! LOL TREAT ME LIKE IM THAT INSANE CONTINUE TO TREAT ME LIKE IM DANGEROUS GET AWAY FROM ME DONT TOUCH ME IM A FUCKING BERSERKER THREAT TO YOU ALL IM FUCKING TERRIBLE

#CANT HAVE SHIT IN THIS HOUSE #BASIC FUCKING PRIVACY WHILST I SLEEP??? NOPE!! CREEPS GOTTA COME AN OPEN UP MY DOOR WHILE I SLEEP BECAUSE IM THAT UNSTABLE #GET NEW FUCKING MEDS AND EVERYONE TREATS YOU LIKE YOU’RE INSANE #FUCKNG HYPOCRITCAL LIARS I HOPE THEY BOTH BURN IN HELL #ONE FUCKING INCIDENT O N E FUCKING INCIDENT WHERE I GO ON A RAMBLE ABOUT SELF HARM AND WANTING TO KILL MYSELF SO THIS HAPPENS??????#GREAT NOW MY WHOLE DIRECT FAMILY THINKS IM INSANE :)#GET CONSIDERED TO BE PUT IN A MENTAL HOSPITAL + BEING YELLED AT FOR BEING A COWARD FOR NOT SPEAKING UP ABOUT TRAUMA IN THE CAR + REMOVAL #OF MY PRIVACY #OH FUCK ALL OF THIS BULLSHIT WHAT PREVENTS ME FROM GOING BERSERKER AND KILLING YOU ALL HUH??? HUH???? WHAT IS IT PUSSY???#TREAT ME LIKE IM INSANE AND IM GONNA STRAIGHT UP KILL YOUR ASS /NSRS #GOD FUCKING WHY THIS WAS SUPPOSED TO HELP NOW I FEEL WORSE #MY MEDS ARE HELPING I FEEL LESS DEPRESSED #ITS JUST THE SHITTY PEOPLE I GOTTA DEAL WITH THAT HAVE MADE MY LIFE HELL #VENT

14 notes · View notes

glitchinginhyperfixis · 1 year

Text

i think about summoning the courage to dm my moots and then i remember 1) im terrible at socializing and 2) i hate tumblr messaging bc i always have to go out of dms to actually be able to see the newest one and it glitches

#this is why discord > tumblr when it comes to dming and just having convos in general #i love talking to moots when i get the chance but god the dming system is goddawful #ive only dmed with a few ppl and i loved it <33 but once i started messaging on discord i just cannot deal with any other way of messaging #literally the messaging app drives me insane now #and its good for short convos but not long ones bc again i have to keep going out of dms to see the dms #maybe its just mobile #its probably just mobile #but im not getting on my laptop for tumblr sorry 😔#anygays i need to stop rambling sm in my tags but its cathartic #who needs therapy when you have tumblr tags

2 notes · View notes

city-pumpkin · 2 years

Note

Hey Bo! How’ve you been? Glad Pedro is still bringing u daily serotonin 😊

Hi!! :D Yes once i aquire a blorbo they never leave that category, even if i forget them for a bit lol. Still makes me happy!! :)

Life's been good!! Busier than i ever remember so obvi a but stressfull, but in a good way? I don't remember ever having my shit this together and feeling this good despite how much i got going on.

Hope you are well too, how have things been?

#Here for the wispering part of the life update: I got finally officially diagnosed and we figured out medication 🥳#Insane to have some executive function AND a grasp of what's going on and how to make accomodations for myself!#Not that it is an earth shattering change. But a lot of tiny changes. And they add up to a significant improvement in life quality :)#Best i can describe it is walking a mile is still walking a mile but now it's not uphill anymore :)#It feels like the adhd and the various symptoms aren't this huge burden i struggle and fail to manage anymore #But rather just another thing i manage and work with #Like when you dress for the day but now you get to know what the temperature will be and wether it will rain instead of just having to deal #Sry for the rambling alsjdh still trying to figure out how to explain this well so i can eventually explain to my mum ^^

4 notes · View notes

arolesbianism · 4 months

Text

I love comparing bandori and sekai covers in a "I genuinely love both of these franchises and both of their music and want to think abt what each is going for in their covers and what they do that I like or don't like" sort of way but god damn do they make it hard when half of their overlap is with crusty dusty sekai covers and the more so recent stuff is mostly bandori's more low key instrumental stuff which I am Not a fan of so it's so hard to find a pair that doesn't feel like hydrogen bomb vs coughing baby in one way or another to me dhjdhdj

#rat rambles #band posting #sekai posting #and lemme tell you kokoro is not helping pls girlie I love you so much and I love hhw music so much please #<- guy who didnt stuper care for hhw ego rock #its not Bad mind you. its just way too low key for my taste which ends up making kokoro's voice feel soooo lonely #tbf the only version of ego rock I currenty rly like is wxs ego rock so I am 100% biased in this specific case #I was never going to like the hhw version more but yknow #also I find it so funny when ppl try to pull out vbs dramaturgy like deal with ichika stand by your boy or submit to kasumi (and ran)#like hey Id love to bring out mygo shoujo rei to play but kasumi and mashiro are whats in the actual game so thats what I have to work with #and lemme tell you I am not a big fan of kasumi in her and mashiro's cover Im so sorry kasumi #ever since vampire dropped the threat of fake kasumi™️ has loomed heavy overhead #<- dont take this personally its a light hearted jab #but hey it's ok kasumi will continue to just fucking murder sekai in other overlap covers #like bro mmj didnt stand a chance with setsuna trip kasumi made that song good single handedly #ok but in all seriousness I dont actually think all of these covers have an ~objectively~ better one or whatever I just like being a hater #but more importantly I like being a lover god I fucking love music #go listen to kasuran draumaturgy Now its so fucking good #also afterglow x kasumi goodbye sengen!!! ran and kasumi sound so fucking good together its insane #honestly with every bad afterglow cover if you just threw kasumi in there itd fix it #tbh ran actually generally works well in colabs which is surprising to me tbh #mostly because I feel like she works best with kasumi and kokoro two characters that I did not expect her to work with #also fucking rip to kanade I love you so much kanade hated by life itself I like you more than afterglow cover but you sound very. silly.#kanade is like my favorite sekai vocalist but her voice is Very situational #and this is a crusty dusty cover when the sekai cast was still figuring out their voices #which is rly the problem with most of the overlap between the two games #a lot of my favorite bandori covers of vocaloid songs are stuck in crusty dusty hell in project sekai #like roki for example #but even if l/n absolutely nailed that one Id still preffer the afterglow cover cause moca <3 #theres crusty dusty bandori songs top but the quality change is less jarring in my opinion (not to say old sekai covers are bad tbc)

1 note · View note

mayordoi · 8 months

Text

Happy birthday to the number one princess in the world!! 💖

~from her biggest fans :)

ramble of my scattered thoughts on the piece under cut as usual cuz i love talking 😋

This has been an idea I've been cookin for a while, and it was so cluttered and unlike any other ensemble piece I've made... and I decided I oughta do it anyway. I love Miku, I love Vocaloid, and I wanted to do something really ambitious and crazy for her anniversary. Crazy that she's turning her "canon" age this year TwT

I had the idea floating around since like, May...? And then finally started acting on it around June 18. I'm terrible with deadlines, obvious with how I can never make a silly birthday post in time, so I started wayyyy ahead to make sure I have some room to be lazy lol, especially with an idea as ambitious as this.

This was finished on July 12! So I had to sit on this for an annoying amount of time. Very difficult for someone like me who just wants to talk about everything I'm working on to the masses. But at the very least, that gave me the time to work on the draft for this post.

~~~

Here's some ~behind the scenes~ scribbles leading up to the finished piece!

Left is the chicken scratch plan i made in my handy dandy notebook (whenever things are getting real and ambitious, i always made a rough ROUGH plan in there. Usually I'd do a rough pass of the full thing, but this was too complicated for me to do traditionally. I majorly benefited from digital tools to make this possible). CyberDiva and CyberSongman were considered, but I ended up cutting them cuz I just didn't feel like drawing them sorry-- (just pretend they're off to the side. They gave Ruby and Clara the pizza lol). Right is the "final" completed sketch (before I decided to include Chika mid-way through coloring and VY1 and VY2 near the finish line). I started by drawing the main "groups" separated on a different canvas so I can plop them into the main canvas for easy rearranging and transforming. However I got lazy and ended up drawing everyone in the bottom right corner directly on the canvas since I liked seeing the big picture of everyone's positions. Y'know.

Almost excluded Chika! But I like her design so much that I just felt like including her last-minute. You win this time, Chika fans. VY1 and VY2 were very close to being cut! I added them when I began doing the banner and thought "eh why not". I figured their non-human designs would be pretty easy to include pushed back in the bg. Ik VY1 is more commonly associated with the fan design, but I referenced the hairpin cuz it was simpler and the fan looked very annoying to draw 😭

Sorry to the fans of many Vocaloids I had to cut because this composition was insane enough as is. I promise I wanted to include fellas like CUL, LUMi and Sachiko 😭 I will admit I was a little biased on who I wanted to include over others. Like, I don't normally care for Bruno and Clara, but I wanted to get some more international 'loids in the mix. Also wanted to stick in the realm of official designs and not fan-designs since, as much as I can appreciate those, are just a whole "wait who is that guy supposed to be" situation I didn't wanna deal with. I also did wanna include even more character references through the balloons, but they ended up being kind of ugly and overcomplicated the BG :,) (Oh, and while this was originally planned to be a Vocaloid-only piece, I did end up including Teto, Neru, and Haku 'cuz those are Miku's besties dude!!! They may not be Officially in the club but they're her girls and it would be criminal to not invite them to her birthday).

Anyway, this project marks the first time I've drawn a lot of Vocaloids. Lily, Piko, Rana, Yuki, Yukari, Miki, Maika, and many more lol. All of 'em I've heard or seen in passing, but now I actually drew them, and some have really cool and fun designs!! I got into a habit of drawing Merli after this since I just love her design for example. And I'll probably be drawing more lol!!

Oh and the last thing I'll add for now!! The cake is indeed made up of various song references!! I wanted to reference the "big four" producers, just absolute icons in Vocaloid history. The pink/black checkerboard is "World is Mine" (Ryo), the crescents on the side is "Rolling Girl" (Wowaka), the smiley faces is "Matryoshka" (Hachi), and the three hearts on the side is "The Vampire" (DECO*27, which is sort of a symbol of his whole Mannequin album tbh). I know "The Vampire" is a bit modern but I couldn't think of anything else off the top of my head. I'm a fake DECO fan I know 😔 "Matryoshka" was originally going to be referenced in the colors of the candles but believe me it looked like shit so I just went for something else last minute 😭

That's all I have to say!!! Hope you didn't mind the text wall if you made it here. I hope you like it as much as I do!!!! Happy freakin' birthday Miku!!!!

I have to deal with tagging all these characters now for my page,,, in the drafts my tags got cut off after a certain point so I think I'm massively breaching the tag limit 😭 um... I'll figure that out later...

not losing sleep that i can't tag everyone, even for page organization purposes because some characters have pretty generic names and some are a little hard to see in full yknow. If you're one of those people who tag every character in the art piece you reblog... I am very sorry.

2K notes · View notes

chipistrate · 8 months

Text

Welcome to the Grand Opening of Freddy Fazbears Balloon Circus!

After an array of previous undisclosed incidents at the Mega Pizzaplex, ending with the sudden collapsing of the building due to an unexpected earthquake, Fazbear Enterprise has demolished the old mall and rebuilt a new and improved carnival on the property! But just because the attractions above ground have been overhauled, doesn't mean the secrets beneath the surface have magically disappeared.

Reblogs appreciated!

MANY more rambles about this AU under the cut: would much appreciate if you read them, but there's no obligations!

EVERYTHING HERE IS SUBJECT TO CHANGE!! This AU has just been pieced together by my insane ramblings to my friend over the past few days, so everything in it's early stages of development, and this post is being written VERY late while I'm very sleep deprived and just trying to finish it in time to schedule it! If some things are a bit weird or inconsistent then please keep that in mind! Thank you! :D

Gregory, Vanessa, and Freddy all return to the now renovated lot where the Pizzaplex once stood, having been called back two years after their last failed visit too save a long lost friend, too repair their old creation known at the M.X.E.S after it was suddenly and unexplainably shut down again. Upon entering the new-ish carnival, they'll quickly find it hard to safely look for the entrance to the layers below as the friendly mascot suits above chase after them for being unwanted guests.

Above ground, they're hunted by the mascots- new suits built for both performers and endoskeletons to be able to wear. This night, controlled by corrupted endoskeletons, they've been ordered to chase after the intruders by someone lurking below the carnivals ground. As well as finding the littler animatronics, known as Balloon Babies, to be quite the inconvenience.

Below ground, they're hunted by the old Glamrocks, still functional after all this time, and now under a new threats command that's also trying to keep the 3 star family from reaching M.X.E.S; Vannie. Aka, Cassie. Still here in the ruins of it all, waiting for the her perfect moment to lure the family back in and get her revenge for what they did to her all those years ago.

The mascots are the new faces of the Freddy Fazbears Balloon Circus, their costumes built to be worn by both endoskeletons and actors- but in a safer way than the springlock suits. The actors are used during the day for greeting and interacting with guests, putting on performances, etc etc. While the endoskeletons are used at night as a replacement for security guards and STAFF bots, kindly, but forcefully, escorting any intruders off the premises. Under Vannie's control they, of course, are much less kind and gentle with how they "escort" the 3 star fam out of the carnival.

Balloon Babies are smaller, almost Helpy-like animatronics in appearance, built to keep lost and lonely children happy and entertained while waiting for their guardian to arrive. They can't speak, but they can play song, games, sound effects, blow up balloons with their fingertips, etc etc. They found Gregory after he had been forcefully split up from Vanessa and Freddy by the mascots, and upon the family reuniting, the Balloon Babies more annoying feature kicked in: The Emergency Alert System. Whenever a child they are playing with is approached by an odd looking adult or other figure that seems like they could be a potential threat to the child's safety, whether that be a kidnapper, unfit guardian, bully, etc. the Balloon Babies will use their emergency alert system to call one of the mascots over and deal with the threat, kindly guiding the threat away and bringing the kid to a safer area away from potential danger where they can stay with staff until a proper guardian arrives. The Balloon Babies had decided in their time with Gregory that Vanessa and Freddy were unfit guardians for leaving Gregory scared and alone this late at night, and any time Vanessa and/or Freddy is nearby, their alert system will sound off and call a mascot to their location. The problem, other than the obvious, is that the Balloon Babies are fixated on Gregory. They will always be attracted to him and find their way back to him no matter what, with the only exception being when he's under ground. Which means that, until they can find a way to deactivate or otherwise get rid of these guys, Gregory is forced to be split up from Vanessa and Freddy above ground, and regroup underground.

The only exception is Goldie, a soft yellow version of the Freddy Balloon Baby that doesn't follow the others. Goldie is the only one of the Balloon Babies that can go underground, Vannie specifically programming him to be able to do so. He follows Vannie around and provides her with much needed company, being her only real friend down here besides Roxy. Later on, Gregory will find Goldie, but instead of calling for the mascots whenever Vanessa is near, he'll send out a signal to distract the other Balloon Babies away from Gregory so they won't call for the mascots or overwhelm him. Goldie can tell that Vanessa and Freddy are fit guardians that love Gregory very much, and can also tell that they're afraid of the mascots, though he can't compute why- it's his job to make sure that kids and their families are safe, so he's doing his best to ensure their safety however he can. Later on, Vannie will come looking for her friend after a long period of time of him being away and find him with the 3 star family, causing more conflict between the two parties that Goldie can't understand- Cassie and Gregory are supposed to be friends, aren't they? That's what Cassie said. Friends aren't supposed to fight each other, they're supposed to protect each other. That's what Goldie believes, at least.

Random trivia;

-Gregory, Freddy, and Vanessa have been living together for about 3 years now. 1 year by the time of Ruin, and 2 years after the fact leading up to Balloon Circus.

-Cassie has been gaslit into thinking that all the stuff Dr. Rabbit did was actually Gregory himself with no outside influence, only fueling her want for revenge, not only for the elevator incident, but everyone he hurt. This will affect Gregory greatly(he has not 100% recovered and this Does Not Help).

-Cassie still doesn't fully trust the Mimic, despite being under its influence. She let the M.X.E.S stay up after the 3 star family put it back up after Ruin despite Mimic's demands for her to shut it down again, assuring him it was "part of her plan". She wasn't entirely lying, shutting down the M.X.E.S was how she wanted to lure the family back, but she'd be lying if she said it wasn't also partially because she wanted to keep "that old endo" sealed away. He's not completely free from fault either.

-Gregory and Vanessa both have chips implanted in their heads, it's how Dr. Rabbit and Vanny took over way back when. Those same chips gave them VR vision, but the chips have since been "domesticated" and can't go full VR mode anymore. Despite this fact, they do still have a few side effects of the VR vision, such as some walls and objects simply not existing, despite them looking perfectly normal and real. They can phase through them without trouble, and this helps them navigate the Balloon Circus, becauseeeeeee;

-Cassie was there during the construction of the circus and set up VR walls in certain spaces to help her hide out and travel around undetected, even during the day. The 3 star family can also use these now as an easier way of navigating through the circus, but also as a way to hide from the mascots and even sometimes the Balloon Babies.

-The entrance to the underground levels is behind a VR wall, but it's one set up by the construction workers so the patrons wouldn't notice it. The reason an intentional opening is there is because the new entrance is now used as a dumping ground for stuff from random items from the ruins of the Pizzaplex to unused stuff from the circus to anything the employees with access to the area want to throw in there. It's how the ruined Glamrocks ended up there.

-The Glamrocks were being slowly reintroduced to the public, the biggest attraction so far being 'Chica of the Sea', a tent for the underwater hologram show of a prerendered mermaid Glamrock Chica that would swim around, wave at guests, and do a few preset moves that employees could turn on whenever. There's hints of them wanting to reintroduce the others as well that haven't been shown off to the public yet, with the new roles being; Glam Freddy and Bonnie are the co-ringmasters of the main tent where the mascots performances are held, making sure everything runs smoothly. Roxanne is the mascots and glamrocks make up artist, as well as offering to do make up/face paint for any patrons that came by her tent (for a price, of course). And Monty would roam around the circus grounds as a strongman showing off his incredible strength. He also has a tent for this, but he was mostly supposed to roam around and sometimes try and make people swing by his tent, mostly so they would buy his merch.

-Chica being the first to be reintroduced has an effect on her character below ground, with her hearing the news and trying her best to dress herself up in whatever scraps she could find to look like her mermaid counterpart, practicing her singing and dancing despite her condition so she could prove that she could be just as good as the hologram if she just got a few repairs.

-Roxanne is headless, having lost her head in her tussle with the Mimic. But she still has control of both her body and head, carrying around her decapitated head in her arms.

-Vannie/Cassie cares about Goldie soso much that's her new bestie<33 Friendship ended with Gregory, Goldie is new best friend<3 (I'm so sorry Gregory)

-Vannie is also known as Vengeful Vannie, but usually shortened to just 'Vannie'. A callback to the "Vengeful Spirit" aka Cassidy, because I think the parallels between the two are neat<3 (THIS MEANS NOTHING LORE WISE IT'S JUST A NAMING THING.)

-Some of the stuff at Balloon Circus was bought from the carnival mentioned to be across the street from the Pizzaplex in the TFTPP epilogues, and rebranded to fit with the new Fazbear theming

I wanna talk more about these guys later- not sure what else exactly to do with them, but if anybody has any questions then feel free to send 'em to my inbox! I'll be more than happy to reply to the best of my abilities<3

1K notes · View notes

victorgrwrites · 7 months

Text

Gortash Age/Timeline

For my prelude, see live footage of me at work below. (PS: Mac on the right there is basically my wife, she was very kind to let me ramble about this.)

Here we go. And I think it goes without saying, but spoilers ahead.

So, we have a better idea of Durge's timeline than Gortash, which is helpful since we know that they knew one another before the events of the game. On top of that, we know what each was doing when the other was doing something else. At least, to a point.

We'll start with Durge.

Exhibit A: We know that Sceleritas Fel appeared to Durge on their "age of majority", which is generally accepted to be 18. Could be 16, but we're going with 18 for the timeline.

---

Exhibit B: We know that in the prequel Blood in Baldur's Gate, the main antagonist is Dark Urge, and Sceleritas himself appears multiple times in the story. We also know for a fact that this happens in 1477, 15 years before BG3.

Therefor, we know that Durge CANNOT BE YOUNGER than 18 in the year 1477, and therefor cannot be younger than 33 in BG3.

It's important to note for later on that at this point in Baldur's Gate in 1477, it is very likely Durge has already started the cult of Bhaal or is on the verge of starting it. --- Like I said, easy as Hell, now on to Gortash. Cause he is definitely trickier; we'll be needing to work backwards for this guy. Exhibit A:

Gortash is intent on making a memoir of his life, and has given us a helpful order of events, if without dates and such.

Exhibit B:

We'll start with the heist at the House of Wonders. If you don't know what the House of Wonders is, imagine a giant museum/research university run by NASA. It's a big fuckin' deal, and holds some insane things.

We don't know everything they stole, but we do know some. 1. A Bhaal torture device and some preserved Bhaalist bodies (unimportant for our conversation), and 2. Schematics which served as the basis for the Steel Watch, as well as the submersible.

((I can't find the specific screenshot for the Steel Watch schematics, but just trust me, it exists.)) We can assume that Karlach was sold right around this time, maybe before, most likely right after. The reason why she was sold around this time is because... ---

Exhibit C:

Karlach is a proto-prototype Steel Watcher, or at least of the infernal engines the Steel Watch use. What Gortash most likely got for Karlach were plans/materials/development for the infernal engines.

youtube

So let's recap. We now know that ten years ago Durge and Gortash pulled their heist, traded Karlach, figured out infernal engines, and started production or development on the Steel Watchers. Neither were the chosen of their gods yet, and the Crown of Karsus wasn't even on their radar.

Let's keep going. --- Exhibit D:

The first and second listings in Gortash's memoirs are him founding the Bane cult, and then discovering that there was a Bhaal cult already started. I would posit that Gortash established the Bane cult right around the time of the previously mentioned Blood in Baldur's Gate. At the bare minimum we know that Durge had to have been already active and Sceleritas already trying to guide him. So we can likely say that Gortash established the cult of Bane in 1477. Which means he was not in the House of Hope any longer in 1477.

The Crux of the Issue:

Here is where we get into speculation, and there's several questions we have to answer that don't have a clear answer. 1. How old was Gortash when he was sold off?

2. How old was he when he escaped the House of Hope?

3. How long after that did he establish the Cult of Bane?

I'll give you my answer for these questions, and my reason why.

Given my previous post, you might know that I subscribe to the idea that Gortash had a knack for artifice when he was young. There's no way a devil/warlock would pay even a small amount for a useless kid. So, at what age is a kid "useful" while still being a kid? My guess would be as old as ten, as young as eight.

Based on the conversation with Nubaldin, I would say he was still fairly young when he escaped. The way he talks about Gortash establishes that the jailor remembers Gortash as a 'sniveling little shit' and 'mischievous little blot of a boy'.

I would put him at about sixteen, absolute tops.

3. I believe he would have started the Bane cult very, very soon after leaving the House of Hope because I have a sneaking suspicion that Bane's influence started at the House of Hope. Might be how he escaped in the first place, or maybe he heard about Bane while there. Either way, I don't think he took very long.

In my head, he's probably around 17-19 when he starts the Bane cult. But also, if there's age discrepancies, this is probably where they come in.

---

And there you have it. I don't focus on his in-game model much, because looks can vary so wildly. Especially when there's years of demonic torture, obsessive artifice study, and dead god cults. The game narratively describes him as a young man, so I generally erred on the side of "young" when figuring out this timeline.

If you've got questions, comments, additions, go on and lay them on me.

#bg3 #bg3 gortash #enver gortash #lord gortash #durge #I'm tired #This took me longer than I thought it would #Youtube

549 notes · View notes

wood-white-writer · 6 months

Text

"Didn't mean to make your heart Blue" || [6/...]

— OPLA!Buggy x F!Reader

“On sunny days I go out walking, I end up on a tree-lined street. I look up at the gaps of sunlight. I miss you more than anything."

— Mitski, "Francis Forever"

Pairing: Buggy the Clown (Live action) x F!Reader

Summary: You were an apprentice of Gol D. Roger’s crew in your youth, long before his eventual demise. Along with the Red-Haired Shanks and Buggy, you were a formidable trio; the embodiment of a new generation of pirates yet to come. But times changed, and so did you and your friends. The crew arrives at the Baratie, and several things go down in a matter of hours. Decisions are made, both stupid and not so stupid. Old and new faces come back into your life, and unable to deal with the events in Orange Town, you handle it in the worst best way possible: through the bottle.

Warnings: Canon typical violence, fem!reader, LA!Verse, slight canon divergence, alcoholic indulgence on a catastrophic scale (drink responsibly ppl), blackouts, morally grey reader, violence, mentions of everyone (marine, fish people, pirates, etc.) having a past beef with Reader/"Cross-Hairs", Buggy POV in the end,

A/N: So, since this chapter was delayed, I think it compensates due to the fact that it is approximately 7k words long. The chapter jumps a little between the events of the Baratie, but there's a reason for that: the reason being that the Reader is shitfaced for most of the time during this chapter. Also, shout out to @ay0nha for putting up with my rambles during this period, really appreciate it XD

It hurts. Everything hurts. That’s the first thing he feels.

His feet, his back, his torso, but especially his head. It’s like a hamster is running on a wheel inside the bones in his skull, squeaking, chirping, driving him insane from the inside.

The wheel is pounding, and pounding until all he wants is to chuck that fucking hamster into–

“Hey, he’s waking up!”

Shanks? Why is he in his head? Fuck, he takes it back. The hamster can stay, rent-free, for as long as it fucking wants to, as long as it isn’t fucking Shanks—

“Buggy?”

On second thoughts, that voice doesn’t strike any sense of irritation with him. In fact, he finds it comforting, like the morning sun shining atop the ship deck. He doesn’t mind listening to that.

“Buggy?”

His eyes open, and he thinks he's seeing the sun for the first time. The sun and the moon, in fact, at the same time. Golden, blinding, warm, and cold, but he wants to watch them until his vision turns white and all sense of sight abandons him.

It’ll suck to be blind, but damn, what a hell of a way to go.

The more he stares, however, the more everything else falls back into place. He realizes it’s not suns he’s staring at, but two sharp eyes and a concerned face that makes him feel just as warm.

He’s in a bed, he finally discovers. There’s a pillow under his head, a fresh sheet up until his midsection which strangely smells of vinegar, inside a room he just now remembers is the Oro Jackson’s de-facto ‘infirmary’ which really is just an old storage space that was refurnished when they first got the ship.

There’s something wrapped around his head, tight but not too tight that it��s squeezing. It’s been done by precise and sturdy hands; a professional, someone who knows what they’re doing.

He blinks once, then twice, and everything around him finally settles. Including everyone perched around the bed.

“Ah, Buggy, my lad!” It’s hard not to recognize the booming voice of his captain, who proceeds to lean over him with his hands pressed around his biceps until the massive mustache trickles his chin. “Thought you were a goner for a moment!”

He kind of wishes he was one because the strength of Gol D. Roger is not to be underestimated. His ribs squeeze and it's hard to breathe, but out of respect for his captain, all that leaves his throat is a guttural groan that he hopes conveys the message clearly enough.

Gol D. promptly removes himself from his poor apprentice with his hands raised, and when he steps back, Shanks takes his place next to the bed. “Gods, Buggy! What were you thinking? You could’ve been killed! Rayleigh said you were lucky it was just a concussion!”

That’s when it dawns on him. Riiight, there was a scuttle. Some asshole pirates trying to ambush them, they picked the wrong fucking targets. Some … guy was flying over him? Did that happen, or was it just a fever dream?

He remembers kicking someone in the balls, and then … and then …

Lightning. Making its way for him as the darkness embraced his vision. A line of gold, straight as a sword, narrowing in on him.

Did it catch him before the darkness did?

He hopes so.

“Lay off me, will ‘ya!” he shouts at his friend, trying to get up. However, the fucking hamster wheel in his head keeps spinning until he settles back down against the pillow. “I was doing good!”

“Yeah, until you weren’t!” Shanks disputes and grabs his fellow apprentice by the collar of his sleeve. “I told you to fucking move, but it’s like you spaced out! She had to carry you all the way back here with your head all bleeding!”

Carry him?

He glances at you, finally. You’re sitting there, hunched slightly over the bed with those eyes looking at him, and he’s thinking you fucking carried him? It’s not that he’s ashamed, not at all, but if anything, he was always hoping the roles were switched.

He’d be the one carrying you. With your strength, he imagined it would be quite the weight to uphold, but he would do it. For you, he would move the seas if he could, Devil Fruit or not.

“Buggy, are you alright?”

You’re the one talking this time. Not the captain, nor Shanks, just you. The lighting is here, and he feels his skin prick. It’s electric. Cold. Warm. All and nothing combined. He could listen to it – feel it – for hours, days, maybe even years without ever growing weary of it.

He puts on his best brave face and scoffs, forcing his arms to cross themselves despite the surge of aches that rush through his body doing so. “Of course I’m alright! I’m Buggy! I bounce back, always!”

“Still,” your hands fall on top of his, and he feels his body freeze. “I was worried.”

“’Worried’?” Shanks cackles and gestures to you with his thumb over his shoulder. “You should’ve seen the damage she left behind. The entire place was smithereens, I tell you, Buggy! She knocked over those assholes like frickin’ chessboard pieces!”

“What did I always tell you?” Gol D. slams a hand on top of your shoulder, knocking you slightly forward. “She’s got eyes sharp enough to cut through steel, and pirates too, apparently.”

You laugh awkwardly. “I didn’t cut through them, really. I just … knocked them a little over.”

Shanks cackles. “Don’t be humble. You should’ve seen the guy who knocked you out. I swear, none of his bones were where they were supposed to be. He won’t be walking, or doing much of anything, ever again.”

Buggy can imagine it, but also not. He looks at you now, and he sees his concerned friend with those kind eyes that contain both the sun and the moon. He’s always known you’re strong – the strongest person he knows of save for his captain, but not unkind. Not cruel. Not sadistic.

Yet, if what Shanks just said carries any weight, it confirms what he’s always known.

You’re a beast, and beasts only follow their prime instincts. They don’t allow others to harm what or who they consider theirs.

And it means that you consider him yours.

Maybe in a different way than he’d prefer, maybe in a way that’s different from the kind he harbors towards you, but it still confirms he’s yours.

He will never want to find himself on the opposite side of that. Of you. Never you.

When he looks at you again, looks down at where your hand is pressed on top of his, he takes it in his own.

“I’m fine,” he finally says, his lip tugging in what is supposed to be a smile. “Remind me not to get on your bad side, though.”

You chuckle softly, and he smiles. Fuck, how can he not? He remembers it all so clearly. The way your dimples are shaped, the length of your hair, the soft tint of your lips.

“You? Never.” You finally say. “Never you”

---

You reflect on how it's weird that some things change whereas others don't.

Flowers prosper and bloom and die. The sun ascends, stays up for a few hours, then descends back into the horizon.

Friendships grow strong, stay strong, then they aren't.

Some things change, some don't.

Baratie being among the latter.

It's bright enough inside to momentarily blind you, just like it was a little over ten years ago. Save for new faces with the employees and some design choices, the overall place has stayed the same.

There are people there of prestigious backgrounds - both pirate and not - and you think of how receptive the restaurant must've been to make both parts come together without any regular scuttles.

A neutral ground for all to come and enjoy the feast. Well, that is the principle, but not everyone abides by it.

It’s been a while since you last visited the establishment, and last time, you were banned for life.

Frankly, you don’t recall much of the events; too drunk on rum at the time.

What you do remember is that it involved a few broken bottles of Baratie’s finest wine, some mashed-up furniture, and cutlery, a rival captain who wouldn’t take a “fucking get lost” for a “no”, and it ended with you standing surrounded by a bunch of broken bodies of your own making.

Needless to say, Zeff was pissed.

More than pissed, actually. He was fuming.

He probably still is.He has a thing for grudges if he’s still alive.

Maybe … Just maybe the old man’s chewed off something more than his leg and kicked the bucket? That’d be a sight to see considering he only has one remaining foot.

"My name is Sanji. What can I get for you?"

The waiter - Sanji - is fine, not going to lie. A good fighter, too, if his little display seconds ago is a testament to that. A bit too young for your preference, with a nose too small, and hair too bright and blonde. Not quite blue colorful enough.

All in all, not a bad look at all. Just for the aesthetics, though. A solid 7/10, you conclude.

"One of everything, please!" Luffy requests enthusiastically.

For whatever reason, Sanji does not seem to share your general affinity for the restaurant. That’s odd. Most people who work here tend to boast about their occupation in the famed restaurant.

Though, if you have to make a guess, Zeff is likely a contributing factor behind that disdain. He’s tough on people, even tougher if he likes someone.

As discontented as Sanji seems, however, it does not keep him from trying to withhold his flirtatious demeanor with Nami. A Casanova, it looks like. Funny.

"Waiter, can I get a beer and something for my friends?" Zoro asks, fed up with the one-sided dalliance going on between your shipmate and the waiter.

"Two beers!” Usopp promptly adds. “though, I usually have three."

"And one milk!" Luffy chimes in.

"Three beers and a milk," Sanji notes. His eyes land on you, and that signature smile falls to his lips. "And for the ladies?"

You’re already here, you think to yourself. Why not make the most of it? For nostalgia’s sake.

"A bottle of Baratie's Finest," you request, your chin resting in your palm. "Not the kind you keep for customers, though. Pick one from Zeff's private stash, if you can afford to smuggle it past his bushy nose?"

"A classy beverage for a classy lady, I see." A mischievous glimmer shines in his eyes and smile. "Although that stash is off-limits, what kind of a man would I be if I refused a lady her desired beverage?”

You tilt your head a fraction to the side. "I'm sure he won't mind. At his age, he needs to watch his liver."

"That is true,"

Quite frankly, everything else evades your attention the second the waiter arrives with your order. Sanji brings you your meals, and your pricey bottle of Baratie's Finest, and it’s the Red Apple edition.

Perfect.

You eat, and eat, and drink, and then drink some more, not even stopping to concern yourself with the price tag.

The food at the Baratie's has not been in decline when it comes to quality above all else. It's delicious, and not a lot of places have earned that kind of claim in your life.

The food is good, but the drinks are ethereal.

One glass turns into two, and two promptly becomes three. So forth, and so forth. Anything to dull the tightness lodged in your chest.

A tightness that has not left you alone in the past couple of weeks.

You've developed a pretty good tolerance over the years, and after several more units, you begin to feel the tickle on the edge of your hands. Baratie’s Finest indeed.

After five, the feeling settles on the tip of your spine.

After seven, you start to wonder what went wrong. It's a dangerous area to indulge in, especially if liquor is involved, but you don’t stop.

What went wrong?

What did you do wrong?

In another life, you would've traveled the world with them, doing nothing but drinking, fighting, exploring together.

Instead, you’re here, drinking with a crew yet still feeling like the loneliest asshole in the world. It’s not your crew.

You lose a smidgen of focus, and in the grand specter of things, focus is something you could do well with less off.

You can afford to think less, feel less, and know less. Life has been full of ups and downs, and quite frankly, you've grown weary of it all.

Fuck, maybe Luffy’s onto something? Maybe you are sad?

… Nah.

Once Zoro orders another beer, you go as far as to share your bottle with him. His face scrunches at the taste and he coughs several times, but he admits that it’s good.

As you sit there on the edge of the couch, sipping your beverage and tasting your food, Sanji arrives to collect the bill. You know Luffy doesn’t have a berry to his name yet, and so you wonder how long it'll take before Zeff notices.

More specifically, how long it’ll take him before he realizes he's missing something from his private collection?

“Who the hell is Monkey D. Luffy?!”

Speak of the Chief… and he shall appear.

This time, you do not interfere when Luffy attempts to bargain for his lack of cash. You simply sit back and observe.

As much as Luffy tries, he does not have the words or mind suited for this kind of business yet. It’s Capitalism at its finest.

“You eat, you pay!”

Thoughts and dreams can only get you so far in life, but at the Baratie, it’s coin.

When Zeff grabs Luffy by the front of his shirt, the chief's eyes turn to you, and holy hell, is he furious.

“And what in the blazing hell are you doing here?!"

“Zeff,” You greet him and raise your beverage his way, a tilted smirk on your face. "It’s been too long."

"Not long enough! I thought I told you to get fucking lost last time? The damages you did cost a fortune!"

“In my defense, it was the other guys that started it.”

He gives you such a dirty look that his jaws clench. “Don’t give a shit. Why are you here?”

You twirl the bottle around in your hand. "Just enjoying the ambiance, as always. I was in the area, and so how could I pass up the chance to try your scrumptious meals again? Or drinks, for that matter?"

On cue, you raise your - or rather his - bottle closer up to him.

It’s stupid, the rational part of your brain argues. One does not fuck around with the Chief of the Baratie, but among the few joys you have left in life, this remains one of them.

His eyes narrow in on the bottle and there he is.In the blink of an eye, he snaps it out of your hand with such fast precision that you're almost caught off-guard.

Zeff narrows in on the mostly empty flask like it's personally insulted him and his entire lineage. “Where did you get this?"

"It was on the menu."

"It sure as shit was not! How could you—" He freezes like a thought suddenly dawned on him, and if a man can become purple from anything other than oxygen deprivation, Zeff's current mood is the closest thing to it. "Sanji. Why that snot-nosed, little—! ... When I get my damn hands on him."

It seems that whatever vendetta Zeff has towards his employee, it outweighs the one he has for you tenfold, which says something. Without another word, he yanks Luffy by the scruff and all but drags him with him to the kitchen.

Ordinarily, you would’ve intervened on behalf of your captain, but with Zeff now preoccupied, it’s your chance to rob the bar of a few more beverages.

And in your dictionary, “a few” is the equivalent of “a shitton”.

"Wow," Usopp murmurs with a low whistle. "That guy really hates your guts."

"What are you talking about? I’m his favorite customer." You raise what remains in your glass to them. “Anyone want another one?”

"I do," Nami relents.

Zoro laughs, probably for the first time since you’ve met him. "Now you're talking."

Maybe, just maybe, you’re beginning to like these people.

With a couple more drinks, maybe you’ll be able to tell.

———

“You know, I kind— I kinda assumed you were an asshole when we first met?”

Usopp’s struggling to stand on his feet, legs bent slightly forward as he makes a half-assed attempt at ordering another drink. You can’t tell if the bartender is electively ignoring him or not, and truth be told, you don't blame the guy if the former applies.

Between the two of you, you’re more adept when it comes to dealing with liquor. Sure, your lips are a little looser now and the bright lights are starting to hurt your eyes, but all in all, you’re not even half as drunk as you want to be.

Seriously, fuck me sometimes. You just had to go all out when you were younger. Days and nights spent pouring bottle after bottle left your liver hardened rather than weakened.

Now, because of the high tolerance you stupidly developed, it's come here to bite you in the ass and keep you from getting wrecked.

“Oh?” Your sarcasm couldn't be any more discernible than it is now as you eye your crew mate. “What made you reach that conclusion?”

Usopp twirls around, horribly off-balanced, and slaps a hand over your shoulder.

A little too personal for your liking, but you let it slide for now.

“I mean, for starters, you—,” he hiccups. “You always have that look about you. Like someone just pissed in your ale.”

You give him an unimpressed but vaguely piqued once-over. “Descriptive. Go on,”

“And soso— And so I and the guys are wondering if you’re like that because some clown broke your heart or—,” he hiccups again. “Or some— something? Did he piss in your ale?”

You shrug his hand off at once. You don’t want to think about him, now least of all. "No.”

Not even a second later, his arm his back over your shoulder and he leans closer. It's probably meant as a comforting gesture, but given how absolutely wasted he looks, you perceive it with a grain of salt.

"Y-You can tell the great Capt— I mean, the Great Usopp, alright? We've all been there before, I—I'm ssssure. I mean, Zoro doesn't strike me as much of a ladies' man, but he's probably got stories, too."

The bartender finally stops by and leaves a beer bottle in front of you on the table, completely ignoring your companion, and disappears to make his next rounds.

You take the flask and flick the cork off with your thumb. "Well, if you really want to help, —"

You turn around so that your back hits the bar counter, twirl Ussop around with the guidance of your hand and shove him lightly towards where Nami and Zoro are sitting. "— Talk to the others first about their heartbreaks."

If he wants to object, he's too drunk to for it. Instead, he recollects his limited stance and all but wobbles over to the corner where your other companions are seated.

He’s their problem now, but it’ll be an interesting display.

You recline against the bar counter to chug your beverage in peace when a voice suddenly speaks up from next to you.

“I thought you were retired.”

With how loud the music is, it might have slipped your notice completely. Then again, the owner of said voice has always had that thing about him.

He could whisper, and the entire room would’ve heard.

You glance up at your side, and you’re halfway tempted to smile when you see who it is.

“It’s been a while, Hawk-Eyes.”

Everything from the feather on his hat to the cross around his neck and the pointy way his beard is trimmed has stayed the same. Not a scar, a bruise, or blemish to spot on him.

In ten years, he looks to have aged only one. Some people are fortunate in terms of youth, and you would definitely consider Dracule Mihawk one of them.

“Cross-Hairs.” He inclines his head to you, a silent courtesy reserved only for those whose company he tolerates. “I believed you abandoned your life behind the mast years ago.”

You take another generous gulp from your bottle before you respond. "So did I, but life finds a way, doesn't it?"

"Indeed." He peeks over his shoulder to where your companions are seated, his countenance less than impressed. Then again, that's just his face by default, so hard to tell with him. "And last we met, you were a Captain."

"Last time we met, you almost cut my right arm off." For emphasis, you pull back your sleeve to show off the straight scar that separates your upper arm from the rest. It's faded, old, and never noticeable unless you decide to wear anything short-sleeved, but it's there all the same.

He doesn't apologize. Of course, he wouldn't. Instead, he raises his sparse glass of wine to you. "Nothing personal."

You raise your bottle to him in turn. "Of course not,"

Clink!

You drink your respective beverages in companionable silence. However, even with your halfway inebriated state of mind, you can't help but think of the reasons for his presence.

You have your suspicions, and you're not shy about voicing them.

"This isn't your usual scenery." You say. “What makes one of the great Warlords of the Sea seek out a place such as this? Business or pleasure?"

"Business," he answers curtly, as though he'd prefer to do anything but. "I'm looking for a captain."

“It’s not Shanks, I take it?”

“No, it’s not. It’s a captain by the name of Luffy.”

It doesn't surprise you. It should, but it doesn’t.

The lengths the vice-admiral is willing to go to retrieve his grandson, which apparently includes hiring a Warlord to do so, doesn’t surprise you in the slightest. Unbreakable willpower is a family trait, after all, if you've learned anything from Luffy.

It wouldn’t suffice with a gun; he had to send the entire fucking arsenal.

Still, at least it’s Mihawk of all people. It shouldn’t be a source of relief, but had it been anyone else, be it Kuro or Axe-hand or Bu-...

Your fingers subconsciously dig into the fragile, empty bottle you’re holding.

The point is, had it been anyone else, you would've intervened. You have intervened, several times by now, but not tonight.

Tonight, you're here to drink and forget, then drink some more. You don’t have the sobriety to worry about much of anything anymore.

"Garp must truly be at his wit's end if he employs you for his endeavors." Once you retrieve the bottle at your disposal, you pluck off the cap and swirl it lazily in your hand. The lights from the bar dance around the transparently brown rim, like a shooting star with no exit and no entrance to the rest of the universe. Forever stuck. "Seems excessive to send you of all people after something so seemingly simple."

"From what I've heard, this particular quarry is something of a wildcard."

"If you’re here, I’m sure of it."

Mihawk tilts his chin up, eyeing you curiously in your peripheral vision. "Are you saying that you're acquainted with this Luffy?"

"I'm saying no such thing. It's just mere speculations on my part." Another fistful of alcohol travels down your esophagus. "You're only employed when it's truly serious, and the vice-admiral is known for only getting involved in those kinds of matters. It adds up, is all I’m saying."

“I hardly consider it dire. It's more a means of killing some time on my part." He does not take his eyes off of you, and even in your current state, you can tell that something is brewing beneath those sharp eyes. "However, if said captain has you in his arsenal, then I feel like some investigation is warranted. After all, the Captain of the Cross-Haired pirates is not particularly known for her tendency to submit to others."

You quirk an eyebrow at him and circle your finger around the bottle rim, pondering on the subject yet not biting at the metaphorical carrot he dangles in front of you. "Technically, it’s just like you said: I'm retired, and the Cross-Haired pirates are no more. I’d think most people are aware of that.”

"The Marines believe otherwise,” he counters calmly. “The Cross-haired pirates may be disbanded, but their captain’s bounty remains on the posters. The vice-admiral was quite adamant that, while he wants the boy alive, he’d prefer it if you weren’t."

“I see.” The vice-admiral should learn to take a fucking number. “Tell me, have you elected a means of execution, or is it the dealer's choice?"

"I recall he mentioned something along the lines of wanting your head on a spike."

"Crude."

"I agree."

"Then," you raise your glass. "Am I to have my last drink here tonight?"

He shakes his head. "No, I'm here for the boy and nothing else."

You'd expect him to be forward with his line of questions; demand you just give Luffy up and be done with it, not side-stepping the subject like he's doing now.

If he suspects something, he'll sniff it out like a bloodhound until he gets what he's searching for, regardless of how many cards or people fall around him. You’ve not exactly been subtle about your affiliations with his quarry, something you’ll berate yourself for come morning, but it all depends on how this plays out now.

"I won’t give you the answer you seek. You’ll have to do that on your own.”

You're not friends, but you're not necessarily foes either.

For as long as you’ve known the swordsman, Mihawk's only ever had a beef with Shanks for reasons undisclosed even to you. Even after you parted ways with your red-haired crew mate, Mihawk never seemed to have anything personal against you despite the rather brutal nature of your previous encounter.

If anything, there's a certain level of respect veiled between you, one former pirate to another semi-former one, and it’s something you hope he'll honor just this once.

To your relief, he decides to not push the matter, but the interest lingers in his eyes.

It's not easy to notice, but you make it a habit to take note of limited details. "The boy must be something special to have earned your loyalty like this, Cross-Hairs."

"I suppose you'll have to find out for yourself."

"Perhaps so," he concedes.

You chug the rest of your drink in one go, put the empty bottle on the tabletop in the space between you, and push yourself off the counter. "For what it's worth, I wish you good fortune with your endeavor. However, I’ll warn you; if anything happens to the kid, I'll get involved.”

“Duly noted.” Once again, he dips his head to you. "And Cross-Hairs,"

"Hmmm?"

You glance at him from over your shoulder, but his gaze is fixated on something else this time. Something on the other side of the bar, to the borders of the waters. If he sees anything, you can't tell what it is, and he doesn’t share.

Not explicitly.

"There is unrest brewing in the seas," he finally reveals, casually as if he's discussing the current state of the weather. "I'd suggest you keep your feet dry for now, at your convenience."

You don't know what he speaks of, but whatever it is, you'll follow. He is not a man who prides himself on his capacity to proclaim falsehood. If he tells you that the sun is green, you'll believe it, and you make it a habit not to believe in a lot of people.

That applies to this warning too.

"I'll see you around, Hawk-Eyes."

You need another drink.

———

You slip in and out of consciousness a couple of times throughout the night, never coming to the same places twice, with a belly full of rum, beer, and whatever else with enough alcoholic percentage to knock out a horse.

At one point, you're in the restaurant munching on some bread rolls.

At another, you're puking your guts out in the bathroom stalls.

At the third, you're chugging even more liquor straight out of the bottle while a bunch of people cheer you on.

The circle goes on and on and on until it spins out of control like a zoetrope. Faces flash in front of you, one after the other, never the same two times in a row.

It's alright, you tell yourself, as long as you forget.

You forget about blue eyes, blue hair, and red noses.

You forget about Gol D. Roger and the time you spent on his crew.

You forget it all, if only for a few hours.

Next time you come to, you're still miraculously standing on your feet. You’re currently in the kitchen on the Merry, and currently listening to Nami telling a ridiculous story about how Zoro challenged Dracule Mihawk to a duel.

What a funny story.

In fact, it’s so funny and so outlandish that you can't help but snort. Since when has Nami been the kind of person to tell jokes?

Maybe Usopp's tendencies have rubbed off on the standoffish young woman, or maybe she's smoked something along with her drinks?

Fuck, you have to ask her where she got the stuff.

It takes a few moments of awkward silence until you realize that no one is joking, Nami least of all. The room is still, and as if all alcoholic content has left your blood, it dawns on you last of all.

Oh hell no.

You slowly turn to Zoro with a deadpan look in your eyes, and despite the urgency, you ask him as calmly as you can, "You challenged Dracule Mihawk to a duel?"

He bobs his head and continues polishing his swords. "Which he accepted,"

You blink, and blink, hoping that this is just a fragment your beer-and-bottle-drenched brain has conjured to fuck with you, but Zoro remains where he is and so is everyone and everything else.

Fuuuuuuuck…

You thought he was one of the smart ones, too. His sense of navigation doesn't work for shit and if anyone can get lost on their way to the lavatory, it's him. Still, you withheld some semblance of hope that he would exhibit the same kind of recklessness as his captain.

Turns out, it has all been for naught.

You rub your temples hard enough to sting. With a nasty headache developing, you decide to pop the question. "Cremation or burial at sea?"

"... What?"

"Pick one or the other, I'll see to it that arrangements can be made."

"I'm not going to die.”

"You are a fly to him." Nami grimaces. "Something to be swatted and forgotten,"

"Not if I win." Zoro is steadfast and determined, like every new pirate on their first voyage.

It’s a look you remember well. In a way, the young swordsman kind of reminds you of Mihawk himself, and if there's one thing you can link to both, it's that annoying stubbornness that never yields. Even when the odds are against them.

"You're not going to win," Nami tries.

Zoro remains infuriatingly unconvinced. "You don't know that."

"You won't." This situation, to your chagrin, sobers you up enough that you can't blame the liquor on your next actions or words.

You take a step towards him, and with an iron fist, grab him by the front of his shirt and force him to face you. He's unamused. “I think I liked you better when you were drunk,” he murmurs.

"I want you to get this, really get this.” You snarl. “Once you go against Mihawk, and there's no coming back for most. He's not known as the World's Greatest Swordsman for no reason, and as good as you are, take it from me. He'll end you."

He inclines his head to the side with deep-rooted skepticism. "Sounds like you really know the guy,"

"It doesn't matter whether I know him or not."

"Everywhere we go, we make enemies, and for some reason, they've already got a grudge against you, Captain Cross-Hairs."

With one hand clenched against your offending wrist, he starts to list off his other hand. "Since you know just about every asshole we come across, you might as well tell me about Mihawk's preferred method of execution. Will he chop me in half, or is he excessive like the damn clown and goes all the way with splitting someone into pieces?"

You feel your nails begin to pierce through the fabric of his shirt, inches away from leaving open gaps. You're not their guardian or their mentor. You're not the one supposed to keep the crew at ease or lead them towards certain victories.

That's the captain's role, and you're not it. Not on this ship, with this crew.

Your only purpose here is to keep them from killing themselves on their first voyage, but if they're so determined to do it themselves despite the warnings you provide, then it's not on you.

Pulling him a few inches closer to you, you look him straight in the eyes, and that's when you see it. The aforementioned stubbornness that follows each and every young pirate you've come across in your life. The notion that they're invulnerable; unkillable.

Nothing can hope to end them.

You remember what it was like, that feeling, and it almost breaks you to see it in front of you like this.

You know aggression won’t do it for him, so you try an approach you haven’t tried in years. Bargaining.

“What will it take for you to pull back from this?”

“He’s coming for Luffy. I’m his first mate, it’s my duty to protect the captain.”

To protect the Captain…

That's how you know that there's no convincing the young swordsman to stand down, not this time.

He's persistent, exceedingly so, and if there's one thing you've learned during this voyage with these people it's that hell hath no fury like a straw hat pirate determined.

This is not on you, yet it doesn't make it any easier to let go of him. But you do.

Taking a deep breath, you uncurl your fingers and let him step back.

"Fine."

You need another drink.

Glancing over your shoulder, you meet Luffy’s concerned gaze. “This is your call, captain.”

You don’t need to be here for this. You’ve done your part, and now it’s his turn to do his.

You give Zoro a pat on his back, just one. It's not meant for comfort, it's not an act of sympathy either.

It's just a pat, like the kind you give your friend when they're about to gamble away all their savings over a game of cards. It’s the “fuck around and find out, but do it yourself”-kind of gesture.

Heaving a sigh, you sidestep him and let your fingers fall off his shoulders. "It's been fun, Zoro."

And the worst part about this all is that you mean it, truly. It has been fun to sail with them, share a few beers, and joke at the expense of others. Your time on this ship has been fun.

Like old times.

You won't go as far as to call Zoro a friend, you never do, but it's close enough that you'll probably miss him in the long run.

Zoro looks at you, his countenance indecipherable. "Say that to me again when I win this fight,"

"I can't." Because you won't.

---

The water forces its way into his lungs at such speed that it feels like he's swallowed buckets by the time they finally come up for air. He harks and coughs and tries to get as much of it out, but he doesn’t feel any lighter.

Get it? Lighter, because he’s just a head now and— alright, forget it.

For once, he's happy his head is disjointed from the rest of his body because if it wasn't, he'd probably sink to the bottom of the ocean from the fluid in his belly alone.

The taste of salt and sand stays like a sour afterthought on his tongue, and as much as he tries to spit it out, he can't be rid of all the grains. "Fuck! Give me a warning next time, will ya?! Kinda vulnerable to seawater and all that!"

Whatever fish-guy has him strapped to their back this time does not dignify his complaints with a verbal response. Instead, all he hears is a couple of snickers, like their humor is fuelled at his expense.

Assholes, the lot of them.

It takes some time for the tangy scent to abandon his nostrils, but once it does, it's immediately replaced by the fine scent of something divine. Something delicious.

It smells of food. Actual fucking human food. Not whatever Arlong and his litter gorge on, which he personally believes to be carcasses of dead sea animals they happen to catch on the shores of their island.

It's honest-to-god cooked, seasoned, edible food.

Buggy can feel his mouth water, and for once, he cannot blame it on seawater.

They're finally at Baratie.

The finest restaurant in all the East Blue, renowned for its excellent taste and unrivaled quality. Only the richest of the rich get to dine here, and while he's not exactly flowing with berries at the moment, he’s famished.

“Hey, Lips!" he yells out as loud as he can through the shitty bag. "How about you order me some hot dogs once we get a seat? A clown's gotta eat!"

The only sort of response he gets is an elbow to the bag, which incidentally clashes right into his nose. "FUCK!"

"Shut up!"

There's scuttling to be heard, doors opening, and a shitton of gasps echo from all around him. They have an audience, he deduces, and not a particularly receptive one at that.

Arlong makes a spectacle, something about "serve" and yish and yash about dinner and last meals as they get a seat.

Fuck, what he would give for a meal.

For the first time in what feels like forever, he feels solid ground settle under his neck. Though it's a pleasant reprieve from being thrown back and forth like a yarn ball caught in a cat’s game, he won’t consider it much of an upgrade. He's fucking hungry, damnit!

"Who are you, old man?" Arlong speaks, and Buggy hears uneven steps approach them.

An unfamiliar voice answers. "My name's Zeff, and I own this place."

Right, the Chief. Maybe he can ask him for some crumbs since his captors aren’t exactly on the generous side.

"Well, I'm Arlong, and I own the East Blue."

"No one owns the sea. Not even a fish man."

Ooooh, burn! Suck on that, shitface!

"Listen up!” Arlong exclaims when the chief’s negotiation tactics fail to appease him. “I'm looking for a pirate in a straw hat! Goes by the name of Luffy!"

The saw-nosed motherfucker truly has to be even more extravagant than himself, Buggy admits to himself with no short amount of begrudging compliance. Fishface even goes as far as to threaten the poor diners with having them for dinner instead, by the sounds of it.

Buggy can appreciate the message it conveys; he’s used it himself, but he refuses to find any common ground with his captor, so he buries the sentiment ten feet down into wherever the hell his body is.

He listens as the diners lose their appetite, all the while Arlong begins to gorge on whatever he has on his plate. For a while, all he can make out is the sound of meat being torn off something and the occasional cry from one of the diners in the distance.

Even from miles and miles away, Buggy can feel his stomach twist painfully due to the lack of food in it. Oh, it’s hell on earth to smell everything you want yet being unable to even grasp it. And here his captors are, toying with him, torturing him with it.

Seriously, fuck them.

He’s about to demand to get something to chew on when Arlong’s other henchman — Kuroobi or some shit like that — beats him to it. "Hey, boss, I'm feeling for a bottle right about now."

Arlong laughs. "Don’t have to tell me. Take what you please. I don’t think that one will mind sharing one of hers.”

“And get one for me too while you’re at it,” Lips supplies.

The henchman cackles and gets up to his feet to retrieve what he’s looking for, but not before lightly kicking the bag that is Buggy’s current prison cell in the side.

“HEY!”

“Sorry.” He apologizes unapologetically.

Buggy grinds his teeth together and tries to think of something — anything — to keep his mind off his ever-rising hunger. When he gets his body back, he'll take some bottles and shove them right up these fuckers a—

CRASH!

Buggy hears the sound of something breaking from the opposite side of where the fish man just headed. Countless gasps ring through the restaurant’s interior, bouncing on the walls, and he hears the henchman’s painful wails from a distance away.

He’d laugh - he does laugh, because it seems like someone didn’t want to share their precious drinks and decided that full-on attacking one of the fish people was the appropriate kind of response.

It’s impressive, he thinks. Very much so. Oh, he’d pay to see that again, and he’ll have to give that person a fucking kiss, just for making his day a little bit better.

It’s a shame he can’t see the—

"Fucking get lost."

Buggy feels his head freeze in the bag.

He recognizes that voice. The morning sun shone atop the ship deck. Warm. Cold. All of them at once.

He's finally found you.

---

Taglist: @kurinhimenezu, @carpinchootaku, @ay0nha, @teh-vampire-bunny, @lokiscure, @internationalsuper-spy, @detectivesparrow , @yuriwk , @notyuralycat , @angeli-fucking-cat, @machinema7k , @shuujin, @avatar-lover, @gingernut1314, @autumn-slaves. @marvelouskatie, @floristoflillys, @dizzyenby, @redpool, @deliri-yum22, @aemondsb1tch, @ackroxia, @gayandfairycore (If you want to be tagged for this story, just send me a message or leave a comment :))

#buggy the clown #buggy x reader #buggy one piece #buggy the clown x reader #one piece live action #one piece x reader #buggy x you #one piece #buggy the clown fanfiction #buggy x female reader #DMTMYHB #didn’t mean to make your heart blue

414 notes · View notes