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#and now I fleshed it out and posted it here
drchucktingle · 3 days
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this was a comment on one of my post from a recent live event. it was photos of joyful queer buckaroos celebrating together and proving love is real through creation, community, and a trot of love. most important I AM LITERALLY IN PHOTO AS A REAL FLESH AND BLOOD HUMAN
it got me thinking about how DEEP AND VICIOUS the irony poisoning of these early internet communities goes. the way buds like this cannot fathom someone just being a sincere person unrelated to their OWN old days of cynical posting. it is fascinating, and i will admit, sad too
despite a DECADE of work, countless live events, 350 tinglers written well before large language models were a thing, there are still people who cannot imagine someone like me could exist. it is a strange place to be. not just part of me, but my entire EXISTENCE is often gatekept
it is easy to say ‘well chuck your art IS strange’ but honestly i think it is more than that. magical realism is common. there are stories about dinosaurs and bigfeet and unicorns. this scoundrel reaction is about two unspoken things: my art is neurodivergent, and my art is queer
heres the thing: I WILL BE FINE. what concerns me is not an issue of MYSELF, it is a concern for the other young outsider buckaroos who see comments like this one and think ‘is that what they will say if i express MY unique way? will i be dehumanized like this at every turn?'
i will be honest, i cannot say that WONT happen, but i CAN say this: for as deep as this irony poisoning goes, it is slowly dying. the way i was treated at the start of my career is LIGHTYEARS DIFFERENT from the way i am treated now. there is a massive shift towards sincerity
BUT MORE IMPORTANTLY. to young artists trotting up, the things that i am harassed over and doubted for and made fun of for are NOT tangental to what has made me successful, THEY ARE LITERALLY THE SAME THINGS THAT HAVE MADE ME SUCCESSFUL. YES I AM STRANGE, WHAT OF IT?
the things that you tuck away for fear of a review that says ‘there is a PROBLEM with this art because it has always been done another way’ THOSE ARE YOUR SUPERPOWERS. the gatekeepers want you to tuck those parts of yourself away because THEY TUCKED AWAY THOSE PART OF THEMSELVES
never forget that your unique way is PURE UNFILTERED 100 PERCENT ROCKET FUEL. it will stick out (maybe, if you are lucky, scoundrels will even say that someone like you could never actually be real), but sticking out isnt so bad when you are waving the flag of love.
in fact, when youre waving the flag of love, sticking out is pretty dang cool. what are flags for, after all? LOVE IS REAL BUCKAROOS. thank you for reading, and if you enjoyed this long post then please consider preordering BURY YOUR GAYS.
LETS TROT
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kenntolog · 3 days
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Imagine cool bf Sukuna loser gf reader where reader is in the art room alone and he joins her and Sukuna initiates make out sheesh with her and she gets so flustered
𝝑𝝔 an: stop this is so cute!! i decided to add a little more details i hope u don’t mind anon!! original post is here, feel free to share your thoughts!!
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cool boyfriend sukuna waits for everyone to leave the art class before ever entering the room because he knows his pretty loser girlfriend always comes out the latest.
you never see him coming up behind you as he makes his way from the open entrance and behind the neatly set up marbles to your desk, where you are seated peacefully, singing along softly and gliding your pencil across the paper calmly. your peace is eventually disturbed by his hands suddenly appearing on your shoulders as he pulls you into himself, noticing how you shut your sketchbook quickly and shriek loudly.
you go to push him away until your brain registers his laughter and you tug your headphones down, letting out an exasperated sigh. “‘kunaa! stop doing that, y’know i hate it!”
“heh,” sukuna pinches your cheek affectionately, one arm playfully settled around your neck while the other moves to ruffle your hair. “whatchu drawing there?”
that seems to fluster you as you look up at him and grip your sketchbook tighter, “nothing!”
“liar,” he sneers with a smirk and tries to pull it from your hands, hands that seem a lot more stronger with the way your grip is not easing. “you hidin’ something?”
“no, ‘kuna—”
he doesn’t let you finish, arms loosening around you to turn your chair over so you’re facing him, and puts his hand on your jaw, fingers digging into the flesh of your cheeks softly, not enough to hurt but enough to hold tight.
you stiffen, expression turning surprised as sukuna covers your slightly pouted lips with his, initiating a kiss. he’s quick with it, knowing how anything involving him showing any kind of affection make you putty in his hand, so he uses it so his advantage. your cheeks heat up under his fingers as you whimper and try your best to respond to him, melting under his touch.
sukuna smiles into the kiss knowingly, going slow and soft as his free hand strokes the back of your head mindlessly, to make you relax further. he sucks in your bottom lip gently, glides his tongue of it seductively before he dives deep once again, opening you up more.
it works wonders and soon enough you drop the sketchbook, gripping his shoulders instead as you try to tug him into you further, but he is an asshole so he bites your bottom lip and moves away with a victorious grin.
you let out a startled sound, looking up at him with shock.
“gotcha,” he whispers as he opens the sketchbook, quickly finding the last page.
“don’t!”
sukuna quickly recognises his figure on the page, eyes widening in surprise. a couple of sketches of his face and one of his body in his basketball uniform. and then he looks through earlier pages, finding himself sprinkled into your drawings even from last year. and his smirk grows mischievous at the realisation.
“this what you were hidin’?” he gazes at you, drinking in the way you cover your face with your hands. “you’ve liked me for a while now, haven’t you?”
you nod your head silently, still hiding from him.
he puts the sketchbook away and steps closer to you, hands coming up to pry yours away, “what a loser you are.”
you look up at him with glistening eyes, lips pouty and bitten by him.
“cute.” sukuna thinks out loud, as he pats the top of your head, enjoying the way you get embarrassed even more, burying your face in his shoulder.
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notherpuppet · 3 days
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Someone asked if I was adding more to "Buckshot"
...and then I accidentally posted it before I was done answering LOL. Anyway, here was the answer:
I have some ideas that I just haven't fleshed out yet. But I really like that AU and I want to return to it.
As for the Buckshot specific "chapter"...I do have some 'deleted scenes' that I just didn't feel like drawing (laziness) but hmm maybe i'll get the motivation to sketch them out eventually.
Some deleted scenes:
Scene 1.5 [Lucifer looks at Alastor's wounds as he's changing his bandages and clothes. Alastor's covered in severe scars exhibiting many different kinds of injuries.] Lucifer: "So many scars...I wonder what he's been through..." [Lucifer glances at Alastor's face, which somehow still has a faint, but visible smile.] Lucifer (incredulous and annoyed): "Yet he always keeps that smile on his face..." CUT TO FLASHBACK MONTAGE: Lucifer, Alastor, and Charlie playing in the park, eating dinner altogether, and singing backup for Charlie while Alastor plays the piano. [Lucifer smiles softly and turns up the corners of Alastor's sleeping smile.] Charlie: "I thought Al needed to sleep!" >:-0 [Lucifer draws his hands back suddenly, embarrassed.] Lucifer: "Where did you--" [Charlie climbs onto Alastor's rest bed. She haphazardly reaches for Alastor's face.] Charlie: "My turn or it's not fair!" >:-D Lucifer: "Charlie, no!" --- Scene 4.5 (happens at the dinner party, in Lucifer's room, after Alastor bleeds through his shirt) [Lucifer quickly changed into a red tuxedo. Alastor is lagging, due to his pain and need to clean his wound with a soft cloth.] Lucifer: "Let me help you--" Alastor: "I can handle this." Lucifer: "Would you stop being so stubborn? You're drugged up, drunk, and moving slow as hell. You want to arouse more suspicion or do you wanna get this over with?" [Alastor rolls his eyes and rudely tosses the cloth at Lucifer's face. Lucifer's quick reflexes catch the cloth effortlessly.] Lucifer: "That's what I thought." [Lucifer begins to clean Al's wound. Alastor has a pained expression. He winces and grabs Lucifer's wrist forcefully.] Alastor: "You're being a brute." [Alastor guides Lucifer's hand gently and drops his hand once Lucifer adapts. Lucifer helps bandage Alastor back up and get dressed. They're now both in new tuxedos, sans bow ties. Before Lucifer can grab his bowtie, Alastor snatches it.] Alastor: "Allow me." Lucifer: "I can tie my own bow tie." Alastor: "Did you not say we were in a hurry? I think we both know it will go faster if I just tie it." [Lucifer rolls his eyes but resigns. Alastor ties the bowtie swiftly and perfectly.] Lucifer: "Ugh, how do you do this so easily? Aren't you high?" Alastor: "As a kite." [There is a beat and they both share a laugh. Suddenly they hear a distant voice yelling:] Adam (distant): "So much for a quickie!" Alastor: "We should go."
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So... @muffinlance wrote a really awesome story. I read a post from a point in time, though I truly do not remember when since it seems like I've been working on this project forever, saying that she gives blanket permission for people to print and bind the story into a book (I think there was an also addendum saying that they do not give permission to be sold, since selling fic is illegal). This fic has had total control over my whole brain since it was sent to me (@creatorofthemind I believe it was you, so thank you forever for tuning me into it) back during the days of like chapter six or seven.
So here I am now, sharing this amazing journey of my first ever bookbinding adventure. Further reading below.
So to give you an idea of what's going on, this is a fanfiction about Zuko (Avatar the Last Airbender) (animated show version, the LA show did not exist yet and we do not speak of the movie) being adopted by Hakoda, Father of Katara and Zuko. (This might have also been what kicked off the Give Zuko A Parent craze, but don't fact check me.)
Overall, the characters from the show stick very well to the cannon versions, but where MuffinLance really shines is in the rich backstories and fleshed out feeling of all the non cannon elements. Especially the background characters. I would argue that the writing in this peice of fanwork could easily rival the cannon show at many points of comparison.
Now that you have context, we can get into the actual process.
To start, I used this guide to figure out where to even begin, and fount the included resource list to also be quite helpful. I cannot for the LIFE OF ME figure out where I found the template I used for the front matter and such, but it must be somewhere and I will link to it when I inevitably come across it again.
Then I began to typeset. This step took... a long time. I worked in chunks from about September of 2022 to late March of 2024. I would get a big section done, sometimes even the entire thing, but then find I hated the way I had done it and give up for months at a time. Such is the life of ADHD and flitting interest in projects I suppose.
And then finally, step one was done, and I was left with pages on a word document that look like this. (And do please let me know if you want the link to the document. It was so much work, and I would love to not be the only one to use it.)
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Next step was printing out this beast. Ended up being about eight pages of front matter, and about 630 pages of body text.
That I printed wrong.
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Twice.
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Before finally getting it right. And then not getting a picture of it, because I finished at 4 am and had work at 7, and am also an idiot.
Then I simply stitched along, putting everything together into a beautiful text block.
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And came up with a design for the cover.
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Yes the glue did end up lumpy. Ignore it.
Yes I did have to sketch out the design onto a scraped page several times before I figured out what I was doing. Ignore that too.
The cover design does wrap around the entire cover. No I did not get a picture before I glued the thing down. See again: I'm an idiot. And just... massively impatient.
Finally, we get to the stage of gluing. Behold, my bookpress.
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Of course, topped with Madam MuffinLances own actual professional-people book, Fox's Tounge and Kirin's Bone. It is Excelent. Here is the LINK so you can go and support this amazing author with the real-monies as well as the internet-kudos.
Then, once everything is glued together, one must give the book its "gilt" edges.
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thoughtless-muse · 2 days
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a/n: the title (and some other parts of the story) are inspired by the song ‘bad blood’ by taylor swift and no, i am not ashamed of it lmao. this is my first time ever diving into this type of story, so I’m equal parts excited and terrified. if you have any critiques/tips, please let me know below! also, “scout’s honor” is by no means abandoned. I’m going to be writing/posting chapters of each story at their own pace :)
chapter summary: you had been alone for over a month now, combating against stumbling dead people who slobbered for your flesh. when a random stranger finds you in the aftermath of a blackout, the last thing you expected was for him to ask you to join his group. but he did, and in a desperate move to escape those four walls, you accepted – not knowing at all what was in store for you.
word count: 2.4k
c/w: canon-typical violence/gore, sassy!reader, fem!reader, language, past-established relationship, very subtle allusions to a troubled past
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prologue
“hey, lady, are you, uh… are you okay?”
the words were garbled and a tad distorted, and for a moment, you thought you’d merely conjured the voice from the depths of your frayed conscious — but the boyish face that stared down at you when you fluttered your eyes open threw that theory straight out of the window.
for a moment, you simply stared in silence. you stared at the boy’s face, taking note of the pink flush of life to his flesh — not gray, not rotted, not bloody; pink. his face was clammy, sweaty, with the skin pulled in different directions to paint an expression of worry; an honest to god expression.
a person. this was a living, breathing, real person standing above you. at least, he seemed real enough, but —
“are you real?”
the question bubbled, croaky and hoarse, past your lips before you could reign it in. the boy scrunched his bushy brows together and his squinted eyes narrowed until they were near closed. a clear expression of confusion. huh, another expression.
“um, yeah, I am.” the boy responded, though, in his bewilderment, the statement sounded more like a question than a fact. a laugh wrenched itself from your chest.
“you don’t sound too confident about that, mystery man.”
“I-I’ve just never been asked that question before.” the boy sputtered, a tad defensively, lips pulling into a frown. expression after expression from this one, it seemed.
“I haven’t had to ask that question before,” you grumbled out. pain pinched your ribs when you propped yourself up on your elbows, no longer feeling the need to lay flat on the warm pavement. “don’t exactly see new faces in the city much, let alone breathing ones.”
“you mean you’ve been in the city this whole time?” the boy exclaimed quietly; his eyes were wide now, revealing orbs the shade of dark chocolate. they weren’t fogged over, dead, or unseeing, but glassy and expressive. human.
a ragged, raspy croak broke off your sentence before you could even start it. your muscles jolted in response, but before you could react, the boy let out a shocked yelp that was followed quickly by a wet squelch right next to you. you trailed your eyes down to find a small hand-ax splitting the rotted flesh of the groaner to your right. the one you swore you’d killed not long ago.
“huh. thought I got that one,” you noted mellowly, swinging your eyes back up to the boy to give him a small nod. “thanks.”
“yeah, uh, no problem.” the boy panted, returning your nod. his eyes darted from side to side before he thrust out a hand to you. all you could do was stare at it.
“it’s not safe out here in the open. we should really get inside a building or something,” the man suggested, words edged with subtle nervousness. you scanned your surroundings slowly; there was a cluster of groaners shuffling towards you, but they were at least twenty yards away — not much of a threat given the granny crawl they were traveling at.
mystery man, however, became more nervous at the sight of them.
“c’mon, I know a place that’s clear. it’s not far from here.” he urged, extended hand trembling faintly. you let out a huff and grasped it with your own. your ribs bloomed with pain once again when the man hauled you up, but you bit back the groan that it prompted; you’d had worse than this, and you’d long since learned to suck it up and just keep truckin’.
when you were stable on your feet the man released your hand and reached down to free the hand-ax from the fallen groaner’s head, his face scrunching in disgust at the wet sucking sound the action elicited. it actually amused you to an extent.
“okay, mystery man, lead the way to safety.” you stated flippantly, manipulating your arm in a ‘the stage is yours’ sort of gesture. the man gave you a bit of a stinky side-eye before jerking his head to the left.
“it’s just this way,” he whispered. he padded to the sidewalk quietly, head whipping in each direction, body tense as if he expected a groaner to simply jump out unannounced at any moment.
what a scaredy cat, you thought jocularly.
“also, my name is glenn, not ‘mystery man.’” he added in a mutter.
you merely hummed in acknowledgment, more so for the man than yourself; you knew that by sundown he’d be gone with the wind, you’d forget all about this glenn fellow, and his name would be lost to your memory forever. no point in trying to stick it there in the first place.
silently, glenn led you through skinny, trashed back alleys and skirted past dilapidated structures, until at last he reached a large brick building. the door, which looked to be some sort of emergency exit, was a cool, gray metal, the hinges lined with rust and the surface slightly bleached from the harsh rays of the sun.
“it’s in here,” glenn murmured, grasping the handle and yanking it open. the hinges gave a deep, audible screech as he did so. “we cleared this out a few days ago.”
“we?” you parroted, trepidation flaring in your gut. it was fine when it was just glenn, but the thought of a group of people, one composed of unknown numbers, set off all kinds of alarms in your head.
groaners you could handle any day of the week; they were predictable, simple — just ambling corpses with no real thought process. humans… humans were different. complex, unpredictable, dangerous.
glenn noticed immediately when you hadn’t followed him through the threshold of the door; he glanced back at you, brows scrunched once more in confusion — it only took him a few moments to register the look upon your face before his eyes were widening and he was sputtering, “o-oh, it’s fine, my group isn’t – uh, they’re not dangerous. they won’t hurt you. and in any case, they aren’t w-with me today – I always make runs alone.”
“I’m s’posed to take your word for it?” you shot back, eyes narrowed dangerously. glenn gulped audibly and flicked his eyes between you and the interior of the building, lips working without producing any sound. he looked so helpless, like a lost puppy, that you couldn’t stop yourself from deflating.
“I believe you,” you uttered. “at least, I will for now. I mean, you don’t look all that dangerous. I reckon I could knock you on your ass in two seconds flat.”
a threat wrapped up within a petulant jab; not exactly your proudest moment, but part of you felt cornered, and it seemed to get the job done. glenn’s eyes flashed with surprise, and maybe a bit of fear, and his voice was less than stable when he murmured, “there’s no one else in there, I swear.”
the tense set of his shoulders, his wide eyes, and the shakiness in his voice seemed so genuine, that you couldn’t help but bark out a laugh.
“are you actually scared of me, mystery man?” you jested, genuinely bemused by how sincerely glenn considered your concealed threat. was he actually taking you seriously? glenn’s throat flexed as he swallowed and nodded.
“well, I just watched you take down about a dozen geeks with just a pocket knife; so, yeah, kind of.”
you chuckled to yourself and gave glenn a once over. maybe he wasn’t so bad, after all. he appeared genuine and harmless. kinda cute, too; in an innocent, boyish way, of course – boyish had never exactly been your style, but you could enjoy the aesthetic of it.
“well, glenn, why don’t you go ahead and show me around?” you purred, rolling his name across your tongue and not bothering to wait for a verbal confirmation. you pushed past glenn and into the dank, dusty building, eyes immediately sweeping across the bare shelves and stained walls. not a groaner, nor human, in sight.
glenn ambled further in and shut the door behind him with a soft whoosh and click. the room became near saturated in darkness, the only light being that of the sunlight filtering weakly through the gaps between the boards nailed to the windows. glenn wasn’t lying when he said it had been cleared out, but he didn’t mention anything about it being groaner-proof.
“is this, like, where your group stays or somethin’?” you inquired, your eyes narrowed and scrutinizing of every detail. there were no mats or makeshift beds that you could see, no visible provisions, and the space lacked the tell-tale signs of human inhabitance.
“oh, no, uh, this is just a rendezvous point – or, it will be. like I said before, I mostly do runs on my own.” glenn passed by you as he explained, coming to a kneel in the middle of the floor where the sunlight was most luminous. he slipped a large, beige bag from his shoulder and planted it on the ground, flipping the top and burying his hand inside.
“runs?” you wondered aloud, watching the man closely as he began to pull items from the bag one by one. medical gauzes, bottles of hydrogen peroxide, boxes of bandaids, a couple cans of vegetables occupied the space beside him bit by bit.
“yeah, runs. we made a camp a while back, at an old quarry just outside the city. food and water aren’t much of issue there, but other things” – glenn glanced up at you a bit sheepishly – “well, they run short sometimes.”
“so they send you out alone to get them?” you surmised, prompting an airy chuckle from the kneeling man.
“ah, no, I actually offered. I know the city like the back of my hand. getting in and out is no problem for me.”
you nodded your understanding, chewing the tender skin on the inside of your cheek – you were inclined to believe glenn, considering he had yet to prove himself untrustworthy, but there was something that was gnawing at you; something that you needed some clarification on.
“so, uh, if you came out here to get supplies, why’d’ya come over to me? and why did you bring me here?”
glenn paused his task for a brief moment before sighing softly. his lips thinned as he seemed to ponder how to answer.
“because I made a promise to myself. I told myself that if I ever ran across someone here in the city, I’d ask if they want to come back with me,” glenn answered quietly, though by the clench of his jaw, you could tell he wasn’t quite done with his explanation, so you bit back the other questions swirling on your tongue. “I guess I just hoped to myself that if the roles were ever reversed, someone would do the same for me.”
the residual tension that had been locking up your shoulders ever since entering the building drained away like a river to the ocean. you smiled softly and plopped down on the floor a few feet away from glenn. with a teasing warmth in your chest, you queried, “so you saw me and decided you wanted me to come home with you?”
glenn rolled his eyes, but the flush in his cheeks betrayed the effect your suggestive comment had on him.
“not like that, it’s just – it’s just that things aren’t as easy as they used to be. your best chance at survival is with a group.”
“I’ve done fine on my own,” you responded back flippantly, planting your palms behind you and leaning your weight back atop them. “I mean, I’ve been here since it started.”
glenn swiped his tongue over his bottom lip nervously, scanning through the contents on the floor before rapidly scooping them back into his bag.
“yeah, I, uh, I noticed that you’re capable. it’s just that – things won’t always be so easy, you know?”
irritation shot through your chest like a hot lance, your somewhat good mood ruined instantly.
“did I say it was easy?” you seethed, anger punctuating your every movement as you swung your hands back in front of you and leaned forward.
just as it had at the door, glenn’s mouth began to open and close rapidly as he tried desperately to recover. his wide eyes flicked down to your waistline, the area he knew held your pocket knife, and he scooted back a small bit while simultaneously dragging his bag in front of his body; an attempt to keep distance between the two of you.
“I-I didn’t mean it like that! I just meant that – that without a group, surviving will get harder and harder.”
you weren’t entirely sure if it was from lack of sleep, stress, or the cursed, buried memories that had been incessantly dragging themselves back up despite your multiple efforts to keep them down, but you had been highly irritable the last few days. every time you closed your eyes, you saw his face, you heard his voice, taunting you with the sweet nothings he whispered long ago. you still felt his phantom touches that had long since grown cold.
you just wanted it to stop.
you wanted to find the strength to throw that little box out of the fucking window, and to burn that one shirt he left, the only things left to remind you that he wasn’t just some conjured fever dream. that’s why you’d been out in the street in the first place, drawing as many groaners as you could to yourself just so you could picture his face as you plunged your knife through their soft, rotten skulls.
and maybe, just maybe, find the strength to drop the knife and let it end.
but you just couldn’t. you couldn’t throw the box out, you couldn’t burn the shirt, and you most definitely couldn’t let yourself die; it went against everything he taught you.
with a sigh, you opened your eyes, which you had never even remembered closing, and regarded glenn once more. his eyes were still wide, clouded with something that was a mixture of nervous and worried, his hand trembled atop his bag, and his bottom lip wavered.
“you said you promised yourself that you’d invite whoever you found in the city to your camp, yeah?” you quizzed, the question one that glenn had not expected you to ask, if the brief confusion on his face was any indicator. after a moment’s hesitance, glenn nodded.
“yeah… our camp is pretty well established, and I know we’ve got room for others. does that, uh – does that mean you want to come back with me?”
you’d never second guessed your choices, nor the consequences of those choices, and you weren’t about to start now — so, with a cheeky smile and a wink, you purred,
“sure thing, glenn. I’ll come home with you.”
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a/n: so I recently checked my analytics and uh… 114 followers?? what??? like I’m — I’m speechless y’all. thank you so so much I can’t even begin to express how much it means to me <3 I promise I’ll be doing my best to dutifully deliver content to y’all as fast as possible <33333
TAGLIST: @daryldixmedown @alanalanalanalanalanna @just-always-tired @chylerluvschim @girlydollydarling @marvelcasey05
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tristitia · 2 days
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Chiffon Skirt || Shoko Ieiri
— slice of life. angst. post breakup!au. 700+
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5:30 is the time in the morning when you lay paralyzed in your bed, thinking about Shoko. Thinking about what she must be doing right now. Thinking, how many packs of cigarettes she must have smoked in the entire day and how many she's planning to smoke when the new sun will come bouncing outside her window that's always draped with the fabric from your white chiffon skirt that you forgot at her home last summer. It's funny how she made the curtain out of it. It's funny how she refused to take it down. But it's beautiful how she says she loves it the way light filters through it. Like the sun is a golden sea of water and we swam straight to the bottom of its heart. Her thin fingers against your cheek, always against your cheek. Cold like March. 
5:30 is the time in the morning when you lay curled up in your bed like a dead fetus, trying to cross the gap between past and present. Trying to remember how her hands used to feel like when they are wrapped around your body. When they used to touch the part of your back which you could never reach. "There's a scratch here." She would say, running her thumb over your spine. "Who's the one to blame?" You would huff, turning on your other side to face her smirking lips. It's stupid how she laughs. It's stupid how she rarely laughs. But it's beautiful how you would stop breathing whenever she does. Her dark eyes crinkled, barely noticeable. Her head unknowingly coming to find itself a space between your neck and shoulder. Her one hand in your hair, always in your hair. Soft like March. 
5:30 is exactly the same time in the morning when Shoko lays in bed, regretting her whole life. The horrendous darkness dancing shamelessly before her eyes. Love slipping through her ten, slender and cold fingers like the smoke from her cigarette. It's the first one in the morning. It isn't going to be the last even the dogs barking outside on the streets know. She couldn't stop herself from dreaming of you. You would come, wearing the same dress in which you left this apartment. Crying, sobbing. It's been four weeks. But she still could feel your knees prodding her back, your shallow breaths breaking through this grey silence hanging in the air. Would you still be here if she'll turn? Would you still be here if she'll call your name? Would you? 
She closed her eyes. It couldn't get anymore darker than this. But it did get wet, the edges of her lashes. Something slide down her nose, wet. Tears. It's ugly how she took you for granted. It's ugly how she acted so selfish. But it was downright mean when she said, "I think I'm tired of loving."
When you asked, "but why?" She said, "because people are not worth loving."  
"Even when it's me..." you tried to laugh, through the ocean slouching in your throat, expecting her to say something like, "except you, ofcourse..." But she didn't. She chose to break your heart instead. On the anniversary of being together for five years. Five damn years. Loving each other like dogs. Loving each other despite it all. She chose to break your heart.
5:30... is the time in the morning when you wake up crying. Thinking about Shoko. Thinking about her cigarettes, her greasy hair, her cold fingers, her dead eyes...
5:30 is exactly the same time when Shoko would change her side. Surprising herself with the fact that you're not here. Surprising herself by hugging the emptiness, trying to carve a way into it as if it's the space between your neck and shoulder. Her hands moving up. Her palms against your spine. Her fingers digging into your flesh. Her eyes shut close to the new sun crawling up at the window. The light slowly filtering through your white, chiffon skirt. It's cruel how it illuminates her loneliness. It's cruel how it reminds her of what she has lost...
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*:・゚✧ thank you so much for reading! I hope you liked it, I tried to write after a long pause of over 5 months
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sleepynegress · 14 hours
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On Challengers...
Okay.
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So, here's the thing. It's decent.
It's sassy, catfighty, but with dudes using rackets and tongue-wrestling, and the tennis scenes are tense, but... it wasn't at all confidently scandalous like I would've expected.
....Like I feel like they didn't push it far enough, somehow? And not even in the way you might think, with dicks a-swingin and thrusts abundant. Remember, the movie Closer? -I think that came out in 2007ish and was rated PG-13??? Or could have been if not for the language.
Natalie Portman has a similar nudity clause to her contract and *STILL* had the absolute sexiest scene with Clive Owen.... .....Which I'll put in this post to demonstrate what I mean. This felt like it held back at moments... When it came to pushing desire, between the men and/or with Zendaya, with one or the other. It just felt so tame to me given the hype. I was hoping for a return to artistic sensuality in film again, instead of this weird sort of by-rote-feeling purity culture we're having rn. (I'm watching Love Lies Bleeding tonight and I BET that delivers. Lesbians, salude!) I was hoping for Cruel Intentions' lush cut with The Dreamers' sensuality..if that makes sense?? AND some good-good tennis. THAT did deliver. WOW, some of the shots for that were eye-popping. A critic I follow noted that her issue (she always has the best takes I don't agree with all of them but they are always well-articulated) was that Zendaya was not fleshed out as a central figure, especially as a BLACK WOMAN. It was yet again another case of a Black woman dropped down from the moon coming from no people of her own, but just somehow existing in a sea of white people with not a hint of Black friends or loved ones.
Hell, they could've even laid out *her people* like the brilliantly underrated Beyond The Lights with Minnie Driver playing the stage manager mom to Gugu Mbatha Raw's biracial pop star. But that comes down to the white male gaze fucking it up, yet again. I looked up the screenwriter and just kind of nodded knowingly with an 'oh, yeah that's what I expected, that explains it...' He simply didn't have the range beyond a sort of vague tennis fetish for brown girls in short skirts grunting and swinging and wanting to do something with that. He admitted that Naomi and another Black woman player's interaction on the court *inspired* this...
Perception of Black women doing ANYTHING can be so heavy with a weirdly asexual gaze from white women and hyper-sexualized by white men. And if desire/centering tips in the "wrong" direction deemed by prejudice and our assumed place....*yeesh* we catch hell. You're either bafflingly too ugly to be treated with desire (whew the incel bigots are big mad that it's Zendaya and not a Sweeney-type) or only deemed good enough for it, because of that white gaze. And resented regardless.
*sigh* Can't win for losing. But I digress. Zendaya's co-stars are the oddest looking mystical-dwarf-head ass forest creature white boys with big ears, but they GAVE in the acting department. Mike Faist is a STAR. He has a sort of laidback sweetly confident rizz. But he definitely is the lovechild of a young Scott Glenn and DJ Qualls. I want to put him in a western immediately because he has Civil War photo face.
Mike O'Connor has that desperate dirty hairy scruffy thing like dude from The Bear. Like you KNOW he has a scratch tat somewhere and would do the dirty with his partner in the toilet stalls or anywhere else. Hollyweird is strange about beauty standards man. Back in the day, they used to pretend old white men, who looked like they smelled like Barbasol mixed w/ urine would somehow be sexy to a twentysomething. Now, we have this dichotomy of thankfully a little more of a diverse gaze for the centered "bombshell" other than blonde with large breasts number 32637263872.... but we also have some actresses cutting fat out their cheeks and being Ozempic thin. *sigh* ...While the "basic" hot boys are punching the air rn because they are also passé. Got to have something interesting going on in the face for everyone now, I think. Can't just be AI "pretty" anymore. Thankfully.
....Anyway. It is good, but with those caveats I laid out.
P.S. ICONIC for me is seeing Zendaya's Black-ass nose bridge drawn large on that poster. P.P.S Thank LUCA for doing the queer elements well... I personally don't think it went far enough, tho...
Mike bottoming for all, including getting pegged by Zendaya would've happened in my version of this... at least implied, come on (ficwriters?) Oh! and here are the clips from Closer, but then it was a successful play first, so the script is more substantial in that.
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This is how filthy I expected Challengers to be, and it's just. not. Nothing in The Challengers touches the heavy heady nastiness in this scene IMO, but something in that movie should have, dammit! Note they never even touch each other.
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strixcattus · 2 days
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Trying to get out my full battery of Pristine Cut theories I think are at least pretty realistic (some mine, some not—I don't recall where the ones that aren't mine came from)
(Bold text is edits from shortly after the initial post)
—Fury, Den, and Apotheosis will get significant expansions (pretty sure this one has been implicitly stated by the devs if not explicitly so) —Prisoner, Damsel, and Spectre will all get a unique Chapter III to finish the symmetry of the game —All of the expanded Chapter IIIs will end up with both more options/resolutions and more fleshing out to some of the existing options (feels a given, but I'm trying to be comprehensive here)
FURY —Adversary->Fury will come with even more Voices (Smitten and possibly Cheated would be my guesses) —The "unwinding" sequence will be longer and have more variation/options than the single line we have now —Something surreal is going to happen to the Fury as she unwinds us (based on that one art shared by the devs)
DEN —Expanded "failure" sequences—at the very least choosing the option that wasn't in your plan will be as fleshed out as EotN's "failure" and at most you might get a chance to turn things around —A "freeze" option to bring the whole set forward from the Beast into the Den —This one's more hope than theory but it'd be nice if you got the option to spare the Den if you're on the "fight" path. It'd also be nice if there were more of a sequence to freeing the Den on the "flight" path, but of the two the former seems more likely.
APOTHEOSIS —I'm not sure what to say about this one aside from "your choices have tangible meaning now" —It'd be neat if the Tower chapter got a little more meat that led to multiple ways to reach Apotheosis and thus multiple Voices you could gain from that chapter, but it doesn't seem too likely
PRISONER —Complete the set with Beast and Adversary by having a Chapter III that can be reached with both Stubborn and Hunted, with different storylines depending on which Voice you get —The Prisoner gets to kill you (and how you approach this determines which Voice you get) —I kind of want to see this chapter get brought into the "the blade gives you more options" fold by allowing you the chance to refuse to take the blade, thus locking you onto either chaining yourself up or one variant of the new Chapter III —We're finally going to get a concrete justification for why the Prisoner, despite being one of the more cooperative Princesses, has the same font as the more inhuman/combative Princesses
DAMSEL —I think we're generally in agreement that the "up the stairs" image is probably for the new Chapter III —General consensus also seems to be that either we tell the Damsel to kill us or we insist on staying in the cabin with her forever —I personally favor the former theory since it would explain how we die (to move on to Chapter III) and it would add to the "taking the blade gives you more options" theme —We'll finally get another Chapter III that uses the font shared by the more gentle/human Princesses —Likely Voice candidates for the new chapter would be Contrarian or possibly Skeptic (Contra seems more likely, but I'm keeping an open mind)
SPECTRE —Possibility that the new Chapter III will only be accessible with the blade, though I can't imagine what it would be in that case —Notable that this is the only Chapter II called out by the devs... we might be seeing a significant expansion leading up to the new chapter, or even leading up to another Chapter II resolution —Perhaps there's a change in the sequence after you decide to refuse the Spectre's possession without slaying her or leaving the basement? —My best guess right now as to the lead-in would be that the new chapter stems from slaying yourself while possessed (unlikely since it's already a Chapter II resolution—would lead to gaining either Stubborn or Contrarian) (or Opportunist?) —I'm going back and forth about whether the new chapter might come from choosing to stay in the basement instead of leaving or trying to slay the Princess—I actually wrote and deleted it when initially posting—this would maybe result in Paranoid, Smitten, or Contrarian? —Most likely I think there'll be an entirely new section of the chapter that leads into the new Chapter III —To be honest the one thing I really hope is that somehow Broken shows up—this is the one pairing I really wanted to see since discovering you could mix and match the Voices in Chapter III —Somewhere there will be an achievement called The Exorcist II (to go with The Exorcist and The Exorcist III)
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dairy-farmer · 8 hours
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Okay but consider? Has Tim ever seen Ra's post-Critical Injury Lazurus Dip? Like not "oooh, I am back to my sexy Dilf-y glory~" but FULL ON "I have been Hard Reset back to the Prime Of My Life(tm), which statistically is early 20s, and am now a Young and Hot prowling bad boy. With no Grey in my hair and a SLIGHLTY higher voice, meaning while I sound familiar, you can't instantly place it like you usually could."
THAT sort of Hard Reset.
Bet he hasn't.
Bet he'd have an even HARDER time recognizing Ra's in a Masquerade mask. If Ra's had a smooth, freshly shaven, face. I mean... it's not like Ra's an assassin cult leader or anything. Him? Knowing how to DISGUISE himself? When in his centuries of life would he have had time to learn THAT?
So there Ra's is. Looking rich, dangerous, and slutty. As one does. Tight black pants, loose poet shirt, gold and gems dripping like honey down his skin. The very PICTURE of a WEALTHY young trouble maker. Blending in with all these wealthy fools, up too no good, some of them far more then others.
That's why the Bats are here.
For Intel.
But of COURSE, Brucie Wayne has aged out of this sort of scene. Tut tut. And his waste of a grandson is just a touch too young. A shame. So it's the Detective and a few others, leading the charge. But... ah, SUCH a big building! And can the Wayne's afford to be seen at such a disreputable event?
Of course not.
So they're in disguise. Layers upon layers, Detective. Masks upon masks. Delightful~
Ra's gets to watch Tim work the room. Prowl in magnificent heels. Dodge covetous hands so casually it seems by accident. Extract information people have DIED to protect. Blonde, tonight. He looks better with hair like the night.
Ra's smiles like a wolf.
And begins to hunt his prey though a sea of masks.
Which is how Tim meets a VERY rougish, tall, and delightfully muscled heir too...something. It's kinda obvious, given all the jewelry. Swordsmen too, from what he can feel of those INTERESTING and calloused hands. Tim knows he should focus... but...
Mystery Hot Guy is REALLY forward. Clearly in to him. And it's not like he's gotta marry the guy.
Did he mention the DELIGHTFUL rumble? His voice has a low rumbling quality to it, when he leans in close so he can be heard over the music. His hands are hot and gripping in that "just a bit too tight but not TOO too tight" sorta way? So yeah... he's gonna... uuuuh, go... "question so informants" real quick. Get back to you guys later!
Don't wait up!
And Ra's? Knows the chance of this working more then once is close to zero. So it has to be LEGENDARY. Life changing. Dick so good it ruins the Detective's LIFE. He's got to make sure the next time they meet, the Detective wants to kill him AND fuck him in equal measure.
After all, the Bats have a "no kill rule". Oh dear, Detective. Really only leaves you one option, then, doesn't it?
So Ra's goes to absolute TOWN on Tim. Sinks down to his knees and eats him out til his legs won't hold him. Carries him to the bed to the guestroom they're about to absolutely DEFILE, too use far too clever fingers, to stoke that burning NEED back up. Too stretch and tease, as his mouth worships that chest. That neck. That clever, clever mouth.
Runs his free hand along magnificent skin, wishes he could grip hair like the finest ink as he savors Timothy's mouth. It all feels decadent. Ra's is patient. Aaaand, there, Tim rocking against his hand has turned for lazy pleasure (savoring the glow of a good orgasm) to demanding.
His hands, his kisses, are growing hungrier. Commanding Ra's to give him what he needs. Spoil him like a pampered little prince. Either worship and adore him, or he will find someone else who SHALL. How can Ra's refuse? He'd be a fool too.
A fool not to suck and bite branding little marks upon that magnificent skin. A fool not to hike up those powerful hips a grind and tease with his length, until Timothy's sharp little nails dig into his flesh in warning. A gods forsaken incompetent, to NOT sink into that magnificent heat, pressed so close he can hear that breath taking little gasp of pleasure, as the thickness of himself presses wider and deeper then any BOY the Detective as ever taken.
Ra's AL Ghul is no fool.
But he IS a VERY giving lover.
Especially when he has something to gain from it. And oh, how it is a struggle not show the victory on his face. It would not do, to give the game away at the last moment. He knows better. So he moves his hips just so. Rolling at just the right angle. To grind with in as he thrusts, to grind against as he moves, his body angled just right to tease the Detective's clit.
Strong, calloused hands teasing what feels like EVERYWHERE. That deep rumbling voice monologing a god damned speech on how good Tim's body feels, how perfect he is, how sexy. That cock hitting everything over an over in a way marksmen would WEEP with jealousy at. Tim is pretty sure his brain is melting. Hook up too good, fuck why he came here actually. The others can handle it.
Will he later admit he fucked up? Probably. But that's when he gets the ability to reason again. Right NOW all he can think is a series of frantic porno noises and variations of the word "More". Turns out fumbling around with your teammates is NOT actually a good frame of reference for "what is Sex and how good does it feel?".
Tim doesn't even notice, two position changes and several orgasms later, when he loses his wig. His face is buried in Mystery Hook Up's shoulder, drooling and clinging, as he's worked up and down that mind melting cock like a toy. All that HE registers is that it feels nice to have that stuffy thing off and fingers running through his hair.
His family, though? Freaking out. Tim left with an "informant" (their ASS) and never showed back up. They've all HAD the traumatizing Honeypot Talk from Bruce. They KNOW Femme Fatales are a thing. Homme Fatales are a thing! Did someone send a sexy assassin after Tim!?
Soooooorta.
Dick, powered by the sheer force of Brotherly Murder-Panic and 👌close to showing the world why he and FUCKING DEATHSTROKE have a weird decade long "Thing(tm)" going, kicks down the door to waaaay too many random hook ups... until he eventually find the RIGHT hook up.
Where Timmy ain't got no bones. He be truely, magnificently, well fucked and boneless. A cooked noodle. Orgasm machine ran dry and he can see the shrimp color, Captain. He's cuddling a sex god and actively plotting to tattoo his phone number somewhere on this guy's body. Who CARES where he lives. Tim will MAKE it work. How you feel about breakfast?
Ra's is the exact flavour of Lounging Smug Bastard you imagine.
It's not even smirking "pleased with himself" territory anymore. It's full on "if a tiger were turned into a human, got revenge on the bastard who did it, and was lounging around feeling pleased with itself covered in blood" grinning. Because NOW, he has won.
Dick is, of course, going to break every bone in this Mystery Bastard's body. Jason. Hold him.
Which... just as Tim is about to throw a lamp in defense of his new Sex... something, Robin kicks the window open because "fuck it, I'm helping. Timothy may be an idiot. But he's OUR idiot and you've clearly seduced him with some sort of evil demonic sex magic, you fiend, time to fight." Etc etc.
Only then Hot Hook Up takes of his mask.
He.... He looks a LOT like Damian. A concerning amount. Like... if you were to say, take away the Wayne traits, he'd be almost identical.
Tim is ALSO not a fool.
That grin is very familiar. Those EYES are a shade he knows INCREDIBLY damn well. And oh sweet fuck on a stick he boned Ra's AL Ghul.
And it was amazing.
DAMN IT!!!
Does Tim absolutely HATE that Ra's was right? That Tim SHOULD consider sleeping with him? Yes. Is Tim going to do it again? According to the flashcard forcefully handed to him by his Father, ahem, "No. We do not sleep with Supervillians. We have self control." So... noooooooo, of course not. He would NEVER. Don't be absurd.
(Yes.)
-🐼🐼🐼
tim knows he shouldnt but also knows bruce has no moral highground to say 'dont sleep with supervillains 😭
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seaofashes · 30 days
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I'm trying really hard to get myself to post the more simplistic pieces and doodles that I do so... have a KidKiller piece because I love them dearly
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ishmerra · 1 month
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mlb au(?)...?
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[ID: a digital illustration of Luz and Hunter from the owl house. Luz sits on the right with her hand on hunter's shoulder. Hunter sits on the left facing Luz. They're both in their designs from the end of Thanks to Them. Hunter has his eyes closed and is crying with a pained expression, while Luz looks on with tears in her eyes. The background is dark and the scene is dimly lit. The second image is a variation on the first image where a spectral version of flapjack sits on hunter's shoulder and Manny's hand in on Luz's shoulder. End ID]
Felt like posting something devious today. Do you think they'll ever talk about what they've lost? Bond over it? Mourn??? Grieve????
#the owl house#toh#hunter toh#luz noceda#hunter noceda#flapjack toh#(BARELY i did not put the effort into that bird that i should've)#manny noceda#(also barely but I feel like it's more obvious here)#i sketched this out months ago when TTT first aired but the lines were giving me trouble and i shelved it#until now when i really just wanted to finish something but wasn't happy with any of my sketches#it was inspired by the interview dana did where she said grief would be a major theme of season 3#both bc it scared me and also bc it made me start thinking ''hm okay. which characters are grieving rn and how might they interact?''#my money's still on darius if hunter does get to talk through some of his grief in the next few eps#(just to tie a nice bow on their relationship and maybe dicuss the previous gg a bit more and flesh darius' motives out)#but like. luz is his sister. grief is sooo central to her arc as well it's like. even if they don't get time in canon#(which is understandable. they do not have a lot of time rn for extended fanfic-esque character exploration conversations)#but that doesn't mean i can't rotate the idea in my mind at terminal velocity until i get sick#i would apologize for not posting festive art at this time of year rn BUT YKNOW WHAT. I'VE HAD A ROUGH COUPLE OF HOLIDAY SEASONS#THIS COUNTS AS FESTIVE FOR ME!#it's getting better this year though. slowly#anyway this piece isn't perfect and there's a few bits I'm not happy w/ that i could've spent more time on#but to my own credit i pushed myself to use reference and do a (albeit simple) pose I don't normally do!#so props to me in that sense#anyway happy holidays! think abt these devastatingly sad children with me please!
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coldshrugs · 3 months
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22 or 42 for sensory prompts? 👀
neon moon
prompt: 22. Neon lights at 1:30am - thanks ash!! pairing: io / estinien (modern AU) word count: 1.3k note: takes place during the roommate years. io is dating mikoto. estinien is definitely not jealous.
At 1 AM, Estinien looks down into the half-finished beer he's nursed for twenty minutes, neon bar signs reflected on its surface. The glass is going warm in his hand as he stares at what's left of the dissipating foam, pretending to count the little clusters of bubbles popping as the minutes pass…
If he looks down, he doesn't have to look up. If he doesn't look up, he can ignore his friends (and hers, but the two groups congealed into one about a year ago) having a good time just on the other side of the bar, gathered around a pool table, trading shots in loosely formed teams. He won't have to grapple with the emotion that twists in his gut each time his eyes land on Io.
His previous therapist would tell him to name the emotion. Estinien makes a list.
Annoyance? Yeah, he is annoyed by the short, bubbly girl sticking to her side like a fucking shadow. He's annoyed at the way they can't seem to keep their PDA to themselves, arms draped over shoulders or around waists. They might as well announce their date to the whole bar and include a footnote about their intentions afterward.
Frustration, there's another. Everyone seems to like her—Mikoto—and he doesn't get it. Io is constantly going on and on about her: "Miko's so smart," "Miko's the sweetest," "Miko's so adorable I could die." Even Aymeric finds her charming, so he can't exactly complain to him.
Dread. Definitely dread, at the next time she'll be in their apartment (probably later tonight), all over Io on the couch, or coming out of her room in the morning to take up space in the kitchen.
Everything about this makes him itch. Better to keep to himself. It'd be a shame to ruin everyone's night.
At half past one, the music shifts from hip hop approaching vintage status, to slow pop ballads as someone new takes over the digital jukebox. Leofard takes a break from manning the bar and sidles over to him.
"You good?" His expression is difficult to read behind his tinted glasses, but something about it is uncomfortably knowing. "You don't look good."
Estinien rolls his eyes. "I'm good. I'm just… not that good." He gestures to his friends without looking.
Leofard glances over, and his irritating smirk looks incredibly punchable right now. Estinien doesn't problem-solve that way anymore, and besides, he's in no place to deny the company since everyone else is determined to be best friends with Io's girlfriend.
"You know," Leo starts, rolling his hand in front of him as he finds the words, "I'm still shocked you and Io are doing this platonic domestic bliss thing. Whatever works, right? Don't tell me there's trouble in paradise."
"There's no trouble." He finishes the last of his room-temperature beer and tips the glass towards Leofard, signaling for another. "I'm shocked you're still wondering about Io's relationship status."
Leofard's shoulders shake with an easy laugh as he fills a fresh glass and pointedly slides it to Estinien. "No, I can clearly see what hers is," —he nods to the back of the bar, and Estinien makes the mistake of turning to look— "It's yours I'm talking about."
They're still bunched around the pool table, though the game has fizzled out. Y'shtola and Lucia are hanging onto every word of Urianger's glassy-eyed lecture. Aymeric and Thancred are talking animatedly between the tables. And near the wall, bathed in the neon light of a cheesy purple cityscape with a blue moon and yellow stars, Io and her girlfriend are pressed close and swaying lazily to the song.
Mikoto's head is against Io's chest, eyes closed and cheeks red from whatever she's drinking. Her arms are wrapped tight around Io's waist, and one hand even dips low into the back pocket of her jeans. Io's chin rests on her head, and she squeezes Mikoto's shoulders in a solid embrace. For some inexplicable reason, he swears he feels the squeeze around his own.
She's smiling a little. Tipsy, but genuine.
Estinien boils.
He turns back to the bar and downs half his beer, but it does nothing to douse the fire climbing from his chest to his face.
"What about mine?" He asks Leofard. "You're dating someone, and even if you weren't… you know it's a no."
"Oh, calm down, you prick. Your hunk of petrified wood couldn't handle me. I just wanna know what the deal is! When will you finally get over the "she just needs a friend uwu" bullshit and do the damn thing?"
He considers Leo's question, stomach churning with that sickening heat, and maybe he's right. Maybe Estinien left an emotion off his list.
Jeal—
"Estinien," the voice is too close to pretend not to have heard. And he can't do that anyway. Not to Io. "You're kind of worrying me, over here by yourself. Hi, Leo."
"Hey, Io." He nods, then drifts back down the bar. Still within earshot, of course.
"What's up?" Io slides onto the stool next to him, chin propped on her hand as she studies him. Her dark eyes catch every light in this place, and somewhere in that little reflection is his own dark anger, glaring back out at him.
He sighs. "Not feeling great tonight. I think I'm heading home after this." He raises the glass to her, takes a big gulp.
"Then I'll go with you."
"No, you don't have to—"
"I don't have to." And now she smiles at him, tipsy and genuine. "I want to. Let's go get in our pajamas, and we can share a huge glass of apple juice and watch tv on the couch."
"Io. You're on a date." He finishes the beer.
"Oh, right... I forgot those are once-in-a-lifetime events! Shit!" She makes a little show out of it, shaking her fist at nothing and melting into a fake sob against the bar, before meeting him with a straight (but not sober) stare. A smile begins to curl the corner of his lips and he fights it with everything he has. "Come on, let's go home."
It's almost 2:30 in the morning when they stumble into their dim apartment. Io remembered to leave a lamp on, thank fuck, and she finds the other light switches easily.
Among the familiar clutter and comfortably worn furniture of their home, Estinien returns to himself. Maybe it wasn't the company after all. It's been a long week, and he's tired. He just wasn't in the mood for a night out. That's all.
He changes in his room while Io does the same in hers. Ignoring the inviting presence of his bed in favor of finishing the night the way she suggested, he settles on one end of the sofa and begins browsing for a show they like.
When Io leaves her room for the kitchen, it's in a pair of his sweatpants and a strappy, cropped tank top. This is far from unusual, but tonight, when he felt the ghost of her touch as she held someone else, the sight of her in his clothes sends a new heat crawling across his chest.
He doesn't watch her join him on the couch, or look at her as they pass a single cup of juice and bag of chips between them. When she yawns quietly and nestles into the couch, stretching a leg across his lap, he doesn't risk a glance.
This is Leofard's meddling getting into his fucking head. No more, no less.
Io falls asleep and Estinien turns the volume down. He looks, only to make sure she wasn't disturbed. She curls toward the back of the couch, her face soft and shadowed, her hair slipping out of its loose ponytail. The heat may be new, but the rest of it—
Name the emotion? Absolutely fucking not.
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mattodore · 8 months
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The BOLD THE FACTS tag with Imani
tagged for my choice of oc by @pralinesims and @raiiny-bay <3
The Rules are simple! Tag people and name a character you want to know more about! If you want to let the person you tagged decide who to showcase, then don’t name a character and they can pick somebody. Easy! The person who is tagged will then bold the remarks below which apply to their character and, if they want to, include a picture with their reply!
[ PERSONAL ]
$ Financial: wealthy / moderate / poor / in poverty / other ✚ Medical: fit / moderate / sickly / disabled / disadvantaged / non applicable ✪ Class or Caste: upper / middle / working / unsure / other ✔ Education: qualified / unqualified / studying / other ✖ Criminal Record: yes, for major crimes / yes, for minor crimes / no (despite his attempts matthias has never successfully roped her into any of his mess lmao) / has committed crimes, but hasn’t been caught / yes, but charges were dismissed
[ FAMILY ]
◒ Children: had a child or children / has no children / wants children ◑ Relationship with Family: close with sibling (but it's complicated... imani has real love for her baby brother but she's also aware of the difference in how her parents treat the two of them and it's definitely impacted their relationship) / not close with sibling(s) / has no siblings / sibling(s) is deceased ◔ Affiliation: orphaned / adopted / disowned / raised by birth parents / not applicable / other
[ TRAITS + TENDENCIES ]
♦ extroverted / introverted / in between ♦ disorganized / organized / in between ♦ close minded / open-minded / in between ♦ calm / anxious / in between ♦ disagreeable / agreeable / in between ♦ cautious / reckless / in between ♦ patient / impatient / in between ♦ outspoken / reserved / in between (she's more outspoken when she's just with romeo or matthias, but when she's around her parents she gets quiet) ♦ leader / follower / in between ♦ empathetic / vicious bastard / in between ♦ optimistic / pessimistic / in between ♦ traditional / modern / in between ♦ hard-working / lazy / in between ♦ cultured / uncultured / in between / unknown ♦ loyal / disloyal / unknown ♦ faithful / unfaithful / unknown
[ BELIEFS ]
★ Faith: monotheist / polytheist / atheist / agnostic ☆ Belief in Ghosts or Spirits: yes / no / don’t know / don’t care ✮ Belief in an Afterlife: yes / no / don’t know / don’t care ✯ Belief in Reincarnation: yes / no / don’t know / don’t care ❃ Belief in Aliens: yes / no /don’t know / don’t care ✧ Religious: orthodox / liberal / in between / not religious ❀ Philosophical: yes / no
[ SEXUALITY & ROMANTIC INCLINATION ]
❤ Sexuality: heterosexual / homosexual / bisexual / asexual / pansexual ❥ Sex: sex repulsed / sex neutral / sex favorable / naïve and clueless / other ♥ Romance: romance repulsed / romance neutral / romance favorable / naïve and clueless / romance suspicious ❣ Sexually: adventurous / experienced / naïve / inexperienced (she's had sex before but her experiences have been few and far in between) / curious ⚧ Potential Sexual Partners: male / female / agender / other / none / all ⚧ Potential Romantic Partners: male / female / agender / other / none / all
[ ABILITIES ]
☠ Combat Skills: excellent / good / moderate (she's taken a self-defense class before and matthias has taught her a couple nasty tricks in case she ever needs them) / poor / none ≡ Literacy Skills: excellent / good / moderate / poor / none ✍ Artistic Skills: excellent / good (she sketches while she's waiting around; she's often drawing her own designs, fairies, flowers, snakes, pointy scribbles, or spirals) / moderate / poor / none ✂ Technical Skills: excellent / good / moderate / poor / none
[ HABITS ]
☕ Drinking Alcohol: never / special occasions / sometimes / frequently / alcoholic ☁ Smoking: tried it (disliked the taste and the smell) / trying to quit / quit / never / rarely / sometimes / frequently / chain-smoker ✿ Recreational Drugs: never / special occasions / sometimes / frequently / addict ✌ Medicinal Drugs: never / no longer needs medication (used to take meds for an old ballet related injury but she's good now) / some medication needed / frequently / to excess ☻ Unhealthy Food: never / special occasions / sometimes / frequently / binge eater $ Splurge Spending: never / sometimes / frequently / shopaholic ♣ Gambling: never (she's too disciplined for that)  / rarely / sometimes / frequently / compulsive gambler
tagging @cowboycid for val, @helltrait for chris, and @tau1tvec for isa! and let me just rapid fire some of you who i think might have fun with this tag game!! @birdietrait, @wildmelon, @diwns, @fangs-trait, @deehya, @bunmou, and @spurgees
#@ed twenty ppl all together so hopefully if any of you wanted to join in then you got an @ :3c#river dipping#imani haut#echthroi#oc extras#ts4#this took me so much longer than i thought it would thanks to ea wanting me dead and me having too much fun in cas but anywayyyyyyy#MISS MODELLLLLLLLLLLLLLLLLLLLLLL#MOST GORGEOUS WOMAN EVERRRRRRRRR#imani is probably the third most important character in the echthroi universe#sehyuk is kinda tied with her but that's really only bc he's how matthias and theo meet. shrugs.#like sehyuk is plot important in that way but imani is close with matthias and she gets close to theo later on <3#theo's friends aren't rlly like that bc they mostly all dislike or in some cases hate matthias......... jdkfhnkhdnfjkhgjkdfgndkfkhndfhj#which like tbf............. would YOU trust your friend to MATTHIAS of all people? i rest my case#anyway i rlly wanna get into the backgrounds of all the echthroi side characters on here more but that would#require me to stop thinking exclusively abt mattodore for a few hours...... but. like. how could i do that. how.#but yeah...... i think imani sehyuk jordan and dutchie have the most fleshed out backstories out of all of the side characters#ummmmm anyway <3 this took a lot longer than i thought like where did the time go……. but okay.#i'm going to go back to my activity feed now bc i actually hadn't finished reading the posts i was tagged in in the first place 🧍#i swear the last two days i’ve been like okay time to log in and catch up and see how everyone’s been doing lately 🧎#only to then end up doing something like this for 4+ straight hours#i’m actually normally asleep by now but here i am…. i need to at least get thru my activity feed before sleeping like i need to do this 🔫
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starpros-sunshine · 11 months
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also i think that after seeing that Something is going out with his eichisama tori should also sneak into town to go and see what's the deal with this wataru guy. and he inevitably gets lost but meets hajime and they have a bonding moment barbie movie-style and him and tomoya help tori meet wataru. and then wataru sees tomoya and goes "oho! interesting child!" which once again leads to eichi unreasonable jealousy against this poor random kid
Okay so I've been thinking on this and I've been trying to get something coherent and bear with me right right.
(this got so long again I just started going into detail and detail and detail and oh god I am so sorry)
So Tori, poor, innocent Tori, has to come to terms with the fact that Eichi is hiding something from him (that "Something" being a tall blue-haired extra of unknown origin) and he knows that, technically, the mature thing would be to leave it alone. Eichi will have his reasons for being a little secretive about it. He has his own life and if he doesn't want to be open about...whatever it is that seems to be going on there.... then he doesn't have to be because the man has a right to privacy.
Tori knows that. But Tori also knows that being mature doesn't matter if, technically, his beloved Eichi-sama could be at risk of giving his heart away to a scoundrel that only wishes to play with him until he's bored and then throws him away, breaking Eichis heart in the process. We couldn't have that! And what if he's a criminal? Can you really trust someone who snoops around on other peoples property without their knowing? No you can't! So really it's only natural Tori wants to know what that guys deal is. Out of a genuine concern for his friend. Of course.
And so obviously it's a completely acceptable and normal and rational decision when he sees that Yuzuru isn't there for a moment to keep watch over him like the guard dog that he is (really Tori isn't a child anymore there's no need to be so overprotective) and the other staff members also don't seem to be around and Eichi is also nowhere to be seen, that he decides to take his coat and pack his little bag with some money (read: more money than just "some" money) and tries to sneak out of the house and down the path across the small meadow and the bit of forest that separates their not-so-humble abode from the small town where the other people live.
His inital plan simple. Go there; ask around a little, maybe try some tailing (after hearing stories from the other aristocrats about how one is able to hire people to follow their spouses around without them noticing - and that apparently being an actual thing people earn their money with - he's decided that it can't be that hard and he should try his luck.) and then leaving as quickly as possible, lest Yuzuru die of a heart attack after finding out Tori dissappeared. It would be quick and easy and nobody would ever find out. That was the original plan. But Tori very soon comes to find that that could prove harder than he thought when he notices he actually really really enjoys the feeling of not having anyone hover over him like some sort of falcon watching their prey.
The little river running by the path through the meadow is still frozen (It is winter after all) and the snow on the ground almost reaches his ankles. The 15 minute walk takes him 30 because he keeps jumping around in the snow (He's made three snow angels by now. For a second he has to think of his sister and of how nice it would be if she were here with him too and how they could make snow angels together were it not for her having to stay with their parents, but he pushes that thought to the back of his head again and decides to move on with his way).
When he eventually arrives at the town - and after just wandering aimlessly through the rather empty streets - there are three major epiphanies.
The first one is that he doesn't have a clear destination. He has no idea where to look for the blue-haired weirdo. The second is that, seeing as it is a forenoon in january, most people probably aren't spending their time outside. And if they are then they are at a different place than where he is. And the third and final one: He is completely and utterly lost.
It should be regarded as an accomplishment really. Getting lost in a town with a population of barely 300 locals living there. Indeed Tori would think it impossible. Yet here he is. If anything he's sure he's at least the only one who can claim this feat for himself. This is fine. He has this under control. If he just keeps walking then he's sure to come out somewhere (No there are no tears in his eyes anyone who says otherwise is just imagining things (he decidedly ignores the little voice in his head that tells him "Who's gonna say otherwise. Look around yourself, have you forgotten that you're all alone here?")). So the big brave boy that he is he marches onward, ignoring the way his fingers have started to feel numb from the cold and his eyes have not stopped watering and the little voice in the back of his head that tells him he should've just listened to Yuzuru (He banishes that one to the deepest depths of his subconscious very quickly. There are blows that his pride can take in these situations and then there's having to agree with "You should've just listened to Yuzuru". If There is one thing that can be said about Tori then it's that he is not one to simply give up. He has come this far and he'll be damed if he backs out now).
Lost in thought and not paying much attention to his surroundings (he has more important things to think about right now), he only manages to register a flash of blue in his peripheral vision. And because this could be what he's come here for in the first place but more importantly because this is a person and that is where the bar is set, Tori immediately tries to follow them. If Lady Luck is especially nice to him this time she lets this person be the mysterious stranger he's been looking for, but what feels like a day of walking through empty streets in the biting cold of a noon in late january have humbled him enough to not push it with his luck.
And when he turns the corner, calling out for the figure to wait, insted of the strange man he was expecting he comes face-to-face with a meekish looking boy with blue hair and big violet eyes and next to him there's a second boy, this one able to be described in all aspects with only one word: average. And for a solid ten seconds they all just stare at each other.
Tori doesn't really know how, he really has no idea, but somehow he ended up following the two home. Or, well, more or less. Following isn't really the right word here. After their almost-staring-competition on the street the meekish looking one with the blue hair asked him if he was alright because "he seemed lost" (he absolutely did not.) which then prompted an entire series of events that ended is Tori sitting in this strangers families home - with an entirely different stranger also there - getting a serving of what he assumes to be radish soup. Tori feels a little sorry for the boy, Tomoya, as he said his name was, who seemed like he was previously engaged in a conversation with the other boy, who later introduced himself as Hajime and who had spent the entire way asking him questions about how he ended up here and what someone like him was doing all alone in a sleepy village neighbourhood like theirs and if he really didn't need a tissue (He hadn't cried while explaining how he was lost. He totally hadn't) and on and on and on as Tomoya had to awkwardly walk behind them.
So now, sitting at this table with these two people who he has only met today and who have given him a bowl of soup to warm himself up with, he has to tell everything about how he ended up in this situation in the first place. At the end of his recollection of this oh so wonderful day he is met with two pitying looks an a laugh - apparently one of Hajimes younger siblings had joined them at their little impromptu gathering (he wonders, distantly, how his own sister is doing right now).
And as he's about to say that he should probably make his way home and resume his mission another time when he has a map, Hajime mentions that he actually knows the guy Tori is talking about and that he lives at the local inn and that that isn't that far from them and that he and Tomoya can walk him there if he wants to. Tori agrees immediately. He is so over trying to be discreet about it at this point he really just wants some sort of success in this kind of ridiculous endeavour he's set out on.
So after the soup is finished and his limbs don't feel like they're about to fall off anymore the trio goes on their merry way and Tori feels a little silly because for all the walking around he did before they reach this inn really pretty quickly... maybe he should've thought to bring a map... The three of them venture further into the inn, and Tori only overhears Hajime talking to an older woman, but he's more occupied with looking around the place. It's father homely and rustic, a completely different atmosphere than at their place. There are noises from the few patrons sitting at the tables and chatting with each other, but it only add to the cozy feeling of the entire place.
When Hajime comes back he leads Tori up a little stairway and down a dimly lit hallway. They stop in front of a door at the very end of it (in my head there's a bit of a terasse thing happening there like. you can look down into the part where the tables are and such right right) and Tori barely has time to mentally prepare for the fact that this really is happening now before Hajime knocks and the sound of muffled steps approaching the door can be heard.
When the door finally opens (it's been a few seconds at best but it feels like an eternity), Tori is greeted by the lovely view of a pair of pale clavicles, barely covered by a black linen blouse. He has to actively look up to look at the face of their owner and when he is met with a pair of sharp, purple eyes he feels like his throat just sew itself shut. Hajime explains to Wataru that Tori was looking for him and suddenly a light seems to go up above Watarus head as a look of recognition flashes over his face and he turns around to Tori again and asks him if he's "the princess that Eichi's been telling him all about". Tori is confused. Hajime decides that this is his cue to leave and he slowly backs away to go back down and collect Tomoya, who's been roped into helping out with the catering by some elder gentleman (Wataru watches Hajime as he collects Tomoya and they leave, intrigued by this strangely average boy, as Tori just stares in horror as the realisation dawns upon him that he is now completely alone with this man whom he didn't even intend on speaking to in the first place).
So now he is here. In this very awkward situation. Sitting on a chair in this strangers room (for the second time today! Did he ever have a day this eventful? Who knows! Tori for sure doesn't.). He wants to talk, but Wataru is faster and asks him what he's doing here. Tori doesn't really know how to reply. How do you talk your way around having to tell someone that you actually got lost on the way to spy on them. That's right. You can't. Well, Eichi could. But Tori is Tori and he never wished for that to change more than he did now.
He looks out of the window and it is at that moment that another three major epiphanies reach him. Firstly that he doesn't know what to do now that he's here, secondly that he's going to get murdered by Yuzuru (and if worst comes to worst also Eichi) once he gets back because he's been gone all day without telling anyone and they're probably all worried sick, and last but not least: it is dark outside. He can't go home like that. He is virtually stuck in this predicament he found himself in.
Wataru seems to have a similar thought, because the immediate follow up question after not really getting a coherent answer from Tori is if anyone knows he's gone. Tori shakes his head. If Tsukasa ever finds out about this mess of a situation he will have to die because he would never let Tori live that down.
He gets ripped out of his incoming spiral by the bird that takes a seat on his head and Watarus over-the-top contemplative sigh and the slight lilt in his voice when he voices the next issue that's in the room. He isn't even speaking to Tori anymore, but to his bird that sits on Toris head, Jeanne, and Tori is starting to get annoyed by the way he jokes about this entire thing, calling Tori a "a little bird that escaped its nest", as if he isn't stuck having to prepare for his untimely demise. And by the way this guy hasn't put down his cryptic smile and teasing voice ever since he entered the room. When he thinks things can't get any more awkward for him Wataru proposes two options. Either he walks him home, or Tori has to stay at the inn for the night and he brings him back in the morning. Tori decides he'd rather go back home sooner than later (he'll have to take the lacture either way and he's probably caused everyone enough worries by now anyways. And also he misses his bed.). So Wataru grabs his coat, quickly goes to tell the inn-keepers he's "bringing retuening the princess to ger people" (Tori doesn't know if he liked the bird comparison better or not).
The way back is still very tense because Tori does not dare to walk next to Wataru (he's sketchy it's not Toris fault it's a normal reaction) and so he just awkwardly walks behind him, He doesn't really watch his surroundings - it is dark and the only nice thing is that it's snowing and there are animal sounds and they are spooky and he needs to watch the way and it's easier to think that way - until suddenly he gets hit by a snowball right in the head. And he is so baffled by this that he just stares at Wataru, and Wataru grins at him with his stupid stupid grin and somehow they end up in a snowball fight on this meadow where the only reason you can see anything is because of the snow and when they finally arrive at the mansion they both have so much snow in their hair and their clothes are wet from the melted snow and when they knock on the door and wait for someone to open Wataru gets some of the snow out of Toris hair and says that that snowball fight can be their little shared secret and Tori grins back at him and agrees and when the door opens and both of them are frantically ushered in by a maid that tells another one to get Yuzuru and Eichi Tori decides that maybe this guy isn'r so bad after all. Maybe he's actually quite nice.
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the-beatnik-bard · 2 months
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Husk - BG3 Tav
After doing multiple play backs of Gale's weave scene, I felt that this response was quite fitting for my dear Husk. Drawing up her backstory it started with her being from a nomadic group who focused heavily on oral tradition and memorization. Taking in the stories and fully committing your attention to the words, the emotions they were exuding, how they were being delivered and what the storyteller was saying had far more importance than making sure they were written down. In her group there are those who possess the skill to read and write (mostly out of necessity) but they are usually individuals who come from outside the community; Husk's stepfather being one of them. Having joined the group in Husk's older years she never held any interest in learning when she'd gotten by without those skills thus far in her life. Of course, that would all change once she pulled the lonely wizard from the sigil. Entranced by Gale's passion for magic and wonder of books she would soon become curious about what it is he sees in it all. Eventually she would talk to him about it and, with much embracement and self-consciousness, ask him to aid her in learning. After all, if Gale could help her do a bit of magic this surely couldn't be that arduous of as task. It would take a bit of time, there would be a lot of frustration and impatience, but she would get the hang of it and end up loving it.
After she learns to read Husk would go back and begin to delightfully sort through all the notes she's collected and make little books out of them.
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